LG MRGB85B vs Samsung S90H (WOLED)

LG MRGB85 offers moderate brightness. On test patterns it reaches about 700 nits, which by itself is a decent result. In actual movie scenes the values are lower and most often fall between 400 and 600 nits. Bright, expansive shots perform best. In scenes with a lot of black the TV noticeably limits luminance, trying to maintain the highest possible contrast. The HDR effect is therefore visible, but it is far from the level offered by more advanced Mini-LED designs. Especially in darker parts of films the limitations of edge-lit backlighting and imprecise local dimming become noticeable again.

HDR Colors

A much stronger suit of the MRGB85 is its colors. The TV covers about 95% of the DCI-P3 color space and 74% of BT.2020, allowing HDR material to look vivid and striking. Colors are well saturated, and the difference compared with basic LCD TVs is clearly visible. It is worth noting, however, that this is not a classic RGB backlight, where each of the three primary colors is generated by a separate diode. Red is produced by a PFS phosphor, which expands the palette and yields more saturated red shades. This solution works well for color reproduction, but it does not change the limitations of dimming itself. The LEDs are not driven independently in the way the series name might suggest... so it turns out that Mini RGB is not the same as Mini-LED RGB!

The Samsung S90H in the WOLED variant is still an exceptionally bright TV for its price class, although it is slightly dimmer compared to the QD-OLED version. The difference is not as pronounced as in last year’s F series, where gaps could reach as much as 500 nits. Here the specs of both panels are very close, and differences in peak brightness are only about 100–150 nits. In small-area measurements, the S90H on the WOLED panel easily reaches levels close to 1500 nits. That headroom lets it portray HDR dynamics phenomenally—specular highlights, reflections or explosions have the right punch, just as the creators intended in the post-production studio. As with most OLED displays, when a very bright scene fills the entire screen, the protection systems that safeguard the panel kick in and brightness naturally falls to around 700 nits. It’s worth stressing that this is still an excellent result on the market, often noticeably better than many Mini LED screens in the same segment.

Color gamut coverage

The biggest difference between the two S90H variants lies in color reproduction and saturation. This stems directly from the different construction of the WOLED panel, which uses an additional white subpixel. As a result, colors at very high brightness don’t achieve quite the same intensity, and the volume of the wide color gamut is somewhat more limited than with QD-OLED. That said, in everyday use these differences will be hard for most viewers to notice. Our measured DCI-P3 coverage on the WOLED panel reaches nearly 99%, which means that in the vast majority of real film scenes both variants will deliver almost identical images. The true gap only appears in rarer, particularly demanding productions that use the ultra-wide BT.2020 gamut. Due to the WOLED panel’s design, coverage of that standard is about 15% lower compared to the S90HAT with a QD-OLED panel, so the brightest, heavily illuminated HDR colors may appear a bit less vivid.

We tested the TV in Filmmaker Mode, because among the available settings it produced the image closest to the reference. Factory color reproduction was not perfect. The biggest deviations were in the white balance, with too much red and not enough blue, which pushed the picture noticeably toward warmer tones. Whites took on a slightly yellowish cast, and skin tones and bright areas did not always look natural. It wasn’t a flaw that completely ruined the viewing experience, but in a direct comparison with the same screen after calibration the difference was clearly visible.

In Filmmaker mode, which we strongly recommend enabling right out of the box, the S90H offers very good factory color tuning. Colors are natural and faithful to the filmmakers' intent, without the intrusive oversaturation found in more aggressive profiles. However, as is usually the case without full calibration, there can be unit-to-unit variation. In our test the white balance lacked a bit of the blue component, causing the image to lean slightly toward warmer, yellowish tones. This was most noticeable in bright scenes, such as the snowy sequences from Star Wars. Additionally, the gamma curve ran slightly low, around 2.2, which resulted in a slight boost to shadow detail. In HDR mode the tuning was a bit better, showing only a slight undersaturation in the red region.

Calibration primarily corrected the white balance and removed the previously visible warm tint. After the adjustment, whites no longer had a yellow cast and colors became more neutral and natural. The biggest improvement was seen in SDR content, where the picture looked even and much closer to the reference. A similar effect was achieved in HDR. After calibration the picture became more controlled, although not all of the TV's limitations could be eliminated. The biggest issue remained the intense reds, which were not always reproduced with the necessary precision. In practice the MRGB85 handles everyday SDR content very well, but in more demanding HDR material its limitations remain clearly visible.

After full calibration it can safely be said that the S90H in the WOLED version looks almost perfect. In SDR mode color reproduction errors drop to ultra-low levels, and Delta E values very rarely exceed 2. That's a phenomenal result, so if you care about perfectly faithful color reproduction it's definitely worth considering calibration. The calibrated HDR mode also performs very well, in which the white balance was stabilized and earlier deviations eliminated. After professional tuning it's really hard to find anything to criticize, because the TV delivers an image with almost exemplary naturalness and dimensionality. The slightly lower rating in this category compared with the QD-OLED variant is solely due to the previously described saturation limitation in extremely bright scenes; the tuning options and color fidelity themselves are at the highest level.

Upscaling and digital image processing perform quite well on the LG MRGB85. The Alpha 8 AI 4K Gen7 processor efficiently upscales lower-resolution content, and you can easily disable overscan regardless of the source. The TV also handles compression artifacts fairly well. The "Smooth Gradation" feature can effectively reduce visible banding and tonal unevenness, but it doesn't always work precisely. At higher settings it can smooth over fine details, for example material textures. On the plus side, it doesn't remove film grain. It's safest to use the "Low" or "Medium" setting, which provides the best compromise between artifact reduction and detail retention.

When it comes to reducing posterization, Samsung has kept the same solutions as last year’s models. The dedicated gradient-smoothing function works quite well and can effectively mask unwanted tonal transitions, which can be useful on a WOLED panel that is somewhat prone to banding. However, keep in mind it acts aggressively. This mechanism, aside from removing artifacts, can clean up fine film grain and slightly soften detail. Ultimately it’s a matter of compromise, but if you care about an absolutely faithful reproduction, it’s safer to leave this option off.

There’s also no breakthrough in scaling. The S90H uses the same NQ4 Gen3 processor as its predecessor, so the quality of upscaling was almost identical. The chip sharpens lower-resolution material very well, extracting a satisfying level of detail. Samsung still hasn’t dealt with the old overscan issue. With some older recordings or archival material the image edges can be slightly cropped. It’s a minor flaw, but it’s a shame the manufacturer still hasn’t eliminated it.

The LG MRGB85 is equipped with a VA panel with a native 144 Hz refresh rate, so it performs very well in terms of motion smoothness. The TV easily handles 120 Hz content from consoles and higher refresh rates when connected to a PC. That matters not only for gaming but also when watching sports, where camera movement is noticeably smoother than on basic 60 Hz models. There's also the TruMotion system, which lets you set the level of motion smoothing yourself. You can keep a more cinematic motion or increase smoothness, which works well for sports broadcasts and TV shows. The range of adjustment is wide, so you can easily tailor the motion smoothing to your preferences.

In terms of motion handling, the S90H is simply excellent. This year's panel offers a refresh rate boosted to 165 Hz, though in practice the benefit will be realized mainly by gamers connecting a powerful PC. For movies, TV series, or sports broadcasts, such a high refresh rate makes no difference and the picture looks exactly the same as at the standard 120 Hz. Regardless of the source, the OLED panel's lightning-fast response time does its job, so motion is clean and the ghosting or smearing seen on LCD screens simply doesn't occur here.

When it comes to gaming, the LG MRGB85 performs best by far. The manufacturer didn’t skimp on the feature set and essentially brought the full suite of functions from higher-end TVs to this model. You get three HDMI 2.1 ports with full 48 Gbps bandwidth. Each of them supports 4K 120 Hz from consoles, and when connected to a PC also 4K 144 Hz. So you don’t have to worry about which port to plug your console or PC into, since they all offer the same capabilities.

It also includes VRR, AMD FreeSync Premium, NVIDIA G-Sync Compatible, ALLM, and HGiG. Dolby Vision Gaming is present as well, allowing supported games to use high refresh rates and dynamic HDR simultaneously on Xbox. Rounding it out is Game Optimizer, a handy in-game menu for gamers. Without leaving the game you can change the picture profile, brighten shadow details, or check the current frame rate. In terms of gaming features, the MRGB85 therefore offers almost the same as much more expensive LG models.

Players should feel at home with the S90H, because in that respect Samsung left few reasons to complain. The TV has four HDMI 2.1 ports, each of which supports VRR, ALLM, and high refresh rates. There's also the Game Bar, a handy menu that lets you quickly check key parameters and change settings without leaving the game. Importantly, Samsung has also improved HGiG. In last year's models it could cause issues when used with a console, but in the S90H it now works as it should. What sets it apart from the competition is primarily Game Motion Plus. It's a special motion-smoothing mode designed for games, which works best with titles running at 30 or 60 frames per second. Motion becomes noticeably smoother, while latency remains at a reasonable level. In our measurements it was under 50 ms, so you can still play comfortably. That's important, because on many TVs turning on a similar smoothing mode causes such a large increase in input lag that controls start to feel noticeably sluggish. Samsung has managed to find a good compromise here. There's still no Dolby Vision Gaming, but in practice Game Motion Plus may prove to be a far more useful feature.