Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Samsung Q7F

The luminance chart for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows the effects of HDR to be felt, particularly standing out in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the cost of the silverish blacks we mentioned in the paragraph about blacks. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 color palette, which amounts to around 94.5%. This makes the colors vivid and close to the creators' intentions, further enhancing the quality of HDR effects and the viewing experience of high dynamic range content.

Unfortunately, the Samsung Q7F is not one of the bright televisions, and this directly affects the quality of HDR movies. The peak brightness of the panel is only about 250 nits, which is definitely too low to speak of true cinematic experiences. In practice, the image in HDR content does not differ significantly from classic SDR, making it hard to talk about any "wow effect" that usually accompanies us while watching such films. During testing movie scenes, the image simply looked dim, and brightness almost invariably hovered around the mentioned 250 nits. The worst performance was observed in shots with small, intensely glowing elements – the applied global dimming technique reacted very aggressively, dimming the entire screen to maintain the black effect. On the plus side, it is worth noting the presence of a QLED coating that expands the color palette. As a budget QLED model, the Q7F performs quite decently here: its DCI-P3 color coverage is about 93%, and BT.2020 reaches 70%. This means that colors, despite the low brightness, can look quite vivid and attractive.

The Philips PUS8959 television was tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls far short of the ideal. The biggest issue in this mode is white balance, both in HD and 4K content. It is characterized by a significant dominance of the red color and dips in the green level, resulting in an unnatural color reproduction. For example, white elements of the image have a distinctly pinkish hue, and the green is less intense, causing the overall image to lose its naturalness and color balance. The ColorChecker test confirms these errors – it is clearly visible how the color samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce colors. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

Regarding brightness characteristics, the gamma chart resembles a real roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly highlighted. Meanwhile, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance look less dynamic. Similar issues can be noticed in the EOTF characteristics – the television is unable to correctly reproduce the brightness level, negatively affecting the overall image quality.

The factory color reproduction in the Samsung Q7F definitely isn't one of its strong points. In Filmmaker mode, which theoretically should be closest to neutral, the white balance issue is immediately noticeable. There's too much red on the screen, while blue is noticeably lacking. The effects of this are very easy to see – white, instead of being neutral, takes on warm, almost slightly orange tones. Over time, this makes the entire image look somewhat unnatural, and bright areas of the scene can seem unrealistic. The problems become even more apparent in HDR content. The graphs show that the TV has significant errors in the Color Checker palette, which translates to visible inaccuracies in the real image. In practice, this means that colors are not presented as they should be. The Q7F also heavily manipulates brightness; darker elements are overly boosted, causing them to lose their cinematic feel, while bright parts can appear dimmed. As a result, the image seems flattened, and instead of helping to bring out details, contrast only highlights its own limitations. This is particularly frustrating in HDR materials, as every detail matters there. In scenes where a subtle play of light and shadow should be felt, the Q7F either overdoes the brightening or, conversely, suppresses elements that were meant to draw the eye. This causes the image to lose its depth, and instead of cinematic realism, we get more of a simplification effect.

After calibration, the Philips PUS8959 television shows a significant improvement in color reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered an outstanding result. Additionally, the gamma, which is responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

Regarding 4K HDR materials, a significant improvement is also noticeable. The white balance, although not as perfect as in HD content, no longer shows issues with excessive red exposure, making the image appear more natural and harmonious. Unfortunately, in the EOTF characteristics, it is difficult to speak of any significant improvement, due to the design limitations of the television that prevent significant enhancement in this aspect.

Nevertheless, the overall performance is much better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth spending time on precise calibration to achieve satisfactory image quality.

After professional calibration, we managed to bring the Q7F in order – at least in terms of SDR content. The picture in this mode looks really good: the white balance has been set correctly, the colors appear natural, and errors in the color palette have dropped to values that are practically invisible to the eye. The gamma behaves excellently, and the only minor drawback is a slight brightening of smaller elements, which results from the lack of local dimming. For everyday TV watching or standard quality films, the Q7F performs surprisingly well.

It was much more difficult to tame HDR content. Despite adjusting the white balance, the television continues to manipulate brightness significantly, causing scenes to sometimes look unnatural – what was meant to be subtly darker can end up being overly brightened, and bright parts of the image sometimes appear dull. The final effect is better than in the factory settings, but it is evident that the design limitations of the Q7F do not allow for fully utilizing the potential of HDR materials.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at the minimal setting performs quite well, effectively smoothing tonal transitions without excessive influence on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in place, which is a big plus for users who appreciate the natural look of film materials.

On the other hand, regarding digital processing, the image looks quite good, although it is characterized by very softened contours, giving it an almost "misty" quality. This effect can evoke mixed feelings – some users may enjoy the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preferences, but it must be admitted that the Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

Upscaling and digital image processing in the Q7F is a bit of a sine wave. On one hand, we have really nice upscaling – weaker sources look better than one might expect. The image becomes clearer, sharper, and even older movies or terrestrial TV hold up well. Samsung has been strong in this area for years, and the Q7F confirms that. On the other hand… things start to get tricky. The TV has a problem with overscan – part of the image is simply cut off, and it looks rather unrefined. Additionally, we were let down by a feature called "noise reduction," which should improve the smoothness of tonal transitions in weaker materials. In other Samsungs, it works relatively well, but here it practically makes no difference – the banding in gradients remains. It's a bit disappointing because we could have expected more from a model that is aimed at users looking for a display for SDR content.

Philips TV PUS8959 is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for a significantly smoother image, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjusting the frame rate of the film according to personal preferences. The Philips PUS8959 has a 10-step adjustment for the functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimizing blurring and improving motion sharpness, which is particularly noticeable in dynamic sequences, such as action scenes or fast sports shots.

Motion blur and motion fluidity in the Q7F is probably the most budget-conscious element of this TV. The 60 Hz panel is noticeable, with blur being quite evident, especially in dynamic scenes, and it's rather difficult to consider this model as equipment designed for watching sports or playing fast-paced games. In tests with the little green man, there was a long tail, and the ball in a football match would leave trails behind it.

On the plus side, the presence of motion smoothing is commendable. It really makes a difference in movies - especially since most materials are recorded at 24 frames. Here we can decide for ourselves whether we prefer a more "cinematic" image, with the slight jerkiness characteristic of cinema, or a smoother, more "television-like" one. This actually works quite well and helps improve the viewing comfort for series or movies.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better HDR effect reproduction in games. As a result, the image is closer to what the game developers intended to achieve.

The television also supports 120 Hz image display, ensuring smoothness and dynamism, which is particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and appropriate smoothness during gameplay.

Features for gamers in the Samsung Q7F is a topic that evokes quite a bit of mixed emotions. On one hand – no sensible person expected miracles here, after all, it's a 60 Hz television, and it was clear from the beginning that it wouldn't be a device to extract the maximum from a console or PC. On the other hand, since the manufacturer promised specific solutions in promotional materials, it's natural that we wanted to see them in practice. At the start, it's quite decent. The automatic game mode (ALLM) works, so there's no need to manually fiddle with the settings; the console switches the TV to low latency mode by itself. Additionally, we have the Game Bar, which looks impressive and allows you to check a few basic parameters without leaving the game. And this is where the good news ends.

The biggest problem with the Q7F is VRR, or rather its absence. Indeed, a relevant icon appears in the menu, and you can even see it in the Game Bar, but throughout the entire test, the function remained dead and could not be activated in any way. The issue with HGiG is even more painful; this option was actually available at the beginning, but after a software update, it disappeared completely, which is simply unprofessional. Therefore, the Q7F is only suitable for absolute basics. Sure, you can turn on the console, play more mellow titles, and enjoy low input lag, but if someone is counting on more advanced features that the manufacturer promised, they will be disappointed. This is not a television intended for gaming, and it's better to be aware of this before purchasing.