Samsung U8000F (VA) vs Samsung S85H

While the U8000F with a VA panel can still be praised for decent blacks, there is no longer any reason to be enthusiastic about brightness – especially in HDR scenes. The television achieves a maximum of just under 250 nits, which is simply too low to speak of any impressive light effects. Bright elements appear pale, and scenes that should sparkle look rather flat. We observed an interesting situation during the test of a scene from the film Sicario 2 – the screen became noticeably darker, as if the television was trying to hide its limitations in displaying blacks. One might get the impression that the device artificially darkens the image to enhance contrast, but in practice, the effect makes very little difference, other than the fact that we see less on the screen. Furthermore, there is the issue of colours – the U8000F does not support a wide colour gamut, so one cannot count on the vibrant, saturated hues known from better models. The HDR image here resembles slightly brightened SDR and... perhaps that is even a good thing. With this model, it is not worth expecting a cinematic experience – it is better to treat HDR as a modest addition.

Interestingly, the new WOLED SE panel has brought a slight improvement in brightness to the S85 series. In the same movie scenes last year's model stayed closer to around 700 nits, while the S85H can reach roughly 800 nits. This isn't a change that completely transforms HDR perception, but that extra brightness is noticeable, especially with pinpoint highlights, specular reflections and stronger special effects. Around 800 nits is already a very good result for an entry-level OLED and in most films it's enough for HDR to have the proper impact. Bright elements can stand out clearly against perfect black, and it's still that contrast that does most of the work. You do need to bear in mind a typical limitation of organic panel technology. When a very bright scene covers a large part of the screen, brightness can drop by almost half. That's the effect of the panel's protection mechanisms, which limit its power with large bright areas.

Colours

The S85H can deliver very pleasing, saturated colours and in most HDR films it looks really good in that respect. We measured around 95% DCI-P3 coverage, so the palette most commonly used in movies is reproduced to a very high degree. Skin tones, greens and stronger reds still have the right intensity, and in normal viewing it's hard to fault them. Only when you look wider at BT.2020 do the limitations of the new OLED SE panel become apparent. Coverage was about 70%, a little less than previous-generation WOLEDs and noticeably less than QD-OLED panels. In films this is not a big loss, because most productions rarely use such highly saturated colours. You're more likely to notice it in games, where creators often opt for more intense colours.

The Samsung U8000F has been tested by us in the best picture mode it offers out of the box – the Filmmaker Mode. This profile is theoretically meant to provide a neutral, cinematic image devoid of unnecessary enhancements and artificial beautifications. In the case of SDR content – primarily in HD or SD resolution – the television performed surprisingly decently right out of the box. The only noticeable flaw was brightness management. The gamma chart showed some deviations – slight brightening or dimming of certain tones – but in practice, this did not significantly affect the viewing experience. Considering the television's segment, it performs quite well.

However, the situation is much weaker in HDR mode. While the white balance was still acceptable, the colour inaccuracies were very apparent. In the Color Checker test, almost every sample was outside the target point, and the image itself appeared unnatural – the colours were shifted, sometimes too cool, other times simply dull and lifeless. The main problem lies in the hardware limitations – the U8000F does not support the wide colour gamut of DCI-P3, so it is physically incapable of reproducing the colours that the HDR standard anticipates. Unfortunately, this is evident in almost every more demanding scene.

For colour evaluation we naturally chose Filmmaker mode, and in SDR our S85H sample was very well set up from the factory. The largest deviation is in the white balance, where, as brightness rises, there is a slight lack of blue. In practice this means whites and greys have a subtly warmer tint than they should. However, this is not a major fault and during normal viewing it is unlikely to be very noticeable. Gamma also stays close to the reference value, so the image is neither overly bright nor unnecessarily dim. The S85H’s SDR picture quality is therefore very good straight out of the box. A few more imperfections appear in HDR. Here the white balance drifts more with increasing brightness, blue starts to dominate and the red component is clearly lacking. This also translates into larger errors for some colours. They do not yet amount to shifts that completely change the character of the image, but in direct comparison with a reference the difference is easier to spot. Overall, Filmmaker mode is a very good starting point before professional calibration.

Right out of the box, the U8000F offered quite a decent image in SDR for its price class. However, we managed to enhance it slightly – we reduced a subtle purple tint and improved the gamma characteristics, giving it a more natural curve. Despite these adjustments, the television still tends to overly brighten the brightest details – the gamma chart shows a clear inflection that cannot be completely corrected.

In HDR mode, however, it is noticeably weaker. It is hard to speak of any significant improvement here – despite attempts to adjust the settings, the image still presents considerable colour inaccuracies. A Delta E exceeding 7 signifies noticeable deviations that could not be effectively reduced. Unfortunately, this is a limitation of the construction itself – the U8000F simply was not designed for serious HDR. In everyday viewing in SDR, it performs quite well, but when it comes to HDR content... it's best not to have overly high expectations.

Calibration yields very good results on the S85H. First and foremost, it was possible to set the white balance almost perfectly, which removes the slightly too warm character of the image that was previously visible in SDR. Colour reproduction itself also improves markedly, with most errors falling to a very low level and in everyday viewing it is hard to speak of any noticeable inaccuracies. You can also make significant improvements in HDR, although some issues remain due to the TV's inherent characteristics. The S85H does not always hold the brightness curve perfectly; the darkest parts are slightly lifted, and as you approach the panel's limits small deviations are visible in the brightest areas. Added to this is the limited coverage of the wider BT.2020 gamut, which of course cannot be overcome by any calibration. Despite this, the end result is very good and, after calibration, the S85H can produce a really well-tuned, natural image.

When it comes to how the Samsung U8000F handles lower quality materials, we must admit that Samsung has made progress compared to its predecessor from last year – the DU7192 model, which theoretically occupies the same position in the lineup. This year's model has been equipped with a feature to improve the fluidity of tone transitions, which has been implemented much better than last year. Indeed, the television still utilizes quite strong algorithms that can distort details or remove film grain, but nonetheless – it can confidently be said that it works effectively. However, not everything has gone perfectly. The U8000F has noticeable issues with slightly cutting the image when watching very old content in very low resolution. If someone plans to play their old VHS tape, they must reckon with the fact that the image may appear slightly "cut off".

Samsung has fitted the S85H with the same proprietary AI NQ4 Gen2 processor used in last year’s S85F and, in terms of digital image processing, it performs quite well. Upscaling is one of the model’s stronger points. Lower-resolution material is well sharpened, edges look natural, and the picture does not feel overly artificial. One caveat is a typical Samsung trait: at very low resolutions you cannot completely disable overscan, so the TV may slightly crop the left edge of the image. The "noise reduction" function also works very well, smoothing weaker tonal transitions. The processor can effectively remove posterisation and other imperfections visible in lower-quality material. However, you need to be careful with the strength of this function, because Samsung can be quite aggressive here. When it is activated, small image details, such as the texture of skin or clothing, can start to disappear along with the unwanted artefacts.

The Samsung U8000F is equipped with a 60 Hz panel, so it's clear right from the start that one shouldn't expect miracles. This is simply the standard in this class – adequate for everyday viewing, but without any fireworks. The television offers a single motion smoothing slider – a feature called "Motion Blur Reduction," which allows us to adjust the smoothness of the image in films. Higher settings produce a more "theatrical" and smoothed effect, while lower settings help retain the film's original character with a slight 24p effect. An interesting feature is "Clear Motion LED," which is the BFI mode – inserting black frames between image frames to improve motion clarity. In practice, however, the screen flickers heavily when this feature is activated and should rather be considered an experiment than something that genuinely enhances gaming comfort.

The S85H uses an OLED panel, so it performs excellently for motion blur. Pixels respond virtually instantly, so moving objects do not leave the characteristic trailing seen on some LCD TVs. This is especially noticeable in sport and fast-paced games, where the picture remains very clean even during rapid motion. The panel itself runs at 120 Hz. That is more than sufficient for films, TV series, sport and console gaming. It is a pity Samsung did not include a higher refresh rate aimed at PC gamers, as more and more TVs now offer 144 or even 165 Hz at 4K. However, that does not affect motion handling in films or sport.

You also have a classic motion-smoothing feature with two settings, blur reduction and judder reduction. So you can decide whether films should retain their cinematic 24 frames per second or whether you prefer to smooth them a little. The S85H gives plenty of freedom here, and the interpolation works well and, with sensible settings, does not generate too many artefacts.

[UPDATE] We have updated our 2025 Samsung TV reviews following the release of firmware version 1131, which officially restores the essential HGiG (HDR Gaming Interest Group) support.

Samsung U8000F offers a basic set of features for gamers, which may still be sufficient for less demanding users. It includes an automatic game mode – when a game is launched on the console, the television automatically switches to low latency mode, significantly improving response times. There is also a VRR feature, or variable refresh rate, which operates in the range of 48 to 60 Hz. This means that both Xbox and PS5 will not produce the "tearing" effect – as long as we stay within this range.

Unfortunately, that’s about it for the advantages. Additions like Game Bar or higher refresh rates are reserved for higher-end Samsung models from the 2025 line. In theory, the television also supports the HGiG feature, which should adjust HDR imagery to the creators' intentions. Unfortunately – despite the fact that this feature appears in brochures and promotional materials – its configuration on the Xbox console turned out to be... impossible in practice.

The Samsung S85H is very well prepared for gaming, essentially regardless of whether you connect a console or a PC. The manufacturer hasn't skimped on ports and all four HDMI ports support full HDMI 2.1. That means you can use 4K at 120 Hz, VRR and ALLM without worrying which input your console is plugged into. With multiple devices that matters a lot, because you don't have to choose between a console, a PC or a soundbar connected via eARC. The feature set itself is very comprehensive. The S85H supports VRR, FreeSync and automatic game mode switching, and Samsung also offers its extensive Game Bar where you can quickly check key signal parameters and change settings without leaving the game. The only notable omission is Dolby Vision, which will matter mainly to Xbox owners. This, incidentally, is typical of Samsung TVs. Game Motion Plus performs very well, and it's one of the features that have set Samsung TVs apart for years. It smooths motion in games running at 30 or 60 fps, but does so without as much increase in input lag as a conventional motion interpolator. In practice, with slower-paced games, racing titles or action games this can really improve the perceived motion, especially if you're sensitive to low frame rates.