XIAOMI A PRO 2025 vs Hisense E7NQ PRO

In the HDR category, the television Xiaomi A Pro is, to put it plainly, lacking. Under ideal conditions, it offers brightness at around 250 nits. This is a poor result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully realise the potential of HDR content. In practice, this means that the image does not gain the appropriate depth and intensity expected from high-quality HDR. These values are more characteristic of standard dynamic range (SDR), which means that the true HDR effect remains beyond the reach of this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacklustre. However, for its price, the television offers good coverage of the DCI-P3 colour gamut at 92%, thanks to the use of quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and film enthusiasts who appreciate richer shades and better colour reproduction compared to traditional televisions without this technology.

Based on the luminance chart, which indicates around 550 nits, it can be said that Hisense E7NQ PRO theoretically has the potential to somewhat "magically" enchant us with its image in HDR. While testing various scenes from films, we noticed that the television continually tries to balance maintaining appropriate brightness with preserving the deepest blacks possible. In favourable conditions – for instance, during a scene from “The Meg,” where the screen is flooded with bright light – this brightness can indeed impress us. In such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when more challenging shots appear on the screen with small, bright elements on a dark background, the situation looks significantly worse. The brightness then drops to 200-300 nits, which is decidedly too little to truly distinguish HDR from standard SDR.

It is clear that the television tries, but hardware limitations – mainly the limited number of local dimming zones – prevent it from fully spreading its wings. The final effect is therefore often quite uneven and just as mediocre as in the contrast tests. However, it deserves credit for its impressive coverage of the DCI-P3 colour gamut at 97%. Thanks to this, the television can display a truly wide range of colours, which, in suitable scenes, can give us at least a taste of the true HDR effect. It’s just a shame that the overall experience is not complemented by better control of brightness and contrast.

The Xiaomi A Pro 2025 television has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it is worth noting that it is not free from flaws. Analysing the white balance, it can be observed that the values for green are in the negative. This phenomenon leads to some distortions in the shades of white, and with pure white, the graph shows clear deviations. The over-contrasted image results in inappropriate tonal transitions in red, negatively affecting the quality of colour display. Generally, in the image below, it can be seen that the overall scenery before calibration acquires pink hues. Additionally, when analysing gamma contrast, the graph is significantly below the 2.4 value, suggesting that the television overly emphasises dark tones, and the brighter areas of the image may be less vivid. Furthermore, the EOTF curve shows a strong peak at the beginning, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-drawing. These aspects indicate a need for further calibration to achieve a more balanced colour reproduction and improve the overall image quality. Users who expect precise colour reproduction may be forced to take measures to adjust the television settings to achieve more realistic and natural visual results. In the xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After proper colour adjustment, the image gains a natural and vibrant colour palette, much closer to cinematic standards. It is worth adding that the issue of inaccurate colour reproduction is typical for many televisions in this class, meaning it is not a flaw unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will prove to be a key element that enhances the overall image quality.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately began to check the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it too was not without its flaws. With standard SDR content, we noticed a clear tendency for excessive red enhancement, which made the image unnaturally warm. This was particularly evident in the comparative photo attached below. Conversely, when we switched to HDR content, the situation went in the opposite direction. This time, blue was dominant, and red was scarce, resulting in a cool effect, at times almost "shop-like" — although not as drastic as in those modes that are actually intended for display in exhibitions. As a result, in our tests assessing colour reproduction, these disturbances in colour balance led to significant errors.

Additionally, the television had issues with reproducing brightness characteristics. At lower resolutions, it noticeably brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) simply wouldn't conform as it should. Initially, the television excessively darkened the smallest details, only to then overly brighten larger areas. Fortunately, the E7NQ PRO provides us with plenty of calibration tools, so knowing that there is potential within it, we decided to take matters into our own hands and try to adjust it to eliminate these problems.

Now it's time to check how the Xiaomi A Pro 2025 television has performed after calibration. The biggest beneficiary of this process is the white balance. After the calibration was conducted, all previous errors were corrected in both HD and 4K content, and most errors no longer fall significantly outside the value of "2". This means a much more balanced and natural colour representation, which certainly affects the viewing comfort. In terms of gamma, the drop was significantly reduced, resulting in a more consistent tonal representation across various scenes. Nevertheless, the EOTF curve has not been significantly improved due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which may affect the perception of certain materials. However, despite these minor shortcomings, the overall shape of the image is definitely better after calibration. The television has gained in quality, and the improved white balance along with reduced gamma issues allows users to enjoy a more realistic and pleasant visual experience. Further adjustment of settings may enhance image quality even more, but even now the television demonstrates its capabilities, meeting the expectations of many users.

Thanks to the tools available in E7NQ PRO, we managed to extract quite a decent image from it, especially with lower quality content. After refining the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision that the manufacturer intended to present. Additionally, we improved the brightness characteristic (Gamma), which means the television is no longer prone to excessive brightening, and everything presents itself distinctly better than before our intervention.

We also managed to achieve some results with HDR materials, although it isn’t quite as rosy here. Indeed, the white balance has approached an acceptable level, but the problem lies elsewhere. It concerns the EOTF curve, which is the way the television manages brightness and tonal range of the image. At first glance, it might seem that the biggest issue only relates to mid-tones being overly brightened. However, after more detailed testing and enabling the filters for displaying the EOTF curve, it becomes apparent that the receiver tends to brighten the entire screen. This appears to be a limitation arising from the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. Despite this, after our calibration, the image is noticeably better than at the outset. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even good calibration cannot fully overcome.

How does the Xiaomi A Pro 2025 television cope with tonal transitions, especially with lower-quality materials? Thanks to advanced digital processing, the colour contour removal function works surprisingly well. We recommend setting this option to "Medium" – the television significantly improves the fluidity of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the tested image featuring a model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in terms of digital processing. Adding artificial sharpness to this scene made the details of the model more pronounced, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital interference. Although this enhances the overall impression of detail, excessive sharpness can make some elements of the image seem unnaturally emphasised.

When it comes to the function of smoothing tonal transitions in lower quality materials, the "smooth and gradient image" feature in Hisense E7NQ PRO unfortunately does not impress. At the lowest setting, the change is hard to notice at all – it is rather a cosmetic improvement. Switching to "Medium" mode yields a noticeable effect, but it is still nothing special, and in the process, the television begins to excessively interfere with other elements of the image, which can look unnatural.

Moreover, image scaling is rather average. On the test screen, where a portrait of a model and text are displayed, slight jagged edges are visible, making the overall appearance less smooth and aesthetically pleasing than one would expect in this class of device. It's simply difficult to talk about truly effective improvement in the quality of lower resolution.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works in films. It can be adjusted to prefer either a more cinematic, film-like effect with visible frames, or a smoother, theatre-like image. This function should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The 60 Hz refresh rate panel, typical in this price range, does not impress. Our "Ufo" test revealed some motion blur. Those expecting better sharpness of moving objects may be slightly let down.

Thanks to the use of a 144 Hz panel, E7NQ PRO performs excellently with nearly every type of content. Whether we are watching fast-paced matches, dynamic games or action films – the smoothness of motion leaves a good impression. When it comes to films, the manufacturer has equipped the television with two key tools: "motion blur reduction" and "judder reduction". Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths out motion without compromising the cinematic quality of the image. The higher we move up the scale, the more the television interferes with the presented material, smoothing out motion more intensely, and consequently – minimising any judders or micro-cuts. Conversely, the highest settings can resemble the so-called "soap opera effect", which makes the image appear excessively smooth, slightly losing its filmic atmosphere. However, with such a scale, we can find a happy medium, adjusting the smoothness of motion to our own preferences.

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which is different from the typical "dashboards" with interfaces found in other manufacturers' products. Thanks to this, users can quickly access game-related settings, which is convenient during intense sessions. The TV also supports Automatic Low Latency Mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal latency. Unfortunately, it lacks support for HDMI 2.1, limiting its capabilities for connecting the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (Variable Refresh Rate) or G-Sync, which are increasingly desired by gamers, as they allow for smoother visuals and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced solutions dedicated to gamers.

If we sometimes enjoy turning on the console and immersing ourselves in the world of games for long hours, E7NQ PRO can make quite an impressive impact. Thanks to the 144 Hz refresh rate, gameplay is surprisingly smooth, and support for HDMI 2.1 and VRR ensures that the picture doesn't 'tear' even during the most dynamic actions. Additionally, there's ALLM, which automatically sets the lowest latency as soon as we switch to the console – so we don't have to fiddle with the options ourselves.

A major plus is also the ability to run games in Dolby Vision, making colours and contrast simply look better. Hisense has also added a clear 'gamebar', allowing us to constantly monitor the most important parameters and change settings without leaving the game. The only thing we might regret a bit is the lack of HGIG support. While it may not be a crucial element, it could matter to some gamers aiming for the most faithful representation of the creators' vision. Nevertheless, in practice, the E7NQ PRO performs excellently and provides truly enjoyable gaming experiences.