Philips PUS8500 vs Samsung Neo QLED QN70F / QN74F / QN77F

When it comes to HDR performance on the PUS8560, one can confidently say that it is quite average. The brightness of the panel is around 350 nits, which we consider to be the absolute minimum for viewing content in this format. However, this is not a result that will impress viewers looking for the best possible image.

On the plus side, it is worth noting that the PUS8500 series – including the PUS8560/12 we tested – is marketed as a QLED television. And indeed, we can expect a wider color gamut here. This model is equipped with an additional filter (PFS), and the coverage of the DCI-P3 color space at around 90% should be sufficient for the majority of users. This filter works very similarly to quantum dots. As a result, the colors are quite well saturated. It’s not an outstanding result, but perfectly adequate for watching movies and series on streaming platforms.

QN70F is a TV that can positively surprise when it comes to brightness. In ideal test conditions, it reaches even 800 nits, which – for this price range – is really solid. Of course, that's a result from measurement test patterns, so we decided to check how it performs in practice, with real movies. Here, the TV somewhat tones down its capabilities. In most of the tested scenes – for example, in "The Meg" – the actual HDR brightness was around 500 nits. That's still a good result that allows you to enjoy HDR effects, although it is far from perfect. On the other hand, we have a QLED screen with a quantum dot layer, which means very good color reproduction capabilities. The colors are vivid and saturated. QN70F covers about 94% of the DCI-P3 color space, and in the wider BT.2020 gamut, it exceeds 75%, so in this regard, there's nothing to be ashamed of.

We tested the TV on the best available factory settings, which is in Film/Filmmaker mode – this is the mode we recommend for everyday viewing. Unfortunately, it is not without its flaws. Both in HD and HDR content, the image had a clear tendency to appear pinkish, caused by too much red and blue in the white balance. Another problem turned out to be excessive brightness of the image, which was confirmed by both the gamma chart and the EOTF curve. This characteristic was responsible for the loss of detail and washed-out colors in more challenging HDR scenes, as we mentioned earlier. Overall, this led to quite significant color reproduction errors – in extreme cases, the delta E value exceeded 7, while the threshold of visible errors for the human eye is about 3. This situation can be improved through calibration, and you can read about its effects below.

We tested the QN70F in the best default picture mode, which is Filmmaker Mode. It must be said that in this particular test unit, the factory settings performed quite well. The picture was calm, natural, and despite minor deviations, pleasant to perceive. The biggest flaw was a slight dominance of red in the white balance, which caused a slight pinkish tint to the entire scene. However, this was not a glaring flaw – rather subtle and only noticeable when directly compared to a properly calibrated screen. A somewhat larger issue appeared in the brightness characteristic. The television tends to understate the brightness of parts of the image that should be displayed more brightly. As a result, some details can appear slightly dimmed – not so much lost entirely, but not as clearly pronounced as they should be. Nevertheless, as far as a television in this category and in these settings goes, we consider the result to be a good starting point for further calibration.

The Dutch manufacturer offers quite a large dose of settings in their products, so as usual, we decided to dig a little into them. The effects are immediately visible – we managed to correct the white balance, which made the image stop appearing excessively pink. The brightness characteristics were also partially balanced, of course, within the limits that the television itself allows. The image is no longer overly vibrant, and the overall reception after calibration is definitely better than in the factory settings of the Filmmaker mode.

One could only criticize the characteristics of the EOTF curve, which still indicates that the image tends to lighten materials in HDR format. Despite our efforts, the darkest parts of scenes can still be too bright, and the brightest do not always reach their full contrast potential. However, it must be clearly stated that we are dealing with a typically budget construction – you cannot expect reference-quality reproduction of HDR content from it.

Calibration definitely helped this model – it improved the balance, toned down the aggressive color scheme, and brought the image closer to what one might expect from a well-configured movie mode. However, there are certain limitations that cannot be overlooked.

After calibration, the QN70F shows that it can offer a really high level of color reproduction. It nearly perfectly balanced the white point, and the values in the Color Checker test dropped below 3 – that is, below the threshold at which the average eye can perceive differences. The image looks natural, and the colors are accurately represented, without excessive saturation or the coolness known from factory settings. It must be said that Samsung provides very extensive calibration options – not only for enthusiasts but also for professionals. The QN70F takes advantage of this potential and, after proper adjustment, can come close to much more expensive models in terms of color accuracy. The only thing one could still criticize is the brightness characteristics. There is still a tendency to brighten the smallest parts of the image – particularly those that should remain darker. However, this is a design feature of this model, not a calibration error. Despite this, the final effect definitely deserves recognition.

Philips PUS8560 offers a feature that reduces posterization, hidden under the name "distortion reduction." And while it indeed serves its purpose by smoothing problematic tonal transitions, it operates a bit too broadly. In practice, it affects not only colorful gradients but also softens faces, clothing textures, and furniture surfaces. This decreases the authenticity of the image—especially in films where natural texture is of great importance. However, if someone is looking for smoothing at all costs, it's best to set this option to "Low." For cinema image enthusiasts—definitely not recommended.

On the plus side, the quality of upscaling older materials should be noted—the PUS8560 model handles them surprisingly well. The image maintains a natural softness without artificially enhanced sharpness. It is also worth mentioning that the television correctly displays very low-resolution content, avoiding problems with cropping the edges of the image (so-called overscan).

Samsung QN70F offers a distortion reduction feature that improves the smoothness of tonal transitions. In "Standard" mode, it works quite well - smoothing problematic transitions without significantly interfering with the image structure. Film grain is partially removed, but details such as texture or skin structure still remain visible. The "High" mode operates much more aggressively. The smoothing is stronger, but it comes at the cost of a noticeable loss of detail. Therefore, in practice, we recommend sticking with the "Standard" setting or completely turning off this feature. The improvement in gradation may be less spectacular, but the image retains more naturalness.

When it comes to scaling low-quality content, the QN70F performs very well. Tests with lower resolution images were really impressive. Despite slight aliasing of contours, everything looks clean and clear, even if the original content was very poor. It's just a shame that the TV has an overscan issue that cannot be completely turned off. As a result, the image from very low resolution may be slightly cropped, which is mainly visible on subtitles or the interface.

The Philips PUS8560 is a television equipped with a 60 Hz refresh rate panel, which already limits its capabilities for displaying dynamic content. Watching sports or playing on a console is not one of the most enjoyable experiences. The situation is further worsened by the lack of any option to improve the smoothness of films. In the menu, we won't find settings that would allow for the activation of a motion smoother or even a slight motion smoothing in films recorded at 24 frames per second. You can imagine the effect. The picture may look jerky, especially in shots with panoramic camera movements.

The QN70F is a television with a refresh rate of 144 Hz, which puts it at the forefront in terms of image smoothness. Whether we are watching dynamic sports broadcasts or playing on a console, the picture looks very good. There is no feeling of stuttering, chopping, or the typical "tearing" in fast motion that is common in lower-end models. Samsung also allows you to adjust the smoothness to your own preferences. In the picture clarity settings, we find options such as blur reduction and motion smoothing – each of which can be adjusted independently. This is especially useful when watching content with a lower frame rate and we want to give it a smoother, more cinematic character – or on the contrary, maintain the natural film "feeling" of 24 frames.

Although the Philips PUS8560 is not designed specifically for gamers, the manufacturer decided to equip it with several features that may prove useful when connecting a console. It includes automatic switching to game mode (ALLM), as well as a simple connection status information bar – the so-called Game Bar. While it does not make a particularly strong visual impression, it serves its purpose. The presence of variable refresh rate (VRR), operating in the range of 48 to 60 Hz, might come as a surprise. While this is not a wide range, in the case of less demanding games or titles with unstable fluidity, VRR can help reduce the stuttering effect. However, this is the only element that can be considered above the minimum.

It should be clearly stated that the PUS8560 is not hardware for gamers looking for a responsive screen and full support for modern console features. It lacks HDMI 2.1 ports, the refresh rate is limited to 60 Hz, and the panel's response time is not among the fastest. This model may be suitable at most for casual gamers who want to enjoy the Ambilight system.

Samsung QN70F is truly a solid choice for gamers. Here we have as many as four HDMI 2.1 ports with full bandwidth of 48 Gbps, which means full support for gaming in 4K at 144 Hz refresh rate. In addition, we have all the basic features we expect today: auto low latency mode (ALLM), variable refresh rate (VRR), and a very well-designed, intuitive Game Bar with information about the mode, resolution, and frame count.

It's also worth highlighting the Game Motion Plus feature, which allows you to add artificial frames to games running at 60 fps or less. It works surprisingly well and in many titles – especially those where consoles struggle to maintain a stable framerate – it improves gameplay smoothness without significant lag.

Unfortunately, there are also some drawbacks. The lack of support for Dolby Vision mode is not surprising – it's a standard for Samsung. But the much bigger disappointment is the absence of the HGiG feature. What's worse, it was removed in a software update, leaving users who previously used it quite shocked. Without HGiG, you can't manually set the maximum HDR brightness from the console, which results in some games looking slightly washed out – especially if the TV misinterprets the tonal range. Why did Samsung, a brand that has set standards in gaming features for years, decide to take such a step? It's hard to say. At the time of writing this review, the tested TV was running on software version 1110 – and frankly, if you care about full support for gamers, it's better to temporarily hold off on updates.