Sharp FQ8 vs Sony BRAVIA 5 (XR5)

Sharp FQ8 can achieve a maximum brightness exceeding 450 nits, which is a satisfactory result. Although it may seem that this value is not impressive, it still places it among the top televisions in this price range. In our opinion, this is also a value from which we will feel the richness of the image and the operation of any metadata, which cannot be said about darker devices. The television supports the advanced HDR format known as Dolby Vision. It is also equipped with DOLBY Vision IQ technology, which stands out for its ability to automatically adjust brightness and image colours based on the lighting conditions in the room. Unfortunately, it has been poorly implemented, resulting in significant inaccuracies such as artificial brightening of the image. Therefore, we do not recommend using this technology in this model. Additionally, the colour gamut coverage is around 94% thanks to the use of quantum dot technology, enabling vibrant and realistic colours. This set of features ensures that the image is not only intense but also full of details.

Looking at similar results in terms of blackness and contrast, we expected equally stable performance as last year's model when it came to HDR content. Unfortunately – and this needs to be said outright – there has been a regression here that is hard to overlook. The paradox is that the peak brightness of the Bravia 5 is impressive: in our synthetic tests, the television achieved around 1000 nits in HDR. Sounds great, right? The problem is that this power does not always translate effectively to all film scenes. When small, point-like elements appear on the screen, something that had usually been polished with surgical precision in Sony's case is this time noticeably lacking. The algorithms attempt to maintain deep black around small objects, but the side effect is that details can be dimmed to such an extent that they become barely visible. Just consider the example of the film Sicario 2 – in some scenes there, small light sources practically disappeared, as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with more light, the Bravia 5 shows that it can shine: literally and figuratively. Then the television achieves values in the range of 600–800 nits, which we saw both in synthetic tests and during film screenings. The impression is really positive; the brightness adds dynamism, and the colours appear vibrant and fresh. However, there remains a certain dissonance. We feel a slight confusion because evidently something has gone in a direction it shouldn’t have. Technological progress – more zones, greater backlighting power – has not been supported by the well-crafted image management that we usually associate with Sony. Fortunately, there are elements that have not been worsened and are, in fact, at a very high level. We are talking about colour reproduction. Thanks to the application of the PFS filter, the colour palette coverage is excellent – around 97% DCI-P3 and 75% BT.2020. These are values that allow for truly broad colour reproduction, giving films a sense of naturalness and cinematic quality.

The colour reproduction test in Sharp FQ8 was conducted in film mode, which out of the box offers the best visual capabilities, providing viewers with a colour experience closest to reality. Nevertheless, it cannot be described as exceptional, as there are still some shortcomings that affect the overall picture quality. Colour reproduction in Sharp FQ8 for HD content demonstrates significant issues with white balance. On the graph, the red line clearly rises, indicating excessive dominance of the red colour. This is also confirmed by tests using colour samples, which show that many colours deviate towards red. For example, in a scene from a film featuring a child, the image is very warm and unnaturally red. Similar difficulties occur with 4K HDR content, where there is also noticeable excessive presence of the red colour. It is worth noting this, especially for those who value faithful colour reproduction.

Regarding contrast for SDR, at the beginning of the gamma graph there is a strange characteristic, suggesting issues with reproduction. Subsequently, the entire line is below the reference line, indicating that the television does not achieve appropriate brightness and contrast values in standard content. Meanwhile, the EOTF curve for 4K HDR shows significant discrepancies. Such fluctuations indicate difficulties in maintaining consistent brightness reproduction, leading to unpleasant visual effects when viewing HDR content.

Sony Bravia 5 was of course tested in the best possible mode, which is the Cinema mode. Right out of the box, it provides the most natural colours, definitely better than anything offered by the "eco" or "dynamic" modes, which are more suited for a showroom display than for a living room. However, the Cinema mode alone does not mean we can always expect cinematic picture quality. With SDR content, we had virtually no major complaints – the slightly warmed white balance gave the scenes a somewhat golden tone, but it was nothing that was visually jarring. However, the problem arose with HDR material. Here, the colour reproduction simply looked poor. The white balance was heavily skewed – with an excess of blue and a clear lack of red. At times, it resembled the store's "super vibrant image" mode, where everything is overexposed and artificially boosted.

This situation also made brightness management seem overly aggressive. The EOTF graph clearly showed that the television had problems with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was difficult to remain indifferent here – thus we quickly decided to go for calibration.

After calibration, for SDR content, the white balance on Sharp FQ8 has been significantly improved, and all lines have come much closer to the reference line. Of course, they are not perfectly straight, but it's hard to expect better results from a television in this price range; they are really very good. Improving white balance means that colours are more natural and accurately reproduced, which positively impacts the overall visual experience. In terms of gamma, the strange jump at the beginning of the graph has not been eliminated, however, after this error, the entire line is much closer to the expected effect.

For HDR content, the white balance is somewhat worse compared to SDR content, but it is still significantly better than before calibration. It is worth noting that the improvement in white balance in HDR contributes to a more consistent and pleasant perception of colours, even though there may still be shortcomings. Regarding the EOTF graph and the associated contrast, our specialists noted that the lack of control over dynamic tone mapping settings hindered the achievement of significant improvement in this area. This leads to uneven brightness representation.

Despite the shortcomings resulting from the inability to adjust settings for dynamic tone mapping, Sharp FQ8 has gained a new perspective after proper calibrations. The improved white balance and better colour reproduction in SDR mode make the image more natural and pleasing to the eye. Although there are still areas for improvement, especially in HDR content, the television offers satisfying visual experiences, making it a noteworthy choice in its price range.

After calibration, the situation changed dramatically. We managed to adjust the white balance so that entire scenes began to look more natural, and the image gained cohesion and elegance. In HDR, we finally got rid of that unwanted clipping effect that had previously marred some shots. Suddenly, it turned out that the Bravia 5 can extract significantly more from films than the “out of the box” impression suggested. Indeed, if we look at the graphs and compare them with the patterns, we can see that the beginning of the EOTF curve slightly deviates from the reference line. However, this is not so much a calibration error as it is a natural limitation of Mini-LED technology, which cannot be bypassed. Sony, instead of clinging to perfect black, prefers to prioritise the visibility of details – and in practice, it's hard to disagree with that. We would rather see the texture of the material on the screen than a pitch-black blob where all nuances are lost.

The calibration itself was truly beneficial. After about an hour spent on the settings, we felt that the image resembled that from the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we like Sony televisions: because when we fine-tune them, they can reward us with an image that captivates for long hours.

The "10-bit colour reproduction" feature in Sharp FQ8 performs reasonably well, as we can see in the image with bulbs that shows slight connections between grey shades. For the best results, it is recommended to set medium, which does not reveal issues with grain smoothing or blurring of essential image elements. Alternatively, the "low" setting also proves to be safer and delivers positive effects.

As for upscaling, the Sharp FQ8 television plays back video without overscan, allowing for full use of the screen. The branches shown in the image are noticeably jagged, while the edges of the trousers appear without clear jaggedness, positively affecting the overall image quality. Additionally, the television offers an AI Super Resolution feature, which artificially sharpens jagged elements, enhancing their clarity.

Bravia 5 carries within it the genes of Sony, which have remained untouched – and thank goodness for that, because we are talking about absolutely remarkable digital image processing. It is no coincidence that for years it has been believed that it is televisions of this brand that set the standard for how a screen should handle lower quality materials. If someone still watches classic television, old films or YouTube in lower resolutions, here they get equipment that can transform such content into an unexpectedly pleasant experience. On board, we find several tools worth activating. The first of these is "digital noise reduction". Set to a medium level, it works perfectly – smoothing tonal transitions, which usually cause the most trouble in low-quality materials, while not introducing any artificial artifacts. Importantly, it also does not remove the filmic character, meaning the natural grain that is intentionally present in many productions. Another advantage of the Bravia 5 is the upscaling capabilities of the XR processor. The image displayed after scaling is soft, yet at the same time sharp and clear. The contours of characters are clearly visible, while backgrounds retain their structure without excessive artificial sharpening. It’s hard to find a better television for watching lower quality materials – Bravia 5 only confirms why Sony is regarded as a benchmark in this field.

Sharp FQ8 is equipped with a 120 Hz panel, with the possibility of achieving 144 Hz on PC, which in theory should translate to smooth motion rendering. The television offers functions for improving the smoothness of films and reducing motion blur, which is important for more dynamic content. However, the lack of Black Frame Insertion (BFI) technology combined with an average response time of the panel does not yield positive results. The effect is slight blurring of moving objects, and this may be more noticeable when watching sports or during intense gaming.

Bravia 5 received a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches, or spectacular action films. However, the real magic begins when MotionFlow – Sony's proprietary smoothness technology – comes into play. Thanks to it, we can adjust the character of the image to our own preferences. The "smoothness" slider allows you to transition from a cinematic feel with a slight "jitter" of the film frame to a nearly theatrical fluidity, where every ball in the match glides across the screen as if on a string. The higher the value, the smoother and more fluid it is; the lower it is, the more cinematic and natural it feels. In the options, we will also find an additional setting that Sony has called "clarity". This is nothing more than the BFI function (i.e., inserting black frames), which is meant to improve motion sharpness. It sounds great in theory, but in practice, one must use it with great caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, contour doubling also appears. Therefore, if we wish to use it, we recommend the lowest possible level – "1" out of the available ten. This way, we gain a bit better motion clarity without risking a loss of half the image brightness.

Sharp FQ8 offers several significant features dedicated to gamers that can enhance the gameplay experience. First and foremost, the television is equipped with HDMI 2.1, which comes with certain advantages. ALLM (Auto Low Latency Mode) switches the television to a mode with minimal input lag when a gaming device is detected. VRR (Variable Refresh Rate) reduces screen stutter by adjusting the refresh rate to the number of frames generated by the console or computer, providing smoother experiences, especially in dynamic games. Additionally, the television supports G-Sync technology, which synchronises the image with the graphics card, eliminating stuttering and screen tearing. Despite these advantages, FQ8 also has some limitations. The lack of support for HGiG (HDR Gaming Interest Group) means that the television does not optimise dynamic range for HDR games. The Dolby Vision mode, although theoretically offering better image quality in games supporting this format, suffers from very high input lag.

In the Bravia 5, there is a significant improvement compared to the X90L model from two years ago. The television offers literally everything its predecessor had, but this time the issues that could frustrate gamers have been fixed. The problems with setting variable refresh rate (VRR) have disappeared, and there are no longer any issues with configuring HDR content in HGiG mode. In short: we get hardware that simply works as it should, without any fuss. Therefore, the Bravia 5 has everything you could expect from a modern gaming television – and it can be reasonably advertised with the slogan “ready for PS5.” This is a statement we couldn't make about the X90L model. Well done, Sony!

It’s just a shame that this relatively high-priced model lacks a full set of four HDMI 2.1 ports. In everyday use, this won’t be a problem for most people, but if someone has a console, soundbar, and additional equipment hooked up via HDMI, at some point there will be a need to choose or juggle the cables.