Compare: TCL MQLED85 / C765 vs SHARP JP7765E

TCL MQLED85, or model C765, is a television that can truly surprise, especially in this price range. It is one of the cheapest models with mini-LED technology, which is immediately evident from the picture quality. The blacks are deep, and the brightness is sufficient even in a brightly lit room. Thanks to the large number of dimming zones, watching films in the evening is a pure pleasure – the blacks are genuinely deep, and the image in dark scenes appears clear. However, it is not perfect – in some shots, you can notice minor issues with small bright elements, but this is really a trifle compared to what this model offers. Google TV works excellently here – there are plenty of applications, and using the system is simply convenient. Voice control in Polish operates flawlessly, which can be particularly useful if you don’t want to type film titles using the remote. Of course, there are minor shortcomings, like the lack of recording features, but these are not things that hinder everyday use. For gamers, it is also a great option. Support for HDMI 2.1, VRR, and low input lag make the television handle consoles well and compete effortlessly with more expensive models from Korean or Japanese manufacturers. It's hard to find something better in this price range concerning smooth and responsive gameplay. During testing, we encountered a few minor software issues, but it's difficult to say if this is a significant drawback. We hope that TCL will release updates, so there is a chance this issue will be resolved quickly. TCL MQLED85/C765 is an excellent choice if you’re looking for a television with good picture quality and modern features at a reasonable price. This model combines accessible mini-LED technology with a convenient Google TV system, while also performing exceptionally well in gaming. The minor software shortcomings are something you can live with, especially considering what this television offers in its class.

Sharp JP7765 is yet another offering in the market that attempts to prove that Mini-LED technology doesn’t have to cost a fortune. The low price comes hand in hand with an exceptionally high brightness – a peak of 1000 nits in HDR is a result that simply impresses in this price range. Although the proprietary processor doesn’t always manage the backlighting perfectly in demanding scenes, support for Dolby Vision effectively saves the situation. Thanks to dynamic metadata, the picture becomes plastic, deep, and simply attractive to the eye. Adding to this the Google TV system, extreme volume, and the now-rare jack headphone socket, we get a device that is a brilliant option for seniors or less demanding viewers transitioning from a regular, cheap LCD. In such a scenario, the Sharp JP7 presents itself as a really decent and cost-effective choice. However, it must be stated clearly: contrary to marketing slogans, this is not equipment for everyone. Gamers or sports fans will definitely not find themselves here. The biggest drawback of the JP7765 model is the slow, 60-hertz panel and significant motion blur, which essentially disqualifies this television for watching dynamic matches or playing fast-paced titles. The picture loses sharpness during rapid movements to such an extent that for a football or racing fan, it may be an unacceptable barrier.

So, for whom is the Sharp JP7765? It is a sensible choice for budget-conscious individuals who do not have high demands regarding motion fluidity but value a “kick” of brightness. By choosing the Sharp JP7, you will definitely make a better deal than purchasing basic (non-dimming) televisions from the competition. Rivals typically offer ordinary LCD panels for a similar price, which cannot compete with the capabilities of even such a basic Mini-LED model as the JP7. Ultimately, it comes down to a simple arrangement: you accept lower motion fluidity in exchange for powerful brightness, which is hard to find from other manufacturers at this price.

TCL MQLED85/C765 stands out due to its use of a VA panel and Mini LED backlighting, which makes a significant difference compared to traditional backlighting systems. Mini LED, with its considerably smaller diodes, allows for more precise control of the screen's backlighting, resulting in much better contrast and deeper blacks. The 55-inch model we are testing has an impressive number of over 700 local dimming zones, providing exceptional precision in image display. However, it is worth noting that the number of backlighting zones may vary depending on the screen size – for larger diagonals, the number of zones naturally increases due to the larger screen area, allowing larger displays to achieve better results in terms of contrast and black levels. Thanks to the vast number of zones, the TCL MQLED85/C765 achieved a performance comparable to OLED screens on our first test scene from the film "Oblivion," offering nearly reference-level contrast. But what happens when we test this model in even more demanding conditions? How will the television perform in more challenging scenarios? Overall, the TCL MQLED85/C765 performs very well in displaying blacks, but in some cases, the local dimming algorithm is not perfect. On dark backgrounds, smaller bright elements can lose clarity and brightness, as confirmed by our recent test scene from the Pioneer Kuro test disc. Despite some imperfections in the local dimming algorithm and the slight occurrence of the HALO effect (which is a bright halo around bright objects on a dark background caused by screen local dimming deficiencies), the results achieved by the TCL MQLED85/C765 are impressive, especially considering its price. This television offers contrast and black depth that can compete with models that are even half again as expensive.

When it comes to the most important aspects of Mini-LEDs, namely contrast and black levels, the Sharp JP7 in the tested 55-inch size uses a VA panel. Combined with backlighting divided into 160 zones (in a 10x16 arrangement), this promises truly solid performance. Measurements on static film screens can be quite shocking, with the measured contrast reaching five-digit values, even hitting levels of up to 50,000:1. On paper, this is a result that would not be out of place for much more expensive models, and black levels under such conditions look very attractive.

Unfortunately, a television is purchased for watching films rather than admiring static screens, and here the magic somewhat fades. When something more begins to happen on the screen – especially in complicated, dark scenes with a lot of small bright elements – the backlighting system in the JP7 starts to literally go haywire. The zones can "dance" before the viewer's eyes, turning on and off in a way that can be simply irritating and distracting from the action. It is evident that Sharp has significant room for improvement in terms of managing local dimming. The hardware potential in the form of Mini-LEDs is large, but the controlling algorithms clearly struggle to tame them.

The television TCL MQLED85/C765 handles HDR well. In the tested movie scenes where the screen is covered with 100% brightness, the model achieves impressive results of around 1000 nits, providing intense and realistic rendering of HDR content. However, similar to contrast, the dimming algorithm may exhibit certain limitations. Despite a large number of Mini LED zones, the television does not always manage to "wow" the user with brightness in very challenging test scenes. For example, in the scene from the film "Life of Pi," where a bright moon appears against a dark background, and in another scene from "Sicario 2," where a very bright light effect is visible on a dark background, the television did not reach maximum intensity. For users expecting perfect HDR performance in such extreme cases, the TCL MQLED may be slightly disappointing. However, in terms of colours, the television stands out with very high coverage of the DCI P3 colour palette at 95%, which is an impressive result, comparable to much more expensive models. TCL MQLED85 / C765 offers support for various HDR formats, including Dolby Vision and HDR10+, which is significant for cinema image enthusiasts. Although this model achieves brightness over 1000 nits, TCL MQLED85 may struggle to reflect details in very high-contrast scenes. For better HDR quality control, C765 is equipped with a dynamic tone mapping option, making the image more realistic and natural depending on the content.

So how does the brightness of the Sharp JP7 fare in the most demanding titles? Honestly, at first, we were quite surprised. The television is capable of achieving over 1000 nits of brightness, which is an outstanding and rare result for a device costing just under 2000 PLN (for 55 inches). Watching bright, full-screen scenes, one might feel they are dealing with really good equipment. Unfortunately, though, we have to return to the problem we mentioned earlier regarding local dimming management. When small bright areas appear on a dark background (as in the test scenes from the films Life of Pi or Sicario 2), it is evident how poorly the JP7 handles zones. The television dims them almost to the maximum, crushing the entire HDR effect, which in such moments resembles a flat SDR image (less than 200 nits). This instability means that in demanding, contrast-heavy films, the image on the JP7 unfortunately loses its appeal.

As a consolation, it is worth noting that the panel has the potential for good colour display. It features a PFS (phosphor) filter, which allows for a solid 94% coverage of the DCI-P3 palette. The manufacturer calls its product a “QLED,” even though it is primarily based on the aforementioned PFS filter. Given the recent market battles of manufacturers over what may or may not be called QLED, we leave the question of the correctness of this naming to your assessment. However, it remains a fact that the potential for reproducing saturated colours in this panel is simply good.

The television TCL MQLED85/C765 was tested in movie mode, which, although it seems to be the best setting from the manufacturer, is not without flaws. The colour reproduction in HD/SDR mode MQLED85 shows some shortcomings. In the analysis of white balance, there is a significant lack of blue, which can affect the overall image quality, especially in bright scenes where blue shades are crucial for natural representation. The overall shape of the image may then appear too warm. Regarding gamma contrast, the graph shows a large jump above the reference line of 2.4 at the beginning, which may suggest significant dimming of brightness in darker areas, leading to loss of detail in black. Then, for most of the time, the values lie below this line, which may lead to loss of detail in brighter parts of the image. Such a distribution can negatively impact perceived image quality, particularly when watching regular television in HD quality.

In the case of 4K HDR image quality of the TCL MQLED85/C765, there is a noticeable excess of red in the analysis of white balance. This excess can significantly affect the viewer's experience, leading to several significant effects. Firstly, an excessive amount of red can make other colours, such as green or blue, appear muted or unnatural. This distortion of colour balance can result in an overall impression of "over-saturation," which detracts from the naturalness and authenticity of the image. As for contrast, the EOTF (Electro-Optical Transfer Function) graph indicates that most values are above the reference line, suggesting an intense boost in brightness in bright areas of the image. However, there is an exception at the beginning of the graph, where the EOTF line is below the reference line, which can lead to excessive dimming of small light elements.

Users should be aware that despite using the best mode, which is movie mode, the television is not free from flaws in terms of image settings, so it is worth considering adjusting the settings to achieve better results.

When it comes to out-of-the-box colours, the Sharp JP7 was tested in Film mode, which traditionally offers the most consistent image compared to the yellowed “Eco” mode or the glaring blue of the “Dynamic” mode. Although this is the best choice among the available settings, the results are still far from ideal. The white balance clearly lacked red and blue components, causing many scenes to take on an unnatural greenish tint. Another issue was the gamma – during full-screen scenes, the television provides excessive brightness, which completely diminishes its cinematic character. All of this resulted in colour reproduction errors, especially in shades of grey, which exceeded a value of Delta E 10. For reference: errors above 2-3 are already visible to the human eye, so we are dealing with a significant distortion of reality here.

In HDR mode, the situation is reversed, but not any better. Here, the blue colour dominates the white balance, which gives the image an unnatural, almost “retail” sharpness, reminiscent of aggressive demonstration modes. Furthermore, measurements of the EOTF curve emphasise the retail character of the image. The graph clearly shows that the television generates an image significantly brighter than the standards predict, resulting in an artificially boosted and unrealistic final effect. The Sharp JP7 is evidently trying to appear stronger than it actually is, but it does so at the cost of fidelity to the content.

After the professional calibration of the television TCL MQLED85/C765, its colour properties in movie mode have significantly improved, resulting in a much more satisfying visual experience. Both in SDR and HDR modes, the white balance shows no serious errors, and the graph appears much better harmonised. Users can now enjoy natural colour reproduction, which is crucial for obtaining an authentic experience when watching films. It is worth noting that in HDR content, there may be slight colour reproduction errors at the end of the graph, but these are much smaller than before calibration. As a result, characters and landscapes become more realistic, enhancing the depth of immersion in the story.

In terms of contrast, the gamma curve, responsible for HD quality, has been completely free of drops below the reference line, meaning better detail visibility in dark scenes. Nevertheless, there is still a slight boost at the beginning of the graph, which may affect the perception of bright elements. For HDR content, the EOTF curve also exhibits smaller errors, although certain issues with medium tone reproduction may still be noticeable. The EOTF curve measured on actual movie scenes still shows a significant brightness boost, making the image appear more intense but artificially brightened. This is a typical problem for TCL televisions, which may appeal to inexperienced viewers, but can be irritating for those more familiar with an ideal image.

What benefits does professional calibration bring for film enthusiasts? Thanks to it, viewing becomes even more realistic and immersive, and each scene can be fully experienced, preserving details and natural colours.

We subjected the JP7 to our standard calibration procedure and really... the television gained a new lease of life thanks to it, particularly with SDR content (YouTube, classic television, series, or older films). As a result of our precise adjustment of the white balance and stabilisation of the gamma, colour errors fell to a value of below 3. This is a level at which the human eye has difficulty detecting distortions. In this scenario, the Sharp JP7 delivers an image with truly excellent colour precision, which is a significant advantage in this price class. However, content with HDR turned out to be much more problematic. Here, despite our efforts and interventions in the settings, the television simply would not cooperate. In the JP7 menu, we don't find any option that would allow for real control over brightness management (EOTF). Although a significant portion of the colour errors was reduced, the image still remained unnaturally oversaturated. It's a bit of a shame, as the potential of the mini-LED backlit panel is great, but the software presents a clear barrier here.

The conclusion is simple: when watching less demanding content (SDR) on the JP7, you can expect an image that is more than satisfactory, but in HDR, you must come to terms with a certain degree of "artificiality" that cannot be circumvented even with professional equipment.

The fluidity of tonal transitions in the television TCL MQLED85/C765 is quite decent, although some issues are noticeable in both bright and dark test scenes. In particular, colour blending is evident in the scene from the film "The Green Knight", where the red colour of the water transitions to black. Despite these imperfections, the overall quality of gradation is acceptable and does not overly detract from the visual experience. The television handles most scenes well, offering satisfactory tonal transitions, which contributes to an overall pleasing visual experience that will not spoil our cinema enjoyment.

When it comes to image clarity, posterisation on the Sharp JP7 fortunately does not detract too much from the content being viewed. In most scenes, it's difficult to notice annoying bands or the so-called "stepping" of colours, which often spoil the viewing experience during scenes with smooth colours. Of course, one shouldn't expect miracles here as, in some extremely demanding scenes, a trained eye may spot errors in tonal transitions. However, this is not a level that would realistically distract during a film. Well, unless you have good eyesight and are looking for artefacts on the screen – then you might find something.

Let’s take another look at the tonal transitions in the TCL MQLED85/C765 television, but in the context of poorer image quality. Despite the presence of the "Gradual Smoothing" option, when set to "low," the effects are practically invisible, disappointing users expecting an improvement in image quality. On the other hand, the "high" setting produces minimal results, and worse still, it can blur significant details, negatively affecting the sharpness and clarity of the displayed image. However, in the context of image scaling, the television successfully displayed the image without overscan, meaning we do not lose any part of the view. The image looks rather decent, and details such as tree branches or the outlines of models do not exhibit significant jaggedness, which positively impacts the visual quality.

In the case of lower quality materials and how the Sharp JP7 handles them, the situation is ambiguous. Let's start with the upscaling itself – here we have no major objections. The process of scaling the image to a higher resolution is correct; the picture remains readable and sharp, without the overscan effect, meaning no cropped edges. Of course, it is not at the level of top models, and at times one can notice slight jaggedness on the contours, but in this price range, the effect is fully acceptable.

However, the actual digital image processing performs significantly worse, which, apart from the upscaling, effectively does not exist. In the JP7 menu, we will not find any option that would effectively smooth out unwanted tonal transitions or reduce noise in the image. As a result, the signal reaches the panel in a very raw form, which, with heavily compressed materials (e.g. from YouTube), leads to visible posterisation. Either it is a flaw in the software or a very strange design decision, because in earlier Sharp models this function was available and, crucially, worked with noticeable effect. Here, we are left to deal with whatever the source provides us, without any digital support from the image processor.

TCL MQLED85/C765 is equipped with a panel featuring a standard refresh rate of 120 Hz, with the capability to increase to 144 Hz when connected to a powerful computer. The television also offers a multi-level motion smoother, primarily aimed at users wishing to enhance motion fluidity in films. It allows for the adjustment of effect intensity on a scale from 0 to 10, enabling precise tuning of image smoothness to individual preferences. The response time of the panel is decent, but not perfect. We can observe blurring occurring behind both dark and medium objects.

The motion fluidity on the Sharp JP7 is quite mediocre, and the reason is simple: the television uses a 60Hz panel. This instantly makes it difficult to recommend for watching sports or serious gaming, where higher refresh rates are already the standard. The only real plus is the presence of a smoothness feature, which we can control in films using a slider called De-judder. Lower settings provide a more raw, "cinematic" (framey) image, while higher settings add artificial smoothness. We suggest setting it somewhere in the middle of the scale, that is in the range of 3-5 – this is the best compromise to avoid the soap opera effect while also eliminating the tiring stuttering of the image. Interestingly, in the menu, we also find a "motion blur removal" slider, which usually indicates the presence of a 120Hz panel. However, with the JP7, it does not enhance the image at all and serves rather as a dummy – it is meant to look good in the settings, but technically it has no right to operate on this panel.

TCL MQLED85/C765 has received an impressive rating in the gaming features category, making it an excellent choice for gaming enthusiasts. The television supports all the latest technologies that significantly enhance the gaming experience. Among the key gaming features is ALLM (Auto Low Latency Mode), which automatically switches the TV to low-latency mode, minimising response time and ensuring smooth gameplay. VRR (Variable Refresh Rate) functioning in the range of 48 to 144 Hz eliminates stuttering and screen tearing in dynamic game scenes. Additionally, the TV supports Dolby Vision Game Mode, which provides better image quality in games with exceptional colour depth and contrast. TCL MQLED85/C765 also features a decent if not the best implementation of HGiG (HDR Gaming Interest Group), optimising HDR game display; however, for TCL, it causes detail in whites to be brightened, resulting in some elements merging into a white blob - we can read more about this in the colour reproduction section. It supports various resolutions, such as 1080p@120Hz, 1440p@120Hz, and 4K@120Hz, allowing players to enjoy higher image quality and better fluidity. The Game Bar feature allows easy switching between game settings and quick parameter control, greatly simplifying the adjustment of the television to individual needs. With support for G-Sync and FreeSync technologies, users of NVIDIA and AMD graphics cards will be pleased with the refresh rate synchronisation capabilities, eliminating tearing and stuttering issues, thereby providing a smoother and more immersive gaming experience.

MQLED85/C765 is a television that combines advanced technologies and excellent support for gamers, making it the perfect choice for those who wish to maximise their gaming experiences.

As we mentioned earlier, the 60Hz panel is not a feature that will attract gamers to the Sharp JP7. Perhaps for the casual player, whose console still generates most titles at 60 frames per second, there might be something interesting? When it comes to specific additions, we find here:

ALLM Mode: Automatically switches the television to low latency game mode (input lag).
Game Menu: Which is hard to call a full-fledged “Game Bar,” as the functionality here is minimal. Aside from enabling ALLM, there’s only a game-specific motion smoother which we recommend avoiding as it introduces very noticeable artifacts and worsens responsiveness.
Dolby Vision Gaming: For Microsoft consoles.

Unfortunately, the list of shortcomings is significantly longer and more painful than the positives. The biggest disappointment is the lack of support for 120Hz, even when reducing the resolution to Full HD. The presence of 120Hz would allow for performance modes to be activated in many games on PS5 or Xbox Series X. Another shortcoming is VRR, which means that during frame drops, we are exposed to screen tearing. The lack of proper implementation of the HGiG standard is also very problematic. This results in the fact that during HDR calibration in the console menu, it is very easy to "overshoot" the brightness settings. As a result, instead of clear details in the highlights, we end up with an unnaturally over-bright image with cut-off details. Sharp JP7 is a proposition solely for very casual gamers.

The latency time on the TCL MQLED85 television reaches impressively low levels in all conditions. Even the most demanding gamers will surely appreciate the minimal input lag of just 8 ms at 4K 120 Hz settings with HDR. Moreover, the latency remains at the same level even with Dolby Vision HDR turned on, which is not the case for many competing models.

The issue of input lag in the Sharp JP7 is quite intriguing. In all 60Hz modes, the television achieves a result of just 13 ms. This is truly an excellent outcome that makes the lag practically imperceptible during gameplay. In this respect, Sharp has risen to the occasion, and even in dynamic titles, the controls remain responsive.

However, during testing, we encountered a certain technical puzzle. Using our professional Murideo generator, we were able to induce and measure input lag at 120Hz refresh rate in Full HD resolution. This sounds promising, but in reality, it is merely a "paper" curiosity, as standard external devices such as consoles or computers were unable to force the Sharp to operate in such a mode. Although professional diagnostic tools see some hidden potential here, for the end user, the JP7 remains just a 60Hz screen.

TCL MQLED85 will perform well as a computer monitor. With support for chroma 4:4:4, the text on the screen is sharp and legible, which is important for those working with word documents or spreadsheets. One of the greatest assets of this model is its exceptionally low input lag in "PC" mode, which is just 8 ms. This is a reference-level result that ensures fluidity and responsiveness, crucial for both gamers and those engaged in video editing. However, it is worth noting that there is a certain issue related to font display on dark backgrounds. When zooming in on the tested font image, one can see that the horizontal lines are darker compared to the vertical ones. This means that the sub-pixels in the television do not fully illuminate in this case, which can affect the quality of the displayed text. Nevertheless, the overall performance of TCL MQLED85 as a computer monitor is very good and will certainly meet the expectations of many users.

The Sharp JP7 performs moderately as a monitor. Although the readability of standard fonts on a white or black background is adequate, the sharpness clearly decreases with darker and thinner text, making it difficult to work with text for extended periods. This panel is sufficient for occasional browsing of news in a web browser; however, we strongly advise against using it as a permanent screen for PC gaming. Besides the rigid limitation to 60Hz, the television does not support any form of frame synchronization (no G-Sync or FreeSync), which, combined with the significant motion blur of the display, results in a poor user experience in dynamic scenarios.

The viewing angles on the TCL MQLED85 television are not its strong suit. The use of a VA panel means that the picture loses a significant amount of brightness when viewed at an angle. Changing the viewer's position, especially when watching with a larger group, can cause colours to appear less saturated and the contrast to become less pronounced. For this reason, it is recommended to sit directly in front of the screen to fully enjoy the picture quality. Although the television offers excellent colour reproduction from a direct view, the loss of brightness and detail at an angle can be problematic for those planning to use the television in a larger room or from different locations.

The Sharp JP7 features a VA panel, which automatically means narrow viewing angles. It's a classic compromise: we get quite good black levels and contrast, but at the expense of image degradation when viewed from the side. At an angle, colours clearly fade and lose their saturation, so the JP7 is definitely a device for watching "head-on" rather than from the corner of the sofa.

MQLED85 performs reasonably well in daytime conditions, and it is worth noting the satin finish of the panel. Although it doesn't handle reflections perfectly, it offers decent performance in various lighting conditions. An average brightness level of over 600 nits is an impressive achievement, allowing for comfortable viewing even in well-lit rooms. As a result, the television performs well both during the day and during evening movie sessions, providing satisfactory picture quality.

The satin coating of the matrix applied in the Sharp JP7 quite effectively dampens reflections, although it is far from being fully matte. However, the real "gamechanger" in bright rooms is the brightness of the device itself in SDR content. An average result of 700 nits and peaks around 1000 nits are outstanding in the segment up to 2000 PLN. Thanks to such high luminance, the television will easily cope even in well-lit living rooms. One just has to be careful of direct reflections, for example from a window opposite, as the satin used here will not eliminate them completely, but at this brightness level, the image will remain readable.

TCL MQLED85 television offers many features that enhance user comfort, with the centrepiece of its functionality being the Google TV system. This modern interface allows for easy content searching as well as access to applications available in the Google Play store. Users can utilize voice search in Polish, which greatly facilitates navigation and allows for the quick discovery of interesting programmes, films, or applications. It is also worth noting that Google TV is currently the only system on the market that does not restrict Polish users in accessing applications, offering the greatest availability among all platforms. However, in the context of traditional television viewing, this television has its limitations. It does not offer recording functionality, which may be a significant drawback for those who would like to save their favourite programmes. Additionally, the absence of the Picture-in-Picture (PIP) option limits the ability to simultaneously follow several video sources. On the other hand, the television features the "MultiVision" function, which allows for screen division between the television and a mobile device. This enables users to use applications on their phone while simultaneously watching a television programme. This solution will certainly appeal to those who enjoy multitasking and want to watch television while using social media or browsing the internet on their smartphone. Despite certain limitations, the TCL MQLED85 presents itself as a solid option for users who value modernity and functionality.

Smart TV Features - Google TV

The main advantage of the Sharp JP7 is the Google TV system, which currently offers the widest access to applications on the market. The library is nearly limitless – from all popular streaming services to niche VOD solutions or media players. The system provides great freedom of personalisation and access to the latest versions of popular platforms. Included in the package is a Bluetooth remote, which allows the use of the built-in voice assistant without having to aim at the television. The only significant shortcoming in the multimedia sphere that we encountered is the lack of support for AirPlay. Users of Apple devices, such as iPhone or iPad, will not be able to stream content directly and wirelessly to the screen of this Sharp.

Classic Features and Connections

In terms of traditional television functions, the Sharp JP7 does not offer anything beyond the market standard. It lacks options for recording programmes to external storage (PVR) and a dual tuner, which excludes the use of picture-in-picture (PiP) functionality. The television only provides basic solutions, such as teletext and the ability to wirelessly connect accessories via Bluetooth.

As for the connections, the Sharp JP7 offers 4 HDMI ports, which the manufacturer proudly describes as standard 2.1. However, let's be clear: this is purely a marketing ploy because in practice, these ports only offer the full functionality of standard 2.0 due to the limitations of the television. On the plus side, the presence of a classic mini-jack headphone output allows for connecting older audio systems or speakers without the need for adapters or the HDMI eARC standard. This is a rather rare and very practical addition these days.

Thanks to the built-in player, the television is capable of playing most file formats found on external storage devices, making it a versatile tool for consuming multimedia. However, there may be certain limitations in supporting some formats, which could be annoying for more demanding users. Fortunately, the Google TV system allows the installation of other media players from Google Play, which helps eliminate compatibility issues. As a result, users have the option to choose applications that best meet their needs, significantly enhancing the functionality of the television.

When it comes to multimedia handling from external sources, the Sharp JP7 performs simply exceptionally. The built-in player is a true surprise, as it managed to cope with practically every file format we provided. It even handled the HEIC format (mainly used on Apple devices) without any problems, which most televisions struggle with. Here, Sharp displayed images without the slightest hesitation. Of course, a huge advantage is the presence of the Google TV system, which allows the installation of external applications, such as VLC or Kodi, in case of any issues. However, in our opinion, this would be an unnecessary step as the factory player is refined and versatile enough to satisfy even the most demanding users.

The sound of the television TCL MQLED85 can be described as decent, making it sufficient for daily viewing of films, television programmes, and games. The speakers branded by Onkyo offer surprisingly good audio quality, and the sound does not screech or distort even at higher volumes.

The sound emerging from the JP7765E model can be described as unusual, and even – looking at our measurements – quite peculiar. What stands out immediately is the immense volume scale. The television can reach levels of nearly 90 decibels (89 dBC on the chart), which is an almost record-breaking achievement in this class. Such strong "shrillness" will certainly appeal to seniors or individuals who need a device with very high audibility.

However, a glance at the frequency chart explains why the sound appears so "strange". The characteristic is extremely uneven: we have a solid boost in the lower registers (around 200 Hz) and in the high tones, but the mid-range – where most information about the human voice lies (between 500 Hz and 1.5 kHz) – experiences a huge drop. This makes the sound quality unnatural and can seem "recessed" during crucial moments of dialogues.

On the positive side, support for the Dolby Atmos format is noteworthy. However, it must be honestly admitted that to truly feel the potential of this system, it will be essential to connect at least a decent soundbar. The JP7's built-in speakers, despite being very loud, cannot deliver the cinematic depth and precision that this standard demands.

TCL MQLED85 / C765 vs SHARP JP7765E

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Smart TV Features - Google TV

Classic Features and Connections

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements