PHILIPS PUS9060 vs Sony BRAVIA 2 II (S25M2)

The One is bright enough to enjoy movies recorded in HDR format. The average brightness of this model is about 500 nits, so we can count on a pleasant viewing experience for movies from streaming platforms without any issues. Of course, it could always be better, because when it comes to brightness, there is never too much for this type of content. Unfortunately, a disappointing surprise may be the DCI-P3 color gamut coverage offered by the PUS9060. Although the manufacturer boasts about using a QLED filter here (it’s actually PFS LED), it's hard to talk about any positive effects of its operation. 85% DCI-P3 color gamut coverage is definitely not a level to brag about in 2025 – especially in a television advertised as QLED.

Sony Bravia 2 II is not a very bright TV and unfortunately that is immediately apparent in HDR. In our measurements brightness stayed around 300 to 330 nits, which is definitely too low for the brightest parts of the picture to look truly impressive. In practice HDR here does not differ that much from ordinary SDR. Bright highlights, the sun, or lamps are of course visible, but they lack the intensity you would expect from HDR material. The Bravia 2 II therefore performs much better with regular SDR content, and it is in that use case that its limited brightness will be least noticeable.

Color gamut coverage

Sony Bravia 2 II also doesn't impress when it comes to colors. The TV doesn't use any additional gamut-expanding filter, such as the quantum dots found in QLED TVs or a PFS phosphor layer. In our measurements DCI-P3 coverage was about 78%, and the very wide BT.2020 around 57%. That's definitely too little to talk about truly saturated colors in HDR content. More intense reds, greens, or turquoise hues will simply be less striking than on TVs with an expanded color gamut. The Bravia 2 II therefore fares much better with standard Rec.709, the gamut used for movies, series, and TV in SDR.

We tested the PUS9060 in the best factory mode it employs – of course, we’re talking about movie mode. Unfortunately, the best in this case doesn’t mean good. The picture in this mode was distinctly yellowed and leaned towards orange tones. The white balance on this TV was definitely too warm, resulting in an artificial, somewhat "sun-kissed" look for the entire scene. This directly translated to significant color errors, which in the worst cases exceeded a delta E value of 6 – thus, they were visible to the naked eye. The situation was the opposite in HDR mode, where the picture became too blue and too cold in appearance. Additionally, there was a slight increase in brightness – the gamma curve and EOTF suggested that the TV slightly brightens the image, which was also evident in the comparison photo below.

Out-of-the-box color reproduction in Cinema mode was really good, at least for ordinary SDR material. The Bravia 2 II had a slight tendency to boost reds, so some colors skewed a bit warmer, at times with a faint pinkish tint. However, it wasn't a major fault, and during normal viewing the picture still looked quite natural. There was a bit more going on with image brightness. Looking at the gamma trace, you can see Sony doesn't stick exactly to the reference value. The darkest parts are slightly lifted, while as brightness increases the gamma gradually rises and a larger portion of the image becomes darker than it should. That said, the difference isn't large enough to seriously interfere with everyday viewing. Overall, SDR straight out of the box performs pretty well.

The situation is much worse in HDR. We already mentioned the limited color gamut, but the Bravia 2 II also manipulates image brightness quite aggressively here. The EOTF curve sits below the reference for a large part of the range, which means the TV renders most midtones and brighter parts of the scene darker than the source material intends. Only toward the very end of the range does the curve flatten out, as the panel reaches the limits of its capabilities. Combined with a peak brightness of around 300 nits, this results in HDR that not only lacks punch but can simply look too dim.

Thanks to calibration in movie mode, we managed to completely eliminate the yellow-orange hue, which significantly improved the reception of the entire scene. The image has become much more visually pleasant, although it still falls short of reference settings. It may now appear slightly bluish, but it is still a significant improvement compared to the factory settings.

Unfortunately, we could not significantly improve the brightness characteristics, but that is more about the construction of the TV itself – the lack of local dimming limits the possibilities for precise brightness management. The PUS9060 simply cannot dynamically adjust luminance like more advanced models do. Nonetheless, after calibration, the overall reception is much more enjoyable, especially in film materials.

Calibration did a lot for the Bravia 2 II, especially with SDR content. Above all, we were able to even out the white balance and tidy up the gamma, which now sticks much closer to reference values. As a result, the picture no longer has the previous pink tint, and the brightness of individual areas is much better balanced. You can also see this in the color errors, which dropped to a very low level after calibration (with minor issues in the most saturated reds).

We also partially tamed the Bravia 2 II in HDR, particularly in how the TV manages image brightness. However, there is one thing no calibration can fix: the panel's inherent limitations. The narrow color gamut means the TV physically cannot reproduce the most saturated colors present in HDR content. On top of that, the IPS panel's low contrast leaves darker scenes veiled by a grayish glow, causing colors to lose some of their depth. So we can improve how the Bravia 2 II uses its capabilities, but unfortunately we can't overcome the panel's fundamental limits.

In the PUS9060, we find the latest version of the image processor called P5 Perfect Picture, which is designed to improve the picture - especially the imperfect ones. The TV features a distortion reduction function, which smooths out tonal transitions, that is, those "color joins" mentioned earlier. And this function does so very effectively - there is no strong color gradation, but unfortunately, it works aggressively enough that it sometimes dims desired elements, such as material textures or film grain. So this can be considered a compromise. We would not recommend using this function for movies, but for more casual content - such as YouTube or regular television - absolutely.

The P5 processor also improves the quality of lower resolution images, and it does this quite effectively. The test image with the model is very soft - sometimes even too much - but this can be easily adjusted with the sharpness slider to match personal preferences. It is also pleasing that the TV does not cut off edges in SD content - which unfortunately still happens in some TV models.

Upscaling in the Bravia 2 II performs quite well, and in that respect the TV maintains the standard Sony has accustomed us to. Lower-resolution content is sensibly scaled to 4K, with the image slightly smoothed and without over-sharpening edges. It’s a different story when it comes to improving content with visible compression. That’s handled by the "Digital Noise Reduction" feature, which on the "High" setting can indeed smooth out some ugly tonal banding. The problem is it does so fairly aggressively, removing a lot of fine detail along with the imperfections, including natural film grain. Moreover, when there’s more motion on screen its effectiveness drops significantly and the improvement becomes minimal. So we generally avoided using this feature in everyday viewing.

PHILIPS PUS9060 is equipped with a 4K display with a 144 Hz refresh rate, so we can confidently say that it is suitable for both watching sports and playing games. And indeed, it is. But what about movies that are most often recorded at 24 frames? Like most of the TVs we tested with a refresh rate of 120 Hz and higher, the PUS9060 offers two sliders in the motion smoothness options. The “Smoothness” slider allows you to adjust the effect in movies – you can set the image to be smoother, resembling a theatrical effect (higher settings), or more cinematic, with a slight “jump” in frame rate (lower settings). Additionally, there is a function called "Motion Blur Reduction," which reduces blurring – and this is a very useful feature, especially when watching sports.

The Bravia 2 II uses a 60 Hz panel and, given its capabilities, handles motion quite well. However, keep in mind this is a basic panel, and its limitations are already noticeable, especially with sports. The TV cannot interpolate 50/60 fps content to a higher refresh rate, so it can't further improve the sharpness of fast-moving objects. For movies and series, you get a standard motion smoother that can reduce the characteristic judder of material shot at 24 fps.

The PHILIPS PUS9060 is a true gaming monster – it has practically everything you could expect from a modern gaming television. It features VRR, ALLM, and also includes HGiG implementation, which helps set up HDR in games as the developers intended. The TV supports every possible resolution at 120 Hz, including 1080p, 1440p, and full 4K – so regardless of whether you’re playing on Xbox, PS5, or a PC, everything works as it should. There is also a simple Game Bar, which is a special menu for gamers that allows you to quickly check if the ALLM mode is indeed functioning in the lowest latency setting.

And of course – Ambilight TV. Let's be honest – without LEDs on the back, it’s not a true gaming device. 😉 The multicolored backlighting can really enhance the atmosphere, especially in the evening. It may not be to everyone's taste, but younger gamers will be thrilled – because it simply looks impressive.

The Bravia 2 II is not a TV particularly well suited for gaming, and the feature list makes that clear pretty quickly. You basically only get automatic low-latency mode (ALLM) and a simple Game Bar where you can view basic signal information and change a few settings. But that's where the list of advantages ends. The TV doesn't support VRR or 120 Hz (not even at lower resolutions), and on top of that it has problems with a proper implementation of the HDR HGIG format. It can, of course, be used for occasional console gaming, and thanks to low input lag controls stay responsive, but if you're mainly looking for a TV for gaming, the Bravia 2 II will simply be a very limited choice.