Compare Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Samsung The Frame LS03D

Philips PUS8959, also known by other designations under the PUS89 abbreviation (depending on the sales network), is a model from the popular series The One. Its biggest distinguishing feature is the Ambilight system, which still makes a great impression. The three-sided backlighting adapts to the picture on the screen, making movies, series, or games literally extend beyond the edges of the TV. The One is also a good option for gamers. The 120 Hz panel and low input lag ensure that games run smoothly, and the motion on the screen is clear. On the console, we tested several dynamic titles, and the TV handled them without any problems – no stutters or delays. Additionally, HGiG support allows for better reproduction of HDR effects in games. This is a great solution if we care about the image matching what the creators intended. The picture quality is at a good level, especially during the day. With a brightness of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR films delivers vivid colors and sharp details. However, the ADS panel has its limitations – the blacks in dark scenes resemble a gray shade more, which can be noticeable when watching in a dimly lit room. When we watched movies with the lights off, the lack of depth in the blacks was somewhat evident. The Titan OS operating system is something that still needs refinement. It is fast, but the limited number of applications, such as the lack of Spotify or TVN Player, can be frustrating for those used to more advanced platforms like GoogleTV. When daily using Netflix or YouTube, it works flawlessly, but if we expect more advanced features, the system may not meet expectations. Overall, Philips The One is a good choice in its price category. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It is also a solid option for gamers, thanks to smooth image and low input lag. Although the blacks are not perfect and the operating system needs refinement, the TV performs well in everyday use. For fans of unique solutions like Ambilight, this is a proposition that definitely deserves attention.

Samsung The Frame (2024) is not just an ordinary television that you could put in the corner and forget about after two days. Here, it's immediately evident that the manufacturer focused on something beyond just displaying movies. First, the "Art" mode catches the eye – with just a few clicks, we can turn The Frame into a digital gallery, showcasing artworks that, combined with the matte panel, truly resemble a real painting in a frame. And speaking of the frame, we have the option to customize its color to perfectly match our interior. Additionally, the package includes a wall mount, allowing the TV to be hung practically "flat," which further enhances the impression of engaging with a picture rather than a typical screen. The matte panel provides excellent protection against light reflections, which, paired with high brightness (650 cd/m²), works well in full sunlight. Moreover, we have a VA panel with quite decent contrast and a refresh rate of 120 Hz, so when watching sports or playing dynamic titles, everything appears really smooth and pleasant to the eye. If we add a gaming features package – VRR, ALLM, and HGiG – it becomes clear that Samsung also thought of console and PC fans. As a result, The Frame can be both a picturesque decoration for the living room and a quite sensible gaming monitor. The aforementioned One Connect is another handy gadget – thanks to it, we can hide all cables in one place, pulling only a thin wire connecting the TV to this magical box. If we like order, this is a solution made for us. Another advantage is the Tizen system – user-friendly, fast, and full of applications. We might not find absolutely everything in it (e.g., the Tidal app), but it still offers a wide range of options for searching new streaming platforms. Of course, there’s no rose without thorns. The lack of local dimming is noticeable in dark scenes, where black becomes less defined. We also have to remember that there is only one HDMI 2.1 port, so if we want to connect more devices in 4K and 120 Hz, we might feel limited. Additionally, viewing angles are rather average, so it's better for the most important viewer (i.e., us) to sit directly in front of the TV. For Dolby Vision fans, this also won’t be the perfect choice, as The Frame only supports HDR10 and HDR10+. Moreover, the sound – like in most slim TVs – is mediocre, so it's worth considering a soundbar if we care about clearer bass and a bit deeper sound. Despite these weaker points, The Frame still leaves a great impression. It is striking, stylish, and versatile – suitable for watching the latest hits as well as displaying reproductions of paintings on the wall. If we care about a unique appearance, high brightness, and at the same time want to play something with low input lag, this model will be a home run. And although it may not be the leader in terms of cost-effectiveness or a technological "monster" in terms of picture quality, it has something that is simply likable. It’s a piece of equipment that stands out with its unique character and can fit into any interior, attracting attention both in TV mode and as a digital art gallery.

The television Philips PUS8959 is based on an ADS panel, which offers slightly different parameters compared to the popular VA panels. In the tested scenes, the contrast was around 2000:1, making the black level far from ideal. ADS panels are known for their weaker contrast compared to VA panels, which in practice means that instead of deep black, we see more navy or gray shades. However, the ADS panel is still better than the standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology that could improve these parameters. The lack of this feature amplifies the effect of shallow black, particularly noticeable in dark scenes, like those in the movie "Sicario 2." Instead of intense black, the screen generates a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this makes the visual experience lose depth, and details in dark scenes are not as well visible as one might expect from higher-class screens. Despite the lack of local dimming, the television is equipped with something called Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the expense of details that may blend together, for example, lights in the test scene from the movie Oblivion. It is worth adding that the model we received for testing has quite large spots resulting from uneven backlighting, although this is not an exception, and one should take into account that we might also receive such a unit when purchasing.

The Frame uses a VA panel, which in itself provides quite high contrast. In our tests, the results ranged from 4000 to 5000:1, which will be quite sufficient for most users. However, the lack of local dimming becomes noticeable, especially on more demanding test screens. In dark scenes, one can notice that the black has a slight navy hue. During the day or in a well-lit room, this won't be an issue, but during an evening viewing, more discerning viewers may feel a slight disappointment.

The luminance chart for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows the effects of HDR to be felt, particularly standing out in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the cost of the silverish blacks we mentioned in the paragraph about blacks. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 color palette, which amounts to around 94.5%. This makes the colors vivid and close to the creators' intentions, further enhancing the quality of HDR effects and the viewing experience of high dynamic range content.

The Frame really handles brightness well. With results at the level of 700 nits, bright elements on the screen look impressive and detailed, whether they illuminate the entire screen or appear as small bright spots against a dark background. In more demanding scenes, like the fourth sequence from the movie Sicario 2, the blacks perform averagely, but we already discussed that in the section regarding contrast. However, when it comes to brightness – here the TV definitely performs well. An additional advantage is the quantum dot coating, i.e., QLED technology. Thanks to it, the color palette coverage has been improved, although The Frame does not stand out in this regard compared to the competition.

The Philips PUS8959 television was tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls far short of the ideal. The biggest issue in this mode is white balance, both in HD and 4K content. It is characterized by a significant dominance of the red color and dips in the green level, resulting in an unnatural color reproduction. For example, white elements of the image have a distinctly pinkish hue, and the green is less intense, causing the overall image to lose its naturalness and color balance. The ColorChecker test confirms these errors – it is clearly visible how the color samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce colors. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

Regarding brightness characteristics, the gamma chart resembles a real roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly highlighted. Meanwhile, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance look less dynamic. Similar issues can be noticed in the EOTF characteristics – the television is unable to correctly reproduce the brightness level, negatively affecting the overall image quality.

Samsung offers several picture modes in its TVs, but without a doubt, the Filmmaker Mode is the one that should provide the most natural representation of content. Unfortunately, as is often the case with mass production, the differences between units can be significant, and our tested model did not escape a few problems.

In the case of SDR content, the white balance heavily leaned towards red, with a slight boost in blue. This effect was particularly visible in comparison photos – in the example of a photograph with a boy, whose face was almost unnaturally flushed. The gamma, or brightness characteristic, also did not perform perfectly – the image was slightly brightened, which took away its depth.

In 4K HDR content, the white balance was again dominated by red, this time combined with green. Meanwhile, blue clearly lost intensity, which could be easily noticed on the Color Checker palette, where the colors began to "run away" in the wrong direction. The EOTF curve, responsible for brightness in HDR content, showed that the TV tends to excessively brighten the image, especially in the darkest elements of scenes.

Overall, although it did not look tragic, it definitely needed correction. Fortunately, Samsung offers extensive calibration options, which provide an opportunity for significant image improvement. Therefore, we proceeded with professional calibration to extract the full potential of this TV.

After calibration, the Philips PUS8959 television shows a significant improvement in color reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered an outstanding result. Additionally, the gamma, which is responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

Regarding 4K HDR materials, a significant improvement is also noticeable. The white balance, although not as perfect as in HD content, no longer shows issues with excessive red exposure, making the image appear more natural and harmonious. Unfortunately, in the EOTF characteristics, it is difficult to speak of any significant improvement, due to the design limitations of the television that prevent significant enhancement in this aspect.

Nevertheless, the overall performance is much better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth spending time on precise calibration to achieve satisfactory image quality.

After professional calibration, the Filmmaker Mode shows its full potential. The white balance in HD content is exemplary – an error level of 0.5 indicates almost perfect color reproduction precision. The image now looks natural, and the colors are exactly as they should be. In 4K HDR content, the effect is not as perfect, but it still maintains a really high level. The colors are vibrant, well-saturated, and the overall image quality is impressive.

So where does the problem arise, if we praise the color reproduction so much? Unfortunately, the overall experience is disrupted by the brightness characteristic. The gamma in HD content looks decent, but in 4K HDR it's not as good. The EOTF curve shows that the TV excessively brightens certain parts of the image, which is a result of design limitations. The lack of local dimming means that the TV cannot precisely control the differences between the brightest and darkest areas of the screen. This is a barrier that simply cannot be overcome in this model.

Nevertheless, after calibration, The Frame offers excellent color reproduction, especially in HD content, and the overall appearance is much better than before the settings correction.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Occasionally, minor issues can be noticed, especially during transitions between certain colors, where subtle unevenness is apparent. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides sufficiently good gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and avoiding glaring tonal distortions.

This is one of the best TVs we have had the opportunity to test in terms of the smoothness of tonal transitions. Any potential imperfections are so minor that you really have to strain your eyes to notice them. They are subtle enough that we only deducted a symbolic fraction of points in this category. Undoubtedly, this is one of the greatest advantages of this model. It's possible that such a good effect is partly due to the matte coating of the screen, which gently masks any irregularities in color gradation. The smoothness of tonal transitions in The Frame is at a level that will satisfy even exceptionally demanding users. Kudos to the LS03D!

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at the minimal setting performs quite well, effectively smoothing tonal transitions without excessive influence on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in place, which is a big plus for users who appreciate the natural look of film materials.

On the other hand, regarding digital processing, the image looks quite good, although it is characterized by very softened contours, giving it an almost "misty" quality. This effect can evoke mixed feelings – some users may enjoy the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preferences, but it must be admitted that the Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

It was time to check how The Frame handles older, lower-quality materials. We already know that the smoothness of tonal transitions is very high here, so we were curious to see how the TV would manage their smoothing.

The noise reduction feature in the "Standard" setting performs well – tonal transitions are noticeably smoothed out, and the image does not lose too much detail. However, it's worth noting that this effect also smooths out film grain, so its use will be a matter of individual preference.

When it comes to image scaling, the TV also performed really well. The tested frame was solid – the model was rendered correctly, with clear details. The branches in the background, although slightly jagged in places, generally look natural and do not stand out as a flaw.

Philips TV PUS8959 is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for a significantly smoother image, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjusting the frame rate of the film according to personal preferences. The Philips PUS8959 has a 10-step adjustment for the functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimizing blurring and improving motion sharpness, which is particularly noticeable in dynamic sequences, such as action scenes or fast sports shots.

First of all, it is worth noting that the model we tested in 55 inches, just like the 65, 75, and 85-inch versions, is equipped with a 120 Hz panel. Unfortunately, the 43 and 50-inch variants of this series offer only 60 Hz panels, which is worth considering when making a purchase. As for improving motion fluidity, the TV offers a feature called "Picture Clarity." This is a classic motion smoother that gives users the ability to adjust it using two sliders:

Motion Blurring Reduction – this is responsible for sharpening the image during dynamic scenes. The higher the value, the less blur during rapid camera movement or moving objects. However, overly aggressive settings can make the image look unnatural and start to resemble a “soap opera”.

Judder Reduction – this slider affects the smoothness of frame playback, particularly in materials with a lower frame rate, such as films (24 fps). Higher settings can smooth out motion but can also lead to an excessive "plasticky" effect on the image.

Both sliders operate on a scale from 0 to 10, allowing for precise adjustment of the effect to one’s own preferences. It is worth experimenting with the settings to find the perfect balance between fluidity and the natural appearance of the image. We recommend setting them as shown in the picture.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better HDR effect reproduction in games. As a result, the image is closer to what the game developers intended to achieve.

The television also supports 120 Hz image display, ensuring smoothness and dynamism, which is particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and appropriate smoothness during gameplay.

The Frame in version 2024 is equipped with four HDMI ports, but only one of them supports the 2.1 standard with a bandwidth of 40 Gb/s. This is an important piece of information if we plan to connect more than one device that requires a 4K@120 Hz signal – for example, two consoles or a console and a gaming PC. In terms of gaming features, The Frame truly has a lot to offer. We find ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and HGiG. It is worth emphasizing that HGiG has been very well implemented here, which is particularly important since the TV does not support Dolby Vision in games (which is only available on Xbox consoles). In this case, HGiG proves to be a better standard for gaming. Samsung has not forgotten about features that enhance the gaming experience. Game Bar is an advanced panel for gamers that allows for quick adjustment of screen settings without the need to sift through the TV menu. We can even change the aspect ratio from 16:9 to cinematic 21:9, which for some gamers can be a significant advantage. However, Samsung's biggest ace up its sleeve is the Game Motion Plus feature. This is a special smoother dedicated to games, which adds extra frames of animation without significantly impacting input lag. The effect is really noticeable – the image appears much smoother, which fans of dynamic titles will particularly appreciate. In summary – Samsung The Frame is a television that offers a solid set of features for gamers. Although the limitation to one HDMI 2.1 port may be a downside, the rest of the solutions make gaming on this TV a truly enjoyable experience.

Philips PUS8959 TV offers impressive results in terms of input lag, making it an excellent choice for gamers. For 120 Hz content, the lag is less than 6 ms, which is an absolutely outstanding result and allows for immediate reactions in games, especially in fast-paced titles. For 60 Hz content, the input lag is 15 ms, which is also a remarkable result and provides comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While this result may be acceptable for less dynamic content, it may prove insufficient for demanding gamers, affecting precision and reaction speed. Nevertheless, in standard modes, Philips PUS8959 still offers outstanding performance, making it a competitive choice in the gaming TV market.

In terms of latency, The Frame really impresses. 13 ms with 60 Hz content and 8 ms with 120 Hz are results that will satisfy even the most demanding gamers. Such low values make the reactions to controller movements almost instantaneous. In dynamic games like shooters or racing, every fraction of a second matters – here The Frame performs excellently.

Philips PUS8959 performs excellently as a monitor for use with a PC. With support for chroma 4:4:4, it provides full color clarity, which is crucial for working with text – fonts are sharp and legible, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag offered by the television guarantees smooth and responsive operation, which is important for both everyday tasks and more dynamic applications, such as gaming or multimedia editing. Philips PUS8959 is an excellent choice for users seeking a television that will also serve as a PC monitor, providing high image quality and user convenience.

Using a computer on The Frame is truly a pleasant experience. The fonts are clear and well-rendered thanks to the 4:4:4 chroma support. There is no blurring or fuzziness that often appears in cheaper televisions. Of course, if someone scrutinizes small texts, they may notice minimal imperfections, but it's really a minor issue that doesn't interfere with everyday work. It's also suitable for PC gaming. The 120 Hz panel, support for G-Sync, and truly low input lag make games run smoothly and without delays.

Philips PUS8959, equipped with an ADS panel, offers quite good viewing angles, definitely better than those found in VA panels. The image retains its quality even when viewed from a greater angle – colors are vivid, and contrast does not deteriorate as much as in televisions with VA panels. As a result, when watching television from different spots in the room, one can still enjoy well-saturated colors and overall image quality, making Philips PUS8959 a perfect choice for larger spaces and for watching together with family or friends.

The viewing angles on The Frame are average, which is typical for a VA panel. And here comes a bit of a snag – this television is supposed to serve as a display for images and works of art, which are not always viewed head-on. When viewed at an angle, colors start to lose their intensity, and black turns into shades of gray. This is not at a level that completely ruins the experience, but if the TV is placed in a position where it will often be viewed from the side, the effect may be noticeable. It's a pity because better viewing angles would be a significant advantage in a TV intended for such purposes.

Philips PUS8959 has a satin coating on the screen that effectively reduces light reflections, which is advantageous when using the television in bright daylight conditions. However, such a coating causes blacks to take on shades of gray during the day, losing their depth and intensity, which affects the perception of the image in darker scenes.

A brightness level of 562 cd/m² allows for comfortable television viewing during the day, even in well-lit rooms. The image is bright enough to stand out against daylight, and the reduction of reflections ensures decent visibility of content, making Philips PUS8959 a good choice for rooms where lighting levels cannot always be controlled.

The Frame is equipped with a matte display that manages to effectively suppress direct light reflections. As a result, even in a brightly lit room, the image remains readable, and reflections do not interfere with viewing. Of course, as is usually the case with matte coatings, there is a trade-off – colors lose some intensity, and black seems more faded during the day. Fortunately, the television compensates for this with a brightness level of 650 cd/m². This ensures that the image is bright, clear, and well visible even in a heavily lit room.

Philips PUS8959 is equipped with a three-sided Ambilight system – the flagship patent of this brand, which has delighted a dedicated group of fans for years. Ambilight relies on dynamic backlighting of the wall behind the TV, matching the content displayed on the screen, which significantly enhances the viewing experience, especially in dimly lit rooms. This effect is unique and adds a certain kind of "magic" to watching, causing many users to choose Philips specifically for this feature.

As for the operating system, Philips PUS8959 uses Titan OS – a system that is still in its early stages of development. Here, you can see growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available apps. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the TV does not have AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users looking for a flexible way to stream content.

The user features of Philips PUS8959 are a mix of pros and cons. The remote control included with the TV is quite annoying – it requires direct aiming at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports English. On the plus side, the remote is backlit, making it easier to use in the dark. The TV does not have PiP (Picture-in-Picture) functionality or the ability to record programs, which is a significant drawback. However, the TV is equipped with Bluetooth, allowing connection to headphones or a keyboard, which can be useful – especially due to the limited number of available apps, which may encourage the use of the built-in web browser.

The Frame is a television that stands out from other models and is difficult to describe in a traditional way. Of course, we will find all the standard Smart TV features thanks to the Tizen system. The system works responsively, is extensive, and offers a wide selection of applications. The remote control supports voice commands in Polish, and we can connect additional devices via Bluetooth – just like in many other televisions. But this is not the essence of this model.

The greatest strength of The Frame is its design. The "Art" mode allows you to display thousands of high-resolution images, which, combined with the matte display, look truly exceptional. The effect is surprisingly realistic and hard to compare to any other television.

The frames may not be the thinnest on the market, but they can be customized in terms of color and style to perfectly match the interior. (Sold separately) And although the frames themselves are not ultra-thin, the entire construction is sleek and elegant. The wall mount is also noteworthy, as it is included (its value is around 400 PLN). With it, the television can be mounted almost flush, with no gap from the wall, which further emphasizes the "picture" effect.

And what about the cables? Samsung thought of that too. The Frame is equipped with the One Connect module – an external box to which we connect all devices. Only one nearly invisible cable leads to the television, which transmits both signal and power. The box can be easily hidden in a cabinet or behind furniture, ensuring that nothing disrupts the aesthetics of the interior.

The Frame is more than just an ordinary television – it is a thoughtfully designed decorative element that combines modern Smart TV functionality with exceptional design and practical solutions. Although it lacks typical features like USB recording or PiP, it is not a model created with a classic approach to television in mind. The LS03D is a television that is easy to like for its innovation, originality, and how well it fits into any interior.

Although the Titan OS system on the Philips PUS8959 TV is still in its infancy, it deserves praise for supporting Polish subtitles embedded in movies, which is a significant convenience for users dealing with external files. If we want to play a movie from a connected USB device, the TV will do so without major issues, providing comfortable viewing without the need for additional subtitle configuration.

When it comes to photos, the TV should have no significant difficulties in playing them. It supports most popular formats, although it lacks support for less common standards such as HEIC used in Apple devices. This means that some photos, especially from newer Apple devices, may require prior conversion to a more standard format in order to be played on the Philips screen.

The built-in media player in The Frame handles most popular video and audio formats without major issues. Video files, even those with our added subtitles, play smoothly and without interruptions. The same goes for audio files – there are no major surprises here either. The situation is somewhat worse when it comes to photo format support. The built-in player has some limitations and does not support all possible types of graphic files. However, nowadays most people use wireless photo transfer, so this will not be a major problem for many users.

The sound of the Philips PUS8959 unfortunately leaves a lot to be desired. Although the low frequencies can be heard in the playback, the bass is very weak, which results in an overall unsatisfactory sound quality. The TV plays average, especially when compared to more advanced audio systems available on the market.

Despite the average quality of the speakers, the TV supports all the essential audio codecs, which may please users using external home theater systems. Thanks to compatibility with various audio formats, the Philips PUS8959 can offer good audio experiences when connected to appropriate external speakers or a receiver, providing a fuller, more cinematic sound.

The sound in The Frame is... well, quite average. The slim design of the television, while impressive, does not provide much space for decent speakers. As a result, the sound is flat and lacking in dynamics – just like most televisions in this category. Samsung is clearly aware of this, as it has a special series S of soundbars in its offer, created specifically for the "lifestyle" line of televisions to which The Frame belongs.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Samsung The Frame LS03D

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound