LG QNED80A6A (IPS) vs Philips OLED950

When it comes to image dynamics and brightness, the QNED80A has its feet firmly on the ground. It is not a "light beast" – during our measurements, peak brightness oscillated around 350-400 nits. To put it plainly: these are values that will not allow HDR formats to fully spread their wings. So don’t expect the glare of the sun or car headlights in movies to blind you. However, this TV has a powerful ace up its sleeve that saves the overall view of the image – it is the colors. LG engineers have implemented an advanced filtration system here (technically likely based on a PFS phosphor, marketed as QNED/NanoCell), which does a fantastic job. Thanks to it, despite the average brightness, the screen can generate exceptionally saturated and pure colors. Our instruments showed coverage of the wide DCI-P3 cinema palette at the level of 93-94%. This result outclasses most standard LCD TVs. In practice, this means that when watching 4K HDR content, the image – while not particularly bright – is very plastic, vibrant, and pleases the eye with the depth of colors.

OLED950 is a phenomenal TV for consuming HDR content, which is primarily due to the use of innovative Tandem OLED technology. With this technology, the screen is capable of generating astronomical brightness values, reaching over 2000 nits in movie scenes (on test screens). This is an outstanding result, placing the OLED950 model among the very top displays available on the market. However, it should be noted that there is a specific characteristic of this solution – at moments when full-screen bursts of light appear on the screen, the brightness can drop by as much as half. Nevertheless, it is worth emphasizing that values above 1000 nits on a full screen are still an outstanding result. This allows for HDR images to be displayed exactly as filmmakers would wish, maintaining the dynamics and impact of light scenes.

The use of Tandem OLED technology has also brought measurable benefits in terms of color reproduction, improving elements where traditional WOLED panels have had difficulties compared to QD-OLED competitors. In the case of the OLED950, the color gamut coverage is broader than in classic WOLED panels, reaching nearly 100% of the DCI-P3 space and a solid 82% of the demanding BT.2020 palette. Although these results still do not match the high achievements of QD-OLED panels, the difference diminishes during real-world usage. We cannot deny that in the vast majority of films, colors look simply fantastic on this model – they are saturated, vibrant, and full of depth.

Here, regardless of whether you encounter the VA or IPS version, the situation looks identical. LG engineers once again served us their vision of a "gaming look," which unfortunately has little to do with accuracy. After switching to console, the white balance automatically drifts into very cold areas. The image is dominated by the color blue, making it seem artificially sharpened, and the white is so aggressive that it is almost burned out. This creates an effect that we associate with bright retail modes – everything is supposed to shine and scream "I am digital." While some may like this, we must say it straight: this is not an accurate image. If you care about naturalness, we suggest checking the settings right away and changing the color temperature to a warmer one.

We tested the OLED950 model in Movie mode. Although it is theoretically the best and most faithful preset on this television, in practice, it proved to be not without flaws. Interestingly, in the unit we tested, the biggest challenge wasn't the white balance itself – although it did have a slight tendency to give the image a pinkish tint. The main problem lay in the way the television managed brightness, both in everyday SDR content and in demanding HDR scenes. Analysis of the gamma chart and EOTF curve leads to one key conclusion: the television excessively highlights brightness in the lower registers. This results in the image appearing less contrasty than the panel technology would allow. Details in dark areas that should remain perfectly black (characteristic of "OLED black") are simply unnecessarily highlighted and brightened. Fortunately, these errors can be corrected using the appropriate tools, so – as always – we proceeded with professional calibration.

After professional calibration, the QNED80A in the IPS version has changed beyond recognition, especially in "regular" content (SDR). We managed to eliminate the greenish tint and calm down the overly bright gamma. In classic television or older games, color errors (DeltaE) fell below the threshold of perceptibility (value < 2). The image is now consistent, natural, and truly pleasing to the eye. The situation is somewhat more complicated in HDR mode. Although the colors are already in place, the television has trouble perfectly controlling the brightness (EOTF curve). Due to the limitations of edge lighting and the rather poor adjustment options provided by LG in this area, the television's software sometimes "does what it wants" just to mask the imperfections of black and contrast. However, this is not a cause for concern – despite these technical limitations, the image after calibration is a class better than what you saw out of the box.

As can be seen, the OLED950 transforms into an absolutely phenomenal display after a professional calibration process, which without a shadow of a doubt can be placed in the same category as the best televisions currently available in the world. This equipment only needed a professional touch to show its full potential and eliminate factory shortcomings. The minimal errors in reproduction in Color Checker tests and the fidelity of the color palette speak for themselves. We are dealing with an almost perfect device here. A true window to the world, offering top-notch image quality.

It often happens that cheap 4K TVs mercilessly expose the flaws of low-resolution materials. Here, it's different. The QNED80A is great equipment for watching content that isn't perfect. The processor does a great job of upscaling the image, making even older recordings look quite decent on a 4K screen – they are consistent and free of digital noise. An interesting feature is the gradation reduction available in the settings. It is quite effective in combating so-called banding (color banding) in low-bitrate materials. Of course, one should approach it with some caution. Due to the lower computing power of the chip (compared to the premium series), enabling this option can sometimes result in unwanted artifacts or blurriness. Despite this risk, we encourage experimentation, as in many cases this feature can save a poor-quality viewing experience.

Upscaling

In terms of image scaling, the proprietary P5 processor performs just as well as in most models from this manufacturer. Lower resolution content takes on a very soft and plastic character. Such a presentation will certainly appeal to many. However, if you prefer sharper contours, you can gently enhance them with the appropriate slider in the TV menu. In this aspect, it's really hard to pick on anything. The image simply looks very good and additionally there is no problem with the phenomenon of overscan.

Smoothing and Distortion Reduction

The tonal transition smoothing feature fares a bit worse. In the settings, we find an option called “Distortion Reduction.” This allows for three levels of processor intervention adjustment. Unfortunately, the Minimum setting works poorly and the smoothing effects are negligible. The Medium level gives a decent result, but it also starts to smooth out the skin details of actors. On the other hand, the Maximum setting works too aggressively. It removes definitely too many details from the face and background elements or can even take away the film grain. To achieve the optimal effect, it's worth playing around with these settings at home and adjusting them to your preferences. It might seem that the Medium option represents the best compromise here.

In terms of motion reproduction, the QNED80A unfortunately has a tough time. The television is based on a 60Hz refresh rate panel, which in 2025 in the QNED series is quite a disappointment. If you are looking for perfect sharpness in dynamic soccer matches, you might feel a bit unsatisfied. A solution in this situation is the TruMotion system. It allows for artificially adding frames, which smooths out the image in movies and series. In the menu, you will find the De-Judder slider – we recommend setting it to a value of 2, 3, or 4. This is the "golden mean" that improves fluidity without turning the film into a soap opera.

The motion representation in the OLED950 model is virtually perfect. This is typical for screens of this type (OLED 120Hz+), as the matrix shows no blurring at all. Thanks to this, we can enjoy flawless sharpness in practically any conditions. A big part of this is not only due to the specifics of organic technology. Equally important work is done by the smoothing systems implemented by the manufacturer.

In the gaming section, we won't sugarcoat it for you – the QNED80A is not e-sports equipment. The lack of support for 120Hz signal is a fact that must be accepted. However, LG engineers have done everything to squeeze the maximum potential out of this 60 Hz panel, providing gamers with a set of desired features. First and foremost, the television supports VRR (in the range of 48-60Hz) and ALLM. This means that the image is smooth, does not stutter, and the television automatically switches to low latency mode as soon as we pick up the controller. Accessing these options is incredibly simple thanks to the dedicated system overlay – Game Dashboard. It is also worth appreciating the support for the HGiG format. This is a nod to owners of modern consoles. Although the screen does not support gaming Dolby Vision, HGiG ensures that the television "understands" how to display games in HDR. This helps us avoid the issue of blown-out clouds, which is unfortunately a plague on cheaper LCD televisions.

OLED950 is almost the perfect TV for gamers. This is not only due to the unique atmosphere that the Ambilight system creates during gameplay. The most important aspect here is the solid hardware support. We find literally everything that one should expect from a modern gaming screen today. The manufacturer has implemented two HDMI 2.1 ports with full bandwidth of 48 Gb/s. This gives us access to gaming in 4K resolution at 120 frames per second. Of course, support for VRR technology and the ALLM automatic game mode is also included. The device handles any HDR signal effortlessly, whether we are using Dolby Vision or the HGiG standard.

Access to all settings is available from one place thanks to the special Game Bar overlay. Although this interface may not be the most graphically attractive on the market, it fully serves its purpose. It displays all the most important signal parameters and offers useful additions. Gamers can take advantage of the mini-map zoom function or add a permanent crosshair on the screen, which can be seen as a small aid in online competition. Adjusting the contrast range also proves useful. It allows for brightening shadows and achieving better visibility of enemies hidden in the dark corners of the map.