Philips PML8709 vs Panasonic Z85A

Looking at the contrast results, we expected that the algorithms responsible for the zones in the Philips PML8709 would be at least decent. However, what we encountered during testing is hard to explain. The maximum brightness we were able to achieve was only 350 nits, which is definitely too low to fully enjoy HDR effects. In practice, the TV barely stands out against an average SDR. The situation becomes even more surprising in the case of test scenes, such as the second one from the movie Life of Pi or Sicario 2. Small light elements reach only 120 nits there, making them practically invisible. Such a level of brightness is completely inadequate to modern HDR standards and significantly diminishes the viewing experience of high-quality content. The only bright spot in this category is the very good coverage of wide color gamuts – 97% DCI-P3 and 83% BT.2020. This ensures that colors are saturated and well reproduced, which can improve the overall viewing experience of HDR materials, even if just a little. However, the lack of appropriate brightness means that even this cannot save the Philips PML8709 in this category.

The Panasonic Z85A is an OLED television, so you can expect great effects in movies right away. And indeed – our tests show that the WOLED panel can achieve around 800 nits of peak brightness in optimal conditions. This is a solid result that performs well in most demanding HDR scenes, allowing you to enjoy a dynamic and detailed image. However, like every OLED, the Z85A has its limits. In very bright scenes that cover the entire screen – like the final sequence from the movie The Meg – the television reduces brightness to about 400 nits. This is standard behavior for this technology, so if someone plans to watch movies in a brightly lit living room, it's worth keeping this in mind. The coverage of the DCI-P3 color gamut at 98% also deserves a big plus. As a result, the television delivers a wide range of colors that stand out with vibrancy and depth, and details in HDR scenes are sharp and precise. In short – the Panasonic Z85A provides a solid HDR effect that will satisfy any movie enthusiast.

Although theoretically the Filmmaker mode on the Philips PML8709 should provide natural color reproduction, in reality it resembles a store mode more. In the white balance, both for HD and 4K content, there is a clear dominance of blue. This makes the image appear washed out and cold, which is particularly noticeable in the comparison picture below.

The brightness characteristics also leave much to be desired. Both the gamma and the EOTF curve show excessive screen brightness. As a result, there is a loss of detail in both the brighter and darker parts of the image, which further diminishes its credibility and naturalness. Bright elements appear unnaturally flat and little varied.

These significant problems in white balance and brightness characteristics lead to noticeable color reproduction errors, which can be easily seen in films as well as in the Colour Checker test. The colors are imprecise, affecting the overall image quality and visual experience. The factory settings require substantial improvement to fully enjoy the potential of this television.

The Panasonic Z85A offers many picture modes, but the Filmmaker mode definitely stands out from the rest. It is rare for a television to be so well-tuned straight out of the box, and the unit we had the opportunity to test really impressed us positively.

However, there were some minor shortcomings. In the SDR signal, we noticed a slight deficiency in red and blue colors, which made the image have a cooler shade than it should. This is particularly evident in the comparative photo. Conversely, in 4K HDR materials, the situation was the opposite – the excess of red made the image seem warmer than the creators intended. In terms of brightness characteristics (gamma) and maintaining the appropriate EOTF curve, it is hard to find fault. There are some minor deviations, but they are so minimal that the average viewer is unlikely to notice them.

It is also worth emphasizing that our observations pertain to a specific unit of the television. Two identical models can differ from each other due to natural production variations. Nevertheless, the unit we had in hand is really solid and deserves praise. Now it's time for our calibration – we'll see if we can squeeze even more from this screen!

Philips offers advanced image calibration tools in its televisions, which we decided to fully utilize. The effects? While we managed to improve many aspects, it was not without difficulties. White balance was one of the biggest challenges – despite our efforts, it can be called a battle against windmills. We managed to correct it significantly, making the image look much better than in the factory settings, but it is still far from perfect. Particularly in some scenes, a subtle dominance of blue is noticeable, though not as intense as before. We achieved significant improvement in brightness characteristics – gamma now presents itself much more stably. The EOTF curve looks correct at first glance; however, when analyzing film content, it becomes evident that the television has difficulty maintaining the appropriate characteristics. The algorithms "struggle" to adjust brightness, which may result from the limited number of dimming zones that do not always cope with more complex scenes. Overall, the image after calibration looks much more pleasant to the eye – colors are more natural, and errors in color reproduction have been minimized. Although it's still not perfect, the Philips PML8709 now presents itself much better than in the factory settings.

The Panasonic Z85A offers truly wide possibilities when it comes to image settings, so we enthusiastically set about calibration. Although we mainly focused on white balance correction, the final effect exceeded our expectations. Both HD and 4K HDR content now present nearly perfect color reproduction, with minimal errors that are difficult to catch with the naked eye. Well-calibrated televisions are rare, and we must admit – it is truly gratifying. Although gamma and EOTF curve did not require drastic adjustments, we managed to further stabilize their characteristics across the entire brightness scale. After calibration, the Panasonic Z85A is a true gem for home cinema enthusiasts. The image is precise, colors are natural, and every scene looks exactly as the director intended.

The distortion reduction function in the Philips PML8709 smooths tonal transitions, but its effectiveness leaves much to be desired. We recommend setting this option to "Medium" – at this level, the effect is noticeable but not excessive. Unfortunately, compared to other Philips models, the smoothing effect is less effective, meaning that some tonal transitions may still appear slightly uneven. An additional drawback is that this function also smooths other details, such as material textures like shirts, which can affect image sharpness.

As for image scaling, the television performs very well. The image appears plastic and free of noticeable "jaggies." This effect may appeal to many users, although some may prefer a more pronounced look. Fortunately, the television allows for adjusting the sharpness parameter, enabling us to tailor the image to individual preferences.

Now that we know how the Panasonic Z85A handles tonal transitions in 4K materials, it's time to look at its "Gradation Smoothing" feature. It works, but unfortunately not entirely effectively. Regardless of the selected value – whether low, medium, or high – we were unable to achieve perfectly smooth tonal transitions in our test sequence. We recommend setting this feature to an intermediate level. While it may slightly blur fine details, it at least avoids the problem of losing film grain, which can be crucial for many viewers when watching classic productions.

When it comes to image scaling, the television performs quite well. It is evident that the image is slightly sharpened, and thin lines can sometimes appear somewhat jagged. However, this is standard in most televisions and fortunately, it can be adjusted using the sharpness slider. This gives us full control – we can achieve a more plastic, blurred image or a clearer one, though more "harsh" and artificially sharp. It all depends on the user’s preferences and the type of content we are watching. Overall, the scaling is at a solid level and should satisfy most users who are using lower resolution materials.

Philips PML8709 is one of the few models with mini-LED technology on the market that offers a refresh rate of 60 Hz. Although it is not a panel for the most demanding gamers, it should satisfy those who mainly watch movies. The television is equipped with the "Motion Style" feature, which is a motion smoother that allows you to adjust the fluidity of motion according to your preferences – from a more "plastic" appearance to a cinematic aesthetic with clearly visible frames.

The Panasonic Z85A has a 120 Hz panel, which will surely please both gamers and sports fans. Sure, it's not 144 Hz like some gaming TVs, but in practice, the difference is really hard to notice. In games, the image is stable and clear, and during fast action, there's no sign of any motion blur. The same goes for sports – a quick run by a soccer player or a dynamic car maneuver looks smooth and natural. The TV also has an "Intelligent Frame Creation" feature, which is a motion smoother. There are two sliders – one for reducing motion blur and the other for motion smoothness. With these, you can adjust the picture to your personal preferences – whether you prefer a more cinematic effect with gentle transitions between frames or a maximally smooth image perfect for watching sports.

Philips PML8709 is a television aimed more at occasional gamers, mainly due to its 60 Hz panel, which does not meet the expectations of the most demanding users. However, for those who appreciate gameplay at a more measured pace, this model may prove sufficient.

The television offers several gamer-friendly features, such as ALLM (automatic switching to game mode) and VRR (variable refresh rate), which help in displaying images more smoothly without annoying stutters. Moreover, in terms of HDR, we find here the implementation of HGiG, which adjusts the HDR effect to the specifics of games, providing a more natural image in appropriately optimized titles. Unfortunately, there is no support for Dolby Vision mode, which may be felt in games that utilize this format.

A nice addition is the presence of a basic "Game Bar," which allows for quick preview and modification of key settings related to gaming. It's a simple yet helpful feature, especially for those who often change their setup between different types of gameplay. Despite certain limitations, the Philips PML8709 offers a solid set of features for less demanding gamers.

Panasonic is mainly associated with home cinema televisions, but the Z85A shows that it can also enter the gaming world with a really strong punch. This is equipment that can easily be called a gaming beast - it has everything needed for comfortable gameplay.

Even though we only have two HDMI 2.1 ports, both operate at full bandwidth, so we can easily connect both a next-gen console and a gaming PC. All key features are supported: ALLM automatically switches the TV to game mode, VRR ensures smooth images without stuttering and tearing, and with properly implemented HGIG and Dolby Vision, HDR games look really good - colors are vivid, details clear, and dark scenes readable. There is also a Game Bar in the form of a clear, circular menu. It may not look as impressive as with the competition, but it is intuitive and contains all the most important settings that we would like to have at hand during gaming.

In summary - the Panasonic Z85A is equipment that really surprises with its gaming capabilities. It is a television where both console gamers and PC gamers will feel at home. It's smooth, dynamic, and simply good.