PHILPS PUS9060 vs Sony BRAVIA 5 (XR5)

The One is bright enough to enjoy movies recorded in HDR format. The average brightness of this model is about 500 nits, so we can count on a pleasant viewing experience for movies from streaming platforms without any issues. Of course, it could always be better, because when it comes to brightness, there is never too much for this type of content. Unfortunately, a disappointing surprise may be the DCI-P3 color gamut coverage offered by the PUS9060. Although the manufacturer boasts about using a QLED filter here (it’s actually PFS LED), it's hard to talk about any positive effects of its operation. 85% DCI-P3 color gamut coverage is definitely not a level to brag about in 2025 – especially in a television advertised as QLED.

Looking at similar results in terms of black levels and contrast, we expected the same stable performance as last year's model when it comes to HDR content. Unfortunately – and this must be said plainly – there has been a regression here that is hard to overlook. The paradox is that the peak brightness of the Bravia 5 can be impressive: in our synthetic tests, the television reached around 1000 nits in HDR. Sounds great, right? The problem is that this power does not always translate effectively to all movie scenes. When small, pinpoint elements appear on the screen, something that was usually refined with surgical precision in the case of Sony clearly falters this time. The algorithms try to maintain deep blacks around small objects, but the side effect is that details can be dimmed to the point of becoming barely visible. A case in point is the movie Sicario 2 – there, in some scenes, small light sources practically vanished as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with a greater amount of light, the Bravia 5 shows that it can shine: literally and figuratively. At that point, the television achieves values in the range of 600–800 nits, which we observed in both synthetic tests and during movie screenings. The impression is truly positive; the brightness adds dynamism, and the colors appear vivid and fresh. However, there remains a certain dissonance. We feel a slight confusion because it is evident that something has gone the wrong way. Technological advancement – more zones, greater backlight power – has not been supported by the refined image management we usually associate with Sony. Fortunately, there are elements that have not been worsened and are instead at a very high level. We are talking about color reproduction. Thanks to the use of the PFS filter, the color gamut coverage is excellent – about 97% of DCI-P3 and 75% of BT.2020. These values allow for a truly wide color reproduction, giving films a natural and cinematic character.

We tested the PUS9060 in the best factory mode it employs – of course, we’re talking about movie mode. Unfortunately, the best in this case doesn’t mean good. The picture in this mode was distinctly yellowed and leaned towards orange tones. The white balance on this TV was definitely too warm, resulting in an artificial, somewhat "sun-kissed" look for the entire scene. This directly translated to significant color errors, which in the worst cases exceeded a delta E value of 6 – thus, they were visible to the naked eye. The situation was the opposite in HDR mode, where the picture became too blue and too cold in appearance. Additionally, there was a slight increase in brightness – the gamma curve and EOTF suggested that the TV slightly brightens the image, which was also evident in the comparison photo below.

Sony Bravia 5 was of course tested in the best possible mode, which is the Cinema mode. Right out of the box, it offers the most natural colors, definitely better than anything provided by the "eco" or "dynamic" modes, which are more suitable for a store display than a living room. However, the Cinema mode itself does not guarantee that we can always expect cinematic image quality. In SDR content, we had practically no major complaints – the slightly warm white balance made the scenes take on a somewhat golden tone, but it was nothing that was glaringly obvious. However, the problem arose with HDR materials. Here, the color reproduction simply looked poor. The white balance was severely off – with an excess of blue and a noticeable lack of red. At times, it even resembled the store "super vivid image" mode, where everything is overexposed and artificially boosted.

This state of affairs made managing brightness seem too aggressive as well. The EOTF graph clearly showed that the television had issues with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was hard to remain indifferent here – which is why we quickly decided to go for calibration.

Thanks to calibration in movie mode, we managed to completely eliminate the yellow-orange hue, which significantly improved the reception of the entire scene. The image has become much more visually pleasant, although it still falls short of reference settings. It may now appear slightly bluish, but it is still a significant improvement compared to the factory settings.

Unfortunately, we could not significantly improve the brightness characteristics, but that is more about the construction of the TV itself – the lack of local dimming limits the possibilities for precise brightness management. The PUS9060 simply cannot dynamically adjust luminance like more advanced models do. Nonetheless, after calibration, the overall reception is much more enjoyable, especially in film materials.

After calibration, the situation changed drastically. We managed to tune the white balance so that entire scenes began to look more natural, and the image gained coherence and elegance. In HDR, we finally got rid of that unwanted blooming effect that had previously ruined some shots. Suddenly, it turned out that the Bravia 5 can extract much more from films than the first contact "straight out of the box" suggested. Yes, if we take a look at the graphs and compare them with the reference patterns, we can see that the start of the EOTF curve slightly deviates from the reference line. However, this is not so much a calibration error as a natural limitation of Mini-LED technology, which cannot be bypassed. Sony, instead of clinging to perfect black, prefers to prioritize the visibility of details – and in practice, it’s hard to disagree with that. We prefer to see the texture of the material on the screen rather than a pitch-black blob that obliterates all nuances.

The calibration itself made a significant difference. After about an hour spent on adjustments, we felt that the picture resembled that from the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we love Sony televisions: because once we fine-tune them, they can reward us with an image that captivates for long hours.

In the PUS9060, we find the latest version of the image processor called P5 Perfect Picture, which is designed to improve the picture - especially the imperfect ones. The TV features a distortion reduction function, which smooths out tonal transitions, that is, those "color joins" mentioned earlier. And this function does so very effectively - there is no strong color gradation, but unfortunately, it works aggressively enough that it sometimes dims desired elements, such as material textures or film grain. So this can be considered a compromise. We would not recommend using this function for movies, but for more casual content - such as YouTube or regular television - absolutely.

The P5 processor also improves the quality of lower resolution images, and it does this quite effectively. The test image with the model is very soft - sometimes even too much - but this can be easily adjusted with the sharpness slider to match personal preferences. It is also pleasing that the TV does not cut off edges in SD content - which unfortunately still happens in some TV models.

Bravia 5 carries within it the genes of Sony, which remain intact – and thank goodness for that, because we are talking about absolutely remarkable digital image processing. There is a reason that for years it has been believed that it is this brand of television that sets the standard for how a screen should handle lower-quality materials. If someone is still watching classic television, old movies, or YouTube in lower resolution, here they get equipment that can turn such content into a surprisingly pleasant experience. On board, we find several tools worth activating. The first of these is "digital noise reduction." Set to a medium level, it works almost flawlessly – smoothing tonal transitions that usually pose the biggest challenge with low-quality materials, while not introducing any artificial artifacts. Importantly, it also does not remove the filmic character, or the natural grain that is an intentional element in many productions. Another advantage of Bravia 5 is the upscaling capabilities of the XR processor. The image presented after scaling is soft yet sharp and clear. The contours of characters are well-defined, and backgrounds retain their structure without excessive artificial sharpening. It’s hard to find a better television for watching lower-quality content – Bravia 5 only confirms why Sony is regarded as the benchmark in this field.

PHILIPS PUS9060 is equipped with a 4K display with a 144 Hz refresh rate, so we can confidently say that it is suitable for both watching sports and playing games. And indeed, it is. But what about movies that are most often recorded at 24 frames? Like most of the TVs we tested with a refresh rate of 120 Hz and higher, the PUS9060 offers two sliders in the motion smoothness options. The “Smoothness” slider allows you to adjust the effect in movies – you can set the image to be smoother, resembling a theatrical effect (higher settings), or more cinematic, with a slight “jump” in frame rate (lower settings). Additionally, there is a function called "Motion Blur Reduction," which reduces blurring – and this is a very useful feature, especially when watching sports.

Bravia 5 has a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches, or spectacular action movies. However, the real magic begins only when MotionFlow comes into play – Sony's proprietary smoothing technology. Thanks to it, we can adjust the character of the image to our own preferences. The “smoothness” slider allows us to transition from a cinematic vibe with a slight “jitter” of the film frame to an almost theatrical fluidity, where every ball in the game glides across the screen like on a string. The higher the value, the smoother and more fluid it is; the lower – the more cinematic and natural. In the options, we also find an additional setting that Sony has called “clearness.” This is nothing more than the BFI function (which stands for black frame insertion), which aims to improve motion clarity. It sounds great in theory, but in practice, you need to use it with great caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, there can also be contour doubling. Therefore, if we want to use it, we recommend the lowest possible level – “1” out of the available ten. This way, we gain a little better motion clarity without risking a loss of half the image brightness.

The PHILIPS PUS9060 is a true gaming monster – it has practically everything you could expect from a modern gaming television. It features VRR, ALLM, and also includes HGiG implementation, which helps set up HDR in games as the developers intended. The TV supports every possible resolution at 120 Hz, including 1080p, 1440p, and full 4K – so regardless of whether you’re playing on Xbox, PS5, or a PC, everything works as it should. There is also a simple Game Bar, which is a special menu for gamers that allows you to quickly check if the ALLM mode is indeed functioning in the lowest latency setting.

And of course – Ambilight TV. Let's be honest – without LEDs on the back, it’s not a true gaming device. 😉 The multicolored backlighting can really enhance the atmosphere, especially in the evening. It may not be to everyone's taste, but younger gamers will be thrilled – because it simply looks impressive.

In the Bravia 5, there is significant progress compared to the X90L model from two years ago. The television offers literally everything that its predecessor had, but this time the issues that could irritate gamers have been fixed. The problems with setting up variable refresh rate (VRR) have disappeared, and there are no longer any issues with configuring HDR content in HGiG mode. In short: we get a device that simply works as it should without any fuss. The Bravia 5 thus has everything one could expect from a modern gaming television – and it could be advertised with the slogan "ready for PS5" without exaggeration. This is a statement we couldn't make about the X90L model. Hats off, Sony!

It's just a shame that in such a relatively high-priced model, a complete set of four HDMI 2.1 ports is missing. In everyday use, this won't be a problem for most people, but if someone has a console, soundbar, and additional equipment connected via HDMI, at some point there will be a need to either choose or juggle cables.