Sharp FQ8 vs XIAOMI A PRO 2026

Sharp FQ8 can achieve a maximum brightness exceeding 450 nits, which is a satisfactory result. Although it may seem that this value is not impressive, it still places it among the top televisions in this price range. In our opinion, this is also a value from which we will feel the richness of the image and the operation of any metadata, which cannot be said about darker devices. The television supports the advanced HDR format known as Dolby Vision. It is also equipped with DOLBY Vision IQ technology, which stands out for its ability to automatically adjust brightness and image colours based on the lighting conditions in the room. Unfortunately, it has been poorly implemented, resulting in significant inaccuracies such as artificial brightening of the image. Therefore, we do not recommend using this technology in this model. Additionally, the colour gamut coverage is around 94% thanks to the use of quantum dot technology, enabling vibrant and realistic colours. This set of features ensures that the image is not only intense but also full of details.

If you are hoping for a cinema-grade HDR effect in the new Xiaomi A Pro 2026, you better cool your expectations quickly. This television is simply too dim to fully showcase the capabilities of contemporary films or series designed for the highest image quality. Our measurements showed brightness in the range of 200–300 nits, which is more akin to SDR content than ambitious HDR productions. In practice, this means that while most films may look fine, they certainly won't evoke that "wow" effect that other televisions are known for. Fortunately, not everything is lost – we must credit the PFS LED filter used here, which is a solution similar to the quantum dot technology found in QLEDs. Thanks to this, the coverage of the DCI-P3 colour palette reaches about 94%, resulting in vibrant, saturated colours in the vast majority of materials.

The colour reproduction test in Sharp FQ8 was conducted in film mode, which out of the box offers the best visual capabilities, providing viewers with a colour experience closest to reality. Nevertheless, it cannot be described as exceptional, as there are still some shortcomings that affect the overall picture quality. Colour reproduction in Sharp FQ8 for HD content demonstrates significant issues with white balance. On the graph, the red line clearly rises, indicating excessive dominance of the red colour. This is also confirmed by tests using colour samples, which show that many colours deviate towards red. For example, in a scene from a film featuring a child, the image is very warm and unnaturally red. Similar difficulties occur with 4K HDR content, where there is also noticeable excessive presence of the red colour. It is worth noting this, especially for those who value faithful colour reproduction.

Regarding contrast for SDR, at the beginning of the gamma graph there is a strange characteristic, suggesting issues with reproduction. Subsequently, the entire line is below the reference line, indicating that the television does not achieve appropriate brightness and contrast values in standard content. Meanwhile, the EOTF curve for 4K HDR shows significant discrepancies. Such fluctuations indicate difficulties in maintaining consistent brightness reproduction, leading to unpleasant visual effects when viewing HDR content.

What we saw in Filmmaker mode took us by surprise – and unfortunately not in a good way. The mode advertised as Hollywood standard resembled more of a shop window display. The white balance was shifted towards blue, leading to significant colour mistakes and burnt-out scenes in SDR content. It was slightly better, though still not perfect, in HDR materials. There were also issues there – the colour saturation and the entire palette consistently drifted towards cooler tones, resulting in an image that had more of an artificial, cold tint instead of a cinematic character. In other words: even in Filmmaker mode, which should showcase this television, we got an effect far from expectations.

After calibration, for SDR content, the white balance on Sharp FQ8 has been significantly improved, and all lines have come much closer to the reference line. Of course, they are not perfectly straight, but it's hard to expect better results from a television in this price range; they are really very good. Improving white balance means that colours are more natural and accurately reproduced, which positively impacts the overall visual experience. In terms of gamma, the strange jump at the beginning of the graph has not been eliminated, however, after this error, the entire line is much closer to the expected effect.

For HDR content, the white balance is somewhat worse compared to SDR content, but it is still significantly better than before calibration. It is worth noting that the improvement in white balance in HDR contributes to a more consistent and pleasant perception of colours, even though there may still be shortcomings. Regarding the EOTF graph and the associated contrast, our specialists noted that the lack of control over dynamic tone mapping settings hindered the achievement of significant improvement in this area. This leads to uneven brightness representation.

Despite the shortcomings resulting from the inability to adjust settings for dynamic tone mapping, Sharp FQ8 has gained a new perspective after proper calibrations. The improved white balance and better colour reproduction in SDR mode make the image more natural and pleasing to the eye. Although there are still areas for improvement, especially in HDR content, the television offers satisfying visual experiences, making it a noteworthy choice in its price range.

Although Xiaomi is not a brand associated with top-tier televisions, it must be acknowledged that even in a budget model like the A Pro 2026, the manufacturer left plenty of calibration settings. After a few adjustments, the SDR image gained a completely new look. Colours stopped drifting towards blue tones, whites took on a more natural quality, and most errors dropped to a practically invisible level. As a result, SDR content looked very good, surprisingly so for this price range.

It was somewhat different with HDR materials. Here, it was immediately evident what we had already mentioned – clipping in bright scenes and issues with balance control. Calibration helped only partly, as the limitations of the panel itself played a role. However, it must be emphasized that for SDR, the television had transformed beyond recognition and in a decidedly positive direction.

The "10-bit colour reproduction" feature in Sharp FQ8 performs reasonably well, as we can see in the image with bulbs that shows slight connections between grey shades. For the best results, it is recommended to set medium, which does not reveal issues with grain smoothing or blurring of essential image elements. Alternatively, the "low" setting also proves to be safer and delivers positive effects.

As for upscaling, the Sharp FQ8 television plays back video without overscan, allowing for full use of the screen. The branches shown in the image are noticeably jagged, while the edges of the trousers appear without clear jaggedness, positively affecting the overall image quality. Additionally, the television offers an AI Super Resolution feature, which artificially sharpens jagged elements, enhancing their clarity.

Upscaling and digital image processing in the Xiaomi A Pro 2026 are not among the strengths of this model. One might expect that since the television was not designed to achieve record brightness levels, the manufacturer would focus on a more robust processor and a set of features that would "enhance" lower-quality images. Unfortunately – and here we are also faced with significant disappointment. On the positive side, we can note reasonably good upscaling, which handles HD materials and boosts them up to 4K in an acceptable manner. However, this is where the list of advantages ends. The television does not offer any features that improve tonal transitions or smooth out digital imperfections, so in most cases, we get a raw image, exactly as we deliver from an external source. On a large screen, such a lack of support makes lower-quality materials simply look bland. An additional problem is the phenomenon of overscan. When watching older materials, it happens that part of the image gets cut off, which only amplifies the impression that Xiaomi still has a lot of ground to make up in this category.

Sharp FQ8 is equipped with a 120 Hz panel, with the possibility of achieving 144 Hz on PC, which in theory should translate to smooth motion rendering. The television offers functions for improving the smoothness of films and reducing motion blur, which is important for more dynamic content. However, the lack of Black Frame Insertion (BFI) technology combined with an average response time of the panel does not yield positive results. The effect is slight blurring of moving objects, and this may be more noticeable when watching sports or during intense gaming.

The fluidity of motion in the Xiaomi A Pro 2026 is an interesting compromise that arises from the hybrid matrix used here. At its native 4K resolution, the maximum refresh rate is 60 Hz – sufficient for those who mainly watch films and series. It is precisely with them in mind that the manufacturer has added a motion smoother, allowing users to adjust the image to their own preferences – opting for greater fluidity or leaving more "cinematic" frames depending on the settings.

Sharp FQ8 offers several significant features dedicated to gamers that can enhance the gameplay experience. First and foremost, the television is equipped with HDMI 2.1, which comes with certain advantages. ALLM (Auto Low Latency Mode) switches the television to a mode with minimal input lag when a gaming device is detected. VRR (Variable Refresh Rate) reduces screen stutter by adjusting the refresh rate to the number of frames generated by the console or computer, providing smoother experiences, especially in dynamic games. Additionally, the television supports G-Sync technology, which synchronises the image with the graphics card, eliminating stuttering and screen tearing. Despite these advantages, FQ8 also has some limitations. The lack of support for HGiG (HDR Gaming Interest Group) means that the television does not optimise dynamic range for HDR games. The Dolby Vision mode, although theoretically offering better image quality in games supporting this format, suffers from very high input lag.

Exactly – since Xiaomi has included the "Game Boost 120 Hz" feature, one might expect that they would follow up with a solid gaming package. Unfortunately, reality quickly dampens this enthusiasm. Aside from this mode (which, it must be admitted, is a great addition in a budget design), we only have a rather odd player panel. It's hard to call it a full-fledged "game bar" – it’s more of a simple overlay on the TV Menu with limited capabilities. And that would be about it. There’s a lack of ALLM, so the TV won’t automatically switch to game mode. There’s no VRR, so you can forget about smooth frame sync. We also won’t find support for Dolby Vision in games or the HGiG format, which are becoming increasingly standard on consoles. In short: besides the Game Boost 120 Hz, which actually allows for a more enjoyable experience at 1080p or 1440p, the Xiaomi A Pro 2026 offers nothing that could particularly attract gamers.