XIAOMI A PRO 2025 vs Samsung Neo QLED QN70F / QN74F / QN77F

In the HDR category, the television Xiaomi A Pro is, to put it plainly, lacking. Under ideal conditions, it offers brightness at around 250 nits. This is a poor result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully realise the potential of HDR content. In practice, this means that the image does not gain the appropriate depth and intensity expected from high-quality HDR. These values are more characteristic of standard dynamic range (SDR), which means that the true HDR effect remains beyond the reach of this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacklustre. However, for its price, the television offers good coverage of the DCI-P3 colour gamut at 92%, thanks to the use of quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and film enthusiasts who appreciate richer shades and better colour reproduction compared to traditional televisions without this technology.

The QN70F is a television that can pleasantly surprise when it comes to brightness. In ideal testing conditions, it reaches up to 800 nits, which – for this price range – is a really solid figure. Of course, this result comes from measurement charts, so we decided to check how it performs in practice, with real films. Here, the television somewhat tempers its capabilities. In most tested scenes – for example, in "The Meg" – the actual HDR brightness hovered around 500 nits. This is still a decent result, allowing for enjoyment of HDR effects, although it is far from perfect. On the other hand, we have a QLED screen with a layer of quantum dots, which means very good colour reproduction capabilities. The colours are vibrant and saturated. The QN70F covers about 94% of the DCI-P3 colour space, and in the wider BT.2020 palette, it exceeds 75%, so in this respect, there is nothing to be ashamed of.

The Xiaomi A Pro 2025 television has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it is worth noting that it is not free from flaws. Analysing the white balance, it can be observed that the values for green are in the negative. This phenomenon leads to some distortions in the shades of white, and with pure white, the graph shows clear deviations. The over-contrasted image results in inappropriate tonal transitions in red, negatively affecting the quality of colour display. Generally, in the image below, it can be seen that the overall scenery before calibration acquires pink hues. Additionally, when analysing gamma contrast, the graph is significantly below the 2.4 value, suggesting that the television overly emphasises dark tones, and the brighter areas of the image may be less vivid. Furthermore, the EOTF curve shows a strong peak at the beginning, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-drawing. These aspects indicate a need for further calibration to achieve a more balanced colour reproduction and improve the overall image quality. Users who expect precise colour reproduction may be forced to take measures to adjust the television settings to achieve more realistic and natural visual results. In the xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After proper colour adjustment, the image gains a natural and vibrant colour palette, much closer to cinematic standards. It is worth adding that the issue of inaccurate colour reproduction is typical for many televisions in this class, meaning it is not a flaw unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will prove to be a key element that enhances the overall image quality.

We tested the QN70F in its best default picture mode, which is Filmmaker Mode. I must admit that in this particular test unit, the factory settings performed quite well. The image was calm, natural, and despite minor deviations – pleasant to watch. The biggest flaw was a slight dominance of red in the white balance, which caused a slight pinkish hue across the entire scene. However, this was not a glaring defect – rather subtle and only noticeable when directly compared to a properly calibrated screen. A somewhat larger issue arose in the brightness characteristic. The television tends to underestimate the brightness of parts of the image that should be displayed more brightly. As a result, some details can appear slightly muted – not so much lost completely, but not resonating as clearly as they should. Nonetheless, as far as televisions in this category and in these settings are concerned – we consider the result a good starting point for further calibration.

Now it's time to check how the Xiaomi A Pro 2025 television has performed after calibration. The biggest beneficiary of this process is the white balance. After the calibration was conducted, all previous errors were corrected in both HD and 4K content, and most errors no longer fall significantly outside the value of "2". This means a much more balanced and natural colour representation, which certainly affects the viewing comfort. In terms of gamma, the drop was significantly reduced, resulting in a more consistent tonal representation across various scenes. Nevertheless, the EOTF curve has not been significantly improved due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which may affect the perception of certain materials. However, despite these minor shortcomings, the overall shape of the image is definitely better after calibration. The television has gained in quality, and the improved white balance along with reduced gamma issues allows users to enjoy a more realistic and pleasant visual experience. Further adjustment of settings may enhance image quality even more, but even now the television demonstrates its capabilities, meeting the expectations of many users.

After calibration, the QN70F shows that it can offer a truly high level of colour reproduction. The white balance was nearly perfectly aligned, and the values in the Color Checker test dropped below level 3 – meaning below the threshold at which the average eye can perceive differences. The image looks natural, and the colours are faithfully rendered, without excessive saturation or the coolness known from factory settings. It must be admitted that Samsung provides very extensive calibration options – not only for enthusiasts but also for professionals. The QN70F takes advantage of this potential and, after proper adjustment, can come close to significantly more expensive models in terms of colour accuracy. The only thing that can still be nitpicked is the brightness characteristic. There is still a tendency to lighten the smallest areas of the image – particularly those that should remain darker. However, this is a design feature of this model, not a calibration error. Despite this, the final effect definitely deserves recognition.

How does the Xiaomi A Pro 2025 television cope with tonal transitions, especially with lower-quality materials? Thanks to advanced digital processing, the colour contour removal function works surprisingly well. We recommend setting this option to "Medium" – the television significantly improves the fluidity of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the tested image featuring a model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in terms of digital processing. Adding artificial sharpness to this scene made the details of the model more pronounced, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital interference. Although this enhances the overall impression of detail, excessive sharpness can make some elements of the image seem unnaturally emphasised.

Samsung QN70F offers a distortion reduction feature that enhances the smoothness of tonal transitions. In "Standard" mode, it works quite well – it smooths out problematic transitions without significantly interfering with the structure of the image. Film grain is somewhat reduced, but details such as texture and skin structure remain visible. The "High" mode is much more aggressive. The smoothing is stronger, but it comes at the cost of a noticeable loss of detail. Therefore, in practice, we recommend sticking with the "Standard" setting or completely turning this function off. The improvement in gradation may be less spectacular, but the image retains more naturalness.

When it comes to scaling low-quality content, the QN70F performs very well. Tests with lower resolution images were really very good. Despite slight edge ringing, everything looks clean and clear, even if the original content was very poor. It’s just a pity that the television has an issue with overscan, which cannot be completely turned off. As a result, images with very low resolution may be slightly cropped, which is mainly noticeable on subtitles or interfaces.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works in films. It can be adjusted to prefer either a more cinematic, film-like effect with visible frames, or a smoother, theatre-like image. This function should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The 60 Hz refresh rate panel, typical in this price range, does not impress. Our "Ufo" test revealed some motion blur. Those expecting better sharpness of moving objects may be slightly let down.

The QN70F is a television with a refresh rate of 144 Hz, which in itself places it among the top when it comes to image fluidity. Whether we are watching dynamic sports broadcasts or playing on a console – the picture looks very good. There is no sense of stuttering, choppiness, or the typical "tearing" associated with weaker models during fast motion. Samsung also allows you to adjust the fluidity to your own preferences. In the picture clarity settings, we find options such as blur reduction and judder reduction – each of which we can adjust independently. This is especially useful when watching content with a lower frame rate and wanting to give it a smoother, more theatrical character – or conversely, to maintain the natural cinematic "feel" of 24 frames.

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which is different from the typical "dashboards" with interfaces found in other manufacturers' products. Thanks to this, users can quickly access game-related settings, which is convenient during intense sessions. The TV also supports Automatic Low Latency Mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal latency. Unfortunately, it lacks support for HDMI 2.1, limiting its capabilities for connecting the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (Variable Refresh Rate) or G-Sync, which are increasingly desired by gamers, as they allow for smoother visuals and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced solutions dedicated to gamers.

The Samsung QN70F is truly a solid choice for gamers. Here, we find as many as four HDMI 2.1 ports with full bandwidth of 48 Gbps, meaning full support for gaming in 4K at a refresh rate of 144 Hz. Additionally, it includes all the essential features we expect today: automatic game mode (ALLM), variable refresh rate (VRR), and a very well-designed, intuitive Game Bar showing information about mode, resolution, and frame rate.

Also noteworthy is the Game Motion Plus feature, which allows artificial frames to be added to games running at 60 fps or less. This works surprisingly well and in many titles – particularly those where consoles struggle to maintain a stable framerate – it improves the fluidity of gameplay without significant delay.

Unfortunately, there are some drawbacks. The lack of support for Dolby Vision mode is not surprising – it’s a standard with Samsung. However, the absence of the HGiG feature is much more disappointing. Worse still, it was removed with a software update, which may leave users who previously relied on it quite puzzled. Without HGiG, it is impossible to manually set the maximum HDR brightness from the console, resulting in some games appearing slightly washed out – especially if the television misinterprets the tonal range. Why Samsung, a brand that has set standards for gaming features for years, decided to take such a step is hard to say. At the time of writing this review, the tested television was running on software version 1110 – and frankly, if you care about full support for gamers, it’s better to hold off on updates for the time being.