Philips PML8709 vs TCL C69K / Q6C

Looking at the contrast results, we expected that the algorithms responsible for the zones in the Philips PML8709 would be at least decent. However, what we encountered during testing is hard to explain. The maximum brightness we were able to achieve was only 350 nits, which is definitely too low to fully enjoy HDR effects. In practice, the TV barely stands out against an average SDR. The situation becomes even more surprising in the case of test scenes, such as the second one from the movie Life of Pi or Sicario 2. Small light elements reach only 120 nits there, making them practically invisible. Such a level of brightness is completely inadequate to modern HDR standards and significantly diminishes the viewing experience of high-quality content. The only bright spot in this category is the very good coverage of wide color gamuts – 97% DCI-P3 and 83% BT.2020. This ensures that colors are saturated and well reproduced, which can improve the overall viewing experience of HDR materials, even if just a little. However, the lack of appropriate brightness means that even this cannot save the Philips PML8709 in this category.

In terms of brightness, TCL C69K / Q6C is a moderate model. Under optimal movie conditions, it shows its full potential, reaching a maximum of around 600 nits. In scenes with large, intense light sources, the HDR effect can be truly satisfying, providing a cinematic sparkle. However, it should be noted that when managing the backlight zones, there are situations where some elements of the image become dimmed, and sometimes they are barely visible. This suggests that there is still a lack of proper optimization of algorithms, though considering the technical parameters in this price range, the construction still looks very good.

Although theoretically the Filmmaker mode on the Philips PML8709 should provide natural color reproduction, in reality it resembles a store mode more. In the white balance, both for HD and 4K content, there is a clear dominance of blue. This makes the image appear washed out and cold, which is particularly noticeable in the comparison picture below.

The brightness characteristics also leave much to be desired. Both the gamma and the EOTF curve show excessive screen brightness. As a result, there is a loss of detail in both the brighter and darker parts of the image, which further diminishes its credibility and naturalness. Bright elements appear unnaturally flat and little varied.

These significant problems in white balance and brightness characteristics lead to noticeable color reproduction errors, which can be easily seen in films as well as in the Colour Checker test. The colors are imprecise, affecting the overall image quality and visual experience. The factory settings require substantial improvement to fully enjoy the potential of this television.

The Filmmaker mode, which has arrived in this year's TCL televisions (including the C69K / Q6C), is definitely the best choice "to start with." This is the mode we recommend for everyday viewing of movies and series. Unfortunately, as is often the case, best does not mean perfect. In SDR content, the image turned out to be too warm, with a strong red tint in the white balance. We had the opposite impression with HDR content – here the image became cooler than it should have, due to an excess of blue color. Additionally, the brightness characteristics sometimes resulted in overexposure. In practice, this translated to quite noticeable errors in color tests, which is hard to accept in a mode labeled as “by the creators.”

Philips offers advanced image calibration tools in its televisions, which we decided to fully utilize. The effects? While we managed to improve many aspects, it was not without difficulties. White balance was one of the biggest challenges – despite our efforts, it can be called a battle against windmills. We managed to correct it significantly, making the image look much better than in the factory settings, but it is still far from perfect. Particularly in some scenes, a subtle dominance of blue is noticeable, though not as intense as before. We achieved significant improvement in brightness characteristics – gamma now presents itself much more stably. The EOTF curve looks correct at first glance; however, when analyzing film content, it becomes evident that the television has difficulty maintaining the appropriate characteristics. The algorithms "struggle" to adjust brightness, which may result from the limited number of dimming zones that do not always cope with more complex scenes. Overall, the image after calibration looks much more pleasant to the eye – colors are more natural, and errors in color reproduction have been minimized. Although it's still not perfect, the Philips PML8709 now presents itself much better than in the factory settings.

Through white balance adjustment, we were able to significantly reduce the tendency of C69K / Q6C to distort colors, which resulted in a very good final outcome. After calibration, the issue of excessive warmth in SDR scenes and overly cool images in HDR disappeared. However, it is worth closely analyzing brightness characteristics. While there are few complaints about SDR content - the image looks really good, especially in older movies, TV programs, or on YouTube - the situation is much worse with HDR content. Analysis of the EOTF curve suggests that everything is fine, but in practice (EOTF in films), the limitations of the design become apparent. This model tends to excessively brighten small parts of the frame, while in other situations it dims the entire scene too much. The effect of calibration is undeniable, and in terms of color accuracy, C69K / Q6C gains a lot. Unfortunately, certain limitations resulting from local dimming management simply cannot be overcome.

The distortion reduction function in the Philips PML8709 smooths tonal transitions, but its effectiveness leaves much to be desired. We recommend setting this option to "Medium" – at this level, the effect is noticeable but not excessive. Unfortunately, compared to other Philips models, the smoothing effect is less effective, meaning that some tonal transitions may still appear slightly uneven. An additional drawback is that this function also smooths other details, such as material textures like shirts, which can affect image sharpness.

As for image scaling, the television performs very well. The image appears plastic and free of noticeable "jaggies." This effect may appeal to many users, although some may prefer a more pronounced look. Fortunately, the television allows for adjusting the sharpness parameter, enabling us to tailor the image to individual preferences.

In terms of image scaling, TCL C69K / Q6C performs quite well. Lower quality content is displayed acceptably, and thanks to the lack of overscan issues, the image is presented in full without any cropping. However, one shouldn't expect miracles – very low-quality materials won't gain a new life here, as the image processor has its limitations.

On thin lines and details, one can see characteristic jitter, indicating a lack of more advanced image enhancement algorithms. It's also a pity that the C69K / Q6C lacks the function for smoothing tonal transitions. As a result, in older movies or video materials, color banding can be noticeable and may become distracting during longer viewing sessions.

Philips PML8709 is one of the few models with mini-LED technology on the market that offers a refresh rate of 60 Hz. Although it is not a panel for the most demanding gamers, it should satisfy those who mainly watch movies. The television is equipped with the "Motion Style" feature, which is a motion smoother that allows you to adjust the fluidity of motion according to your preferences – from a more "plastic" appearance to a cinematic aesthetic with clearly visible frames.

The use of a 144 Hz panel in TCL C69K / Q6C is a significant advantage in this price range. It represents an important step forward compared to its predecessor (C655 PRO), which only offered 60 Hz at 4K. The difference is particularly noticeable when watching sports or playing games – the ball, players, or dynamic action in games are displayed more clearly and without losing details. An interesting feature is also the ability of the panel to operate at 240 Hz (which the manufacturer does not officially mention) – we will return to this topic in relation to the PC gaming mode. TCL has also added a feature for movie fans: “Motion Clarity.” This allows users to adjust the picture to their preferences using two simple sliders. We can either keep the visible film frame or opt for very smooth, "

Philips PML8709 is a television aimed more at occasional gamers, mainly due to its 60 Hz panel, which does not meet the expectations of the most demanding users. However, for those who appreciate gameplay at a more measured pace, this model may prove sufficient.

The television offers several gamer-friendly features, such as ALLM (automatic switching to game mode) and VRR (variable refresh rate), which help in displaying images more smoothly without annoying stutters. Moreover, in terms of HDR, we find here the implementation of HGiG, which adjusts the HDR effect to the specifics of games, providing a more natural image in appropriately optimized titles. Unfortunately, there is no support for Dolby Vision mode, which may be felt in games that utilize this format.

A nice addition is the presence of a basic "Game Bar," which allows for quick preview and modification of key settings related to gaming. It's a simple yet helpful feature, especially for those who often change their setup between different types of gameplay. Despite certain limitations, the Philips PML8709 offers a solid set of features for less demanding gamers.

TCL C69K / Q6C is a television that can boldly be called equipment created with gamers in mind. Here we have 4K at 144 Hz, VRR support, automatic game mode (ALLM), and Dolby Vision Gaming. Additionally, there's a practical Game Bar, which is a panel with the most important settings right at hand – useful when we want to quickly change something during gameplay (e.g., aspect ratio: Yes, it’s possible!). The wide range of VRR, reaching up to 240 Hz, is noteworthy. This option is primarily for PC gamers who will lower the resolution below native 4K. In that case, the TV can spread its wings and show additional smoothness, especially in fast esports titles. For consoles, we stick to the classic limit of 120 Hz, but the possibilities are still quite broad. The only drawback is slight motion blur that can sometimes be seen in dynamic scenes. Other than that, C69K / Q6C offers everything gamers expect from a television.