Samsung DU7192 (VA) vs Philips PUS7009 (VA)

The peak brightness of the television is about 280 nits on the luminance charts. Unfortunately, this value is too low to fully enjoy the effects of HDR, which require significantly higher luminance. In the tested materials, such as The Meg or Gemini Man, the lack of adequate brightness significantly limits the magic of HDR, and the details in the brighter parts of the image are not sufficiently exposed. For users primarily consuming SDR content, this level of quality may be acceptable, but it is definitely insufficient when it comes to HDR. Additionally, the coverage of the DCI-P3 color palette at 82% does not favor the presentation of HDR content in its full glory. The limited color gamut makes it difficult for the television to reproduce vibrant and diverse colors, which is crucial for achieving a cinematic experience.

In terms of HDR effect quality, Philips PUS7009 performs very poorly. A brightness level of 250 nits does not allow enjoyment of HDR effects, and the image resembles more of a standard SDR. There is no talk of dynamic effects or vivid light bursts. The coverage of the DCI-P3 color palette is only 75%, which is definitely insufficient. The lack of full color coverage means that the colors are not as vibrant as they should be, resulting in a flat and unconvincing image. There are no aspects to praise this model in the context of HDR.

The best factory mode we relied on during testing turned out to be "Filmmaker." Although this mode is the closest to the intentions of filmmakers, it is not without certain imperfections. The white balance chart shows a clear dominance of red in both SDR and HDR, resulting in significant yellowness, particularly noticeable in whites and on the actors' faces. In HDR mode, there is additionally a slight dominance of green, which, however, does not have as much impact on the overall perception of the image. The gamma, responsible for brightness in SDR materials, performed quite well, but with one serious caveat. In the darkest areas of the image, it was too low, leading to excessive brightness in those scenes, depriving the film of drama and contrast. In HDR, the white balance remains at a similar level, but the EOTF curve chart draws attention. At the beginning, the curve clearly bulges, leading to strong brightness in the darkest scenes. Then the result drops sharply below the reference line, resulting in an image that is too dark and a loss of dynamics in the brighter areas.

To summarize, the "Filmmaker" mode, despite its advantages, requires refinement – especially regarding white balance and proper management of brightness in the darkest and brightest areas of the image. In its current form, it may be acceptable for less demanding users, but for viewers expecting precise image reproduction, it may leave much to be desired.

The TV was tested in movie mode, which – despite its name – does not provide correct image display. The white balance in both 4K HDR and HD/SDR content is characterized by drops in red color, causing the image to appear cooler and colors to lose their natural warmth. The gamma brightness characteristics and EOTF curve confirm that the TV has trouble maintaining appropriate brightness – it boosts it significantly, resulting in an unnaturally washed-out image. This effect can be seen in the comparisons below, where the overall appearance looks as if covered with a milky filter. Additionally, limited coverage of a wide color gamut also does not favor quality – color checker tests indicate significant color fluctuations, making it difficult to achieve faithful image reproduction.

Even with its lower models, Samsung offers extensive tools for image calibration, allowing for significant improvement of factory settings. We undertook this task, and the results proved to be more than satisfactory. The white balance, which previously exhibited strong yellowing in both SDR and HDR, has been significantly improved. Although minor deviations from the norm can be observed, the overall effect is much cleaner and more natural than before calibration. As a result, whites and skin tones look much better. We also managed to appropriately model the gamma in SDR materials, allowing for maximum contrast that this television can offer. The EOTF curve, responsible for HDR materials, has also been improved – the image is no longer brightened or darkened as drastically as it was before calibration. Despite these successes, HDR materials still struggle with high deltaE error values. The main cause lies in the limited brightness of the television, which does not allow for a full representation of HDR content dynamics. Nevertheless, after calibration, the picture is clearly better and more aligned with the creators' intent. For users seeking the best possible quality in this class of equipment, calibration is definitely recommended.

After calibration, the image has significantly improved, especially in terms of white balance, which is now more stable, and the shades have gained naturalness, eliminating the previous impression of an excessively cool image. The calibration has brought noticeable benefits in terms of tonality – shadows and midtones are now more realistic, and the overall picture appears more harmonious. Unfortunately, hardware limitations still affect the quality of the image. The brightness characteristics remain problematic despite our efforts, and due to the poor coverage of the DCI-P3 and BT.2020 color gamut, delta E errors are still at a high level. Although calibration has improved some aspects, the television still does not allow for complete satisfaction.

The tonal smooth transition function operates in two modes – "off" and "auto." Turning it off causes gradation issues, while the "auto" mode provides smooth transitions but at the expense of grain and details that are often blurred. Due to these limitations, we do not recommend using this function, as confirmed by our tests conducted with it turned off.

Scaling lower resolution materials in this model is not impressive. Details are blurred, and the edges of objects may contain artifacts. This limitation means that the television is better suited for higher resolution content.

When it comes to tonal transitions in low-quality material, the function called "Distortion Reduction" (setting "minimum") effectively improves gradation, eliminating ugly tonal transitions. However, this setting on Philips televisions is quite aggressive – it does not blur grain or good quality material, but with a poorer signal, it can introduce unwanted effects and blur elements that should remain sharp.

In terms of image scaling, Philips PUS7009 performs decently. A major advantage is the absence of cropped image edges, meaning no overscan, which allows for displaying the full frame without loss. The image is noticeably improved, making characters and backgrounds, such as models or branches in the background, look quite detailed and natural, even with lower quality signals. Although the scaling is not perfect, as it can remove desired details in the distance, the results are good enough for most users to be satisfied.

Although the Samsung DU7192 is the lowest model in the manufacturer's offer, it is equipped with a motion smoothing system. While the functionality of this solution is significantly limited compared to more expensive models, its mere presence distinguishes the television from competitors in this price range. The television supports a maximum refresh rate of 60 Hz, which is sufficient for comfortable viewing of movies and series, but may be inadequate for dynamic content such as sports. In the motion smoothing menu, we find, among others, the "Motion Blur Reduction" function. Unfortunately, its performance leaves much to be desired – regardless of the setting, the image exhibits characteristic stuttering known from material recorded at 24 frames per second, which makes this function practically fail to fulfill its role.

Philips PUS7009 does not have motion smoothing features, which means there is no option to adjust the image for a more choppy or smoother, cinematic effect. Such features could positively influence the reception of dynamic scenes. As for motion blur, this model is equipped with a 60 Hz VA panel, which produces slightly worse results than the IPS panel variant. The VA panel introduces a minimally greater motion blur, although the differences are not significant and should not pose a problem for most viewers.

The Samsung DU7192 is equipped with HDMI 2.0 ports, which is expected in this price range. This limitation means a lack of support for the full capabilities of the latest generation consoles, such as VRR technologies. The television only offers basic features for gamers – automatic switching to low latency mode (ALLM) and support for basic HDR for games in the HGiG standard. HGiG allows for displaying HDR content in games according to manufacturers' guidelines; however, the limited brightness of the television does not allow for fully enjoying the effects that this standard offers. Unfortunately, there is a lack of conveniences such as GameBar, which is increasingly found even in cheaper models and greatly facilitates quick adjustments of settings for games. The presence of this feature could significantly enhance user comfort, especially among those who frequently change display modes.

In terms of compatibility with consoles, Philips PUS7009 is likely to satisfy casual gamers. Although equipped with HDMI 2.0, it offers features such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and Game Bar. ALLM automatically switches the TV to low-latency mode, which speeds up reactions during gameplay, while VRR adjusts the refresh rate to minimize screen tearing. The Game Bar allows quick access to game settings and monitoring of key parameters, although it visually falls short compared to competing solutions. However, more demanding gamers may feel a sense of dissatisfaction. Philips PUS7009 does not support advanced HDR formats in games, and the 60 Hz panel limits the ability to display smooth and detailed images in dynamic scenes, which may not satisfy fans of fast-paced action games.