Compare: TCL P7K / P79K vs Blaupunkt UGC5500S

The time has come to gather all observations. The TCL P7K / P79K is a television that cleverly juggles compromises, offering much more in its price range than we could have expected. Its undeniable asset is the VA panel, guaranteeing deep blacks and high contrast, and the surprisingly rich package for gamers (with VRR and support for 120 Hz at lower resolutions) makes it a phenomenal proposition for console owners. The whole is tied together by the functional Google TV system. Of course, the low peak brightness means that HDR content lacks spectacular bursts, and the TV's performance in sunlit rooms is limited. And although, at its relatively low price, the P7K / P79K is quite a decent option, its biggest rival turns out to be… its more refined sibling, the P8K. Often, FOR a small additional payment, we get a device of a higher class – with a native 4K 144 Hz panel, significantly better audio system, and generally higher quality of operation, which is reflected in its much higher rating on our portal. Therefore, the final verdict must be as follows: if your budget is absolutely non-negotiable, the P7K / P79K will be a good and cost-effective choice. However, if you can afford to add a small amount, the P8K model will offer significantly more and will ultimately be a more satisfying investment.

Blaupunkt UGC5500S is a textbook example of a very cheap television that has primarily two huge advantages: the Google TV system and an extremely low price. It is these two elements that make it an appealing option for many people. During testing, we also found a great alternative use for it, which is working with a computer. Thanks to the exemplary legibility of fonts and good viewing angles of the IPS matrix, Blaupunkt surprisingly performs well as an inexpensive monitor. However, one must be aware that this device is typically budget-friendly, and this cost-saving is evident in the image quality. The matrix is simply dim, making it difficult to excel in challenging lighting conditions, not to mention creating any real HDR effect. Additionally, despite good viewing angles, the black level on this model leaves much to be desired – in the evenings, it will be rather dark grey, which is a typical characteristic of the IPS technology used here. Viewed through the lens of price, this is a device that aims to compete in the market not based on image quality, but rather on the amount on the receipt. Blaupunkt UGC5500S will fit perfectly as an additional television in the home, equipment for the holiday home, or in a less important room where the image simply needs to be present, and we want to enjoy all the benefits and applications that Google TV offers.

In the discussion about image quality, the conversation almost always begins with the issue of black depth and contrast, which are parameters that define the plasticity and realism of the observed world. Here, the TCL P7k/P79k immediately lays its strongest asset on the table – a VA panel. Its construction is what makes the native relation between the brightest and darkest parts of the image more than satisfactory, especially in the context of the price segment that this model represents. In the majority of scenes, the black achieved has a noble depth, which allows for building an engaging spectacle for the viewer. To illustrate the scale, it is worth mentioning that competing constructions based on IPS panels often offer results that are even four times, and sometimes five times, lower, which in direct comparison represents a chasm. Of course, when entering the territory of models oriented towards affordability, we must be aware of certain compromises. Therefore, we will not find an advanced local dimming system in the discussed television, which could further enhance the sense of contrast. However, the absence of this feature is fully understandable and constitutes a logical consequence of positioning the product in the market – this technology in TCL's portfolio for 2025 has been reserved for higher positioned, more prestigious series marked with the letter "C".

To put it bluntly: when it comes to blacks, it is simply very poor. Our measurements on test screens have only confirmed what we saw with the naked eye – a result around 1000:1 is disappointing nowadays, even in this price range. In cinematic conditions, this "black" simply does not exist. To be more specific, we fired up one of our favourite test scenes – a helicopter flyover in “Sicario 2” (you can see this in the video we’ve included below). Instead of a pitch-black, deep night, we got an image that is... navy blue. Everything that should be dark and mysterious on screen actually shines a dark blue. This is the price we pay for using an IPS panel. On one hand, we get fairly decent viewing angles, so if you’re watching television with the whole family from different angles, the picture doesn’t lose much saturation. On the other hand, if you plan to have evening screenings with the lights turned off, this lack of contrast will hit your eyes from the first minute.

When turning to the assessment of HDR performance, we must be clear and without marketing embellishments: the P7K/P79K is not, and was never intended to be, a master in this field. The maximum peak brightness that this panel can generate hovers around a mere 300 nits. This represents a threshold, a kind of thin red line between what can be considered a barely satisfactory HDR signal and what is, in fact, not much different from standard dynamic range (SDR), unfortunately leaning towards the latter. Synthetic tests found brutal confirmation in reality – our measurements taken during movie screenings showed that luminance in key bright portions of the scenes rarely exceeded the ceiling of 200-250 nits. Thus, this is not a television that would allow content realised in a wide tonal range to spread its wings, and this must be openly admitted.

Unfortunately, the issue of colour reproduction is presented with equal restraint. Although the manufacturer positions this model within the "QLED" family, thanks to the use of a PFS LED filter, the results do not match the heightened expectations. The coverage of the wide DCI-P3 colour gamut reaches only 86%. In the context of the market, this is at best an average result, as most devices that employ additional layers to expand the colour spectrum easily achieve values at a minimum level of 90-92%.

Here, too, we will not mince words – if you are looking for a television strictly for cinematic experiences in HDR, you have come to the wrong place. The Blaupunkt UGC5500S is unfortunately not a machine designed for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on film scenes speaks for itself. It is simply too little to even talk about any real HDR effect. Quite frankly, everything displayed here in this format can be confidently regarded as a somewhat “enhanced” SDR mode. We expected this, as virtually every device in this price range falters in this area, but we feel obliged to warn you about it. Manufacturers love to boast about HDR compatibility with stickers on their boxes, but in reality, this format simply does not exist here – it lacks the “fuel” of brightness.

The situation is particularly difficult for Blaupunkt, as we are dealing with a panel that has a very basic coverage of the DCI-P3 colour palette, reaching only about 80%. You will not find any advanced coatings to extend these capabilities (such as quantum dots), which means that scenes that should ideally burst with richly saturated colours appear simply under-saturated on this screen. Therefore, we have a specific piece of advice for you: do not force the HDR mode on this model. If you have the option in the streaming app settings – simply turn it off. By sticking to the classic SDR mode, you can be sure that the television will not attempt to “enhance” something that it cannot handle hardware-wise.

Every accurate assessment of image quality must begin with selection of the most optimal factory mode. In the case of the tested model P7K/P79K, the choice was made without hesitation for the "Film" mode. It is this mode that presents an image closest to the intentions of the creators, avoiding both the exaggerated brightness of the dynamic mode and the excessive dimming known from eco settings. And it must be admitted that, for a device in this price range, the factory calibration is surprisingly decent, although it has not escaped a few missteps. The most noticeable flaw turned out to be the not completely correctly set white balance. A slight dominance of the blue component gives the image a subtly cool, cold character, thus deviating from the exemplary neutrality that the director wanted to show us. The television performs much better in reproducing the greyscale in the standard dynamic range – the gamma curve is nearly exemplary. The only minor reservation could be made regarding the darkest parts of the image, where a slight deviation from the norm causes a loss of some detail in the shadows. The most serious challenge for the TCL software, however, was interpreting the HDR signal, as illustrated by the course of the EOTF curve. The television follows its own, quite free path here – the darkest details are disproportionately brightened, after which there is a noticeable slowdown in the increase of brightness for midtones. Fortunately, most of these imperfections are software-related issues that can be eliminated. With this thought in mind, we began the process of professional calibration.

We also took a close look at how Blaupunkt handles colours in movie mode, and here the matter is, in short, twofold. Once again, we need to clearly separate what we see in standard SDR format from what happens when HDR is turned on, as these are two entirely different worlds. Let’s start with the better side of the coin. If you plan to watch classic television, YouTube, or older films on this television, you can count on really reasonably well-tuned colours. In our test unit, the white balance in movie mode performed exceptionally well, which honestly surprised us. Of course, to avoid being overly optimistic, we did notice some shortcomings. Looking at the gamma charts, we observed that the processor struggles with appropriately dimming the image in its brightest areas. Additionally, there is quite a strong, at times excessively aggressive red saturation, which resulted in visible errors in reproducing certain shades. Nevertheless, in general terms, the image in SDR is simply solid and can be watched without a grimace on one’s face. Unfortunately, the charm disappears the moment we again enter the HDR world. Here, Blaupunkt behaves as if we suddenly switched it to shop mode, and in its worst version. The excess blue in the white balance is so significant that it is almost blinding, ruining any realism of the scene. Moreover, the television interprets brightness very loosely, which, when analysing the EOTF curve, clearly showed that for most of the time, the colours appear simply washed out and lacking in depth. This is, by the way, perfectly visible through the colour errors that become evident in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which feels forced and lacking appropriate refinement.

The calibration process turned out to be spot on, particularly in the context of standard dynamic range (SDR) content. We successfully mitigated the television's tendency to emphasize cool tones, restoring the whiteness to its natural neutrality. Moreover, precise adjustments allowed us to correct a slight error in the gamma curve, ensuring that the darkest parts of the image regained their proper depth, without any trace of unnatural brightness. The effects are measurable and impressive – in the ColorChecker test, the overwhelming majority of colour reproduction errors fell below the perceptual threshold, achieving a deltaE value of under 2. This is a result that pricier models would not be ashamed of. Unfortunately, when it comes to HDR content, we encounter a barrier in the form of the inherent limitations of the panel itself. And although we managed to bring the colours into line, the software's characteristics mean that the television still adapts brightness in its own way, as evidenced by the persistent, non-standard EOTF curve. In summary, calibration adds immense value, but one must be aware that it cannot overcome certain physical barriers. The slightly elevated black level, due to the lack of local dimming, along with limited peak brightness, means that HDR content may not always be able to showcase its full potential. This is simply not the primary task of this display; its true strength, especially after professional tuning, lies in the viewing of SDR material.

It may sound like a joke – pulling out professional measuring equipment for a television costing around a thousand złotys / 250 dollars, but we wouldn’t be ourselves if we didn’t check it out. The question is: does such cheap equipment give us any room for manoeuvre when it comes to calibration? To your surprise, the answer is: yes, and very much so. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to really work on the picture. These are not just empty sliders; they are specific tools that we could utilise using our measuring sensors and software. In SDR mode, the effects were visible to the naked eye. We successfully eliminated the problem we mentioned earlier – that excessive, almost artificial red saturation. We also fixed the issue of improper dimming in the brightest parts of the image. After calibration, the standard format image became significantly more balanced and simply correct. When it came to HDR, the situation was again more complicated. While we managed to 'tame' that aggressive blue tint in the white balance, it was clear that we were fighting somewhat in vain. Even after adjusting the settings, the television still tried to interfere with the image in its own way, as if the electronics knew better than us how the scene should look. Additionally, there is a hardware barrier that no slider can overcome – colours in HDR still remain under-saturated. This is simply due to the quality of the panel itself; it physically cannot produce the most vibrant colours. To sum up this topic: if any of you ask whether it is possible to calibrate a television for a 'thousand', we answer with full conviction: it is possible.

The issue of the fluidity of tonal transitions, or popular grading, is another area where the P7K / P79K evokes mixed feelings and surprises with its dual nature. If we were to evaluate solely its ability to render smooth colour gradients, we would undoubtedly give it a solid score of 8/10. Unfortunately, this positive image is marred by the use of very aggressive and unpleasant dithering. This artefact is particularly noticeable on demanding test patterns – such as the one depicting an actor submerged in red water – where rough, unnatural texture appears on uniform colour surfaces, betraying the digital nature of the image. This is all the more disappointing, as it is not a new issue. It seems to be a sort of inheritance from previous generations of budget TCL models, which is a pity, as it represents a flaw on what is fundamentally a quite competent image and is a mistake that could have been avoided.

Looking at our test photographs, it's really hard to criticise anything. Most of the colours in the attached images blend together almost perfectly, creating smooth gradients without noticeable "steps". And indeed, in most scenes where we captured these shots, it looked surprisingly good. However, the problem arises when we stop analysing still frames and simply start watching the films. In motion, the situation changes dramatically. During dynamic scenes on screen, artefacts begin to appear, which are a direct result of simply using a poor image processor here. Unfortunately, a static photo cannot convey this "jarring" of colours, but you must take our word for it: what looks clean and smooth in the picture can stand out harshly during the screening and is simply annoying. This is precisely why we have a rather low rating in this category.

After a series of harsh evaluations, fortunately, the time comes for praise, and this is due to the TCL AiPQ image processor for its work in the field of digital processing and content scaling. It should be noted right away that we are not talking about the level known from flagship designs; however, in the price segment represented by the P7K/P79K, the results achieved are more than solid. The feature for smoothing tonal transitions performs particularly well, effectively eliminating posterisation, which are the characteristic bands often visible in highly compressed materials, for example, from the ChooseTV service. The algorithm adeptly removes unwanted gradients, which ultimately looks really good. The television also handles upscaling competently, which is the task of elevating low-resolution materials to 4K standard. The resulting image, although it may initially seem a bit too sharp, fortunately, is not a problem. The software allows for free adjustment of this parameter using a sharpness slider, making it easy to customise the final appearance to personal preferences.

If you expect the processor in this model to magically "fix" the poor-quality signal from cable TV or old films from YouTube, we must disappoint you. The capabilities of this television end at absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this adequately in that the image is not blurry, but there's no mention of any intelligent sharpening or adding details here. Worse still, Blaupunkt is completely devoid of any features for reducing unwanted tonal transitions. If the material being watched has what is known as banding (that is, ugly "steps" instead of a smooth transition of colours, e.g., in the sky), this television will display it in all its glory. Additionally, the television has a tendency to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly enlarges the frame, causing us to lose details at the very edges of the screen. In summary: in the category of digital "enhancing" of images, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal, with all its flaws.

The issue of fluidity and sharpness of the image in motion is inextricably linked to a fundamental parameter of the matrix, and in the case of the TCL P7K/P79K, we are dealing with a panel with a native refresh rate of 60 Hz. This specification defines its capabilities from the outset and makes it difficult to unequivocally recommend it to enthusiasts of dynamic sports broadcasts. During fast camera movements, the image loses sharpness, and the panel also shows a slight tendency to smearing, which may be noticeable to more sensitive viewers. Fortunately, not everything in this aspect has been left to chance. The manufacturer has implemented a simple motion smoothing system, which is primarily used in film material recorded at 24 or 30 frames per second. Thanks to a dedicated slider, users can decide for themselves the final character of the motion – from maintaining a fully cinematic, slightly juddery image to achieving a very smooth, almost theatrical effect. It is a simple but effective tool that allows users to tailor the viewing experience to their own preferences.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us were expecting an impeccably sharp image in fast action scenes or during a match. However, the biggest drawback of this model is that you won't find any digital motion smoothers in the menu. The manufacturer has not given us any room for manoeuvre – nothing can be smoothed out or adjusted to our personal preferences. The image is always "raw," and we receive it exactly as the source transmits it. For fans of cinematic "jumping" of the image, this might be good, but the rest of us simply have to get used to the lack of any motion enhancement.

Although on paper the native 4K@60Hz panel might suggest that the TCL P7K/P79K is not a television tailored for gamers, the reality is surprisingly different. On the contrary, the manufacturer has ensured a rich package of features that make it a very friendly companion for next-generation consoles. Onboard, we find key technologies such as ALLM, which provides automatic switching to low latency mode, and VRR, or variable refresh rate, which eliminates screen tearing. The list is complemented by support for Dolby Vision Gaming and a simple yet functional Game Bar. However, the real and extremely pleasant surprise is something else. It turns out that the television easily supports a high refresh rate signal of 120 Hz but at lower resolutions – 1080p and 1440p. This is fantastic news for console owners, who know well how rarely games run in native 4K at a full 120 frames per second. The ability to choose between higher resolution and doubled smoothness is therefore an extremely sensible compromise.

In summary, although the P7K/P79K may not be the target screen for the most passionate tournament players, for the casual or occasional console user, it offers a package of options that is hard to find among many competitors at this price.

When it comes to gaming on the Blaupunkt, we weren't expecting miracles, and indeed – the list of features is not very long. However, there are two interesting points worth mentioning, as they might be significant for some of you at this price. The first plus is that the TV quickly detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device knows when you start gaming and automatically switches to low-latency mode. This is convenient because you don't have to fiddle with settings each time to prevent input lag from ruining the fun. The second point is a genuine surprise that caught us off guard. Although it has a 60 Hz panel, the Blaupunkt can display images at 120 Hz at Full HD resolution. Sure, you lose the details of 4K, but for those playing more dynamic, online shooters where smoothness is more important than resolution, this is a really nice and unexpected addition in such an inexpensive device. Besides these two points, you won't find anything more here. There are no advanced smoothness enhancement systems for gamers or extensive gaming menu bars. This is a simple screen for occasional gaming.

Complementing this rich package for gamers is a parameter that has a direct impact on comfort and performance in gameplay – input lag. Already in native 60 Hz mode, the television boasts an excellent result of just 15 ms. However, the real magic happens when switching to 120 Hz mode, where the lag drops nearly by half, reaching values below 10 ms. Such responsiveness ensures that every command from the controller is translated to the screen in the blink of an eye, which will be appreciated not only by professionals but by anyone who values smooth and direct interaction with the game.

An important point for every gamer is, of course, input lag, which refers to how quickly the television responds to our movements on the controller. Here, Blaupunkt has something to brag about, although the results are quite specific. At 4K resolution, the lag is just 12 ms. That's an excellent result. With such low lag, gaming feels simply phenomenal, and the response is almost instantaneous. It is a pity, however, that the situation changes when switching to 1080p mode. Here, the input lag increases to about 30 ms. To be clear: this is still not a terrible result. For most people, it will be "more than acceptable," and during casual gaming, you probably won't even notice it. Nonetheless, it is a shame that such good parameters could not be maintained as we saw with full 4K. Nevertheless, in the overall assessment, as a budget screen for consoles, Blaupunkt performs quite admirably in this regard.

We finally come to an area that can undoubtedly be described as the biggest Achilles' heel of the TCL P7K/P79K – its compatibility with PC. It is paradoxical in that, on paper, everything looks promising. The presence of G-Sync and support for high refresh rates at lower resolutions might suggest that it would also be a great monitor. Unfortunately, practice brutally verifies these assumptions. The key issue is the lack of support for full 4:4:4 chroma sampling. In everyday use, this translates to terrible font rendering quality – these, especially the coloured ones, become jagged, surrounded by artefacts, and simply poorly legible. This is not the end of the story, as in PC mode, the problem of aggressive dithering also becomes evident, giving the entire image an artificial, overly digital appearance. The only consolation in this situation is the fact that in games we can take advantage of the additional hertz and G-Sync technology, but these are not advantages that could compensate for the fundamental deficiencies in displaying a static interface. The verdict is therefore clear: while as a screen solely for gaming on PC it might still hold its own, as a monitor for work or browsing the internet, the P7K/P79K simply performs poorly.

If you plan to connect a computer to this television, it is absolutely crucial that you find and enable the PC compatibility option in the menu. Once you do that, magic happens – the implementation of Chroma 4:4:4 and font readability jumps to an exemplary level. The readability of text is simply excellent here. Of course, our editorial meticulousness would not allow us to pass by this equipment without taking a look "under the hood." During very specific tests with thin, dark text, we noticed that the horizontal and vertical matrix masks differ slightly in brightness levels. However, we want to reassure you: this phenomenon is so subtle that during normal use, such as writing emails or browsing the web, you would not be able to notice it with the naked eye. We maintain our opinion that as a monitor strictly for dynamic PC gaming, it is not the ideal choice (as we mentioned in the context of the 60 Hz refresh rate), but if any of you are wondering whether you can comfortably work on such a Blaupunkt – we answer: yes, it is absolutely possible.

When it comes to viewing angles, we enter the territory where VA panel technology dictates unavoidable conditions. As expected, this is the weak point of this model. It is enough to move away from the screen axis to observe a gradual degradation of the image: colours begin to fade, contrast noticeably drops, and black loses its depth. In direct comparison with IPS panels, which are renowned for their generosity in this aspect, the VA panel must concede superiority to its competitor. Is there any upside to this? Paradoxically, yes. Poor viewing angles are, after all, the price we consciously pay for the fundamental advantage of this technology – a significantly higher native contrast and deeper blacks when viewed head-on. Thus, it can be said that this is a television that favours viewers sitting in the 'ideal' spot, offering them a maximally vibrant image at the cost of versatility.

It’s really very good here. Whether we were sitting directly in front or on the edge of the sofa, the colours did not lose their saturation. This is a big plus if you plan to watch matches or films with a larger group – no one will complain that the picture looks worse for them. Although IPS panels are known for their good angles, in this particular model, when viewed from a sharp angle, the picture noticeably loses brightness. Interestingly, the colour saturation remains intact, but the screen simply becomes darker. This is not something that disqualifies this television, but it’s worth knowing.

The final practical test for any television is its daily performance in daytime conditions when it has to compete with ambient light. In this competition, the TCL P7K / P79K starts with a certain advantage in the form of a satin finish on the screen. Its structure handles direct reflections quite decently, diffusing them and protecting the image from excessive fading of colours or lightening of blacks. However, the passive struggle against reflections is one side of the coin. The other is the active ability to 'break through' bright surroundings, and here one of the model's key limitations comes to light. The previously mentioned peak brightness of around 300 nits is simply too low to ensure a fully comfortable and dynamic viewing experience in a brightly lit living room. In such conditions, the image may lack punch, and scenes with lower brightness can lose their clarity.

In terms of daytime performance, Blaupunkt is simply average. It all comes down to the low brightness of the panel, which – as we have mentioned, hovers around 250 nits. This is definitely too little for the screen to "break through" the strong light coming into the living room. As a result, under strong sunlight, the image loses clarity and appears somewhat washed-out. However, there is one bright spot in this category, the satin finish of the panel. Thanks to this, we do not have to deal with the mirror effect, which often means that instead of watching a film, we are seeing a reflection of our own sofa. The satin nicely diffuses reflections, which somewhat saves the situation. Nevertheless, we cannot cheat physics: while the coating bravely fights against reflections, the low brightness ultimately surrenders in the battle with sunlight. If you are planning a screening in the middle of the day in a very bright room, be prepared for the necessity of drawing the curtains.

Smart Features – the Power of Google TV

The heart and operating brain of the TCL P7K / P79K is the Google TV system, which is a significant advantage in itself. This platform opens access to an almost limitless library of applications from the Play Store, ensuring that we won't miss any key streaming service. Integration with other devices is exemplary – Apple users will appreciate the seamless collaboration thanks to AirPlay, and Windows and Android users can easily utilise screen mirroring features. One should also highlight Google Assistant, which performs exceptionally well with voice search in Polish, remaining one of the most effective and convenient solutions of its kind on the market. The system’s performance on the tested model can be described as "above average." The interface is mostly smooth, but during tests, there were occasional slowdowns and even sporadic "freezes" that required a moment of patience. Minor glitches can also be seen in the translation of some system messages, which can be clumsy – however, these are minor oversights on TCL's part that do not affect overall functionality.

Classic Features

In the era of smart systems, traditional television functions often take a back seat, and this is also the case here. A significant advantage is the inclusion of a classic remote control with a numeric keypad, which does not require precise aiming at the screen for communication, significantly enhancing user comfort. The presence of Bluetooth technology for connecting external devices, such as headphones or speakers, should also be regarded positively. However, this is essentially where the list of conveniences ends. It is evident that TCL has almost put everything on the Google TV card, treating classic functions as an absolute minimum. Therefore, we will not find options to record programmes from built-in tuners to a USB drive or the once-popular PiP (Picture-in-Picture) feature. This is, therefore, a basic package that simply works but does not offer anything beyond what is essential.

In terms of Smart TV functionality, the Blaupunkt UGC5500S is a classic example of a device where the system is both its greatest asset and its biggest flaw. On one hand, we have full Google TV here, which is a huge plus at this price point. We get access to a massive library of applications and basically all the functionality we know from brands that use this software. Nothing has been cut out forcibly, which is truly refreshing in such an inexpensive television. Unfortunately, we must honestly admit that in Blaupunkt's execution, this system simply works clumsily. This is a typical ailment of budget televisions with Google TV – the processor barely keeps up with the software. Navigation through the menu is not as smooth as we would like, and the remote can respond with a noticeable delay, giving the impression of being "dull." Of course, once you launch a specific application and start playing a movie, everything works stably, but just sifting through the interface requires a bit of patience.

As for traditional television features, Blaupunkt doesn't offer anything extraordinary. It is a simple device for basic tasks. The remote control deserves a plus, as it features a classic numeric keypad, which is simply convenient for flipping through cable channels. We also have Bluetooth, so you can easily connect wireless headphones or a speaker. The television also has a physical mini-jack headphone output. At a time when manufacturers are mass removing this connection, the presence of a "jack" is a nod towards those with older audio equipment or simply those who prefer classic wired headphones. It's a little thing, but it’s appreciated.

The built-in media player in the P7k/P79k model is quite a puzzling case, placing us in a rather unusual situation. On one hand, its engine manages to decode most popular video formats, which is obviously good news. On the other hand, we encountered a surprising and frustrating flaw – the default app has a fundamental issue with correctly displaying Polish diacritical characters in subtitle files. Instead of letters like "ą," "ę," or "ż," empty squares or random, unreadable symbols appeared on the screen. Fortunately, thanks to the flexibility of the Google TV system, this issue can be easily circumvented. Installing an alternative, advanced player, such as the tried and tested VLC or KODI, fully resolves this inconvenience. The situation is particularly odd since we didn't encounter such a flaw in other TCL models we tested previously. We are therefore dealing with an obvious software oversight, which we hope will be fixed in a future update.

In terms of playing files from USB, Blaupunkt performs quite well. We checked several of the most popular formats, and basically everything important worked fine on the factory player. Therefore, you're not forced to immediately download additional software right after taking the television out of the box, as the equipment is simply self-sufficient from the start. Nevertheless, taking advantage of the charms of Google TV, we still recommend that you install something external, like VLC or Kodi. The factory player is adequate, but it is in these external applications that you will find the most configuration options, better subtitle support, or simply a more convenient interface. Since the system gives you such freedom, it is worth taking advantage of it to get as much as possible from your multimedia.

In terms of the built-in audio system, the TCL P7k/P79k presents a level that can be described as functional and correct, but lacking audiophile ambitions. The speakers play quite loudly, and the dialogues in films and television programmes are delivered clearly and without distortion, which is crucial in everyday use. However, the soundstage definitely lacks a foundation in the form of low tones. This is a direct consequence of the absence of a dedicated subwoofer – an element that in the higher P8K series, represented by a large Onkyo subwoofer at the back of the cabinet, constituted the strength of its sound. Here, that element is simply missing, which makes the sound seem flatter and devoid of the depth that creates a cinematic atmosphere. We also noticed a peculiar aspect in the software – when attempting to set the maximum volume, the television automatically reduces it. It is difficult to determine definitively whether this is a form of protection against distortion or a minor software glitch; nonetheless, it’s a shame because the power reserves seem to be slightly greater.

In terms of audio, Blaupunkt performs really well, especially considering that this is a typical budget television. It’s evident, or rather audible, that the brand has not forgotten its roots, and for such an inexpensive model, the sound is exceptionally good. Of course, there is a noticeable lack of bass, but the overall output is loud, and surprisingly clear. Most importantly for us – even at higher volumes, the sound is not heavily distorted, which is a rarity and a pleasant surprise at this price point.

TCL P7K / P79K vs Blaupunkt UGC5500S

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Smart Features – the Power of Google TV

Classic Features

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements