XIAOMI A PRO 2025 vs Hisense U7Q PRO

In the HDR category, the television Xiaomi A Pro is, to put it plainly, lacking. Under ideal conditions, it offers brightness at around 250 nits. This is a poor result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully realise the potential of HDR content. In practice, this means that the image does not gain the appropriate depth and intensity expected from high-quality HDR. These values are more characteristic of standard dynamic range (SDR), which means that the true HDR effect remains beyond the reach of this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacklustre. However, for its price, the television offers good coverage of the DCI-P3 colour gamut at 92%, thanks to the use of quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and film enthusiasts who appreciate richer shades and better colour reproduction compared to traditional televisions without this technology.

U7Q PRO is truly a bright television. In synthetic tests, it achieved over 1500 nits, which is an outstanding result for this price range. Such brightness – at least in theory – allows for HDR content to be displayed as intended by the creators, even in more demanding scenes with strong lighting. In practice, it is often very good, but not always perfect. In bright scenes with large areas – like the test chart with intense sunlight from the movie "Pan" – the U7Q PRO makes a huge impression. It can almost dazzle with its brightness, which is definitely an advantage in the context of HDR content. Unfortunately, it doesn't always manage to maintain this when many small bright details appear on a dark background. In such moments, the local dimming algorithms choose to dim some bright elements to maintain good black levels – and the side effect is that some details simply disappear from the frame. This is a classic compromise in mini-LED televisions – and the U7Q PRO is no exception. However, with such a large number of dimming zones, one could have hoped for a slightly more mature algorithm responsible for their control. Fortunately, the overall perception of HDR content is decidedly positive. The U7Q PRO is not only bright but also colourful, thanks to the PFS LED (QLED) coating, the coverage of the DCI-P3 colour palette is at 95%, while BT.2020 is around 73%.

The Xiaomi A Pro 2025 television has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it is worth noting that it is not free from flaws. Analysing the white balance, it can be observed that the values for green are in the negative. This phenomenon leads to some distortions in the shades of white, and with pure white, the graph shows clear deviations. The over-contrasted image results in inappropriate tonal transitions in red, negatively affecting the quality of colour display. Generally, in the image below, it can be seen that the overall scenery before calibration acquires pink hues. Additionally, when analysing gamma contrast, the graph is significantly below the 2.4 value, suggesting that the television overly emphasises dark tones, and the brighter areas of the image may be less vivid. Furthermore, the EOTF curve shows a strong peak at the beginning, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-drawing. These aspects indicate a need for further calibration to achieve a more balanced colour reproduction and improve the overall image quality. Users who expect precise colour reproduction may be forced to take measures to adjust the television settings to achieve more realistic and natural visual results. In the xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After proper colour adjustment, the image gains a natural and vibrant colour palette, much closer to cinematic standards. It is worth adding that the issue of inaccurate colour reproduction is typical for many televisions in this class, meaning it is not a flaw unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will prove to be a key element that enhances the overall image quality.

We tested the U7Q PRO in the best possible picture mode offered by this model – Filmmaker Mode. And indeed, this mode performs the best in terms of colour reproduction. However, that doesn't mean it's perfect. In our test unit, both in SDR and HDR content, the image had a slightly cooler tone. The white balance was skewed towards blue, giving the overall impression of being a bit "colder". It may not be glaring, but it is definitely noticeable – especially on white backgrounds, which seemed slightly bluish rather than neutral. Additionally – as we mentioned earlier – the television has a tendency to slightly brighten and oversaturate the image, which is also confirmed by the gamma and EOTF graphs. All this together means that without calibration, the image can appear somewhat unnatural – too cool, with slightly exaggerated dynamics. Therefore, we decided to carry out our own calibration – and you can see its effects and graphs below.

Now it's time to check how the Xiaomi A Pro 2025 television has performed after calibration. The biggest beneficiary of this process is the white balance. After the calibration was conducted, all previous errors were corrected in both HD and 4K content, and most errors no longer fall significantly outside the value of "2". This means a much more balanced and natural colour representation, which certainly affects the viewing comfort. In terms of gamma, the drop was significantly reduced, resulting in a more consistent tonal representation across various scenes. Nevertheless, the EOTF curve has not been significantly improved due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which may affect the perception of certain materials. However, despite these minor shortcomings, the overall shape of the image is definitely better after calibration. The television has gained in quality, and the improved white balance along with reduced gamma issues allows users to enjoy a more realistic and pleasant visual experience. Further adjustment of settings may enhance image quality even more, but even now the television demonstrates its capabilities, meeting the expectations of many users.

Thanks to the calibration, we managed to tame the white balance in SDR and HDR content. In the case of SDR materials, the effect is really very good – the image becomes neutral, cohesive, and simply pleasant to take in. Everything looks as it should.

HDR performs a bit worse. Although the white balance appears correct and the image overall gains in naturalness, unfortunately, the delta E errors remain noticeable. Why? Because Hisense does not give us full control over how the television manages brightness in HDR mode with the U7Q PRO model. This is where the limitation comes into play. When we look at the EOTF curve for HDR content, we can clearly see what we mentioned earlier – at the beginning of the graph, there is a distinct drop, meaning the television darkens the smallest areas more than it should. On the other hand – the brightest elements can sometimes be overly bright. As a result, some details get lost, others are too aggressive, and overall control over brightness does not always match what we are trying to achieve during calibration.

Does the image look better after calibration? Definitely yes, in terms of colour. But when it comes to managing brightness in HDR, we have to accept that the Hisense U7Q PRO will do it in its own way.

How does the Xiaomi A Pro 2025 television cope with tonal transitions, especially with lower-quality materials? Thanks to advanced digital processing, the colour contour removal function works surprisingly well. We recommend setting this option to "Medium" – the television significantly improves the fluidity of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the tested image featuring a model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in terms of digital processing. Adding artificial sharpness to this scene made the details of the model more pronounced, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital interference. Although this enhances the overall impression of detail, excessive sharpness can make some elements of the image seem unnaturally emphasised.

If someone happens to come across older materials where the colour banding issue occurs – Hisense has a solution for that. In the U7Q PRO, we find a function called "Smooth and Gradient Image". Set to the "Medium" level, it works really well – removing most issues with gradation while not smoothing out the entire image, like blurring in Photoshop. 😉 Film grain remains, details do not disappear – this is exactly how it should work. Well done on the implementation!

As for upscaling weaker materials, it is simply good. It is not at the level of the most expensive televisions with advanced upscaling, but older content looks good. There is minor aliasing at very low resolutions, but this is completely normal and hard to avoid. On the plus side – even with the oldest materials, there is no overscan effect, the image is neither cropped nor artificially stretched.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works in films. It can be adjusted to prefer either a more cinematic, film-like effect with visible frames, or a smoother, theatre-like image. This function should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The 60 Hz refresh rate panel, typical in this price range, does not impress. Our "Ufo" test revealed some motion blur. Those expecting better sharpness of moving objects may be slightly let down.

“Speed” – this word came up most often during our tests of the U7Q PRO. The television is equipped with a 165 Hz panel, which is impressive in itself – especially since we are talking about a model in the mid-range price category. Of course, PC gamers will benefit the most from its full capabilities, but even with everyday viewing, it's clear that this is a fast and efficient panel. Like most modern televisions, the U7Q PRO can also enhance the fluidity of films that were originally recorded at 24 frames. In the menu, we find a slider that allows us to adjust the effect to our own preferences – from a more cinematic look, with subtle motion, to stronger smoothing with the characteristic “telenovela effect.”

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which is different from the typical "dashboards" with interfaces found in other manufacturers' products. Thanks to this, users can quickly access game-related settings, which is convenient during intense sessions. The TV also supports Automatic Low Latency Mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal latency. Unfortunately, it lacks support for HDMI 2.1, limiting its capabilities for connecting the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (Variable Refresh Rate) or G-Sync, which are increasingly desired by gamers, as they allow for smoother visuals and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced solutions dedicated to gamers.

The Hisense U7Q PRO is a television that seems almost designed with gamers in mind. It has practically everything one could expect from a gaming display: variable refresh rate (VRR), automatic low latency mode (ALLM), and as many as four HDMI 2.1b ports with full bandwidth of 48 Gb/s. Additionally, there is a clear and quite functional Game Bar, as well as a well-implemented Dolby Vision GAMING mode that works seamlessly with Xbox Series S and X consoles.

Sounds like perfection? Well, almost. Unfortunately, Hisense has still not implemented the HGiG feature, which means the system limitation of tone mapping on the television side. This means that when configuring HDR brightness on the console, we do it "by eye" or search for settings in online guides, as the display does not show the actual range of its brightness. It’s a pity – because HGiG indeed makes it easier to match the console to the television and helps avoid overexposure or overly dark scenes in HDR games.

Fortunately, the other features work very well. Input lag is low, responsiveness is excellent, and the handling of other functions is impeccable. And while not everything worked perfectly, the U7Q PRO can still be recommended to gamers without hesitation.