Xiaomi S Mini 2025 vs Hisense U7S Pro

Since the Xiaomi S MiniLED boasts an impressive number of 308 dimming zones, it is time to test how it performs in HDR tests. Starting with luminance, or the ability to display bright scenes, the television achieved nearly 1000 nits of brightness – a result that can be considered outstanding in this class. Do these figures, however, translate to real experiences in film scenes? In the case of less demanding shots, such as those from the film The Meg, the television indeed showed excellent results, reaching up to 900 nits. Such values are impressive and can truly convey the power of HDR effects.

Unfortunately, much like with contrast, it wasn't without issues. When smaller, brighter elements appear on the screen – as in the challenging scenes from Sicario 2 – the aggressive operation of the dimming zones spoils the entire effect. Brightness in these moments drops to just 100 nits. This is definitely too little to capture the full magic of HDR. Instead of a dynamic and detailed image, the viewer receives a muted, almost flat impression, which takes away all the enjoyment from the viewing experience.

In summary, if we are looking for a television with high brightness for watching films during the day, the Xiaomi S MiniLED will easily fulfill that task. However, its inability to precisely manage the dimming zones means that watching films in the evening, especially in demanding HDR scenes, can be more frustrating than satisfying.

Let's start with the fact that the U7S Pro is an impressively bright television – in calibrated mode, our measuring equipment indicated a staggering 2200 nits of peak brightness! This is an absolutely remarkable result, considering that this model is positioned rather as a mid-range option.

However, as we know, peak brightness on test patterns is one thing, and actual film scenes are another. Unfortunately, in real video materials, the backlight power clearly drops. Although in the most demanding moments, the television can still exceed the 1000-nit barrier – which is still an excellent result, perfectly aligned with the mastering standards of most HDR films – the real challenge comes from the aggressively tuned local dimming algorithms. Because of this, small, bright details such as stars or the moon in the night sky are noticeably dimmed. The television tries at all costs to maintain deep blacks, which is of course understandable, but unfortunately, this comes at the expense of the dynamics and brilliance of the HDR effect itself.

One must commend the colour reproduction. The new U7S Pro is a QLED design that provides very wide coverage of the colour palette. Unlike last year's model (U7Q Pro), this year's variant is a "true" QLED, rather than a solution based on a PFS filter. As a result, the colour saturation has clearly increased, and coverage of the most demanding BT.2020 colour space has surpassed the 81% barrier.

Xiaomi, like many manufacturers, offers a wide range of picture modes. On the S MiniLED, we can find both IMAX Enhanced and Filmmaker. Our tests were conducted in Filmmaker mode, which theoretically aims to reflect a reference image, but the reality turned out to be somewhat different.

Let's start with the test of SDR content. Here, the television had quite a few issues, especially with white balance. The clearly visible dominance of red made the image look too warm, with all colours taking on a reddish hue. This was particularly noticeable in a comparative scene from the film Star Wars. The brightness characteristics (gamma) also left much to be desired – instead of a smooth transition, we had a real "rollercoaster," with a visible excessive brightening of the screen.

In 4K content, the situation improved significantly. The white balance, although still not perfect, was much more balanced, with a slight dominance of red and blue, but without excessive impact on the overall perception. The EOTF curve (responsible for brightness in HDR) showed some brightening in the brightest parts of the image, which was noticeable, for example, in the test scene from the film Pan that we described earlier. These brightening effects may disturb the precision of the image, but in 4K, the overall effect was much more acceptable than in SDR.

Although Xiaomi S MiniLED can pleasantly surprise with 4K content, its factory settings in SDR require solid adjustments, especially regarding white balance and brightness. This is definitely a television that would benefit from calibration.

We tested the U7S Pro model – as we always do – in the best factory-calibrated picture mode, namely Filmmaker Mode. We can evaluate the displayed colours in two ways. The most disappointing was the profile designed for viewing SDR content, that is, traditional television, YouTube, and other less demanding materials. The picture was clearly yellowed, which turned out to be a direct consequence of a poorly set white balance. As our graphs show, there is a significant deficiency of the blue component, which drastically affected the overall colour temperature. This is clearly visible on the ColorChecker charts as well as on the graphs of the colour palette itself, where most samples leaned towards yellow. Fortunately, the factory HDR mode fared much better – there, the colour errors were around a Delta E value of 3, which is already a really solid result.

Xiaomi S MiniLED 2025 is a television that gains a completely new life after calibration. The results are truly outstanding and show how much potential is in this model.

In SDR mode, the white balance is nearly perfectly aligned. The errors are so minimal that in many cases they can be considered negligible. This is confirmed by the results of the Colour Checker palette, where the errors did not exceed a value of 2 ΔE – this is really a rare result. Gamma also performs very well, although at the beginning of the graph there are slight brightenings in the darkest elements. However, this is a minor exception that does not significantly affect the perception of the image.

In 4K HDR materials, the calibration also brought visible improvements, particularly in the white balance. The image looks natural and cohesive. However, the characteristic of brightness remains a problem. EOTF analysis in film materials shows that the television tends to over-brighten or under-darken the smallest elements on the screen. This is a result of limitations in the dimming algorithms we discussed earlier with HDR and contrast testing. Unfortunately, this is a technical characteristic of this model that cannot be completely eliminated.

Despite this minor flaw, the calibration allowed for maximising the capabilities of this television. The image now looks phenomenal, and its quality impresses in every type of material. Xiaomi S MiniLED 2025 shows that with the right settings, it can compete with more expensive models.

We know, however, that the company Hisense is capable of much more – as previous generations have demonstrated – which is why we couldn't simply overlook the factory shortcomings of the U7S Pro model in everyday content. As is often the case, the television underwent professional calibration. The conclusions? This process brought about a colossal change. After manually adjusting the white balance and supplementing the deficiencies in the blue component, the annoying yellow tint disappeared as if by magic. White became naturally pure, and skin tones gained the appropriate, healthy hue. Importantly, calibration not only tamed the capricious SDR mode but also allowed us to extract the maximum potential from the panel, reducing average colour reproduction errors to levels nearly imperceptible to the human eye. The only thing we must criticise after the whole process is the very nature of the Mini-LED backlight and its specific interaction with the HDR signal. The aggressively tuned local dimming algorithms significantly interfere with the EOTF brightness curve. As a result, the backlight does not always work perfectly with the creator's intention – depending on the scene being viewed, the curve can noticeably deviate either above or below the reference, which at times disrupts the ideal dynamics of HDR imagery.

When it comes to tonal transitions in lower quality materials, such as YouTube or television, the Xiaomi S MiniLED is equipped with a feature called "Colour Contour Removal." At the "low" setting, it performs quite well, although its effectiveness can be inconsistent. Sometimes it seems as though the television is struggling to smoothen, which creates a certain dissonance. On the positive side, we did not notice any visible side effects, although due to the instability of this feature, one could suspect that unexpected issues may arise in certain situations.

Image scaling also performs moderately. There is some slight jaggedness, particularly on thin elements like branches, and subtitles can appear slightly jagged. While this may not be very bothersome, a more discerning eye will certainly pick up on these shortcomings. Overall, most users should be satisfied with the quality of scaling and smoothing, but the television will not satisfy those who expect perfection in every frame of the image.

The digital processing of lower quality signals is at a very high level here, thanks to the MediaTek Pentonic 800 processor used in the U7S Pro. The upscaling performance is equally impressive, meaning the television’s ability to enhance lower resolution signals to 4K. We did not notice any unnatural, sharp contours on the screen, and our test image featuring the model simply looked attractive.

Xiaomi S MiniLED 2025 is equipped with a panel featuring a refresh rate of 4K@120Hz (1080p@240Hz), which provides sufficient smoothness for both watching dynamic sports broadcasts and playing the latest games. This level of refresh rate makes the image appear fluid, even in the most intense scenes. Additionally, the television offers a “Motion Smoothing” feature that allows you to adjust the way the image is displayed in films. You can choose a more frame-like effect, typical of the cinematic experience, or a smoother one, reminiscent of the so-called “theatrical effect.” This way, every user can tailor the settings to their preferences and enjoy smooth images in their favourite content.

The Hisense U7S Pro uses a panel with a maximum refresh rate of 165 Hz in 4K, and in game mode, it can reach up to 330 Hz at Full HD resolution. However, it is important to remember that these highest figures do not significantly matter in everyday use, as most content is still limited to a maximum of 120 Hz (for example, when gaming on a console). Nevertheless, the television handles motion quite well and performs really decently for an LCD construction.

There is little to criticise about the fluidity itself. In the menu, we find a motion smoother called "Motion Enhancement", which hides two sliders: blur reduction and judder reduction. These allow for manual configuration of the smoother, which works well in both films and sports, effectively enhancing the raw television signal.

Xiaomi S MiniLED 2025 is a television that has a lot to offer gamers. With two HDMI ports boasting 48 Gbps bandwidth, we can easily connect modern consoles or PCs, utilising their full potential. Additionally, the ALLM feature automatically switches the TV to low-latency mode – something we will appreciate during dynamic games without annoying lags. Regardless of what we connect, it functions smoothly, and the television handles various resolutions exceptionally well. There is also the GameBar, which may not look as impressive as the "bars" from the competition, but makes up for it with practicality. It is a simple settings panel that allows us to quickly change the most important options or check statistics – an ideal solution when time is of the essence.

However, we must admit that operating the television itself – or rather finding the gaming features within it – posed a significant challenge for us. We approached the testing of the Xiaomi S MiniLED 2025 several times to locate all the necessary options. The hidden menu allowed us to discover the "GameBoost" feature, which enables switching the television to 240 Hz mode, activating VRR, and allows for enabling picture in HGIG mode.

In summary, the Xiaomi S MiniLED 2025 is a television that definitely deserves praise in the gaming hardware category. Its rich set of features – 240 Hz mode, VRR, HGIG, and "GameBoost" – provides an exceptional gaming experience. Unfortunately, the intuitiveness of the menu itself leaves much to be desired and may pose a challenge for the average user.

If you plan to connect a console or PC to the U7S Pro, you will be more than satisfied – this television is excellent equipment for a gamer. Hisense has not spared any expense and has included as many as 4 HDMI 2.1 ports with full bandwidth of 48 Gbps. You won’t need to juggle cables as each port will handle the full set of features. We have an automatic game mode (ALLM) and VRR, which operates in a wide range from 48 Hz to an impressive 330 Hz. Of course, that 330 Hz is currently a gimmick for owners of powerful PCs, as consoles will be limited to 120 Hz, but it’s good to have that buffer for the future. The Game Bar also works very well during gaming. It’s a handy menu bar for gamers, where you can quickly change the picture mode, enable a crosshair in the centre of the screen, and even change the display aspect ratio to ultra-wide without having to exit to the main television settings, which will be appreciated by fans of PC simulators. The only downside worth mentioning is the improper implementation of the HGiG format in games. The issue is that the television ignores instructions from the console regarding the image generated in HDR10 and continues to forcefully interfere with the image it produces, trying to "enhance" it in its own way. This makes proper HDR configuration in the console menu (where you set brightness on symbols/checkerboard) somewhat difficult.