Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Samsung R85H / R86H

The luminance chart for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows the effects of HDR to be felt, particularly standing out in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the cost of the silverish blacks we mentioned in the paragraph about blacks. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 color palette, which amounts to around 94.5%. This makes the colors vivid and close to the creators' intentions, further enhancing the quality of HDR effects and the viewing experience of high dynamic range content.

If it’s about brightness, the R85H performs really well. In most of our test scenes the TV reaches around 800 to 900 nits, and with larger bright elements it can break 1000 nits. These aren't, of course, levels on par with the most expensive Mini-LEDs, but they're more than enough for watching movies and TV series in HDR, and the effect can be quite noticeable. The problem shows up again in more demanding scenes where there's a small bright element on a very dark background. Here the TV can significantly reduce its brightness so it doesn't illuminate too much of the screen. In our measurements such small highlights dropped to around 200 to 250 nits, so you can see that a limited number of local dimming zones combined with the specific behavior of the algorithm has its consequences. Fortunately, it's not something that bothers you all the time. In typical mixed HDR scenes the R85H looks good and can deliver appropriate image dynamics. You just can't expect the same punch from very small points of light as you get with TVs that have many more zones or with OLEDs.

The Philips PUS8959 television was tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls far short of the ideal. The biggest issue in this mode is white balance, both in HD and 4K content. It is characterized by a significant dominance of the red color and dips in the green level, resulting in an unnatural color reproduction. For example, white elements of the image have a distinctly pinkish hue, and the green is less intense, causing the overall image to lose its naturalness and color balance. The ColorChecker test confirms these errors – it is clearly visible how the color samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce colors. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

Regarding brightness characteristics, the gamma chart resembles a real roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly highlighted. Meanwhile, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance look less dynamic. Similar issues can be noticed in the EOTF characteristics – the television is unable to correctly reproduce the brightness level, negatively affecting the overall image quality.

In Filmmaker mode our R85H sample performed adequately in SDR, but a few things immediately showed up in the measurements. In the white balance, as brightness increased more red crept in while blue decreased. As a result, the brighter parts of the image had a slightly too warm tint. On top of that, gamma only held to the target value at the start. It then gradually fell, making most of the image a bit too bright. The combination of the two also affected colors — errors grew especially in the brighter, more saturated samples. It didn’t look bad, but for Filmmaker mode we expected a bit more accuracy. Interestingly, in HDR our unit handled things noticeably better. White balance was much more even and, for most of the range, the individual RGB components stayed close together. Only in the brightest areas did red begin to fall short, causing the white point to shift slightly. The EOTF curve looked very good, tracking the target luminance values across almost the entire range. That doesn’t mean HDR colors were perfect. The ColorChecker still shows some deviations, particularly in some of the more saturated hues, but the errors are clearly smaller than in SDR.

After calibration, the Philips PUS8959 television shows a significant improvement in color reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered an outstanding result. Additionally, the gamma, which is responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

Regarding 4K HDR materials, a significant improvement is also noticeable. The white balance, although not as perfect as in HD content, no longer shows issues with excessive red exposure, making the image appear more natural and harmonious. Unfortunately, in the EOTF characteristics, it is difficult to speak of any significant improvement, due to the design limitations of the television that prevent significant enhancement in this aspect.

Nevertheless, the overall performance is much better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth spending time on precise calibration to achieve satisfactory image quality.

After calibration the R85H shows it has impressive color reproduction capabilities. It performed best in SDR, where the white balance was brought almost perfectly into line and the gamma stays very close to the target across most of the range. That also translated into very low errors in the ColorChecker, so there's really little to fault here. HDR also shows a clear improvement, although some issues can't be corrected as well. At peak brightness the character of the backlight itself starts to show and the individual components of the white balance begin to diverge. The same goes for the most saturated colors, which don't always land exactly where they should. Despite these limitations, overall the image is significantly more accurate than on the factory settings, and the biggest difference is clearly in SDR. However, there's one thing calibration can't fix. With highly saturated elements, color can subtly bleed onto adjacent bright parts of the image. It's easiest to notice this on white, which can pick up a slight tint from a neighboring hue. It doesn't occur in every scene, but when the content is demanding the effect can be visible. This is more a characteristic of the way the RGB backlight works than an issue with picture settings.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at the minimal setting performs quite well, effectively smoothing tonal transitions without excessive influence on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in place, which is a big plus for users who appreciate the natural look of film materials.

On the other hand, regarding digital processing, the image looks quite good, although it is characterized by very softened contours, giving it an almost "misty" quality. This effect can evoke mixed feelings – some users may enjoy the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preferences, but it must be admitted that the Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

In the R85H, image processing is handled by the Micro RGB AI Processor. The name is new, but in terms of upscaling lower-quality content, the TV’s behavior remains very similar to what Samsung has shown before. And that’s not a bad thing, since the company has handled this aspect quite well for years. Low-resolution material is displayed cleanly, edges don’t become overly soft, and the TV doesn’t try to artificially extract details at any cost. The result is simply balanced, and with regular TV or older recordings the R85H performs as you would expect from a Samsung at this level. The only minor drawback is overscan, which can’t be completely turned off at the lowest resolutions. A separate issue is the additional processing of weaker sources. The R85H can smooth posterization and tidy up heavily compressed footage a bit, but it’s worth stressing that it does so relatively aggressively. At stronger "noise reduction" settings it starts removing not only compression artifacts but also fine details and natural film grain. It’s best to use it only when the material actually needs it.

Philips TV PUS8959 is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for a significantly smoother image, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjusting the frame rate of the film according to personal preferences. The Philips PUS8959 has a 10-step adjustment for the functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimizing blurring and improving motion sharpness, which is particularly noticeable in dynamic sequences, such as action scenes or fast sports shots.

R85H has a 144 Hz panel, so motion is really smooth here. Just remember that the extra hertz above 120 will mainly be used when connected to a PC, so in this category we don't treat them as a particular advantage. For movies and TV, what's more important is that the panel is fast enough to provide access to an advanced motion-smoothing feature, "Motion Clarity", which lets us set motion from more film-like to very smooth. The panel's response time is a bit weaker. Because this is a VA panel, fast-moving objects can leave a slight trail. On bright backgrounds that's not very noticeable, but the darker the scene, the more visible the smearing becomes. That's a typical characteristic of this type of panel, and it's easiest to spot in dark scenes.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better HDR effect reproduction in games. As a result, the image is closer to what the game developers intended to achieve.

The television also supports 120 Hz image display, ensuring smoothness and dynamism, which is particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and appropriate smoothness during gameplay.

Samsung has been steadily expanding its gamer-focused features for several years, and the R85H really lacks nothing important in that area. The TV supports 4K at 120 Hz, VRR and ALLM, so you can easily take advantage of the capabilities of the PlayStation 5 or Xbox Series X. HGiG also works correctly, so with the right HDR settings on the console games retain proper brightness and you don't unnecessarily lose detail in the brightest parts of the image. The only major omission is Dolby Vision Gaming, which Samsung doesn't support on any of its TVs.

Game Bar is also very useful, a handy menu you can bring up without leaving the game. You can quickly check the frame rate, VRR operation, or change the most important picture-related settings. Samsung also adds a few less obvious features, such as the ability to change the aspect ratio or Game Motion Plus, which can further smooth games running at 30 or 60 fps. Of course, this comes at the cost of higher input lag (around 55 ms), but for slower-paced titles it may be an interesting option for some players.