LG QNED93A / QNED90A vs Philips PUS7000

Although the number of local dimming zones in the LG QNED93A did not directly translate to a noticeably better contrast, one cannot deny that this model is brighter than its predecessor. In synthetic tests, we recorded values around 1400-1500 nits, and more importantly, these results are reflected in real movie scenes. In full-screen sequences flooded with white or bright lights, the screen was able to maintain high luminance, which produced a truly decent incredible HDR effect. Unfortunately, where the television could show its true class, namely in scenes that require precision, all the magic evaporates. The dimming algorithms we mentioned earlier are aggressive enough that small bright objects—such as distant lights, stars, or the moon—can almost completely disappear. Just look at the test scenes from the movie Pan or Sicario 2 (screens 2 and 4) to see how subtle details are dimmed to the brink of visibility. It's a shame, because a greater number of zones could theoretically lead to significantly better results. Fortunately, there are also stronger points. The QNED93A performs well in terms of color gamut coverage, achieving around 96% of the DCI-P3 standard. As a result, colors in movies look vivid and full, and the picture does not lose intensity even in more demanding scenes. So it can be said that the HDR in this model is solid, although the unfinished local dimming algorithms hinder its full potential.

Unfortunately, the PUS7000 is not suitable for watching HDR content. This screen is simply too dark. A brightness level of 200 nits is not enough to correctly display such a format. Even if a HDR signal message appears on the screen, the image will resemble a regular SDR recording. Therefore, it's better to stick with the latter format to avoid issues in displaying bright scenes, which you can read about below. The situation is not improved by the fact that this is a classic LCD model without additional layers to enhance colors, such as QLED or PFS. As a result, colors in HDR may appear washed out. Ultimately, this gives a worse effect than in the standard SDR format, which is simply better suited to the capabilities of this panel.

In movie mode (specifically Filmmaker), color reproduction on the QNED93A was relatively accurate, although it wasn't without critiques. In SDR content, white balance leaned towards warmer tones, resulting in a slight yellowing across the entire screen. Gamma, on the other hand, led to a slight brightening of the image, making it look a bit less natural, especially in scenes requiring precise shading (this is evident in the comparison picture). This isn't a problem that immediately stands out to every viewer, but more discerning individuals may feel that the picture deviates from the aesthetic intended by the filmmakers. In HDR materials, the situation looked somewhat different. The white balance presented itself quite well here, ensuring that whites didn't lean towards pink or unwanted shades of green. However, brightness management proved to be an issue. Analysis of the EOTF curve revealed that at certain moments the television can be noticeably too dark where it shouldn't be, losing some detail and reducing the realism of scenes. This detracted from the experience of HDR effects, which were theoretically supposed to be the most impressive. For this reason, we decided to carry out calibration.

We tested the television in movie mode, which theoretically should provide the best and most natural colors. And indeed, this mode is quite correct; however, after connecting the calibration equipment, its biggest flaw became apparent. The PUS7000 has significant deficiencies in displaying red. Poorly tuned white balance and too low saturation of this color cause the image to appear too cool. As a result, one might get the impression that the displayed content is simply lacking in vibrant colors. The situation is exacerbated by the fact that both SDR and HDR content are excessively brightened. This is confirmed by the gamma curve and EOTF graphs, which show that the television displays the image brighter than it should. This causes scenes to lose their depth and may appear somewhat washed out. Fortunately, the Philips menu offers many functions to improve these aspects, so we immediately proceeded to calibration to see what could be squeezed out of this screen.

After professional calibration, the Filmmaker mode on the QNED93A gained the most where it matters most in everyday use. It was possible to adjust the white balance and eliminate the yellowish tint in SDR content, which we watch most often – television, streaming services, or standard quality films. This makes colors look natural and pleasant, and the overall experience is much more comfortable. In HDR mode, we also made adjustments, but the biggest problem here turned out to be the EOTF curve. Although LG provides some leeway in the settings, the television still manages brightness on its own terms. It is evident that the local dimming algorithms are not entirely refined and can spoil the viewing experience by dimming parts of the image at inappropriate moments. Nonetheless, it is worth opting for calibration of this model, especially the mode intended for daily viewing.

After professional calibration, it is clear that the PUS7000 responds well to image adjustments. In this price range, this is not a given. The effects should be assessed in two scenarios, depending on what content we plan to watch. SDR performs the best. After our corrections, the image looks really good. Most color errors fell below level 3, which is the threshold at which distortions typically become visible to the naked eye in measurements. Movies, series, sports, and regular television present themselves naturally, without unpleasant deviations. If someone primarily watches classic channels or streaming in HD quality, the difference after calibration will be noticeable immediately. However, it must be made clear that the PUS7000 is still not a television suitable for sensible HDR, and calibration does not change much here. The reason lies in the hardware: colors remain too undersaturated. The television lacks solutions that expand the color gamut, such as PFS filters or a quantum dot layer, so the panel simply cannot show the intense colors required by HDR. This is most evident in reds, which still look pale. This limitation cannot be bypassed with menu settings, as it results from the design of the backlighting and the panel itself.

LG QNED93A proves to be a very solid television for everyday use. Its image processor handles scaling excellently, ensuring that even older movies or terrestrial television gain sharpness and detail. During the screening of "The Godfather," it's clearly visible how upscaling pulls extra details from the image – the characters' faces and the texture of the clothing appear much clearer than in the original material.

The digital image processing also deserves praise. The television is equipped with a function for reducing unwanted color banding and screen irregularities. It works best in the "Medium" setting – subtly smoothing tonal transitions without over-interfering with the image. This way, the natural film grain is preserved, and the screen doesn't appear unnaturally smoothed. Perhaps in some scenes, you can still notice slight color banding, but in practice, the effect is more favorable than with a stronger intervention from the algorithm.

The PUS7000 handles digital image processing quite well. The distortion reduction feature deserves praise, as it effectively smooths out unwanted tonal transitions even at a low setting. However, it has a flaw: if the action is too aggressive, it can introduce undesirable artifacts on the screen. It’s a good idea to experiment with this setting to find the sweet spot between a smooth image and detail clarity.

The upscaling, which is the enhancement of lower quality materials to 4K, is adequate. The image after processing is very "soft," which is typical for almost all Philips televisions. The edges are plastic and smooth, making the image look cohesive. If someone finds it too soft, it can always be adjusted with the sharpness slider in the menu to achieve a more pronounced effect.

LG QNED93A is equipped with a 144 Hz panel. This is primarily a nod to gamers, but the fact that higher refresh rates are increasingly making their way into televisions can be seen as a positive development. In everyday viewing, 120 Hz remains key, and in this regard, the QNED93A performs well. The manufacturer also provides the option to adjust the image through the TruMotion system – the De-Judder and De-Blur sliders allow you to choose between a cinematic motion character with visible frames and a fully smoothed theatrical motion.

In this regard, we don't really have any good news. It might seem that the biggest downside is the lack of a 120 Hz panel, but in this price range, that's actually standard, and it's hard to expect more. However, the worst part is that the TV does not have any motion smoothing features. There are no supporting systems for either movies or sports. We have to accept that the image on the PUS7000 is processed "raw." This means that during dynamic scenes or fast camera movements, the motion may appear choppy or unclear. We have no way to enable any smoother that would soften this effect.

LG QNED93A is a television that has undoubtedly been designed with gamers in mind. Right from the start, we get a complete package – all four HDMI ports operate at standard 2.1, so whether we connect a console, PC, or receiver, we can be sure of full compatibility. This is important because many manufacturers still limit themselves to two ports, and here nothing prevents all equipment from having maximum capabilities. There’s also an automatic game mode (ALLM), which switches the television to the appropriate settings when the console starts up, as well as variable refresh rate (VRR). This ensures that the image does not stutter or tear, even when the frame rate drops – whether in dynamic shooters or during races.

The 144 Hz panel gives an additional advantage in computer games. While 120 Hz is sufficient for consoles, in the case of PCs, the QNED93A allows for even more – every movement, every glance to the side is refreshed faster, which makes a difference especially in e-sports. The manufacturer also considered HDR in games – the television supports the HGiG mode, which provides guidelines to ensure that the lighting effects are exactly as intended by the game developers. For dessert, we get Game Bar – a special informational strip invoked on the screen that shows parameters in real-time. You can check the frame rate, active VRR functions, or input lag levels. This solution is useful not only for settings enthusiasts, but for anyone who wants to quickly verify what mode the television is operating in and whether everything is working as it should.

Although the PUS7000 is not marketed as a gaming TV, it does not perform as poorly in this category as one might expect. While there is no support for 120 Hz refresh rates, which is understandable at this price point, the manufacturer has included several important features that genuinely improve the comfort of playing on a console. The most significant of these are VRR and ALLM technologies. VRR is responsible for synchronizing the screen with the number of frames generated by the console. This prevents the image from "tearing" and keeps it consistent even during sudden frame drops in the game. In turn, ALLM is a solution that automatically switches the TV to the lowest latency mode right after detecting a signal from the console. All of these parameters are easily accessible thanks to the Game Bar feature. This is a special control panel for gamers that can be brought up on the screen at any time. It allows for a quick overview of current settings and connection status without interrupting gameplay, which is a very convenient solution.