Hisense U8NQ vs Samsung The Frame Pro

Hisense U8NQ showcases its capabilities in HDR, achieving a brightness level on the luminance chart exceeding 2000 nits. In the first, third, and fifth scenes where the screen is covered in light, the television displays very high brightness, which impresses and allows one to enjoy the full effect of HDR. Unfortunately, in the second and fourth scenes, such as those from the movie "Sicario 2," the television encounters issues maintaining brightness, resulting in disappointing results around 250 nits. Although a large number of dimming zones should theoretically help, the algorithm responsible for their control does not always perform perfectly—bright, small elements like the moon or helicopter lights are too dim, which detracts from the typical HDR effect. Instead of dazzling brightness, we get a more subdued light that does not reflect the full HDR potential. Nevertheless, the television deserves praise for its very good coverage of the DCI-P3 colour palette at 97%. As a result, colours are vibrant, and most movie scenes look really good, significantly enhancing the viewing quality.

Samsung The Frame Pro belongs to relatively bright televisions. In synthetic tests, we managed to achieve values around 900 nits, which, for a lifestyle model, is quite a decent result. In full-screen scenes, such as the frame from the movie The Meg or the opening sequence in Life of Pi, brightness remained at levels of 700–800 nits. These are values that allow you to fully enjoy HDR effects and capture their cinematic magic. However, the situation complicates when smaller, point light sources appear on the screen. The edge lighting used here, equipped with the ability to locally dim entire strips, does not handle them very well. It sometimes happens that small elements are excessively dimmed, which weakens the effect, or on the contrary – they are significantly brightened, but at the cost of losing black depth in that part of the image. This can be compared to light glows resembling the spread of a laser beam in dense fog – the effect is visible and bright, but at the same time, it is not very natural and distracts our attention. Fortunately, the color aspect performs better. Thanks to the use of a quantum dot filter (QLED), the colors are saturated, and the reproduction of the DCI-P3 palette exceeds 92%. In general, movies or series watched in HDR on The Frame Pro present a rich color palette, even if the contrast and the operation of the backlight algorithms can sometimes distract our attention.

The Filmmaker mode on the Hisense U8NQ TV can be described as the most accurate mode available in this model. Despite its accuracy, it has significant errors in reproducing the reference image, which we will describe now. In the case of HD content, the white balance shows a clear dominance of red, making the image overly pink and warm. The comparative photo below illustrates how this effect influences content presentation. The brightness characteristics also leave much to be desired — too low gamma causes the screen to be excessively brightened, and blacks look lightened, making the overall picture seem cooler than it should be.

In the case of 4K HDR content, the problem is reversed — the white balance shows too much dominance of blue, resulting in an artificial character to the image and making it appear unnaturally sharp. These deviations for HD and 4K HDR content can be confirmed with the Colour Checker test, which clearly shows how colours deviate from the correct patterns.

The best results were, of course, achieved in Filmmaker mode, which immediately showed that Samsung paid attention to the factory settings. In SDR content – the type of content most often viewed – The Frame Pro performed really well. White balance and gamma were almost perfectly matched, making the image look natural and consistent. Yes, there were some noticeable errors, especially in skin tones and reds, which could be overly saturated, giving everything a slightly “warmed up” character, but in everyday use, this did not significantly affect the viewing experience. In the case of HDR content, the situation was similar regarding white balance. It was at a good level; however, the biggest problem turned out to be brightness management. The EOTF curve was set in such a way that in many scenes the image appeared to be overexposed, and the brightest areas lost details and turned into solid patches of light. This severely undermined realism and made the colors appear strongly over-sharpened. Fortunately, Samsung provides the option for manual adjustment of the curve in its televisions, so we opted for calibration, and its results can be seen below.

The white balance for both 4K and HD content has been significantly adjusted, greatly improving the image quality. Although some errors are still visible, they are not substantial enough to heavily affect the perception of the image. A notable improvement can also be seen in the gamma brightness characteristics — the image is no longer overly bright, resulting in more natural blacks and better contrast.

However, as with many other Hisense models, there are visible issues with the EOTF curve, which is responsible for managing brightness in high-quality materials. Although it may seem correct, once the filter is applied on the "EOTF in movies" graph, it is evident that the TV is somewhat "playing around" with 4K content. It is clear that the EOTF curve is significantly below the reference level, leading to an overall dimming of the image compared to the reference. We noticed this effect in previously tested scenes from the movies "Pan" and "Billy Lynn." While it is not a serious problem, it is worth mentioning. It may be of great importance to those looking for a display with the most accurate image reproduction. Despite this error, the image will be more enjoyable for most. Colours are better reproduced, and the overall image quality is significantly improved.

After calibration, the SDR mode looks simply perfect. We managed to eliminate the overly strong red saturation that previously gave the picture a somewhat excessively warm character. The colors became more balanced, which translated to a natural and pleasant reception of daily content – from television to movies and series from streaming or materials on YouTube. In HDR mode, the EOTF curve required the most work, as it originally caused excessive burning of the entire image. Calibration largely helped to "tame" this problem – the image stopped being overexposed, and details in bright areas became more visible. Of course, the limits are set by the television's own design, as edge lighting reveals its limitations, and even the smallest elements of light can still be oversaturated or blend into the background. However, this is a matter of technology, not calibration itself. After the correction, The Frame Pro is much more enjoyable to watch, and it's definitely worth opting for if you want to make the most of your television's capabilities.

In the context of smoothing tonal transitions, the Hisense U8NQ television unfortunately does not perform well. The "Smooth and Gradient Image" function does not produce noticeable effects — there is no improvement in any setting, which is disappointing, especially in demanding scenes with subtle tonal transitions.

As for digital processing, or the so-called upscaling, the scene with the model is presented correctly — its outline is clear, without significant cropping. Similarly, thin lines, such as tree branches, have slight jaggedness, but the overall appearance is plastic and soft, which creates a good impression. Unfortunately, there is also an issue with the so-called overscan, which causes cropping of the image at the edges. This can be annoying when watching content such as news, where the lower information bars may be partially invisible.

While the smoothness of tonal transitions in 4K HDR content on The Frame Pro is not a problem at all, naturally with weaker signal quality – from television, HD content, or older Full HD films – imperfections may occur. Therefore, it is crucial how the television handles these limitations thanks to its image processor. The noise reduction feature works really effectively here. At the medium setting, it eliminates unwanted bands or artifacts, smoothing the image in a noticeable but not overly exaggerated way. However, it should be noted that Samsung tends to operate aggressively – even at the lowest setting of this feature, it can "eat" film grain. It is therefore advisable to use it with caution and adjust the settings to the material being viewed.

The upscaling itself is at a high level. The Frame Pro can effectively upscale older materials to native 4K resolution while maintaining good sharpness and readability. Movies and series in lower quality simply look better here. However, it is worth mentioning a minor drawback – typical for many Samsung televisions. With very old sources of poor quality, you may notice cropping of the image edges on the left side of the screen. This is not a problem that will ruin the viewing experience, but it is good to know that it may occur.

Hisense U8NQ is equipped with a 144 Hz matrix, making it a great choice for sports and gaming. The television will also easily satisfy movie fans, as it features a built-in "Ultra Motion Smoothness" processor that allows you to control the fluidity of the image — you can decide whether you prefer a more "framey" look or a smoother, cinematic effect. This provides great flexibility in adjusting the quality of motion to the individual viewer's preferences.

The smoothness of motion in The Frame Pro is ensured not only by the panel, which operates with a refresh rate of up to 144 Hz, but also by the image processor and the smoothing system. It is thanks to this that we can adjust the way we display movies or sports broadcasts to our own preferences. Available are sliders for motion blur reduction and judder reduction – the first function improves the sharpness of fast movements, while the second allows for softening the "jumping" image effect during camera pans. Therefore, everyone can choose between a cinematic character of motion and a smoother, more "television-like" style.

Hisense U8NQ offers everything a gamer may need for comfortable gameplay. The TV supports a refresh rate of 144 Hz, which ensures an incredibly smooth picture, especially in dynamic action games. The VRR (variable refresh rate) feature allows for adjusting the image to varying frames per second, eliminating stuttering and tearing effects, resulting in an exceptionally smooth gaming experience. Additionally, the TV is equipped with the ALLM (automatic low latency mode) feature, which automatically switches the TV to game mode, minimizing input lag. This allows gamers to enjoy responsive gameplay without manually adjusting the settings.

Hisense U8NQ also supports Dolby Vision, which is important for gamers who value high picture quality, high contrast, and deep colours in games that support this format. The TV also has a “Game Bar” — a feature that provides quick access to essential settings during gameplay, significantly enhancing user convenience.

However, it is worth noting that despite its rich features, the Hisense U8NQ does not offer the HGiG standard, which is a popular HDR format in gaming. This may be disappointing for gamers expecting optimal detail reproduction in HDR scenes. Nevertheless, the other features of the TV make the Hisense U8NQ a solid choice for console gaming enthusiasts, offering smoothness, high contrast, and user convenience.

Samsung The Frame Pro doesn’t pretend to be just a “living room” television; here, gamers will also find something for themselves. The manufacturer has ensured a full suite of gaming features: we have support for variable refresh rate (VRR), automatic low latency mode (ALLM), refresh rates up to 144 Hz, and compatibility with both G-Sync and FreeSync Premium Pro. Additionally, there’s the well-known Game Bar panel, which is a quick menu where you can check key parameters on the fly – from refresh rates to active image processing modes. Are there any downsides? Yes, The Frame Pro doesn’t support Dolby Vision in gaming mode, but it's hard to consider this a serious issue – most gamers use HDR10 anyway... so, the HGIG mode. Exactly. The biggest surprise turned out to be the latest software update. Samsung… completely removed this option from The Frame PRO. In practice, this means that the TV independently interprets HDR tone mapping in games, and the user has no ability to enable settings designed for consoles. This is a step backward that may disappoint more informed gamers expecting full compliance with HGiG guidelines. We just hope that this mistake will be quickly corrected.

Interestingly, The Frame Pro also features an atypical arrangement of HDMI 2.1 ports. We have as many as five available – four are located in the One Connect module, and the fifth, in micro HDMI version, is directly on the TV. This solution is quite unconventional, but very practical. Samsung clearly suggests that this is the port to connect your console or computer. Why? Because it minimizes potential delays associated with communication through the wireless One Connect, and in gaming, every millisecond matters. We wrote separately about input lag, but it can be revealed here that by connecting equipment directly to the TV, we achieve the absolute maximum response speed.