Compare: Xiaomi S Mini 2025 vs Samsung The Frame 2025 (LS03F)

Xiaomi, well known as a giant in the smartphone market, has decided to fight for the attention of high-end technology enthusiasts by presenting a television with MiniLED backlighting. The S MiniLED 2025 model looks truly impressive on paper. The vast number of dimming zones provides excellent contrast, and the brightness, reaching impressive levels, can impress both in high-quality HDR materials and in older SDR. The television performs excellently where smooth motion is key. The high refresh rate panel and low input lag make it a good choice not only for sports fans but also for gamers. Support for features such as ALLM and GameBar further enhances the gaming experience. Google TV on this television works as it should – quickly, smoothly, without unnecessary stutters, which we could not say about the model A Pro 2025. Additionally, with such an extensive application library, it will satisfy even the most demanding user. However, not everything looks so good in practice. Despite solid hardware specifications, the television has its drawbacks. The biggest problem is the algorithms managing the dimming zones, which can be quite irritating when watching films in the evening. The operation of individual zones is overly noticeable in dynamic scenes, which can effectively distract our attention from the image. Issues also arise in more demanding HDR scenes despite the truly impressive brightness. Small, bright elements often lose brightness, ruining the effect that a top-quality image should provide. The system is also not free from shortcomings – image enhancement features for lower-quality materials work unevenly, and some options in Google TV are poorly translated or even untranslated. The Xiaomi S MiniLED 2025 has huge potential, but in its current form, it seems underutilised. It is clear that Xiaomi wanted to create something truly good, but several significant shortcomings result in a mixed final effect. A device with high aspirations that needs better software to truly shine. It is an ideal television for brighter rooms, where high screen brightness plays a key role, and local dimming issues become less noticeable. It will also perform excellently as a screen for gamers and for those who value the versatility and functionality of the Google TV system.

Samsung The Frame 2025 is a television unlike any other – and although competition has emerged for it, it still does it best. The matte panel, flush mounting with the wall, and a single thin cable thanks to the One Connect module make the device resemble a picture more than any other screen. The Art Store app continues to offer the best scans of artworks on the market (even if they are subscription-based), and with interchangeable frames, we can adapt the TV to the interior almost like a piece of furniture. As for the picture itself, since we are also talking about an ordinary television, there are no major changes, but there are also no disappointments compared to last year’s model LS03D. The Frame still offers high native contrast and solid brightness at 600 nits, which combined with the matte finish provides very comfortable daytime use. The colours are not as vibrant as in glossy screens, but against the backdrop of competitive matte constructions, they perform the best. A novelty is the 144 Hz refresh rate, although in practice, mainly PC gamers will benefit from it. Indeed, in terms of gaming features, The Frame has nearly everything: low input lag, variable refresh rate (VRR) support, automatic game mode (ALLM), Game Bar, and a unique motion smoother designed for games. Unfortunately, not everything is as perfect as it might seem. Why? Because the HGiG mode is missing, which has suddenly disappeared from the latest version of the Tizen system. Samsung really should respond to this, as for many gamers it is a key element in choosing a screen. And we fully understand that. Even though LS03F The Frame 2025 does not bring greater revolutions, it is still a unique television that, apart from its appearance, offers quite solid picture quality and extensive gaming features. It’s a pity that year after year we also receive new compromises.

Xiaomi S MiniLED is one of the most affordable MiniLED technology televisions available on the market. The model we tested, with a size of 55 inches, features as many as 308 local dimming zones, which is impressive for this price. Additionally, it uses a VA panel, which naturally offers significantly better contrast than IPS panels. On static test images, the television performed excellently, achieving an impressive contrast ratio of 182,000:1 in the film Oblivion. The blacks were deep, and the details in the light and dark areas of the image were clearly separated. However, in more demanding scenes where the image is dynamic, the situation becomes complicated.

Where lies the problem? The main cause is the local dimming algorithms. Although their work shows promising results on static images, during film playback – that is, in the natural working conditions of the television – they operate too aggressively. In dynamic scenes, such as those from the tested film, you can see how the individual dimming zones "work and flicker," which detracts from the viewer's sense of image coherence. This effect is particularly noticeable in motion, when bright objects move against a dark screen. As a result, although Xiaomi S MiniLED offers excellent contrast on paper, in practice the effect is less satisfying. The aggressive operation of the algorithms spoils the perception of dynamic scenes, making the television average in this category. It's a good example of how MiniLED technology requires not only good specifications but also proper optimisation.

The year 2025 promises to be quite interesting when it comes to lifestyle televisions. Why? Because Samsung has prepared two versions of the iconic model The Frame – one standard and the other with the addition of “Pro”. In this review, we take a look at the version without “Pro”, which – as we shall see shortly – is quite significant. The standard model LS03F lacks any local dimming technology, unlike its more expensive sibling. This is important because it affects not only the overall picture quality but, primarily, how this television handles black levels.

The VA panel used in The Frame 2025 has a high native contrast – and this obviously works to its advantage. In the tested film scenes, details in the dark areas of the image were well visible, nothing blended together, and there was no formation of a uniform black/white blob. For the average viewer, this will be more than sufficient. But of course, not everything is perfect. The absence of local dimming means that the black levels on this television are not perfectly deep – they resemble dark navy rather than tar. Additionally, in our tested unit, we noticed slight blooming in the right part of the screen, but this could simply be the “quirk of the specimen” rather than a rule. Theoretically, one could try to improve the perception of black by backlighting the screen – for example, with an LED strip – but in the case of The Frame, this is rather impossible, as this television is meant to sit flush against the wall like a picture. So to achieve a better black visible to our eyes, we are forced to watch the LS03F with the lights on. That’s the charm of this technology.

Since the Xiaomi S MiniLED boasts an impressive number of 308 dimming zones, it is time to test how it performs in HDR tests. Starting with luminance, or the ability to display bright scenes, the television achieved nearly 1000 nits of brightness – a result that can be considered outstanding in this class. Do these figures, however, translate to real experiences in film scenes? In the case of less demanding shots, such as those from the film The Meg, the television indeed showed excellent results, reaching up to 900 nits. Such values are impressive and can truly convey the power of HDR effects.

Unfortunately, much like with contrast, it wasn't without issues. When smaller, brighter elements appear on the screen – as in the challenging scenes from Sicario 2 – the aggressive operation of the dimming zones spoils the entire effect. Brightness in these moments drops to just 100 nits. This is definitely too little to capture the full magic of HDR. Instead of a dynamic and detailed image, the viewer receives a muted, almost flat impression, which takes away all the enjoyment from the viewing experience.

In summary, if we are looking for a television with high brightness for watching films during the day, the Xiaomi S MiniLED will easily fulfill that task. However, its inability to precisely manage the dimming zones means that watching films in the evening, especially in demanding HDR scenes, can be more frustrating than satisfying.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks impressive on paper. But as we know, laboratory tests are one thing, and real film scenes are quite another. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, the peak brightness remained at around 550–650 nits. This is a sufficient value to feel the difference between standard picture quality and that of HDR – bright highlights, reflections on water, or moonlight are presented clearly and spectacularly.

It is also worth remembering that the LS03F is a QLED television, which translates into solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. This is not the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

Xiaomi, like many manufacturers, offers a wide range of picture modes. On the S MiniLED, we can find both IMAX Enhanced and Filmmaker. Our tests were conducted in Filmmaker mode, which theoretically aims to reflect a reference image, but the reality turned out to be somewhat different.

Let's start with the test of SDR content. Here, the television had quite a few issues, especially with white balance. The clearly visible dominance of red made the image look too warm, with all colours taking on a reddish hue. This was particularly noticeable in a comparative scene from the film Star Wars. The brightness characteristics (gamma) also left much to be desired – instead of a smooth transition, we had a real "rollercoaster," with a visible excessive brightening of the screen.

In 4K content, the situation improved significantly. The white balance, although still not perfect, was much more balanced, with a slight dominance of red and blue, but without excessive impact on the overall perception. The EOTF curve (responsible for brightness in HDR) showed some brightening in the brightest parts of the image, which was noticeable, for example, in the test scene from the film Pan that we described earlier. These brightening effects may disturb the precision of the image, but in 4K, the overall effect was much more acceptable than in SDR.

Although Xiaomi S MiniLED can pleasantly surprise with 4K content, its factory settings in SDR require solid adjustments, especially regarding white balance and brightness. This is definitely a television that would benefit from calibration.

When it comes to image quality straight out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. We noticed clear deviations in white balance in both HD and 4K HDR content. The image was heavily skewed towards red and blue, giving the screen a characteristic pinkish tint. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. At such moments, the screen clearly took on pink tones, which is also visible in the attached comparison photo. As for the brightness characteristics – it wasn’t as bad as one might expect with such colour inaccuracies. The analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically ruin the viewing experience.

Xiaomi S MiniLED 2025 is a television that gains a completely new life after calibration. The results are truly outstanding and show how much potential is in this model.

In SDR mode, the white balance is nearly perfectly aligned. The errors are so minimal that in many cases they can be considered negligible. This is confirmed by the results of the Colour Checker palette, where the errors did not exceed a value of 2 ΔE – this is really a rare result. Gamma also performs very well, although at the beginning of the graph there are slight brightenings in the darkest elements. However, this is a minor exception that does not significantly affect the perception of the image.

In 4K HDR materials, the calibration also brought visible improvements, particularly in the white balance. The image looks natural and cohesive. However, the characteristic of brightness remains a problem. EOTF analysis in film materials shows that the television tends to over-brighten or under-darken the smallest elements on the screen. This is a result of limitations in the dimming algorithms we discussed earlier with HDR and contrast testing. Unfortunately, this is a technical characteristic of this model that cannot be completely eliminated.

Despite this minor flaw, the calibration allowed for maximising the capabilities of this television. The image now looks phenomenal, and its quality impresses in every type of material. Xiaomi S MiniLED 2025 shows that with the right settings, it can compete with more expensive models.

After calibration, the movie mode has gained a completely new quality. The issue of the pink tint, which had been clearly visible before, especially in bright scenes, has been effectively eliminated. Colours now look much more natural, and the white balance no longer dominates the rest of the image. It is no longer the same exaggerated "box picture" – everything now has coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, this is within the limits of what the design allows without local dimming – one cannot speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode called Filmmaker.

The fluidity of tonal transitions in Xiaomi S MiniLED 2025 is impressive. Even in the theoretically most difficult scene with red water, the television performs excellently – we did not notice any major issues. Minor imperfections occur in scenes like The Kingsman or The Martian, where subtle colour blending can be observed. Nevertheless, Xiaomi stands out in this category, offering one of the best qualities of tonal transitions in its price range. This is definitely a strong point of this television.

In terms of the smoothness of tonal transitions, the LS03F maintains a high standard – just like last year’s models. The television did not encounter any issues when testing more challenging film scenes, where noticeable transitions between shades of colour can easily occur. The colour gradation is very good here – both in the lighter and darker areas of the image. We did not observe the typical banding effect or other disturbances that could be distracting while watching films. If we were to nitpick, in the most demanding scenes – with subtle transitions and delicate gradients – minor imperfections can be detected. But only if one approaches the screen very closely and begins to analyse the image from a distance not intended by the manufacturer.

When it comes to tonal transitions in lower quality materials, such as YouTube or television, the Xiaomi S MiniLED is equipped with a feature called "Colour Contour Removal." At the "low" setting, it performs quite well, although its effectiveness can be inconsistent. Sometimes it seems as though the television is struggling to smoothen, which creates a certain dissonance. On the positive side, we did not notice any visible side effects, although due to the instability of this feature, one could suspect that unexpected issues may arise in certain situations.

Image scaling also performs moderately. There is some slight jaggedness, particularly on thin elements like branches, and subtitles can appear slightly jagged. While this may not be very bothersome, a more discerning eye will certainly pick up on these shortcomings. Overall, most users should be satisfied with the quality of scaling and smoothing, but the television will not satisfy those who expect perfection in every frame of the image.

LS03F has been equipped with the NQ4 processor, which is responsible for improving image quality – particularly in lower quality materials. In practice, this works surprisingly well, especially when it comes to older content and recordings with lower resolution. Activating the "noise reduction" function yields noticeable effects. The TV effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear advancement – previously, this function often smoothed everything too much, including details that it shouldn't remove. In this year's model, smoothing still occurs, but in a much more acceptable manner. Textures of materials, skin, and fabric details are no longer subdued as strongly as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the TV, which may not appeal to everyone. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tape recordings or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – so-called overscan. This can lead to a situation where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

Xiaomi S MiniLED 2025 is equipped with a panel featuring a refresh rate of 4K@120Hz (1080p@240Hz), which provides sufficient smoothness for both watching dynamic sports broadcasts and playing the latest games. This level of refresh rate makes the image appear fluid, even in the most intense scenes. Additionally, the television offers a “Motion Smoothing” feature that allows you to adjust the way the image is displayed in films. You can choose a more frame-like effect, typical of the cinematic experience, or a smoother one, reminiscent of the so-called “theatrical effect.” This way, every user can tailor the settings to their preferences and enjoy smooth images in their favourite content.

The new feature in The Frame for 2025 is a display with a refresh rate of 144 Hz. Yes – in a television that is mainly associated with displaying works of art, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports events. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a display rate of 120 Hz and above, it allows you to adjust motion smoothness according to your preferences. You can set a more cinematic reproduction while maintaining frame rate or opt for full motion smoothing. The range of options is broad, allowing you to tailor the effect to your own taste – whether the viewing experience is meant to resemble classic cinema or a show on a modern theatre screen.

*this part of the test refers to the LS03FAU model in sizes 55 and 65 inches, which is equipped with a 144Hz panel, while sizes 43 and 50 inches have 60Hz displays, and thus perform much worse in terms of motion smoothness.

Xiaomi S MiniLED 2025 is a television that has a lot to offer gamers. With two HDMI ports boasting 48 Gbps bandwidth, we can easily connect modern consoles or PCs, utilising their full potential. Additionally, the ALLM feature automatically switches the TV to low-latency mode – something we will appreciate during dynamic games without annoying lags. Regardless of what we connect, it functions smoothly, and the television handles various resolutions exceptionally well. There is also the GameBar, which may not look as impressive as the "bars" from the competition, but makes up for it with practicality. It is a simple settings panel that allows us to quickly change the most important options or check statistics – an ideal solution when time is of the essence.

However, we must admit that operating the television itself – or rather finding the gaming features within it – posed a significant challenge for us. We approached the testing of the Xiaomi S MiniLED 2025 several times to locate all the necessary options. The hidden menu allowed us to discover the "GameBoost" feature, which enables switching the television to 240 Hz mode, activating VRR, and allows for enabling picture in HGIG mode.

In summary, the Xiaomi S MiniLED 2025 is a television that definitely deserves praise in the gaming hardware category. Its rich set of features – 240 Hz mode, VRR, HGIG, and "GameBoost" – provides an exceptional gaming experience. Unfortunately, the intuitiveness of the menu itself leaves much to be desired and may pose a challenge for the average user.

As we mentioned earlier – although The Frame is likely to display images and works of art most of the time, Samsung recognised that a Van Gogh enthusiast could just as easily be an avid gamer. And it must be admitted that The Frame 2025 has almost everything needed to become a full-fledged gaming television.

On board, we find support for ALLM (Automatic Low Latency Mode) and Variable Refresh Rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates effortlessly and features an advanced Game Bar – already known from other Samsung models – which allows for a quick preview and change of the most important gaming-related settings. For this, it earns extra points from us. The proprietary motion smoother Auto Motion Plus Game is also worth mentioning, which – it is worth emphasising – operates without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically invisible manner in terms of delays. The effect? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames per second. This solution can realistically improve the gaming experience in more demanding titles – particularly on consoles, which do not always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already considered standard in Samsung televisions, so there is not much to particularly criticise here. However, there is a different issue entirely. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it is not there. This is a significant hindrance when configuring the console for proper HDR content display in games. It is hard to understand why such a decision was made, but one thing is certain – this should be fixed as soon as possible. We are talking about a brand that has set standards for gaming on televisions for years. If HGiG returns – and we hope it will – The Frame LS03F can confidently aspire to be called a genuine gaming television. Not just as a decoration on the wall, but as equipment that truly provides joy in gaming.

The input lag of the Xiaomi S MiniLED 2025 is one of its biggest advantages. 8 ms for 120 Hz content and 17 ms for 60 Hz is an absolutely remarkable performance that will satisfy even the most demanding gamers. Furthermore, the Dolby Vision mode in games deserves praise. Unlike many competing models, Xiaomi maintains a low input lag even in this mode, making it an excellent choice for fans of high-quality HDR gaming experiences.

In terms of input lag, Samsung maintains a high level – and a very high one at that. The LS03F, like most of this year's models from the brand, achieves a score of 8 ms for 4K content, which is practically a reference value. This result allows for gaming even in the most dynamic titles without delays and with full responsiveness. Well done!

Xiaomi S MiniLED 2025 is a good choice if we need a television for working with a computer. The fonts are very clear thanks to the support for chroma 4:4:4, making it perfect for office work or browsing documents. It also performs excellently in gaming – high refresh rates, G-SYNC, and low input lag ensure smooth gameplay, which will satisfy most gamers.

The collaboration of The Frame 2025 with a computer is not a significant problem. Let's start with gaming, as this is where this model demonstrates its strengths – support for 144 Hz signal, low input lag, and compatibility with G-Sync technology (for NVIDIA cards) make it hard not to regard it as a fully-fledged gaming monitor. It is one of the more interesting "PC gaming" televisions available on the market in this category.

When it comes to everyday work, the situation looks equally good. The Frame handles chroma 4:4:4 without any issues, resulting in good font readability and overall user comfort. We only noticed minor problems with dimming very thin lines and dark details on a light background – this effect may occur especially when working with small interface elements. However, in practice, with a 55-inch diagonal screen and standard office working distance, it will be difficult to realistically notice this problem. Nonetheless, it is worth keeping this in mind if the television is to serve as a monitor not only for entertainment but also for precise work with graphics or text.

In terms of viewing angles, Xiaomi S MiniLED 2025 does not impress. This is a typical problem with VA panels, which do not perform well without additional coatings that widen viewing angles. The image begins to lose quality when watching the television from the side – colours fade and contrast significantly drops. However, the advantage of VA panels is their considerably better contrast compared to IPS panels, which in turn win in terms of wider viewing angles. This is a classic compromise where one has to choose between better blacks and a more universal image seen from various places in the room.

As could be expected from a VA panel, the viewing angles on The Frame 2025 are at best mediocre. The image loses saturation and contrast when moved off-axis. It's a pity because we are talking about a model that displays digital artworks in standby mode – and it is precisely in such moments that wide viewing angles would make the most sense, enhancing the experience of engaging with a real image rather than just its screen imitation.

Perhaps in the future, manufacturers will decide to introduce special coatings or modified versions of VA panels that improve this aspect – because for lifestyle televisions, it would have real significance not only in terms of functionality but also aesthetics.

Xiaomi S MiniLED 2025 is equipped with a satin finish on the panel, which performs fairly well in reducing reflections. On the screen surface, one can notice light reflections, which can be somewhat distracting in bright rooms. However, the key feature that saves this television in daytime use is its brightness. With a value of 841 cd/m², the screen performs effortlessly even in very sunny interiors. This is more than enough to comfortably watch television, films, or sporting events. Importantly, the television also handles more demanding content, such as winter sports, where the dominant white can pose a significant challenge for other televisions. Here, Xiaomi definitely delivers.

One of the most characteristic elements of The Frame is its matte display – and it must be said that Samsung has really refined this aspect. From our experience, it is one of the best solutions for suppressing light reflections, especially direct ones. If screen reflections can be irritating, it will be difficult to find a better display in this budget than the matte panel used in Samsung TVs. Of course, this comes with a certain compromise. In very bright sunlight, colours may appear slightly washed out, and the image loses a bit of depth. However, it is something we consciously accept when choosing a matte screen – something for something. In practice, the colours and contrast on Samsung's matte screen are still better than on Chinese designs such as the TCL NXT Vision or Hisense Canvas TV. If effective suppression of reflections and the desire to use the television also as a "digital picture" in bright rooms is a priority, then there is hardly a better choice.

The Frame achieves around 600 nits of brightness, which combined with the matte finish allows the television to perform well in brightly lit daytime conditions. It may not be at the level of flagship models, but in everyday use – in a living room with plenty of light – it handles it without any problems.

Xiaomi S MiniLED 2025 is a television that stands out thanks to the Google TV system. It offers access to the most popular streaming services, music apps, and various useful features that significantly enhance the everyday experience of using the television. For those who enjoy personalisation, the system also provides plenty of configuration options.

The built-in voice assistant operates smoothly – we can not only control the television but also ask about the weather forecast or set a reminder for the next day. Unfortunately, we noticed during testing that some features have difficulty translating into Polish, which can be frustrating, especially for those less adept at navigating the settings. Despite this, the overall impression is very good, and minor shortcomings can be corrected in future updates.

The device manages connectivity well. Wireless connections to Windows computers or Apple devices proceed smoothly, and thanks to Bluetooth, we can easily connect headphones, keyboards, or other accessories. The remote control is simple and convenient – it works from any position, so aiming at the screen is not necessary. However, there are some shortcomings. If someone frequently uses traditional television, they may feel the lack of recording features from tuners or the PiP (picture in picture) option. This somewhat limits capabilities, but for those focusing on streaming and modern functionalities, it shouldn't be a significant issue.

Xiaomi makes up for these shortcomings with an excellent operating system. Google TV is one of the most advanced and user-friendly systems available on the market, which makes the television perform really well in everyday use.

Classic Television Features

In terms of classic features, The Frame does not stand out particularly from the competition. There are no options for recording to USB or PiP (picture-in-picture) functionality, which may be disappointing for some users. On the other hand, the television allows for simultaneous use of speakers and headphones, which can be useful – especially for older users. The EPG, or electronic programme guide, is quite readable, and despite the lack of conventional buttons on the remote, we were able to access teletext. In everyday use, the basic functions operate smoothly and without significant complaints.

Smart System – Tizen and Applications

The Frame 2025 runs on the Tizen system, which has long been regarded as one of the most refined Smart TV solutions on the market. This system is designed with the idea that devices are more than just a television – and it has been constructed with that spirit in mind. Tizen offers full integration with external devices – supporting both Apple AirPlay and Miracast. With the SmartThings app, it is possible to control not only the television but also other devices within the smart home framework. Since last year, Samsung has also been developing its own voice assistant with support for the Polish language, which significantly facilitates operation. However, the greatest strength of the Smart system in The Frame remains the Art Gallery application. Although access to it is paid (in the form of a subscription), it offers the best scans of works of art available on the market – referring to scans, not ordinary photographs. As a result, the effect of a digital painting hanging on the wall is markedly better than in any other lifestyle television.

The basic file player in Xiaomi S MiniLED 2025 does its job for simple video materials. However, a noticeable drawback is the lack of support for Polish characters, which can be problematic for those using subtitles.

Fortunately, the presence of the Google TV system allows for an easy workaround of this limitation. Thanks to it, alternative file playback applications can be installed, which handle Polish characters and offer much more extensive options. As a result, the limitations of the built-in player are not as burdensome as one might think.

During testing, we did not notice any major issues with playing files from a USB memory stick. The television handled both video materials and photos well. Of course, there are some exceptions – for example, a lack of support for the HEIC format (used by Apple devices) – but it is difficult to consider this surprising. One positive aspect is the full support for high-resolution photos – the television displays files with a high number of megapixels without any problems, which may be particularly significant for those looking to treat The Frame as a digital frame as well. However, during testing, we noticed a limitation regarding subtitles – the television only correctly handled files in .txt format. It is worth keeping this in mind and ensuring that the downloaded subtitles for films are saved in this format; otherwise, they may simply not display.

Xiaomi S MiniLED 2025 plays really nicely and even offers a light bass, reminiscent of the sound known from the lower model, namely A Pro 2025. The sound is well balanced, making watching films or listening to music comfortable, even without additional audio equipment. Interestingly, the television effortlessly supports audio formats such as Dolby Atmos and the less common DTS:X. This means you can connect a home cinema system or soundbar and enjoy spatial sound without any difficulties. A nice addition is also the presence of a standard speaker jack.

For such a slim television, the sound is quite good. It is full, sufficient for everyday viewing, but without much excitement – typical for flat constructions. There is little bass, although at times it can be heard. The speakers in a 2.0.2 arrangement have a total power of 40 W (in the 55+ inch version). Unfortunately, the television does not support the DTS format, so for films with that sound, one has to rely on external equipment, such as a home cinema. A soundbar can be connected, and thanks to the Q-Symphony feature, the television plays along with it. Samsung also offers visually matched models for The Frame like S700D or S800D, but they are sold separately. (This shouldn’t surprise anyone😉).

Xiaomi S Mini 2025 vs Samsung The Frame 2025 (LS03F)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Classic features:

Smart features:

Classic Television Features

Smart System – Tizen and Applications

Playing files from USB

Apps

Sound