Sony A95L vs Xiaomi S Pro 2026

Sony A95L offers an incredible HDR effect, achieving an impressive brightness level of 1500 nits in scenes such as those from Life of Pi or Sicario 2. These results are truly remarkable – the bright elements in these films practically come to life on the screen, providing the viewer with immersive visual experiences. The only thing that can be noticed is minor issues with maintaining brightness in a scene from The Meg, where the entire scene is flooded with light. However, this is a natural effect associated with OLED technology. The wide coverage of the BT.2020 colour palette at 89% also deserves high praise, placing A95L Sony among the top televisions in terms of colour reproduction. All this is made possible by the QD-OLED panel from Samsung Displays.

When it comes to HDR quality, the Xiaomi S Pro 2026 is undoubtedly a very bright television. On our synthetic measurement patterns, we were able to generate peak brightness of around 1400 nits. This result is not only very good but truly spectacular, considering the price of this model. However, as we always emphasise, for our editorial team, measurements and the experiences from the content viewed on a daily basis - from films and series - are more important. So let's analyse how the Xiaomi performs with film material. The result is, unfortunately, quite mixed. When very bright scenes appear on screen, the S Pro 2026 really shows its full potential and can achieve a real 800-1000 nits in bright elements. Moreover, even smaller objects can "burn" the eyes - in scenes from the film Sicario 2, small metal elements of the helicopter were truly vivid. The problem is that - and here the story comes full circle back to our contrast assessment - in such scenes we cannot count on absolutely cinematic black. In our opinion, this compromise is too great; high visibility of details in bright areas should not come at the cost of such a significant boost to black levels. And although the HDR effect itself can make a stunning impression here, it is essential to remember that when very challenging, mixed scenes appear on screen, we might feel a slight disappointment. Exactly the one we mentioned in the previous paragraph regarding issues with dimming in HDR mode. As a consolation, it is worth adding that the S Pro 2026 has been equipped with an additional PFS filter (similar in function to a QLED layer), which effectively broadens the colour gamut coverage. As a result, measurements showed DCI-P3 coverage reaching up to 94%. This gives us confidence that in most colourful scenes, the image will appear rich and appropriately saturated.

The best factory mode for colour reproduction in the Sony A95L is IMAX Enhanced. This mode appears to be well calibrated at first glance, but upon closer examination, several areas requiring improvement can be identified. Firstly, the white balance for both SDR content and 4K HDR is affected by an excess of blue and red, leading to a subtle pinkish hue, particularly noticeable on neutral tones. As a result, skin tones are distorted, impacting the realism of the displayed image. This is clearly visible in the comparison image below. Additionally, the Colour Checker test confirms the presence of these errors – colour samples often deviate from their reference values, indicating some inconsistencies in the factory colour reproduction of the A95L Sony. Maximum deltaE error values reach up to 5.8, which is a clear indicator that colours are not always reproduced as precisely as they should be.

Regarding brightness characteristics, gamma for HD/SDR content is generally quite accurate, maintaining an appropriate balance between brightness and contrast. Unfortunately, a significant jump is visible at the end of the graph, leading to a strong brightening of the image when the screen is entirely flooded with white. This can make scenes with a very bright background, such as snowy landscapes or bright daylight, appear too harsh and lose detail. For HDR content, the EOTF curve, which controls luminance, is slightly boosted compared to reference values. This, in turn, causes the image to appear somewhat brighter than it should, which can affect the viewing of more subtle details in the darker parts of the frame.

Of course, all our measurements were carried out in "Film" mode, which is typically the best and most accurate choice we get straight out of the box. It needs to be said plainly: although it is the best mode, it is still very far from ideal. Firstly, the television has a clear tendency to impart a cool, bluish tint to the image – this is due to a poorly set white balance. Additionally, there is the issue of how the S Pro 2026 manages its brightness straight out of the box, which results in an overly vivid image. These two flaws contribute to truly significant colourimetric errors (Delta E). In HDR content, they were able to exceed our anticipated error scale of "10" by twofold (meaning values close to 20). As a reminder – the threshold for perceivable error by the human eye is a Delta E value of around 3. Results at the level of 20 indicate that the image significantly deviates from what the director intended.

Sony A95L offers excellent tools for professional screen calibration, which allows users to unlock the maximum potential of the IMAX Enhanced mode. We utilised these tools to achieve a picture quality that will satisfy even the most demanding viewers. After calibration, the white balance for both 4K HDR and SDR content looks simply superb – almost perfect. The Colour Checker test confirmed that deltaE errors do not exceed the value of "2", which means that colour reproduction is incredibly accurate, and any deviations are practically unnoticeable to the human eye.

Calibration also brought significant improvements in terms of brightness – gamma is now perfectly balanced, eliminating the previous issue of excessive lightening in scenes with very bright backgrounds. As a result, even the most vibrant moments, such as snowy landscapes or intense daytime scenes, appear natural, without any risk of overexposure. The EOTF curve, responsible for controlling luminance in HDR content, has also been improved – it now reaches reference levels, both in synthetic tests and during practical movie watching.

As a result of the calibration, A95L Sony offers outstanding experiences, whether you are watching content from regular television or your favourite films. Every detail is reproduced exactly as the creators intended – without unnecessary brightening, with perfectly rendered colours and appropriate depth. This demonstrates that this television, after professional tuning, is capable of competing with the best screens on the market, delivering a picture that truly delights.

So how does the S Pro 2026 perform after our calibration procedure? We have to admit that after calibration, the television becomes a really very pleasant device for watching everyday content. As you can see in the graphs, in HD (SDR) materials, both white balance and gamma values have been brought to nearly perfection. Most importantly, colourimetric errors have become practically unnoticeable to the human eye. In this scenario, the S Pro 2026 is simply an excellent television that, after professional calibration, can provide a lot of enjoyment from watching. However, it is worth clearly noting – our efforts have not helped much in 4K HDR mode. Despite the calibration, the television still interprets the image quite strongly "in its own way," which is clearly visible in the measurement of the EOTF curve (brightness tracking). It’s a bit of a shame, as it shows that the problem lies not in the panel itself, but in the software. Underdeveloped image management algorithms in HDR content can, unfortunately, rule out this television for many more discerning users.

The tonal transition smoothing feature in Sony A95L works really well and is worth noting. We recommend setting it to "Medium" because at this level, you achieve the perfect compromise – no artifacts appear, and the image looks incredibly natural and pleasing to the eye. As a result, the transitions between different shades are smooth while maintaining the detail of the scenes, which further enhances the viewing comfort.

When it comes to upscaling, you can see the full power of the XR processor here. Sony A95L handled our test material featuring a model exceptionally well – the image is remarkably clear, there are no excessive jagged edges, and details in the background are perfectly preserved. The XR processor effectively improves low resolution, delivering very good results that allow you to enjoy materials in almost high quality, even if their source is not ideal.

Let's start with the issue we raised in the previous paragraph: can the television actually fix the problem of dreadful tonal transitions in dark scenes? Theoretically, yes – in the menu, we find a feature with the promising name "Colour Contour Removal." Well, "theoretically." Unfortunately, in practice, this setting – regardless of which of the three power levels is chosen – yielded absolutely no real results. So we are dealing with a feature that, in practice, only exists in the menu. Moving on to the quality of upscaling (scaling the image from a lower resolution to 4K), unfortunately, we have more bad news for you. The S Pro 2026 performs very poorly at this task. Interestingly, the phenomenon of "overscan" (slight cropping of the image) is not a major issue here. The fact is that the television simply displays a very raw, unprocessed image. Its attempt to upscale the signal to a higher resolution looks simply lacklustre and lacks any form of "intelligent" improvement. There is no denying it – the entire digital image processing is the real Achilles' heel of this model.

Sony A95L is a television that should satisfy both gamers and cinema lovers. When it comes to watching films, this model is equipped with the Motionflow feature, which allows you to precisely adjust whether you want the image to be more "cinematic," like in traditional cinema, or exceptionally smooth, like in cinema-style TVs. The "Smoothness" slider lets you regulate the level of fluidity – from subtle changes to a more noticeable effect, while the "Clarity" slider is responsible for reducing flicker and artifacts, helping to achieve a more natural and clear motion. As for gaming and watching sports, the A95L Sony television offers a refresh rate of 120 Hz, making every dynamic action look incredibly smooth. Gamers will appreciate the lack of blur, while sports fans will see every movement in full clarity. Overall, the television performs excellently – both with fast-paced games and emotionally charged film sequences.

On paper, the S Pro 2026 specification looks impressive. The television is equipped with a native 144 Hz panel, with the ability to display images at up to 288 Hz in a dedicated gaming mode. These are amazing results, but what interested us most, in the context of everyday use, was how the television handles motion blur and how the image looks at 120 Hz. After all, this is the frequency used by consoles like the PlayStation 5 and Xbox Series X/S, and it is desired by sports fans. Generally, the panel "holds up". The matrix is sufficiently fast to meet these challenges, and objects displayed at native 120Hz fluidity are shown correctly. As for the software, the television is equipped with motion smoothing technology; however, with a key caveat – it works only for input signals up to 60 Hz. This means it is primarily suitable for traditional television, films, and series. Thanks to this, we can adjust the fluidity of the image to our own preferences – from a very smooth, "theatrical" approach to setting the slider to "zero" and maintaining a fully cinematic character.

Sony A95L is a television that will truly satisfy gamers, thanks to several key features that set it apart from the competition. To start with, the 120 Hz refresh rate – this is something everyone who loves fast action games, racing, or dynamic shooters will appreciate. As a result, the image is exceptionally smooth, and the gameplay is more satisfying, without annoying stuttering. The A95L Sony also has an ALLM (Auto Low Latency Mode) feature, which automatically engages low latency mode when we turn on the console. What does this mean? Above all, faster response on the screen, which in games where every second matters is simply invaluable. Additionally, there’s VRR (Variable Refresh Rate), which adjusts the image refresh rate to the number of frames generated by the console. The effect? No tearing of the image, and everything looks smooth and cohesive – even with variable FPS.

It is worth mentioning the support for Dolby Vision with low input lag in games – something we don’t often encounter in televisions, and here we have it onboard. Thanks to this, the image in games that support HDR is incredibly vibrant, with rich colours and excellent contrast. Both the brightest and darkest details are visible, making everything look as the game creators intended. And then there's the "Game Bar" – a small but very practical feature. With it, we have all the most important gaming-related settings at our fingertips, such as VRR or latency information. There’s no need to interrupt gameplay to adjust parameters – everything is right at hand.

However, it should be remembered that the A95L offers only two full-bandwidth HDMI 2.1 ports, one of which is designated for eARC. This may pose a limitation if we plan to connect multiple devices – for instance, a next-gen console and a soundbar simultaneously. In such a case, the eARC occupying one of those ports can be somewhat problematic, blocking the possibility of connecting a second console.

For gamers, the Xiaomi S Pro 2026 is almost an ideal proposition on paper. It is equipped with two HDMI 2.1 ports, which allow us to unlock (although these options are somewhat hidden in the menu) the full package of features: ALLM, VRR and, crucially, the ability to work in 4K at 144 Hz. This last feature should particularly please the owners of powerful PCs. The television also has something resembling a gamer panel – and although it's hard to call it a fully-fledged "Gamebar", it serves its purpose by displaying key information. It’s just a shame that in its default form, it obscures a relatively large portion of the screen.

The biggest issue we have with this model, however, concerns how the S Pro 2026 handles games in HDR mode. To put it bluntly: it doesn’t handle it well at all. Due to the television having a poorly implemented HGiG feature (the HDR tone mapping standard for games), it is very easy to "overexpose" the image during initial HDR calibration on the console. If someone is unaware of this software flaw and follows the on-screen instructions, they will simply set the image incorrectly, resulting in burnt-out details in the bright areas. Another major problem is the Dolby Vision mode for games. While it does work, it generates such a high input lag that it becomes noticeable in dynamic titles. (You can check all our lag measurements in the paragraph below). In summary: Generally speaking, this is a really very good screen for gamers, but with one small caveat. We would rather avoid using HDR mode on it – unless we decide to manually set the brightness bar on the console "by eye", completely ignoring the instructions from the console’s pictogram.