TCL C655 / C69B (55"-85") vs Panasonic W70A

Generally speaking, the quality of the HDR effect on the TCL C655 / C69B looks quite promising. The average value in the test charts is around 450 nits, which already allows one to feel the light effects and better image dynamics. However, as previously mentioned, this effect may be partially subdued by slight differences in bright and dark colours, resulting from the lack of local dimming technology. However, the coverage of the DCI-P3 colour palette at 94% deserves high praise, and this is made possible by the use of a quantum dot (QLED) matrix. As a result, colours are vivid and accurately represented when watching HDR content.

HDR on the Panasonic W70A unfortunately does not impress. A brightness level of 250–300 nits is simply too low to feel the true magic of cinematic effects in dynamic, bright scenes. Images that should “burst” with light look rather flat, and fine details in bright areas often get lost in the average luminance of the panel. On the positive side, the HDR effect is at least stable. The television does not fall into excessive brightness or lose details during rapid scene changes. Everything is predictable and calm, although unfortunately rather unimpressive. Another issue is the colour gamut coverage. The W70A has not been equipped with an additional layer of quantum dots (often known as QLED), which means the colours appear rather mediocre. There is a lack of depth in reds, saturation in greens, and precision in reproducing subtle shades.

The television TCL C655 / C69B offers a film mode that has been tested for colour reproduction quality. Although this mode is called film mode, it unfortunately has several errors that a director would surely not want to see when recording their work. Starting with image analysis, it is worth examining the white balance – both in HD and 4K HDR content, the white balance has significant errors. In both cases, the red colour dominates, causing the colours to be too warm, and the overall result takes on a pink or yellow tint. This can be seen in the image below from the film "Star Wars". The Colour Checker test confirms these errors – the colour samples veer into incorrect shades, affecting the overall colour fidelity. A less significant issue is the brightness characteristic. However, this is also not without its flaws. The gamma graph shows a strong peak at the beginning, causing the image to be excessively brightened, and the EOTF curve responsible for brightness in 4K HDR material also has substantial fluctuations – it is noticeable how the television tries to maintain the appropriate brightness, but it does not always succeed effectively.

The Panasonic W70A was tested by us in movie mode, which theoretically should guarantee the most natural image reproduction. Unfortunately, as is often the case with budget TVs, the reality proved far from ideal.

In HD (SDR) content, the white balance was severely disrupted by an excess of red and a noticeable drop in blue tones. The effect? The image had a distinctly warm, almost yellowish glow, which is clearly visible in the comparison photo. In the case of 4K HDR material, the situation reversed. Here, the image became excessively cold and bluish, causing scenes to lose their naturalness and depth. The differences are visible even to the naked eye, especially in the bright areas of the image. The Colour Checker palette test confirmed our observations. Most colour samples did not hit their intended points, "drifting" towards warmer shades in SDR and cooler ones in HDR. As for brightness characteristics, both gamma and the EOTF curve showed significant issues. The image tended to excessively brighten certain areas, disrupting balance and leading to a loss of detail in darker and lighter regions.

In summary – the factory colour reproduction settings in the Panasonic W70A leave much to be desired. The image is far from neutral, and errors in white balance and gamma mean that a solid calibration is needed to extract the TV's full potential.

After calibrating the television's film mode TCL C655 / C69B , the white balance has been adjusted, and the colours are presented as they should be – confirmed only by slight deviations in the Colour Checker test. The gamma is really quite accurate, which means the television should not have issues with brightness in low-resolution materials. Unfortunately, a similar EOTF characteristic is still visible, which is a natural phenomenon in televisions that do not have local dimming – they simply struggle to "shine" more in a given area of the screen. Despite this inherent limitation that cannot be bypassed, we recommend adjustment in the settings, as the overall colour presentation looks really very good.

Panasonic W70A, despite its limitations, provided us with considerable scope during calibration. Thanks to well-developed tools, we managed to achieve a significantly better white balance in both HD (SDR) and 4K HDR content. The issues with excess red in SDR and overly cool images in HDR have disappeared. The gamma brightness characteristic has also improved, maintaining stability and preventing excessive brightening or loss of detail in darker areas.

So where is the problem? Unfortunately, there are barriers that even professional calibration cannot overcome. Poor coverage of a wide color gamut means that the television cannot fully reproduce colours in HDR material. There is a lack of saturation, and subtle colour transitions still appear somewhat "flattened." Another limitation is brightness management, which results from the applied IPS panel. In the comparative image with the actress's face in colourful clothing, it is clearly visible how some shades are noticeably muted, and colours lose their depth and vibrancy.

Calibration has extracted from the W70A as much as possible. The image is now significantly more natural, and the errors in the factory settings have been effectively corrected. Unfortunately, hardware limitations in the form of poor colour gamut coverage and an average panel mean that even after calibration, we are unable to achieve spectacular effects, especially in HDR content.

The television TCL C655 / C69B handles tonal transitions fairly well in low-quality materials. The "Gradual Smoothing" feature at a low setting effectively smooths out tonal transitions; however, it simultaneously blurs significant details, such as the texture of objects. On the plus side, it does not negatively impact the film grain, allowing the natural appearance of the image to be preserved. As for digital processing, the television adds artificial sharpness, which may appeal to some users who prefer a sharpened image. However, for those who prefer a softer look, this could be a disadvantage. A notable downside is that the image has been quite significantly cropped due to what is known as overscan, which reduces the field of view and trims the edges of the image.

We checked how the Panasonic W70A performs when improving content of lower quality than 4K, and it must be said that in this regard, the television does quite respectably. The "Zeroing Counter" function is responsible for smoothing tonal transitions. The optimal setting turned out to be the Average option, which effectively smooths out issues with colour gradation while not ruining the film grain. This is the setting we recommend for most users, as it provides a balance between enhancing the smoothness of transitions and maintaining the naturalness of the image.

When it comes to image scaling, the Panasonic W70A performed really well. The test panel with a model was positively received – the details on her clothing were well reproduced, and the contours of her face retained clarity. In the background, we noticed slight "jaggies" on thin branches, but these are details that only a very keen eye would catch. However, it is worth noting a certain drawback of this model – the television tends to overscan, or slightly cropping the edges of the image. This is not a very intense phenomenon and will be practically unnoticeable for most users, but if we care about a perfect fit of the frame, it is worth keeping this in mind.

The television C655 / C69B is equipped with a 4K@60 Hz panel, which means it works best for watching films and less dynamic content. It also features a "Flicker Reduction" function that allows for the adjustment of image smoothness – the user can choose whether they prefer smoother motion or a more cinematic, frame-by-frame effect. The television can also adapt to lower resolutions, such as Full HD and 2K at 120 Hz, which will surely please gamers by offering a smoother image at the cost of resolution. It is worth noting that this feature is available in sizes from 55"+. Additionally, the largest variant, 98", is equipped with a 144Hz panel with full motion smoothing.

The Panasonic W70A is equipped with a 60 Hz panel, which immediately suggests that the television is best suited for watching films, series, or everyday TV content. In more dynamic scenes, such as sports broadcasts or games, the limitations of the panel become more noticeable. However, it is worth noting the presence of a motion smoother called "Effect", which offers three degrees of adjustment - low, medium, and high.

Each of the settings allows you to adjust the smoothness of motion to your own preferences, minimising motion blur and improving clarity in dynamic shots. In practice, the Medium setting seems to be the most versatile – it offers better fluidity without excessive "soap opera effect", which can look artificial in feature films. The High setting may work well for sports broadcasts, but in films, it can disrupt the natural character of motion.

The TCL C655 / C69B television offers nearly the perfect set of features for gamers, supporting all the most important technologies. It has an ALLM feature that automatically switches the TV to low latency mode, significantly improving responsiveness and minimising signal lag, which is especially important during dynamic gameplay. The VRR feature allows the screen refresh rate to synchronise with the frame rate generated by the console, eliminating screen tearing and providing smoother gameplay.

The television also supports Dolby Vision in game mode, which ensures better colour and contrast rendering in games that support this format, and the Game Bar provides quick access to settings related to gameplay, such as response time, latency level, and other parameters. Unfortunately, the C655 / C69B does not support 4K resolution at 120 Hz (the exception here is the 98" variant), which may be disappointing for more demanding gamers who expect the highest fluidity of image in high-resolution games. However, if we can forgo 4K, the television offers support for Full HD and 2K at 120 Hz, providing a smoother image and is a great alternative for those who prefer a higher refresh rate at the expense of resolution.

The Panasonic W70A is a television that is more suited to occasional gamers than to avid players. The 60 Hz panel does not allow for the full potential of next-generation consoles to be realised, especially in dynamic titles. The lack of HDMI 2.1 somewhat limits its capabilities, but fortunately, it features functions such as ALLM, which automatically switches to game mode, and VRR, which helps minimise screen tearing. It is worth noting the support for Dolby Vision in games and HGiG, which makes HDR more predictable and looks solid. It is just a shame that there is no Game Bar. This feature has become standard in many televisions and provides quick access to the most important settings for gamers. The W70A performs adequately for gaming, but it has its limitations. It will work well for calmer titles, but more demanding gamers may feel a lack of fulfilment.