Compare: TCL MQLED85 / C765 vs TCL A300W NXTVision

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models with mini-LED technology, which is immediately evident from the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching films in the evening is a pure pleasure – the blacks are genuinely deep, and the image in dark scenes appears clear. However, it is not perfect – in some shots, you can notice minor issues with small bright elements, but this is really a trifle compared to what this model offers. Google TV works excellently here – there are plenty of applications, and using the system is simply convenient. Voice control in Polish operates flawlessly, which can be particularly useful if you don’t want to type film titles using the remote. Of course, there are minor shortcomings, like the lack of recording features, but these are not things that hinder everyday use. For gamers, it is also a great option. Support for HDMI 2.1, VRR, and low input lag make the television handle consoles well and compete effortlessly with more expensive models from Korean or Japanese manufacturers. It's hard to find something better in this price range concerning smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's difficult to say if this is a significant drawback. We hope that TCL will release updates, so there is a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if you’re looking for a television with good picture quality and modern features at a reasonable price. This model combines accessible mini-LED technology with a convenient Google TV system, while also performing exceptionally well in gaming. The minor software shortcomings are something you can live with, especially considering what this television offers in its class.

At first glance, it is clear that the TCL A300 NXTVision aims to be more than just an ordinary television. It offers an image display mode that – unlike its competitors from Korea, Samsung The Frame – is completely free. Additionally, just like its rivals, it comes with freebies. In the packaging, besides the television, we find extra frames mimicking light wood and a flat wall mount, allowing the television to actually resemble a gallery piece. In terms of everyday use, the standout feature is the Google TV system – extensive, quick, and offering access to a vast number of applications. And if we feel like stepping out of the digital museum and jumping straight into the world of gaming, the A300 can surprise us. Two HDMI 2.1 ports, 144 Hz, VRR, ALLM, and very low input lag ensure that even demanding gamers can feel at home here. Well... perhaps except for those who are sensitive to motion blur – as this remains one of the major issues with this model. There are also downsides. Although the image mode is free – and that is worth appreciating – the quality of the available graphics is clearly lacking compared to what Samsung offers in its paid ART Store. The displayed images resemble photos rather than realistic reproductions of artworks. Unfortunately, the A300 – like the rival Hisense S7NQ – performs poorly here and additionally has certain software issues. The brightness of the television itself also leaves much to be desired – it is the darkest television of the entire "frame trio," which translates to average experiences during the day and limited HDR effect. Nevertheless, the TCL A300 NXTVision is quite a reasonable alternative to Samsung The Frame or S7NQ – especially if we are looking for a cheaper solution without additional fees for access to the "gallery" mode and with an operating system that does not limit us in terms of the number of applications. However, it is essential to remember that this is a proposition with a significant amount of compromises. If we want to save a bit and do not expect top-notch picture quality, then the A300 could be a hit in the picture stakes. Otherwise, it is worth taking a look at its competition.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a significant difference compared to traditional backlighting systems. Mini LED, with its considerably smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The 55-inch model we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. However, it is worth noting that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger displays to achieve better results in terms of contrast and black levels. Thanks to the vast number of zones, the TCL MQLED85/C765 achieved a performance comparable to OLED screens on our first test scene from the film "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the television perform in more challenging scenarios? Overall, the TCL MQLED85/C765 performs very well in displaying blacks, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our recent test scene from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm and the slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by screen local dimming deficiencies), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This television offers contrast and black depth that can compete with models that are even half again as expensive.

The TCL A300, also known as NXTVision, uses a VA panel, so right from the start, one could expect decent contrast. On our test charts, the television indeed showed typical results for this type of panel – in the best case, the contrast reached around 5000:1, which is not a bad result for this segment.

However, it should be noted that the model is not equipped with any local dimming technology, which unfortunately is noticeable in practice. The black levels, though quite deep at times, often lean towards navy blue or grey – especially in darker scenes. In short: for a television without local dimming, it's not bad, but it cannot be compared to models that already have this feature on board.

The television TCL MQLED85/C765 handles HDR well. In the tested movie scenes where the screen is covered with 100% brightness, the model achieves impressive results of around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may exhibit certain limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For example, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible on a dark background, the television did not reach maximum intensity. For users expecting perfect HDR performance in such extreme cases, the TCL MQLED may be slightly disappointing. However, in terms of colours, the television stands out with very high coverage of the DCI P3 colour palette at 95%, which is an impressive result, comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is significant for cinema image enthusiasts. Although this model achieves brightness over 1000 nits, TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, C765 is equipped with a dynamic tone mapping option, making the image more realistic and natural depending on the content.

When it comes to brightness, the TCL A300W is definitely the darkest television among all frame-style models, such as Samsung The Frame or Hisense CanvasTV – and unfortunately, this is immediately noticeable. In our measurements, the peak luminance reached a mere 400 nits, and on test film patterns, this value dropped to 350 nits. This is definitely too little to experience the true “magic” of bright HDR effects. As a consolation – the television is equipped with a PFS LED coating (which is something like QLED), providing very good coverage of a wide colour gamut, both DCI-P3 and BT.2020. In addition, it has full support for all popular HDR formats – HDR10, HDR10+, HLG, and Dolby Vision – which somewhat compensates for the lack of brightness and helps improve the overall perception of content in this quality.

The television TCL MQLED85/C765 was tested in movie mode, which, although it seems to be the best setting from the manufacturer, is not without flaws. The colour reproduction in HD/SDR mode MQLED85 shows some shortcomings. In the analysis of white balance, there is a significant lack of blue, which can affect the overall image quality, especially in bright scenes where blue shades are crucial for natural representation. The overall shape of the image may then appear too warm. Regarding gamma contrast, the graph shows a large jump above the reference line of 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in black. Then, for most of the time, the values lie below this line, which may lead to loss of detail in brighter parts of the image. Such a distribution can negatively impact perceived image quality, particularly when watching regular television in HD quality.

In the case of 4K HDR image quality of the TCL MQLED85/C765, there is a noticeable excess of red in the analysis of white balance. This excess can significantly affect the viewer's experience, leading to several significant effects. Firstly, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "over-saturation," which detracts from the naturalness and authenticity of the image. As for contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in bright areas of the image. However, there is an exception at the beginning of the graph, where the EOTF line is below the reference line, which can lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in terms of image settings, so it is worth considering adjusting the settings to achieve better results.

TCL A300 offers several picture modes, but without a doubt, the best is the movie mode. Unfortunately, although it is the best option available, it is not free from errors. In both HD and HDR content, the image has a noticeably too warm hue - it leans slightly towards pink, which is particularly noticeable in scenes with snow. Instead of pure white, we get a pinkish tint that spoils the natural perception of colours.

The management of brightness is also not very good. In the case of older HD material, the image often seems too dark - which is confirmed by the inflated gamma value. Conversely, with HDR content, the effect is the opposite - the image is overly bright, which we observed in scenes from the film Pan. Such a lack of consistency also affects the accuracy of colour reproduction - a test with the ColorChecker showed that many samples clearly deviate from the reference values.

Fortunately, TCL allows for manual adjustment of settings, so we decided to check how the television would perform after our professional calibration. The effects of this adjustment are described below.

After the professional calibration of the television TCL MQLED85/C765, its colour properties in movie mode have significantly improved, resulting in a much more satisfying visual experience. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for obtaining an authentic experience when watching films. It is worth noting that in HDR content, there may be slight colour reproduction errors at the end of the graph, but these are much smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

In terms of contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, meaning better detail visibility in dark scenes. Nevertheless, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also exhibits smaller errors, although certain issues with medium tone reproduction may still be noticeable. The EOTF curve measured on actual movie scenes still shows a significant brightness boost, making the image appear more intense but artificially brightened. This is a typical problem for TCL televisions, which may appeal to inexperienced viewers, but can be irritating for those more familiar with an ideal image.

What benefits does professional calibration bring for film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, and each scene can be fully experienced, preserving details and natural colours.

After our professional calibration, the TCL A300 has literally received a new lease of life. The image has stopped being too warm, and the colours finally look as they should – which was confirmed by the ColorChecker test, where the colour samples finally started to hit their marks, at least to some reasonable extent. It was also possible to partially correct the brightness management – the image is now more balanced and less "wobbly" between different types of content. Of course, certain limitations cannot be overcome – a slightly noticeable blooming effect is still present, but that is a characteristic of the technology and not something that can be eliminated even after professional settings.

Generally speaking: after calibration, the A300 performs significantly better and gains a completely new quality.

The fluidity of tonal transitions in the television TCL MQLED85/C765 is quite decent, although some issues are noticeable in both bright and dark test scenes. In particular, colour blending is evident in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall quality of gradation is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, which contributes to an overall pleasing visual experience that will not spoil our cinema enjoyment.

TCL A300 NXTVision is another frame-style television that handles transitions of tones really well. It's hard to find distinct bands or sharp transitions between shades of the same colour – the overall appearance is natural and smooth.

However, it must be admitted that among the three tested models (The Frame and S7NQ), TCL performs the worst in this category. In darker and lighter scenes, slight imperfections can be noticed. Nonetheless, looking at it as a whole, for a television in this price range – it presents itself really solidly. It may not be the best of the bunch, but it maintains a very good level.

Let’s take another look at the tonal transitions in the TCL MQLED85/C765 television, but in the context of poorer image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low," the effects are practically invisible, disappointing users expecting an improvement in image quality. On the other hand, the "high" setting produces minimal results, and worse still, it can blur significant details, negatively affecting the sharpness and clarity of the displayed image. However, in the context of image scaling, the television successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks rather decent, and details such as tree branches or the outlines of models do not exhibit significant jaggedness, which positively impacts the visual quality.

TCL A300 handles tonal transitions in high-quality films very well, but the question arises – how does it perform with weaker material? The television is equipped with a tonal transition smoothing function, but its effectiveness can be described in one word: "random." In one scene it could work and improve the gradation, but when turned off… the effect remains the same. There is a lack of consistency and predictability.

Image scaling is also not one of A300's strong points. On the test chart, the main character actually looked better than on the raw signal, but with thin lines – such as fonts or background details – there was noticeable jaggedness and aliasing. On the positive side, the television does not crop the image and has no problems with overscan, but the overall quality of scaling is rather average.

TCL MQLED85/C765 is equipped with a panel featuring a standard refresh rate of 120 Hz, with the capability to increase to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, primarily aimed at users wishing to enhance motion fluidity in films. It allows for the adjustment of effect intensity on a scale from 0 to 10, enabling precise tuning of image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe blurring occurring behind both dark and medium objects.

The TCL A300 is equipped with a 144 Hz panel, which should immediately satisfy practically everyone – both gamers and sports fans. The motion is smooth and the image is clear even during fast-paced scenes. Additionally, the television offers motion enhancement functionality called "Motion," where we find two sliders on a 10-point scale. These allow you to adjust the effect to your own preferences – from a classic, cinematic look with visible frames to a very smooth (though somewhat unnatural) image reminiscent of soap opera effects. This way, everyone can find a setting that suits them.

TCL MQLED85/C765 has received an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), which automatically switches the TV to low-latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) functioning in the range of 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports Dolby Vision Game Mode, which provides better image quality in games with exceptional colour depth and contrast. TCL MQLED85/C765 also features a decent if not the best implementation of HGiG (HDR Gaming Interest Group), optimising HDR game display; however, for TCL, it causes detail in whites to be brightened, resulting in some elements merging into a white blob - we can read more about this in the colour reproduction section. It supports various resolutions, such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing players to enjoy higher image quality and better fluidity. The Game Bar feature allows easy switching between game settings and quick parameter control, greatly simplifying the adjustment of the television to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, thereby providing a smoother and more immersive gaming experience.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the perfect choice for those who wish to maximise their gaming experiences.

TCL A300 is a television designed not only to transport us to a digital art museum but also to a full-fledged gaming world. Here, we find practically everything one could expect from gaming equipment: two full-bandwidth HDMI 2.1 ports, 144 Hz refresh rate, VRR support, and ALLM.

The proper implementation of the HGIG mode also deserves praise – something that competitor Hisense sometimes struggles with. The television easily handles lower resolutions (e.g., Full HD) while maintaining high refresh rates, which older console or PC owners will appreciate.

In addition, there is an attractive and clear GameBar that facilitates quick access to settings for gamers. The A300 is really well-prepared for top-level gaming – it's just a shame that issues with smearing slightly tarnish its overall image as a gaming device.

The latency time on the TCL MQLED85 television reaches impressively low levels in all conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even with Dolby Vision HDR turned on, which is not the case for many competing models.

In terms of input lag, the TCL A300 performs really well. Values below 10 ms at a refresh rate of 120 Hz are something many gamers dream of – such low lag is practically unnoticeable, both during everyday gaming and in more demanding e-sports titles. One might criticise the result of 23 ms in Dolby Vision mode at 60 frames, but it is still a sufficiently low value that it's hard to have serious objections. In this category, the A300 really excels.

TCL MQLED85 will perform well as a computer monitor. With support for chroma 4:4:4, the text on the screen is sharp and legible, which is important for those working with word documents or spreadsheets. One of the greatest assets of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures fluidity and responsiveness, crucial for both gamers and those engaged in video editing. However, it is worth noting that there is a certain issue related to font display on dark backgrounds. When zooming in on the tested font image, one can see that the horizontal lines are darker compared to the vertical ones. This means that the sub-pixels in the television do not fully illuminate in this case, which can affect the quality of the displayed text. Nevertheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

If we plan to use the TCL A300 as a monitor for a computer, we may be pleasantly surprised. The television performs really well in this role. It is equipped with a 144 Hz panel, supports G-Sync, and, as we have already mentioned, offers very low input lag, so gaming on it with a connected PC is a pure pleasure.

Working with text is also possible, though with some limitations. The TCL A300 has slight issues displaying dark fonts and thin lines – this stems from the subpixel structure, which in everyday use can be somewhat bothersome, although it looks better in photos than in reality.

The television supports chroma 4:4:4, but only up to 120 Hz. Therefore, we have indicated that this feature is available, but with a limitation – if we care about perfectly readable fonts, it is advisable to stick to a refresh rate of 120 Hz. At 144 Hz, the sharpness of the text may suffer slightly.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel means that the picture loses a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially when watching with a larger group, can cause colours to appear less saturated and the contrast to become less pronounced. For this reason, it is recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those planning to use the television in a larger room or from different locations.

The viewing angles on the TCL A300 NXTVision are – let's be honest – mediocre. The television is equipped with a VA panel, which inherently has rather limited angles and unfortunately this is evident here. The video below speaks for itself – even a slight deviation from the axis results in a noticeable drop in contrast and colour saturation. It's a shame that this is yet another frame-style television that has done absolutely nothing about it. After all, we don't always have the opportunity to sit perfectly straight on – especially if the device is also intended to serve a decorative function in the living room.

MQLED85 performs reasonably well in daytime conditions, and it is worth noting the satin finish of the panel. Although it doesn't handle reflections perfectly, it offers decent performance in various lighting conditions. An average brightness level of over 600 nits is an impressive achievement, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie sessions, providing satisfactory picture quality.

The TCL A300 NXTVision is equipped with a matte panel very similar to the one found in one of its Chinese competitors – the Hisense S7NQ model. Such a surface handles reflections fairly well, although it must be said that it performs worse than Samsung's The Frame, which offers a significantly higher level in this regard. As is often the case with matte displays, blacks lose their depth during the day and appear more gray than black – and this is no different here. Unfortunately, the fact that the A300 is the darkest television of the three tested does not help either. As a result, it has a real problem standing out in brightly lit rooms.

TCL MQLED85 television offers many features that enhance user comfort, with the centrepiece of its functionality being the Google TV system. This modern interface allows for easy content searching as well as access to applications available in the Google Play store. Users can utilize voice search in Polish, which greatly facilitates navigation and allows for the quick discovery of interesting programmes, films, or applications. It is also worth noting that Google TV is currently the only system on the market that does not restrict Polish users in accessing applications, offering the greatest availability among all platforms. However, in the context of traditional television viewing, this television has its limitations. It does not offer recording functionality, which may be a significant drawback for those who would like to save their favourite programmes. Additionally, the absence of the Picture-in-Picture (PIP) option limits the ability to simultaneously follow several video sources. On the other hand, the television features the "MultiVision" function, which allows for screen division between the television and a mobile device. This enables users to use applications on their phone while simultaneously watching a television programme. This solution will certainly appeal to those who enjoy multitasking and want to watch television while using social media or browsing the internet on their smartphone. Despite certain limitations, the TCL MQLED85 presents itself as a solid option for users who value modernity and functionality.

The TCL A300 is a television styled to resemble a painting, which can successfully masquerade as a work of art during everyday use, hanging on the wall. It is equipped with a special image display mode, additional frames in a light wood tone, and a flat wall mount that allows the television to be hung like a true picture – flush against the wall.

A significant advantage of the image mode is that it is completely free. We have access to dozens of works from which we can choose the one to be displayed in standby mode – instead of a black screen, the picture we selected remains on the wall. The quality of the graphic reproductions is decent, but it must be admitted that it clearly falls short of that from the Samsung ART Store. Although access to images there is paid, the quality of the scans is significantly better – you can see the texture of the paint, the canvas, and the details. In the TCL A300, it resembles high-quality photographs more than realistic reproductions of artworks. Additionally, the implementation of the image mode in the system leaves much to be desired. For example – if we set the brightness in image mode to 10%, that same value automatically transfers to the normal viewing mode, where we could comfortably set the brightness to 50% or even 100%. This works in the opposite direction too – when we set the brightness to 100% in normal mode, switching to gallery mode displays the images with that same maximum brightness, shining too intensely and losing the entire effect of a “picture on the wall.” These are minor but annoying errors that can ruin the experience of what was intended to be visually subtle and elegant.

Moving on to more classic features – the A300 runs on the Google TV system, which currently offers by far the largest selection of applications (the full list available below). The well-functioning voice assistant with support for the Polish language is also a major plus. As standard – as in most TCL televisions – the USB recording function or picture-in-picture (PiP) mode is missing.

Thanks to the built-in player, the television is capable of playing most file formats found on external storage devices, making it a versatile tool for consuming multimedia. However, there may be certain limitations in supporting some formats, which could be annoying for more demanding users. Fortunately, the Google TV system allows the installation of other media players from Google Play, which helps eliminate compatibility issues. As a result, users have the option to choose applications that best meet their needs, significantly enhancing the functionality of the television.

The built-in player in the TCL A300 works as it should – most popular video and photo files play without any issues. There is a lack of support for the HEIC format from Apple (which is quite common in many televisions), but most users still use AirPlay, so this shouldn't be a major problem. If someone is not satisfied with the default player, the Google TV system offers considerable options – it's easy to install an alternative app that better suits our tastes. Nevertheless, it must be acknowledged that the factory solution is entirely sufficient for everyday use.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for daily viewing of films, television programmes, and games. The speakers branded by Onkyo offer surprisingly good audio quality, and the sound does not screech or distort even at higher volumes.

When it comes to sound, the TCL A300W – like its competitors – plays quite... flat, after all, we are talking about a super flat television. For everyday watching of news or series, this level is entirely sufficient, but during film screenings, we may clearly miss depth and space. On the plus side, it is worth noting that the television supports both Dolby Atmos and the increasingly rare DTS:X – which offers more options when connecting an external audio system. It is also worth mentioning that the A300 PRO model has been equipped with a dedicated, flat soundbar. And not just any soundbar – it performs better than most of the televisions we have tested.

TCL MQLED85 / C765 vs TCL A300W NXTVision

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound