Panasonic Z95A vs LG QNED91T6A

Panasonic Z95A demonstrates class when it comes to HDR performance. In brightness tests, it reaches a level of 1800 nits, which has a real impact on watching movies. Scenes from Life of Pi or Gemini Man look great – the television effortlessly reproduces details and the intensity of bright spots, impressing with its power. In more demanding moments, like the final scene from The Meg, one can see how bright light floods the screen. In such moments, brightness drops, which is typical for organic matrices. Nonetheless, a result around 1000 nits can still be considered excellent, still providing very good picture quality. Additionally, the television offers excellent coverage of wide color gamuts – up to 98.6% for DCI-P3 and 74.5% for BT.2020. This ensures that colors are not only vibrant but also deeply saturated, allowing full appreciation of the richness of details, especially in HDR scenes. Such coverage makes colors appear more realistic, and the HDR effect gains in intensity and accuracy. All this impressive HDR effect is thanks to MLA technology, which enables achieving such high luminance and excellent image detail. Thanks to this, the Panasonic Z95A offers HDR at a level that truly makes a difference.

As befits a MiniLED television, QNED91T LG easily exceeds the magic barrier of 1000 nits on the luminance chart. In scenes where light played a key role, the effect was truly decent. For example, 1000 nits in the first scene of "Life of Pi" is really an impressive value, and the 600 nits achieved in scenes three and five allowed us to feel the true magic of HDR. However, problems arise with very small light elements on the screen, such as the moon, lanterns, or lamps. A value of around 100 nits - to put it bluntly - is disappointing, as these elements are so dark that they are barely visible. It is worth praising the television for covering the DCI-P3 colour gamut at 96% and BT.2020 at 75%. LG QNED91T leaves us with mixed feelings, mainly due to very aggressive dimming algorithms, which, while effectively eliminating the halo effect, do impact the brightness of smaller elements.

The best picture mode in the Panasonic Z95A is undoubtedly the Filmmaker mode. It is a mode that offers quite good image reproduction, but it is not free from certain errors that need improvement. First of all, the white balance, both for 4K and HD content, tends to show a dominance of red and blue colors. This causes a slight pinkish tint in the image, particularly noticeable in bright, white scenes. Such deviations can be seen in the comparative photo below, which illustrates this problem well. The Colour Checker test also confirms these discrepancies, showing slight shifts of the dots towards the mentioned hues.

In terms of gamma brightness characteristics, it performs very well, with only minor issues when lightening small details. The EOTF curve, which is responsible for controlling brightness in 4K HDR content, poses greater difficulty. Here, a slight boost in brightness above the reference value can be observed, making the image sometimes too bright, especially in more demanding scenes. Although the Filmmaker mode is definitely the best choice in the Z95A, these aspects require refinement to fully exploit the potential of the television.

We conduct all our tests in the best picture mode on each TV. In this case, as usual, it is the Filmmaker mode. The name of the mode suggests perfect colour reproduction; however, there were noticeable deviations from the correct image. Our unit, in terms of white balance, showed a significant drop in shades of blue - both in SDR and 4K HDR material - which caused a clear yellowing of the image, noticeable in comparison scenes from the film with Tom Cruise. As we described earlier, QNED91T has some tendencies to brighten the screen. This is confirmed by the gamma, which is significantly lower than the reference value of 2.4. On the other hand, the EOTF curve, responsible for brightness in 4K content, showed some issues with the TV dimming the image in the darkest areas, which we could observe in the paragraph describing HDR effect quality. Although the Filmmaker mode is quite a decent "out of the box" mode, it still requires some adjustments.

After calibration, Panasonic Z95A shows its full potential, offering an almost perfect image. The television provides great adjustment capabilities, which we have fully utilized. The white balance after calibration is presented almost perfectly, and errors in SDR content at the level of 0.5 fall within an absolutely reference standard. The same is true for 4K HDR content – any pink tint on the screen has been completely eliminated, and the white balance is now exemplary.

The color palette and Colour Checker test confirm the excellence of the calibration. Errors below 2 is a result that will satisfy both professional calibrators and enthusiasts of cinema-quality images. Significant changes have also occurred in brightness characteristics – the EOTF curve has been leveled, eliminating previous issues with excessive image brightness. And the small error in gamma has been reduced.

Before calibration, the image was acceptable, but now it is a completely different league. It is a true feast for the eyes, the quality of which is hard to compare to anything else. Panasonic Z95A, after fine-tuning the settings, becomes a true master of color reproduction.

LG offers advanced calibration tools in its televisions such as 65QNED91T6A, which we took advantage of. When it comes to white balance, we were able to significantly correct it in SDR content. The picture mode in 4K HDR quality posed greater challenges, which, although still not perfect, looks better than before calibration. The errors on the Color Checker palette and the colour palette are much smaller than in factory settings. Regarding brightness characteristics, gamma for HD content is practically ideal, with a slight exception at the end of the graph. However, the biggest issues the television had were with brightness in 4K HDR content. Analyzing the EOTF characteristics in films, we noticed that the television manipulates brightness quite significantly, which we observed in earlier tests. Brightness is considerably boosted compared to the graph in the static test, and the television brightens certain scenes to the extent that some smaller elements lose detail. Unfortunately, this is caused by an average local dimming algorithm in this model. Nevertheless, calibration yields decent results, especially in terms of precise colour reproduction.

In the case of lower quality materials, the "Gradient Smoothing" function is responsible for smoothing tonal transitions. The best results are achieved with an intermediate setting – although they are not spectacular, the function works correctly and does not introduce unwanted effects into the image. It can be rated as average, but sufficient to improve the quality of tonal transitions.

As for digital processing, or upscaling, the image looks surprisingly good. It is vibrant and pleasant to the eye, making lower quality content, such as standard television or YouTube, look quite decent. However, minor issues can be noticed, such as "jaggies" on edges, e.g. branches in the background. Nevertheless, this does not significantly impact the overall viewing experience, and the television handles this material in an acceptable manner.

When it comes to tonal transitions in lower quality materials, the TV offers the already-known feature from LG TVs - "Smooth Gradation." We can control it at three levels: low, medium, and high. We recommend using the medium option, as it effectively removes tonal transitions without causing noticeable issues with removing the structure of objects or other artefacts.

As for image scaling (upscaling), LG's Alpha processor handles this well. The image appears very plastic, with slight jaggedness in some elements, which does not significantly affect the quality. It looks really okay, and the overall effect is very satisfactory.

Panasonic Z95A, with its 144 Hz panel, offers excellent image smoothness. For films, there is the "Intelligent Frame Creation" feature, which enhances fluidity and reduces motion blur. The user has two sliders at their disposal: "Motion Blur Reduction" – responsible for clearer and sharper details in fast-moving scenes. "Film Smoothness" – adds smoothness by creating additional frames between the originals, making the motion look smoother and more natural with a "soap opera" effect.

As a result, viewers can adjust the settings to their own preferences. Films and less dynamic materials appear smooth and natural, which should satisfy most users.

The television has a refresh rate of 120 Hz, which should satisfy most users in terms of motion smoothness. Additionally, QNED91T is equipped with the TruMotion feature, which allows for smoother image display in movies. As part of this feature, we can adjust the "De-Judder" and "De-Blur" sliders. The "De-Judder" slider is responsible for reducing jitter in movies, which is particularly useful when playing content with a lower frame rate, while "De-Blur" helps reduce blurriness in fast scenes, which is essential for sports or dynamic shots.

Panasonic Z95A this year shows that the manufacturer has made a huge leap forward in terms of support for gamers. The television offers practically everything one could expect from a device in this category. Support for ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate) ensures smoothness and no tearing in dynamic games. The 144 Hz panel allows for incredible fluidity, and the additional support for resolutions other than 4K provides greater flexibility, which is a significant plus for gamers using various setups.

Attention should also be paid to the unique and somewhat specific "Game Bar." Its intuitive interface stands out from the competition and allows quick adjustments to key settings such as VRR, brightness level, or picture mode without interrupting gameplay.

However, in this class of device, there is a slight disappointment – the Panasonic Z95A offers only two HDMI 2.1 ports, instead of four. This is definitely insufficient for a premium television, especially at a time when many people have more than one device requiring full HDMI 2.1 support, such as a next-gen console or a high-end computer. In this category, it is hard to accept, especially given the high aspirations of this model. Despite this, the television is an excellent choice for gamers, offering versatility and functionality at the highest level.

The LG 65QNED91T6A television is equipped with HDMI 2.1 ports with a full bandwidth of 48 Gb/s, providing full support for all standards needed for gaming on modern consoles. We can count on support for variable refresh rate (VRR) and auto low latency mode (ALLM). This ensures smooth gameplay without delays.

With support for all popular HDR standards in games, such as HGiG and Dolby Vision, we can fully harness the potential of the PS5 and XBOX One consoles. The television also easily handles lower resolutions than 4K, so even older consoles look good on it. The Game Bar makes it easy to access gaming-related settings, allowing us to quickly and intuitively adjust picture parameters and features for gamers. Additionally, the QNED91T offers NVIDIA GeForce Now functionality, enabling us to game in the cloud without needing a console. However, it should be noted that this solution is quite expensive and somewhat falls short compared to Xbox Game Pass, which is available only on Samsung TVs.

QNED91T LG is a great choice for less experienced and more advanced gamers looking for a versatile television for gaming.