Compare Haier Q80FUX vs LG OLED G6 (G64LW, G66LS)

The Haier Q80FUX TV is one of the most schizophrenic proposals we've had in our editorial office for a long time. On one hand, we have a solid piece of equipment: a VA panel that guarantees deep blacks, as expected in this segment, and a QLED quantum filter that can indeed generate juicy, eye-catching colors. This is the foundation on which a truly competitive mid-range receiver could have been built. Unfortunately, all this potential of the panel is systematically torpedoed by the software, which is a real ball and chain for this model. The biggest Achilles' heel of the Q80FUX is its total capitulation in the face of HDR10 content. The electronics seem to completely misunderstand how to interpret the signal, resulting in consistently blowing out the brightest parts of the image, turning them into a flat, milky blob. If we add the Google TV system, which – although functional – is unstable, full of errors, and irritating shortcomings, we get a picture of a raw product that clearly reveals the manufacturer's lack of experience. And just when we were ready to write this model off, we discovered its surprising niche. Once connected to a console, the Q80FUX undergoes a transformation. It turns out that this TV offers wonderfully low input lag, fully supports VRR, and can accept a 120Hz signal at Full HD resolution. In the gaming world, where responsiveness is everything, these parameters put it in a very good light. So we are dealing with a device of very narrow specialization. This is not a universal living room TV – it lacks stability and, above all, any correctness in handling films. It is more of a budget, large-format monitor for gamers who are able to consciously overlook all its software flaws in exchange for those few key attributes essential for console/PC at a relatively affordable price.

There’s no doubt the LG G6 is outstanding in places. Thanks to the new 2nd-generation Tandem OLED panel it does something no other glossy-screen display on the market has managed so far: it suppresses reflections brilliantly while keeping perfect, untouched picture quality. Add record brightness and the panel’s unique characteristics, and the G6 can produce images that at times literally knock you off your feet. The excellent webOS and gamer-oriented features only reinforce the impression that this is a worthy successor to the G5. But that’s only one side of the coin, since expectations for a device in this class are as high as they get. During detailed testing we ran into an issue with digital image processing in near-black scenes. We’re talking about overly aggressive grain (dithering) and slight flickering of details in dark sequences. While during normal couch viewing this flaw isn’t dramatically noticeable and doesn’t negate the overall wow factor of the contrast, a trained eye will readily see that LG’s engineers stumbled at the final stage of panel tuning. When you buy a fairly expensive flagship product right now, you simply expect perfection out of the box.

Despite this obvious slip-up, the LG G6 is still at the absolute forefront of the market and one of the most interesting TVs of the year. It has a solid foundation to become the ultimate display. We firmly believe the manufacturer will quickly diagnose the issue and release an appropriate software update. If that happens, the competition won’t stand a chance. We promise to monitor the situation closely, and as soon as a patch appears we will verify how well it performs.

I must admit, when approaching a receiver in this price range, one instinctively crosses their fingers, hoping that at least the black won't be a gray blot. Meanwhile, the Haier Q80FUX, specifically the 55-inch model present in our editorial office, can very positively surprise in this regard. Its secret lies in using a VA panel, which by nature has an inclination for generating high contrast. And these are not empty promises. During screenings, in most film shots, the contrast consistently reported levels from 5000:1, often reaching as high as 8000:1. These are really strong results, considering the fact that this television does not possess any, even minimal, form of local dimming. Translating this into couch experiences: given its price realities, the Q80FUX offers simply solid blacks. Of course, it's not that perfectly velvety depth that makes the screen disappear into darkness. When we conduct a screening in conditions of complete isolation from light, we will notice that in the darkest parts of the image, the black reveals its budget origins, slightly shifting towards a bluish tint. However, this is a defect easy to mask – just a little light from a lamp in the corner of the room is enough for this nuance to become invisible, and the image to regain a satisfying depth.

Since the LG G6 is based on OLED technology, specifically the 2nd generation WOLED TANDEM matrix, we are talking about perfection in terms of blacks and contrast, which is confirmed by our lab measurements – in every test scenario, the television achieved an absolute infinity mark. The ability to control each pixel independently gives it a powerful advantage over any LCD panel on the market. This translates to a brilliant, plastic depth of image that immediately draws you into every possible viewing experience. This is clearly visible in the example of a dark, demanding scene with a helicopter from the movie Sicario 2. While traditional screens with local dimming (including Mini-LEDs) can generate annoying "halo" effects in such moments, lighten black bars in films, or lose details in shadows, the LG G6 handles it flawlessly. Black where it should be black remains pitch-black and perfectly separated from bright points.

*A small note: during this test, a fairly strong grain and flickering of the image stands out. However, we do not take it into account when evaluating the contrast itself and this part of the review – we will describe this specific problem in further detail in the section: "Smoothness of tonal transitions".

Alright, let's move on to the topic that generates so much discussion, namely the capabilities of the TV in HDR mode. Let's make it clear right away: the Haier Q80FUX is certainly not a brightness demon. The panel of this receiver can generate about 350 nits at peak, which in today’s reality is an absolute minimum to even talk about the presence of extended HDR tonal dynamic range. On the plus side, this power is at least stable – regardless of the test pattern or movie scene we used, the measurements invariably oscillated around 300-350 nits. These are therefore at best adequate results, definitely far from the stunning showcase of capabilities that we know from more expensive models. Fortunately, there is one aspect in which the Q80FUX makes up for these shortcomings and does so abundantly. After all, we are talking about a QLED TV (or more precisely, PFS LED), which means that thanks to the quantum dot filter applied to the matrix, it can generate really juicy, vibrant colors. These are not empty promises – a DCI-P3 color gamut coverage reaching nearly 95% is an impressive result that directly translates into very pleasant, saturated colors for the eye.

The LG G6 is currently one of the brightest OLEDs on the market. Its peak brightness reaches nearly 2500 nits, and best of all – this has a direct impact on real film scenes. The television flawlessly pulls out details in the bright parts of the image. And this is regardless of whether we are talking about very small points like stars in the sky or slightly larger elements on the screen. Naturally, with full-screen, uniformly white scenes, the brightness of the G6 decreases due to the panel's protection system (ABL). However, in real, varied film shots, this value still hovers around 2000 nits, which can be considered an outstanding result. The coverage of the color palette also deserves praise. The new 2nd generation Tandem OLED panel brought only a cosmetic change, but still an improvement. The DCI-P3 color gamut coverage reaches nearly 99.5%, while the ultra-wide BT.2020 is around 84%. These are very good results, although one must remember one thing: at extremely high brightness levels, the volume of colors will be lower than in QD-OLED panels from Samsung Display due to the use of a white sub-pixel (WOLED). However, in everyday content and most films, detecting this difference will be very difficult.

Factory settings for film mode are rarely perfect, but in the case of the Q80FUX, we encountered a noticeable imbalance. In SDR content, the image was definitely too warm, which resulted from an excessive amount of red in the white balance, giving it a slightly sepia tone. Contrarily, in HDR materials, the television fell into the other extreme—the excess of blue created an unnatural, cold effect. However, it wasn’t the whimsical white balance that was the biggest problem with this TV. The real culprit, responsible for the previously described issues, was hidden deeper. It turned out that the Q80FUX had completely misaligned gamma values and, crucially for HDR, a poorly managed EOTF curve. It was these erroneous factory settings that caused notorious clipping of the brightest parts of the image, applying that characteristic milky filter over them. Thus, we found the source of the problem. This state of affairs led to overall, significant color errors that were easy to catch even for an untrained eye. Like every television we tested, we decided to calibrate this model as well, and you can find the results of those adjustments in the next paragraph.

We tested the LG G6 in the best factory mode for color fidelity, which is FILMMAKER MODE. For our test unit, this mode was fairly well-tuned right out of the box. In SDR content, the only thing we could nitpick was the white balance, which leaned towards warmer tones. As a result, the image could sometimes appear slightly yellowed; however, overall, it wasn't a bothersome issue. The G6 performed a bit worse with HDR content. There, we noticed too much blue component in the white balance. This caused the image to take on cooler shades, resulting in quite noticeable errors. As can be seen in our ColorChecker chart, colors were indeed shifting towards these cooler registers. Nevertheless, for factory settings, the television displayed a completely decent level. However, we know that OLED screens – especially those from LG – respond wonderfully to professional calibration, which is why we immediately proceeded with it.

The results of our calibration efforts must, unfortunately, be considered twofold. Overall, the image is indisputably better than before the corrections, but the biggest winner of this process turned out to be SDR content. It is here, after clarifying the gamma and white balance graphs, that we obtained results that can confidently be called very good. After the setup, the Q80FUX truly shines in standard dynamics, showing only slight errors in the most challenging skin tone reproductions. Unfortunately, the weakest link still remains HDR content. And here lies the paradox: even though we managed to calibrate the white balance almost to perfection, the overall color errors still remain at a fairly high level. The reason is that the television still interprets the static HDR10 metadata "in its own way," stubbornly enforcing that unfortunate washed-out image effect, which inevitably leads to significant distortions. Although we successfully eliminated the factory excess of blue color, due to this electronic interference, the screen can still tend to fall into somewhat too cold tones. This television just has it this way.

After conducting a professional calibration, we gained complete control over the panel, and we were able to adjust all parameters to nearly zero. We managed to perfectly tune the white balance, which made the factory-cool and warm tints disappear from the screen. The effects are clearly evident in the ColorChecker test – the average color reproduction errors dropped below the critical value of 1-2. And what does that mean? PERFECT colors, with no distortion whatsoever! However, from a reviewer's obligation, we must comment on how the LG G6 autonomously manipulates brightness, for which the EOTF curve is responsible. When we look at the standard synthetic graph, it may seem that the line is quite straight. The situation changes, however, when we turn on the measurement filter, which shows how the television interprets brightness in real, moving film scenes (EOTF in MOVIES). At that point, it becomes clear that some of the smallest fragments on the screen are slightly over-brightened by the algorithm. Of course, for the average viewer, such a deviation will be practically unnoticeable, but in the test of such an expensive screen, it is worth noting – especially since we are talking about a model that has huge aspirations to be the best television of the year.

Analyzing the television's ability to handle subtle tonal transitions, known as "banding," leads us to interesting conclusions. The Haier Q80FUX skillfully blends neighboring colors in most scenes, creating a smooth, cohesive image. However, this is not an ideal process. During the tests, we noticed minor issues and imperfections in every test scene we used. These are perhaps not errors that aggressively catch the eye and spoil the movie experience, yet their presence is worth noting. Interestingly, this receiver shows no particular weaknesses or strengths in this regard – it handles this challenge exactly the same, whether displaying delicate gradients of a bright sky or dark transitions in shadows.

Unfortunately, this is where we come to the least cheerful part of this review. If we were to evaluate solely the smoothness of the tonal transitions, the G6 would score high marks. The color blending is at a very good level, and at times it resembles what we know from Samsung's QD-OLED panels. This is great news because up until now, ugly, banding artifacts in dark shades have been the bane of WOLED panels. In this category, we would easily give it a strong 8.5 out of 10.

Note: Unfortunately, the final rating in this section drops significantly, and the culprit is very aggressive dithering. In dark scenes, the image literally “shivers,” and in areas close to black/dark gray, the television can be annoyingly flickering. We do not know exactly what this is due to, but looking at the tests from other reviewers around the world - everyone has encountered exactly the same problem. We hope that LG will fix this as soon as possible with an update. We know that LG can respond quickly to negative user feedback, which can already be read online. We will keep an eye on this issue and will inform you in case of improvement.

If there is one area where Haier clearly shows that it has quite a bit to catch up on compared to the market leaders, it is digital image processing. The upscaling, well... is just okay. And that's about all that can be said about it. It does what it is supposed to do: it ensures that lower resolution signals don't scare you with harsh pixelation on the screen and don't look like an overly enlarged postage stamp. However, it is far from the finesse and "intelligent" sharpening that more experienced players in this market have developed over the years. The biggest drawback of the Q80FUX software, however, is the almost complete lack of additional "cleaning" and smoothing functions for the image. The receiver does not offer any noise reduction or gradient enhancement mechanisms. This means that with older or more heavily compressed materials, we simply have to accept that any imperfections in tonal transitions or color blending, which we mentioned earlier, will constantly accompany us during the viewing.

No matter what one may say about the G6's problems with near-black signal, it must be fairly acknowledged that it handles highly compressed material and lower resolution content brilliantly. All unwanted, ugly tonal transitions are effectively reduced here by the “Smooth Gradation” feature. On the “Low” setting, the algorithm operates flawlessly – effectively masking the artifacts resulting from strong compression, without destroying the sharpness and details in the frame. Higher levels of this feature indeed smooth the image even more, but they start to blur the real texture elements of objects, which is why we recommend keeping this slider at a low level. As for the upscaling to 4K, the processor does an excellent job – edge sharpness and detail reconstruction are at the highest level, and in this respect, the G6 does not lag behind the world's best.

The issue of motion fluidity and blurring is largely predetermined by the use of a 60Hz panel, which naturally makes it difficult to recommend this receiver to enthusiasts of very dynamic content. Fortunately, in the Q80FUX, we find a few options (though, as we will see shortly, actually only one) designed to improve the experience with older film productions. There is a "De-Judder" slider available, which indeed affects the smoothness of the image and allows us to adjust it to our preferences: from raw, cinematic frame rates to a more theatrical, smoothed presentation. However, a genuine surprise awaits us right next to it in the menu. There is also a second slider, supposedly dedicated to eliminating blur – this is a feature we usually encounter in 120Hz panels, aimed at combating motion blur in sports. However, as expected, recalling memories from testing the K85F model, here too this slider is merely a facade. Moving it does absolutely nothing to the image and it simply looks like an oversight by the product engineers who left a non-functional option in the software for this type of panel.

The LG G6 is an OLED television, so in the category of motion fluidity, it traditionally deserves the highest ratings. The television supports a very high refresh rate of up to 165 Hz in 4K resolution, but most importantly – you will not see any signs of blurring on the screen. The response time of the panel is incredibly fast, ensuring that dynamic images remain perfectly sharp.

Stepping into the gaming territory, the Haier Q80FUX proves to be quite a decent companion for the "casual gamer." On board, we find today’s highly desired features like VRR (variable refresh rate) and ALLM (automatic low latency mode). However, the biggest surprise is something else. Although we are not dealing with a 4K@120Hz panel, the TV can accept and display a 120Hz signal at a lower resolution (Full HD). This is a very useful feature, allowing the conscious switch of the console to a lower resolution mode in exchange for significantly higher fluidity, which is a perfectly acceptable compromise in the gaming world.

We won’t particularly complain about the lack of extras like the "Game Bar," as it’s just a nice addition. The most concerning issues arise when we enter the world of HDR in games. Due to the fact that the TV constantly adapts the signal "in its own way," setting the brightness on the console according to the HGIG standard is nearly impossible to accomplish as per the instructions. Worse still, in the Dolby Vision mode for games, the input lag rises to about 50 ms, which is a high enough value that essentially makes this mode unusable. However, generally, we wouldn’t recommend gaming on this TV in HDR mode, so these aren’t such serious shortcomings. The most pleasing aspect is the presence of 120Hz in Full HD, which makes the Q80FUX quite a nice TV for the occasional gamer.

LG G6 is a true monster for gamers and one of the best-equipped TVs in this regard on the market. The manufacturer did not seek compromises and equipped this model with as many as four full HDMI 2.1 ports with a maximum bandwidth of 48 Gbps. This means that no matter which port you plug your PlayStation 5, Xbox Series X, or powerful PC into, you will extract the absolute maximum from them.

The TV supports a full suite of gaming technologies: from VRR (Variable Refresh Rate), through AMD FreeSync Premium Pro, to Nvidia G-Sync Compatible. Let's add to this the remarkably low, almost imperceptible input lag and a brilliantly functioning gamer panel (Game Optimizer), which allows you to continuously monitor the signal parameters. Gaming on this screen, with the perfect black of OLED and powerful refresh rates, is pure pleasure.

If there is one category in which the Haier Q80FUX absolutely shines and shows its claws, it is input lag. In this area, the television presents results that are truly remarkable. In 120Hz mode (achieved, let’s remind ourselves, at a lower resolution), the input lag drops below 10 ms, which is an excellent value, worthy of high-end gaming monitors. Not much worse, and still at a very good level, is the classic 60Hz mode – here measurements steadily indicated around 12-14 ms. These are results that even significantly more expensive, gaming-specific designs would not be ashamed of. The only, but serious, drawback here is the Dolby Vision mode. As we established earlier, activating it raises the lag to an unacceptable level, so we definitely advise against using it during any interactive gameplay.

When it comes to signal delay, the results are remarkably low. For a standard 120 Hz signal, the Input Lag is just 5 ms. At 60 Hz, this value increases to 13 ms, which is still an excellent and completely imperceptible delay. The only thing we need to point out is the television's behavior after receiving the Dolby Vision Gaming signal. In this format, the Input Lag nearly doubles, reaching 13 ms for 120 Hz and 22 ms for 60 Hz. Despite this jump, we believe that these values in games are low enough that absolutely no one will feel any discomfort during gameplay.

We also checked how the Q80FUX works when connected to a computer. And here’s another pleasant surprise – it handles this really very well. The most important thing is that the fonts are very readable, so nothing blurs and you can work on it normally. Additionally, just like with consoles: we can set a lower resolution here to achieve a high refresh rate of 120Hz in return. What’s super important is that in this mode, G-Sync started up and worked correctly. This just confirms that this television is really a successful and efficient piece of equipment for gaming, including on a PC.

As we mentioned earlier, the LG G6 is an amazing screen for gamers but also for those using computers. With full support for Nvidia G-Sync and AMD FreeSync technology, as well as a high refresh rate of up to 165 Hz, this TV will work brilliantly as a giant gaming monitor. On the other hand, everyday office work with text looks a bit worse (although in our opinion still very well), which is a typical feature of every WOLED screen. Due to the specific arrangement of four subpixels (with an additional white subpixel), rather than three as in traditional computer monitors, system fonts can sometimes have an additional, in this case red glow around black or white letters. This is directly due to the new structure of the 2nd generation Tandem OLED matrix, which now operates in an RGWB arrangement (last year's first generation Tandem OLED used a BWRG arrangement). In our opinion, the sharpness of font edges has slightly worsened because of this, but it is definitely not something that will immediately catch your eye when occasionally working with documents or browsing the web.

Anyone planning screenings with a wide, family group must be aware of the fundamental compromise that Haier has opted for by implementing a VA panel in this model. This technology has indeed provided us with deep blacks and high contrast, but its inherent feature is also a noticeable narrowing of viewing angles. Just sitting a bit further to the side on the couch is enough to immediately notice how colors begin to lose saturation and the picture fades. It’s simply a classic trade-off – we gain something (contrast) at the expense of something else (angles) – and the Q80FUX fits perfectly into this scheme.

As befits an OLED panel, the viewing angles on the LG G6 are really good. When viewed from the side, the TV does not drastically lose brightness or color saturation. In this regard, the picture quality is infinitely better than in any LCD TV – and this applies to both IPS panels and even more so to VA panels without special wide-angle coatings. In this matter, the only better screens on the market remain QD-OLED panels from Samsung Display, where the angles are simply perfect, as well as older WOLED panels with MLA (microlens) technology, which LG abandoned in this series two years ago. Unfortunately, we assess the viewing angles in this year's model as slightly worse than last year's. We noticed that the 2nd generation Tandem OLED panel has a tendency to take on more greenish hues when viewed at a steep angle, while last year's model maintained greater neutrality in this regard.

The clash of the receiver with the everyday challenges posed by a bright living room turns out to be quite decent in the case of the Q80FUX, although it is certainly hard to call it ideal. The matrix itself is equipped with a coating that handles the suppression of most ambient reflections fairly well. Equally importantly, even in more challenging lighting conditions, the screen is capable of maintaining pleasantly saturated colors. However, the weakness of this construction reveals itself where the power of the backlight comes into play. The previously mentioned, rather moderate maximum brightness (around 350 nits) means that when confronted with intense natural light coming through the window, the screen often struggles to "break through." On a sunny day, the image may simply lack the necessary expressive power.

The LG G6 will perform exceptionally well as a TV in a brightly lit room. Thanks to its powerful peak brightness, the television can easily cut through most external light sources. Best of all, the new generation of Tandem OLED panels has brought significant improvements in terms of reducing glare. Although the screen coating is still shiny (which helps maintain well-saturated colors even in difficult conditions), it effectively suppresses reflections. It does this significantly better than classic OLED screens with standard glossy coatings. We could confidently compare this level to that of shiny QD-OLED panels, but with one key advantage for LG. Unlike the competition's technology, the deep black in a bright living room remains intact in this model. There is no sign of grayness or purplish tints due to incoming light – the black in the G6 during the day is simply perfect, just like it is at night.

SmartTV on Haier Q80FUX: GoogleTV

First, let's tackle the smart layer, which is managed by the Google TV system on the Q80FUX. This is theoretically a huge advantage, opening access to an endless library of applications, facilitating screen mirroring from mobile devices, and offering convenient voice search. Unfortunately, just like in other models from this brand that we've tested, the implementation of this platform leaves much to be desired. It’s not even about drastic freezes or delays in navigation, but rather a festival of minor errors, oversights, and terrible translations in the menu. It’s hard to regard "Google TV" in Haier’s version as comparable to what we know, for instance, from Sony or TCL receivers, even though the same proudly sounding name appears on the box.

Classic Features

Moving on to the classic, practical functions of the television, the picture does not improve at all. The only commendable aspect is the presence of Bluetooth connectivity and an unusual yet useful relic from the past in the form of an analog headphone output jack. Other than that, it’s hard to find anything that would excite us. Due to problematic software, the receiver (just like its predecessors in our tests) was unable to find any terrestrial TV channels, while other TVs connected to the same installation had no issues whatsoever. The remote control itself is also strange – its design might appeal to some, but due to the lack of a numeric keypad and the absurd placement of some buttons on the side edge, it definitely cannot be called senior-friendly.

webOS System and Smart Features

The TV runs on the latest version of the webOS system. Although it is a closed platform, it supports absolutely all the key streaming applications on the market. You can also easily access useful wireless connectivity features, such as built-in Chromecast, AirPlay, or classic screen mirroring. However, the biggest distinguishing feature of LG's platform remains the brilliant Magic remote. Although it is quite compact and lacks a physical numeric keypad, it does something that competitors still can't replicate – it works like a wireless mouse. It is equipped with a gyroscope, allowing us to move an intuitive cursor across the screen, which drastically speeds up password entry and navigation through the menu. Additionally, LG has one of the best voice assistants for device control, and this combination with the Magic remote offers great possibilities for smoothly navigating the system. The only thing that can be quite annoying here is the intrusive ads and sponsored tiles that LG increasingly clutters the main screen of the system with. Nevertheless, the absence of Google TV is no drawback for the G6 – given the smooth operation of webOS, it can even be considered an advantage.

Features for Traditionalists

In terms of traditional television, the LG G6 also performs excellently and does not forget about traditional users. Despite the minimalist remote, there are plenty of useful solutions on board. The manufacturer has not given up on the PVR function, which allows for recording programs from built-in tuners directly to external USB storage or a hard drive. There is also an efficiently working TimeShift for pausing live television and the option to schedule recordings. These features may prove to be a perfect fit during the upcoming World Cup matches when games will be played late in the evening and we may not be able to watch them live. Of course, standard features are also included, such as the ability to connect wireless headphones via Bluetooth.

We must admit that after a series of setbacks we encountered when assessing the overall implementation of the Google TV system, we approached the multimedia player test with considerable caution. Meanwhile, in this one specific aspect, the Q80FUX served us a real surprise. The built-in application for handling files from USB drives works just great. This software component seems to be completely immune to the issues afflicting the rest of the system, opening virtually all the most important and popular video file formats we presented to it.

The inability to install an external media player (as is the case in Android-based systems) is actually not a problem for the LG G6. The factory-installed media player works great and seamlessly supports most audio, video, or image formats that we provided from our flash drive. However, during testing, we encountered some shortcomings – specifically, a rather strange lack of support for subtitles in the popular .txt format. However, we believe that this option will quickly be added to the G6 with the next software update.

Turning to the issue of acoustic "experiences," the Haier Q80FUX seems to adhere to the principle that sound should simply be. And it is – that’s about all that can be said about it. The built-in speakers produce sound that is exceedingly flat, lacking character, and most importantly, they lack any clear bass foundation. One comfort is the fact that the TV supports Dolby Atmos format. But let’s be honest: to truly take advantage of the benefits of this codec and hear the promised space, passive decoding capability is not enough. Connecting an external home theater system or at least a decent soundbar is, in this case, not just a recommendation but an absolute necessity.

Despite its very flat design, the LG G6 sounds surprisingly good. The manufacturer managed to squeeze quite nice speakers under the display, capable of producing a rather "spatial" sound – if you can even call the limited physical capabilities of the TV that 😉. The sound is clear, has decent dynamics, and is suitable for everyday viewing of news programs or series without any issues. The TV also easily supports the very popular Dolby Atmos surround sound codec.

Unfortunately, for the second year in a row, it lacks support for the DTS:X format. Regardless of what one might say, it has recently become quite unpopular in streaming services, but a top-of-the-line TV in terms of price and quality simply should not limit users in handling audio formats, in our opinion. Additionally, we have to criticize LG for somewhat downgrading the audio menu. We missed more advanced settings and predefined sound profiles, which were definitely more abundant in last year's model.

Haier Q80FUX vs LG OLED G6 (G64LW, G66LS)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

SmartTV on Haier Q80FUX: GoogleTV

Classic Features

webOS System and Smart Features

Features for Traditionalists

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements