Hisense U8NQ vs Blaupunkt UGC5500S

Hisense U8NQ showcases its capabilities in HDR, achieving a brightness level on the luminance chart exceeding 2000 nits. In the first, third, and fifth scenes where the screen is covered in light, the television displays very high brightness, which impresses and allows one to enjoy the full effect of HDR. Unfortunately, in the second and fourth scenes, such as those from the movie "Sicario 2," the television encounters issues maintaining brightness, resulting in disappointing results around 250 nits. Although a large number of dimming zones should theoretically help, the algorithm responsible for their control does not always perform perfectly—bright, small elements like the moon or helicopter lights are too dim, which detracts from the typical HDR effect. Instead of dazzling brightness, we get a more subdued light that does not reflect the full HDR potential. Nevertheless, the television deserves praise for its very good coverage of the DCI-P3 colour palette at 97%. As a result, colours are vibrant, and most movie scenes look really good, significantly enhancing the viewing quality.

Here, we won't beat around the bush either – if you're looking for a TV strictly for cinematic HDR experiences, you've come to the wrong address. The Blaupunkt UGC5500S unfortunately is not a machine designed for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on film screens speaks for itself. It's simply too little to even talk about any real HDR effect. To be honest, everything displayed here in this format can best be considered a slightly "boosted" SDR mode. We expected this because practically every device in this price range fails in this regard, but we feel obligated to warn you. Manufacturers love to boast about HDR compatibility stickers on the boxes, but in reality, this format simply doesn't exist here – it lacks the "fuel" of brightness.

The situation is made all the more difficult for Blaupunkt because we have a panel with a very basic DCI-P3 color gamut coverage of just around 80%. You won't find any advanced coatings that enhance these capabilities (like quantum dots), making scenes that are supposed to burst with richly saturated colors appear simply desaturated on this screen. Therefore, we have a concrete piece of advice for you: do not push the HDR mode on this model. If you have the option in the streaming app settings – just turn it off. Sticking with the classic SDR mode will ensure that the TV won't try to "enhance" something that it can't handle hardware-wise.

The Filmmaker mode on the Hisense U8NQ TV can be described as the most accurate mode available in this model. Despite its accuracy, it has significant errors in reproducing the reference image, which we will describe now. In the case of HD content, the white balance shows a clear dominance of red, making the image overly pink and warm. The comparative photo below illustrates how this effect influences content presentation. The brightness characteristics also leave much to be desired — too low gamma causes the screen to be excessively brightened, and blacks look lightened, making the overall picture seem cooler than it should be.

In the case of 4K HDR content, the problem is reversed — the white balance shows too much dominance of blue, resulting in an artificial character to the image and making it appear unnaturally sharp. These deviations for HD and 4K HDR content can be confirmed with the Colour Checker test, which clearly shows how colours deviate from the correct patterns.

We also took a close look at how Blaupunkt handles colors in movie mode, and here the situation is, to put it briefly, twofold. We must clearly separate what we see in the standard SDR format from what happens when HDR is turned on, as these are two completely different worlds. Let’s start with the better side of the coin. If you plan to watch classic television, YouTube, or older movies on this TV, you can count on really well-tuned colors. In our test sample, the white balance in movie mode was exceptionally accurate, which honestly surprised us. Of course, to not make it too rosy, we noticed some flaws. Looking at the gamma charts, we observed that the processor struggles with properly dimming the image in its brightest parts. Additionally, there is quite strong, at times too aggressive, red saturation, which resulted in noticeable errors in reproducing certain shades. Nevertheless, in general terms, the image in SDR is simply solid and watchable without a grimace on your face. Unfortunately, the magic fades when we re-enter the world of HDR. Here, Blaupunkt behaves as if we suddenly switched it to store mode, and in its worst form. The excess blue in the white balance is so overwhelming that it literally clashes with the eyes, ruining any realism of the scene. Furthermore, the TV interprets brightness very loosely, which, when analyzing the EOTF curve, clearly showed that for most of the time the colors appear simply washed out and lacking depth. This is, by the way, perfectly visible in the color errors that become evident in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which feels forced and not properly refined.

The white balance for both 4K and HD content has been significantly adjusted, greatly improving the image quality. Although some errors are still visible, they are not substantial enough to heavily affect the perception of the image. A notable improvement can also be seen in the gamma brightness characteristics — the image is no longer overly bright, resulting in more natural blacks and better contrast.

However, as with many other Hisense models, there are visible issues with the EOTF curve, which is responsible for managing brightness in high-quality materials. Although it may seem correct, once the filter is applied on the "EOTF in movies" graph, it is evident that the TV is somewhat "playing around" with 4K content. It is clear that the EOTF curve is significantly below the reference level, leading to an overall dimming of the image compared to the reference. We noticed this effect in previously tested scenes from the movies "Pan" and "Billy Lynn." While it is not a serious problem, it is worth mentioning. It may be of great importance to those looking for a display with the most accurate image reproduction. Despite this error, the image will be more enjoyable for most. Colours are better reproduced, and the overall image quality is significantly improved.

It may sound like a joke – pulling out professional measurement equipment for a television costing around a thousand zlotys / 250 dollars – but we wouldn't be ourselves if we didn't check it out. The question is: does such cheap equipment give us any room for calibration? To your surprise, the answer is yes, and absolutely so. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to really work on the picture. These are not just empty sliders; they are concrete tools that enabled us to make use of our measurement sensors and software. In SDR mode, the effects were noticeable to the naked eye. We successfully eliminated the issue we mentioned earlier – that excessive, almost artificial saturation of reds. We also fixed the problem of incorrect dimming of the brightest parts of the image. After calibration, the standard format picture became much more balanced and simply correct. As for HDR, the situation was again more complicated. Although we managed to "tame" that aggressive blue tint in the white balance, it was evident that we were fighting a bit in vain. Even after changing the settings, the television still tried to intervene in the image in its own way, as if the electronics knew better than we did how the scene should look. Additionally, there's a hardware barrier that no slider can overcome – colors in HDR still remain unsaturated. This simply results from the quality of the panel itself; it physically cannot produce the most vibrant colors. To summarize this point: if any of you ask whether it’s possible to calibrate a television for "a thousand," we respond with full conviction: it is possible.

In the context of smoothing tonal transitions, the Hisense U8NQ television unfortunately does not perform well. The "Smooth and Gradient Image" function does not produce noticeable effects — there is no improvement in any setting, which is disappointing, especially in demanding scenes with subtle tonal transitions.

As for digital processing, or the so-called upscaling, the scene with the model is presented correctly — its outline is clear, without significant cropping. Similarly, thin lines, such as tree branches, have slight jaggedness, but the overall appearance is plastic and soft, which creates a good impression. Unfortunately, there is also an issue with the so-called overscan, which causes cropping of the image at the edges. This can be annoying when watching content such as news, where the lower information bars may be partially invisible.

If you expect that the processor in this model will magically "fix" the poor quality signal from cable TV or old films from YouTube, we must disappoint you. The capabilities of this television end with absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this correctly in that the image is not blurry, but there is no talk of any intelligent sharpening or adding details. Worse still, Blaupunkt is completely devoid of any functions that reduce unwanted tonal transitions. If the material being viewed has so-called banding (ugly "steps" instead of a smooth transition of colors, e.g., in the sky), this television will display them in all their glory. Additionally, the television tends to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly enlarges the frame, causing us to lose details located at the very edges of the screen. In summary: in the category of digital "enhancement" of the image, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal with all its flaws.

Hisense U8NQ is equipped with a 144 Hz matrix, making it a great choice for sports and gaming. The television will also easily satisfy movie fans, as it features a built-in "Ultra Motion Smoothness" processor that allows you to control the fluidity of the image — you can decide whether you prefer a more "framey" look or a smoother, cinematic effect. This provides great flexibility in adjusting the quality of motion to the individual viewer's preferences.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us expected a perfectly sharp image during fast action scenes or while watching a game. However, the biggest drawback of this model is that you won't find any digital smoothers in the menu. The manufacturer did not give us any room to maneuver – there's no way to smooth anything out or adjust the image to our preferences. The image is always "raw" and we receive it exactly as the source transmits it. For fans of cinematic "motion jump," this might be fine, but everyone else just has to get used to the absence of any motion support.

Hisense U8NQ offers everything a gamer may need for comfortable gameplay. The TV supports a refresh rate of 144 Hz, which ensures an incredibly smooth picture, especially in dynamic action games. The VRR (variable refresh rate) feature allows for adjusting the image to varying frames per second, eliminating stuttering and tearing effects, resulting in an exceptionally smooth gaming experience. Additionally, the TV is equipped with the ALLM (automatic low latency mode) feature, which automatically switches the TV to game mode, minimizing input lag. This allows gamers to enjoy responsive gameplay without manually adjusting the settings.

Hisense U8NQ also supports Dolby Vision, which is important for gamers who value high picture quality, high contrast, and deep colours in games that support this format. The TV also has a “Game Bar” — a feature that provides quick access to essential settings during gameplay, significantly enhancing user convenience.

However, it is worth noting that despite its rich features, the Hisense U8NQ does not offer the HGiG standard, which is a popular HDR format in gaming. This may be disappointing for gamers expecting optimal detail reproduction in HDR scenes. Nevertheless, the other features of the TV make the Hisense U8NQ a solid choice for console gaming enthusiasts, offering smoothness, high contrast, and user convenience.

When it comes to gaming on the Blaupunkt, we didn’t expect miracles and indeed – the list of features is not very long. However, there are two interesting points worth mentioning, as they may be significant for some of you at this price. The first advantage is that the TV quite efficiently detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device automatically knows when you start gaming and switches to low latency mode. This is convenient because you don’t have to fiddle with the settings every time to prevent input lag from ruining the fun. The second point is a real curiosity that surprised us. Even though it’s a 60 Hz panel, the Blaupunkt can display images at 120 Hz at Full HD resolution. Sure, we lose 4K details then, but for those playing more dynamic, online shooters where fluidity is more important than resolution, it’s a really nice and unexpected addition in such an inexpensive piece of equipment. Besides these two points, however, you won’t find anything else here. There are no advanced systems for improving fluidity for gamers or extensive gaming menu bars. It’s a simple screen for occasional gaming.