Philips PUS8079 vs XIAOMI A PRO 2025

The Philips PUS8079 has a maximum brightness of just 202 nits in content with a wide tonal range, which is very low and makes it unsuitable for streaming movies and series in the highest quality. Additionally, using HDR with dynamic metadata doesn’t improve the situation, as the only HDR format available on this model is HDR10+, which is rare and has limited content support. The TV also uses WLED backlighting, which is not optimal and results in only 80% coverage of the DCI-P3 wide colour gamut. This limits the intensity of colours in HDR content.

In the HDR category, the Xiaomi A Pro performs poorly overall. Under ideal conditions, it achieves a brightness level of around 250 nits, which is underwhelming. However, many competing models offer similar or even lower brightness levels. Such limited brightness is insufficient to fully showcase the potential of HDR content. In practical terms, the image lacks the depth and intensity expected from high-quality HDR. Instead, the visuals resemble standard dynamic range (SDR), with scenes that should display striking brightness and contrast appearing flat and uninspiring. That said, for its price, the television offers solid DCI-P3 colour gamut coverage at 92%, made possible by its quantum dot (QLED) technology. This ensures vibrant and saturated colours, making it an appealing choice for gamers and movie enthusiasts seeking richer hues and improved colour reproduction compared to standard models.

The best factory mode for colour reproduction and fidelity to the director's vision on the Philips PUS8079 was the "Film" mode. However, this setting displayed significant discrepancies between the filmmaker's intent and the actual output. In both SDR and HDR materials (with HDR being less affected), the white balance was off, showing a blue tint similar to store displays, rather than pure whites. When it came to SDR materials, gamma was notably lowered, cutting into the already limited contrast and brightening the overall image. The EOTF curve in HDR content also showed a significant drop below the reference line, making HDR materials appear even darker. The colour accuracy in both SDR and HDR modes was poor, with high deltaE values indicating that the colours were far from their intended representation.

The Xiaomi A Pro 2025 performs best in movie mode for colour reproduction straight out of the box, though it is not without its flaws. An analysis of the white balance shows negative green values, causing distortions in white tones. At full white, there are noticeable deviations, and the high-contrast image leads to poor tonal transitions in red, negatively impacting the overall colour quality. Before calibration, the image often displays a pink hue in its scenery.

The gamma contrast graph falls below the 2.4 mark, indicating an overemphasis on darker tones and a lack of prominence in lighter areas. Additionally, the EOTF curve shows a sharp rise early on, which can result in lost detail in bright scenes and an oversaturated appearance. These issues suggest that further calibration is needed to balance the colour reproduction and enhance the overall image.

Factory colour settings on the Xiaomi A Pro 2025 are average, and while this is common in televisions of its class, users seeking accurate colour representation may need to adjust the settings. After proper calibration, the TV delivers a more natural and vibrant palette, aligning better with cinematic standards. For those prioritising precise colour reproduction, professional calibration will significantly improve image quality.

Fortunately, Philips incorporates advanced image correction tools across its televisions. SDR content benefited the most from these adjustments, with significant improvements in deltaE errors, white balance, and gamma. While the image still isn’t perfect, it is much more watchable, making it easier on the eyes during movie or series viewing. HDR content, however, was more challenging due to the television’s low luminance. While the EOTF curve and white balance improved, the corrections weren’t as effective as with SDR materials. It’s important to note that each unit may have different errors, some larger and some smaller, but the adjustments made were a step in the right direction.

After calibration, the Xiaomi A Pro 2025 TV shows significant improvement. The white balance is the most noticeable change, with previous errors corrected in HD and 4K content. Most deviations are now minimal, falling within an acceptable range, resulting in a more balanced and natural colour representation that enhances viewing comfort.

In terms of gamma, the drop has been largely addressed, leading to a more consistent rendering of tones across various scenes. However, the EOTF curve still hasn't seen substantial improvement, as there is limited control over dynamic tone mapping. This limitation means that some details may still be lost in bright scenes, affecting the perception of certain materials.

Despite these minor issues, the overall picture quality is improved after calibration. The enhanced white balance and reduced gamma issues provide a more realistic and enjoyable viewing experience. While further adjustments could enhance the image even more, the TV now showcases its potential, meeting the expectations of many users.

Let us revisit the topic of tonal transitions, this time in the context of overall image quality enhancement. As shown in the photo on the left, the gradation improvement feature delivers excellent results. It provides multiple settings, each offering noticeable benefits without softening the film grain effect. Once again, it must be emphasised that this feature is the standout advantage of the tested television.

On the other hand, the television’s performance in image scaling leaves much to be desired. Fine details often appear heavily jagged, with a noticeable white halo around figures. Additionally, the significant artificial sharpening detracts from the overall image quality.

The Xiaomi A Pro 2025 handles tonal transitions effectively, especially when dealing with lower-quality materials. Thanks to its advanced digital processing, the colour contour removal feature performs surprisingly well. Setting this option to "Medium" provides the best balance, enhancing the smoothness of tonal transitions while avoiding excessive smoothing of other image elements, like film grain.

In the case of a tested frame featuring a model with numerous branches in the background, the TV demonstrated its digital processing strengths. Adding artificial sharpness clarified the model’s details, particularly enhancing the hair's definition. However, around the branches, subtle contours emerged due to digital intervention. While this adds detail to the overall image, excessive sharpness can sometimes cause certain elements to appear unnaturally highlighted.

This paragraph will be notably brief due to the absence of even basic motion-smoothing functionality, which is unsurprising given the device's budget-oriented nature. The VA panel used here is not known for exceptional sharpness and is instead associated with high contrast and slower response times, as confirmed by the matrix analysis results. Photos captured during fast motion reveal typical motion blur for this type of panel. While not ideal, the television could be conditionally suitable for watching sports, though viewers should expect less-than-optimal motion clarity. Additionally, films may exhibit noticeable stuttering due to the lack of any motion-smoothing features, even basic ones.

The Xiaomi A Pro 2025 features a motion smoothing option known as "Motion Smoothing," which is designed mainly for film viewing. It allows users to adjust the effect to either a more cinematic, film-like appearance with visible frames or a smoother, theatrical image. This feature will likely satisfy movie lovers. However, gamers and sports enthusiasts might be disappointed. The TV uses a 60 Hz refresh rate panel, typical for this price range, which doesn’t offer exceptional motion handling. Our "Ufo" test revealed some motion blur, so those seeking sharper moving images may find it lacking in this regard.

The Philips PUS8079 provides only basic gaming features, including ALLM, VRR, and a Game Bar. The key highlight is the inclusion of dynamic frequency adjustment, which ensures a smooth image with minimal screen tearing—an impressive offering for this price range.

A notable benefit for gamers is the presence of the Game Bar, allowing adjustments to be made "on the fly" without needing to exit the game. Importantly, this feature retains options found in higher-end models, such as shadow enhancement for improved visibility in darker areas and a colour filter designed to assist gamers with visual impairments.

The Xiaomi A Pro 2025 includes several gamer-friendly features, such as the Game Bar, which sets itself apart from the typical dashboards seen in other brands. This feature allows quick access to game-related settings, making it convenient during intense gaming sessions. The TV also supports Automatic Low Latency Mode (ALLM), automatically switching to a game-optimised mode to reduce signal delays. However, it lacks HDMI 2.1 support, limiting compatibility with the latest gaming consoles that require higher bandwidth. Additionally, it does not support features like VRR (Variable Refresh Rate) or G-Sync, which are becoming essential for gamers seeking smoother visuals and reduced tearing. While the Xiaomi A Pro 2025 has some useful features, there are better options in this price range offering more advanced gaming solutions.