LG OLED C5 vs Samsung Q7F

LG C5 finally does what we have been waiting for years in the C series – it exceeds 1000 nits of brightness! This is a significant change compared to previous models in the series and also very important – because this is exactly the level of luminance around which most HDR content is now created on streaming platforms. The image finally has the right “glow,” and details in bright areas look as they should even without the use of dynamic metadata. However, there are scenes where the C5, like most OLED televisions, has some issues. Especially when the screen needs to illuminate fully. In our test sequences, such as the bright scene from the movie The Meg, brightness clearly decreases. Don’t get us wrong, this result isn’t bad; it’s more of a reminder that OLED technology still has its limitations. They are getting smaller year by year, but still.

Now, what about the colors? They are very good. Although the C5 does not match the OLEDs with QD-OLED or Tandem RGB panels, the DCI-P3 coverage at 97% and 73% BT.2020 will satisfy even the most demanding viewers. The colors are saturated, natural, and very consistent in HDR materials.

Unfortunately, the Samsung Q7F is not one of the bright televisions, and this directly affects the quality of HDR movies. The peak brightness of the panel is only about 250 nits, which is definitely too low to speak of true cinematic experiences. In practice, the image in HDR content does not differ significantly from classic SDR, making it hard to talk about any "wow effect" that usually accompanies us while watching such films. During testing movie scenes, the image simply looked dim, and brightness almost invariably hovered around the mentioned 250 nits. The worst performance was observed in shots with small, intensely glowing elements – the applied global dimming technique reacted very aggressively, dimming the entire screen to maintain the black effect. On the plus side, it is worth noting the presence of a QLED coating that expands the color palette. As a budget QLED model, the Q7F performs quite decently here: its DCI-P3 color coverage is about 93%, and BT.2020 reaches 70%. This means that colors, despite the low brightness, can look quite vivid and attractive.

LG C5, like other TVs we tested, was checked in the best possible factory mode – which remains Filmmaker Mode. And here we have good news: in SDR materials, LG once again did a solid job. The white balance and color reproduction straight out of the box are at a very high level. Most errors – both in balance and in the color test (Colour Checker) – did not exceed a ΔE value of 3, which is the threshold above which differences become visible to the naked eye. Such factory settings are something we would like to see in many more TVs!

However, the situation is different for HDR content, which is really what the C series was created for. Here the C5 performs weaker. The excessive presence of blue in the white balance causes the image to appear noticeably cooled – which affects, for instance, unnaturally pale skin tones and somewhat shifted tonality of the entire scene. Fortunately, LG provides very precise calibration tools, and we – as always – took advantage of them.

The factory color reproduction in the Samsung Q7F definitely isn't one of its strong points. In Filmmaker mode, which theoretically should be closest to neutral, the white balance issue is immediately noticeable. There's too much red on the screen, while blue is noticeably lacking. The effects of this are very easy to see – white, instead of being neutral, takes on warm, almost slightly orange tones. Over time, this makes the entire image look somewhat unnatural, and bright areas of the scene can seem unrealistic. The problems become even more apparent in HDR content. The graphs show that the TV has significant errors in the Color Checker palette, which translates to visible inaccuracies in the real image. In practice, this means that colors are not presented as they should be. The Q7F also heavily manipulates brightness; darker elements are overly boosted, causing them to lose their cinematic feel, while bright parts can appear dimmed. As a result, the image seems flattened, and instead of helping to bring out details, contrast only highlights its own limitations. This is particularly frustrating in HDR materials, as every detail matters there. In scenes where a subtle play of light and shadow should be felt, the Q7F either overdoes the brightening or, conversely, suppresses elements that were meant to draw the eye. This causes the image to lose its depth, and instead of cinematic realism, we get more of a simplification effect.

We must honestly admit – in the case of the LG C5, it took really very little to achieve an almost perfect picture. After calibration, we managed to achieve compliance with reference screens at a level that impresses even compared to much more expensive models. The picture after our adjustment looks exactly as filmmakers and series creators would want it – without color distortions, with natural depth and subtle texture. LG has done a great job this year regarding factory settings and calibration potential. Hats off!

After professional calibration, we managed to bring the Q7F in order – at least in terms of SDR content. The picture in this mode looks really good: the white balance has been set correctly, the colors appear natural, and errors in the color palette have dropped to values that are practically invisible to the eye. The gamma behaves excellently, and the only minor drawback is a slight brightening of smaller elements, which results from the lack of local dimming. For everyday TV watching or standard quality films, the Q7F performs surprisingly well.

It was much more difficult to tame HDR content. Despite adjusting the white balance, the television continues to manipulate brightness significantly, causing scenes to sometimes look unnatural – what was meant to be subtly darker can end up being overly brightened, and bright parts of the image sometimes appear dull. The final effect is better than in the factory settings, but it is evident that the design limitations of the Q7F do not allow for fully utilizing the potential of HDR materials.

LG C5 handles lower-quality materials really well. One of the main issues older WOLEDs faced was posterization – unwanted "steps" in color transitions. The C5 uses a system feature to smooth these transitions, which works surprisingly effectively. The banding effect is almost completely eliminated, and the image gains consistency. Compared to last year's model, we feel that this feature works slightly weaker – but the good news is that it does not compromise the structure of the image. Film grain, textures, and details remain on the screen – nothing is smoothed out forcefully.

The C5 also does a great job of enhancing the quality of older recordings. Thanks to the α9 Gen6 processor (8th gen), "scaling to 4K" performs really solidly. The image is clear, the details are sharp, and the only minor drawback might be slightly visible jaggedness on some edges. However, there is no issue with overscan here – the image is not artificially cropped or shifted, which is a significant plus and still isn’t a given.

Upscaling and digital image processing in the Q7F is a bit of a sine wave. On one hand, we have really nice upscaling – weaker sources look better than one might expect. The image becomes clearer, sharper, and even older movies or terrestrial TV hold up well. Samsung has been strong in this area for years, and the Q7F confirms that. On the other hand… things start to get tricky. The TV has a problem with overscan – part of the image is simply cut off, and it looks rather unrefined. Additionally, we were let down by a feature called "noise reduction," which should improve the smoothness of tonal transitions in weaker materials. In other Samsungs, it works relatively well, but here it practically makes no difference – the banding in gradients remains. It's a bit disappointing because we could have expected more from a model that is aimed at users looking for a display for SDR content.

The LG C5 is equipped with a 144 Hz panel, and this, combined with the practically zero response time of the OLED pixels, makes it one of the best screens for watching dynamic content. It doesn't matter whether it's sports, fast-paced games, or just action – the image is as sharp as a razor.

And what about movies in 24 frames? LG thought of that too. The built-in "TruMotion" smoother allows you to adjust the image to your own preferences. The "de-judder" slider increases the smoothness in movies, while "de-blur" gently reduces blurring – although to be fair, it is almost imperceptible here anyway.

Motion blur and motion fluidity in the Q7F is probably the most budget-conscious element of this TV. The 60 Hz panel is noticeable, with blur being quite evident, especially in dynamic scenes, and it's rather difficult to consider this model as equipment designed for watching sports or playing fast-paced games. In tests with the little green man, there was a long tail, and the ball in a football match would leave trails behind it.

On the plus side, the presence of motion smoothing is commendable. It really makes a difference in movies - especially since most materials are recorded at 24 frames. Here we can decide for ourselves whether we prefer a more "cinematic" image, with the slight jerkiness characteristic of cinema, or a smoother, more "television-like" one. This actually works quite well and helps improve the viewing comfort for series or movies.

LG C5 is a television designed with gamers in mind – and there’s not a hint of exaggeration in that. It's hard to find anything to criticize here. We have 144 Hz refresh rate, full support for VRR, ALLM, and up to four HDMI 2.1 ports with full bandwidth of 48 Gb/s. For those who have an Xbox, PS5, Nintendo, and a gaming PC all in one room – there are no limits, everything can be connected without any hassle.

The HDR configuration for gaming is also problem-free. The television properly supports the HGiG mode, which allows for an image consistent with the creators' intentions. For those interested, there’s also Dolby Vision in Gaming mode, though we still recommend HGiG as the most predictable and “pure” version of HDR for games.

The Game Bar is also included, which serves as the “command center” for the gamer. Everything that’s most important, from VRR settings, to picture modes, to frame rate information – is at our fingertips. The interface is simple and readable. It may look like something out of a space simulator, but it serves its purpose and just works; exactly as it should.

C5 is truly a complete package for every gamer.

Features for gamers in the Samsung Q7F is a topic that evokes quite a bit of mixed emotions. On one hand – no sensible person expected miracles here, after all, it's a 60 Hz television, and it was clear from the beginning that it wouldn't be a device to extract the maximum from a console or PC. On the other hand, since the manufacturer promised specific solutions in promotional materials, it's natural that we wanted to see them in practice. At the start, it's quite decent. The automatic game mode (ALLM) works, so there's no need to manually fiddle with the settings; the console switches the TV to low latency mode by itself. Additionally, we have the Game Bar, which looks impressive and allows you to check a few basic parameters without leaving the game. And this is where the good news ends.

The biggest problem with the Q7F is VRR, or rather its absence. Indeed, a relevant icon appears in the menu, and you can even see it in the Game Bar, but throughout the entire test, the function remained dead and could not be activated in any way. The issue with HGiG is even more painful; this option was actually available at the beginning, but after a software update, it disappeared completely, which is simply unprofessional. Therefore, the Q7F is only suitable for absolute basics. Sure, you can turn on the console, play more mellow titles, and enjoy low input lag, but if someone is counting on more advanced features that the manufacturer promised, they will be disappointed. This is not a television intended for gaming, and it's better to be aware of this before purchasing.