Compare: Samsung The Frame 2025 (LS03F) vs LG OLED B6

Samsung The Frame 2025 is a television unlike any other – and even though competition has emerged, it still does it best. The matte display, flush mounting with the wall, and a single thin cable thanks to the One Connect module make the device resemble a painting more than any other screen. The Art Store app continues to offer the best art scans on the market (even if they are subscription-based), and with interchangeable frames, we can adapt the TV to our interior almost like a piece of furniture. As for the picture itself, because we are also talking about an ordinary television, there are no significant changes, but also no disappointments compared to last year's LS03D model. The Frame still offers a high native contrast and solid brightness at 600 nits, which, combined with the matte finish, provides very comfortable daytime use. The colours are not as vibrant as in glossy screens, but against the backdrop of competing matte constructions – they perform the best. A novelty is the 144 Hz refresh rate, although in practice, mainly PC gamers will benefit from it. And indeed – in terms of gaming features, The Frame has almost everything: low input lag, variable refresh rate (VRR) support, auto low latency mode (ALLM), Game Bar, and a unique motion smoother designed for games. Unfortunately, not everything is as perfect as it might seem. Why? Well, because the HGiG mode is missing, which suddenly disappeared from the latest version of the Tizen system. And Samsung really should respond here because for many gamers, it’s a crucial aspect of choosing a screen. And we fully understand that. Even though LS03F The Frame 2025 does not bring significant revolutions, it remains a unique television that, aside from its appearance, offers a quite solid picture and extensive gaming features. It’s just a shame that year after year we also get new compromises.

[UPDATE] We have updated our tests of Samsung televisions from the 2025 range due to the release of software version 1131, which restored the crucial HGiG function for gamers.

The LG OLED B6 is a very successful continuation of the B series and a TV that makes a lot of sense as a first step into OLED. It doesn't try to compete with the most expensive models in every respect, but in the most important areas it still manages to deliver exactly what many people choose this technology for: perfect blacks, very high contrast and a picture that can simply look spectacular in films. Much of this is thanks to the new budget WOLED panel, the OLED SE. Thanks to it, LG's cheapest OLED is now noticeably brighter than a few years ago, and around 800 nits in HDR is a figure you can genuinely notice when watching. Highlights have more punch, the picture copes better with more demanding scenes, and combined with OLED blacks the whole thing can look really impressive. Films and series from streaming platforms look particularly good, especially those available in Dolby Vision. That's when the B6 makes the most of its capabilities and can deliver an image that will be a big step up for someone switching from a typical LCD TV.

However, this is not a model without compromises. Our biggest reservation concerns how the screen handles reflections. The lack of a classic polariser means the TV fares much worse when placed opposite a large window or a strong light source. Reflections are more noticeable than on other WOLED panels, and the blacks themselves lose some of their character in a bright room. In controlled conditions this won't be a problem, but for a very bright living room it's worth approaching this purchase a little more cautiously. The operation of webOS also leaves something to be desired. The system itself is still very good, with a rich app library, the convenient Magic Remote and essentially everything you would expect from a modern Smart TV. The problem is that on the B6 it does not always run as smoothly as it should. At times you can feel the new version of the system is more demanding and somewhat 'heavier' than before.

Despite these remarks the LG B6 still performs very well. It's a TV that delivers all the key advantages of OLED while not costing as much as the higher-end models. It makes the most sense when it's on a good deal, because then it can be one of the most interesting choices for people who want to enter the world of OLEDs without overpaying.

The year 2025 promises to be quite interesting when it comes to lifestyle televisions. Why? Because Samsung has prepared two versions of the iconic model The Frame – one standard and the other with the addition of “Pro”. In this review, we take a look at the version without “Pro”, which – as we shall see shortly – is quite significant. The standard model LS03F lacks any local dimming technology, unlike its more expensive sibling. This is important because it affects not only the overall picture quality but, primarily, how this television handles black levels.

The VA panel used in The Frame 2025 has a high native contrast – and this obviously works to its advantage. In the tested film scenes, details in the dark areas of the image were well visible, nothing blended together, and there was no formation of a uniform black/white blob. For the average viewer, this will be more than sufficient. But of course, not everything is perfect. The absence of local dimming means that the black levels on this television are not perfectly deep – they resemble dark navy rather than tar. Additionally, in our tested unit, we noticed slight blooming in the right part of the screen, but this could simply be the “quirk of the specimen” rather than a rule. Theoretically, one could try to improve the perception of black by backlighting the screen – for example, with an LED strip – but in the case of The Frame, this is rather impossible, as this television is meant to sit flush against the wall like a picture. So to achieve a better black visible to our eyes, we are forced to watch the LS03F with the lights on. That’s the charm of this technology.

The blacks on the LG OLED B6 are perfect. That's no surprise, since we're dealing with an OLED (WOLED), but this is precisely where you can see why this technology still has so many fans. Each pixel can switch off individually, so in dark scenes there is no grey halo or blooming around bright elements. As a result, the image has excellent depth and can genuinely look three-dimensional. Shadow detail also performs well. Nothing melts into one dark blotch, and small elements remain visible even in more challenging scenes. In that respect the B6 simply demonstrates everything we love about OLED TVs.

The Frame LS03F is a television that can surprise with its brightness. The maximum luminance reaches around 650 nits, which already looks impressive on paper. But as we know, laboratory tests are one thing, and real film scenes are quite another. When watching HDR materials in natural conditions, The Frame 2025 maintains very good results. In most film scenes, the peak brightness remained at around 550–650 nits. This is a sufficient value to feel the difference between standard picture quality and that of HDR – bright highlights, reflections on water, or moonlight are presented clearly and spectacularly.

It is also worth remembering that the LS03F is a QLED television, which translates into solid colour saturation. The coverage of the DCI-P3 colour space reaches about 92%, allowing for vibrant, intense colours in HDR content. This is not the level of top premium models, but for a lifestyle screen, the result truly deserves recognition.

The LG B6 is a moderately bright OLED. After calibration it reaches around 800 nits, roughly 200 nits more than last year’s B5. That’s down to the new, budget OLED SE panel from LG Display. In practice it simply gives a bit more headroom and makes HDR look fuller in many scenes than on last year’s lower‑end OLEDs. That does not mean the B6 has no limitations. In very bright shots, when a large part of the screen is strongly lit, brightness can fall below 400 nits. This behaviour is typical for OLED TVs, especially in this segment, and that’s where you see the biggest difference compared with more expensive models. Even so, we judge the B6’s results as genuinely solid. It’s still not a TV for breaking brightness records, but the HDR effect is strong enough that films truly feel like a step up from ordinary SDR. Colour gamut Using the OLED SE panel has had a slight impact on wide colour gamut coverage. Compared with last year’s model the results have fallen by a few percentage points. It covers roughly 96% of DCI‑P3 and about 71% of BT.2020. That doesn’t mean the colours on the LG B6 are weak. In most films and series they look lively, well saturated and simply pleasing to the eye. You only notice the difference in very bright, highly colourful scenes. Then colours lose some intensity compared with QD‑OLED panels. This stems from the WOLED panel structure. Besides red, green and blue subpixels it also uses a white subpixel, which helps to boost brightness. However, this comes at a price. At very high luminance some colour is effectively 'diluted' by the white light, so the saturation of certain colours can be slightly lower. In everyday use this isn’t a major issue, but in the most demanding scenes you can notice it.

When it comes to image quality straight out of the box, even in Filmmaker mode, which is supposed to be the closest to reference, there were issues. We noticed clear deviations in white balance in both HD and 4K HDR content. The image was heavily skewed towards red and blue, giving the screen a characteristic pinkish tint. This effect was most noticeable in bright scenes – for example, in shots with a lot of white, where neutral light should naturally dominate. At such moments, the screen clearly took on pink tones, which is also visible in the attached comparison photo. As for the brightness characteristics – it wasn’t as bad as one might expect with such colour inaccuracies. The analysis of the gamma curve and EOTF showed a slight brightening of the image compared to the reference, but not enough to drastically ruin the viewing experience.

We tested the LG B6 in Filmmaker Mode, the best picture setting available straight out of the box. ISF modes produce very similar results, but in our tests we always stick to Filmmaker Mode for better comparison with other TVs. Each of them is, in any case, a much better starting point than Vivid or Eco mode, where the picture is heavily boosted and noticeably less natural. On SDR material the factory settings perform really well. Colour errors are small, the gamma response is correct, and the picture during normal viewing looks natural and does not feel overly "pumped up". It's a bit worse with HDR. When such content is played you quickly see that the white balance hasn't been set perfectly. Too much blue and red gives the image a slightly pink tint. This is also confirmed by colour gamut measurements and the ColorChecker, where samples clearly shift in that direction. It's not a flaw that completely spoils the picture, but it is noticeable with HDR films. Therefore anyone who wants the most faithful image should consider calibration, which we cover further on in the review.

After calibration, the movie mode has gained a completely new quality. The issue of the pink tint, which had been clearly visible before, especially in bright scenes, has been effectively eliminated. Colours now look much more natural, and the white balance no longer dominates the rest of the image. It is no longer the same exaggerated "box picture" – everything now has coherence and a cinematic character. Additionally, the tendency of the television to slightly brighten scenes, previously visible in the EOTF curve analysis, has been partially corrected. Of course, this is within the limits of what the design allows without local dimming – one cannot speak of perfect brightness management here. Nevertheless, the final effect was definitely closer to what one might expect from a mode called Filmmaker.

During calibration, we concentrated mainly on HDR content, because that's where the factory settings needed the most correction. We did not, however, neglect SDR mode, which after adjustment was brought almost to perfection. Colours are very accurate, and brightness is controlled as it should be. The biggest improvement in HDR came from fixing the white balance. Removing the excess red and blue eliminated the pinkish tint, and the image became much more natural. Skin tones, whites and all colours that had previously shifted towards pink improved. After calibration most errors fell below a Delta E of 2–3, the threshold at which the average viewer stops noticing differences with the naked eye. So the LG B6 can deliver a very accurate picture, particularly for the manufacturer's entry-level OLED model.

In terms of the smoothness of tonal transitions, the LS03F maintains a high standard – just like last year’s models. The television did not encounter any issues when testing more challenging film scenes, where noticeable transitions between shades of colour can easily occur. The colour gradation is very good here – both in the lighter and darker areas of the image. We did not observe the typical banding effect or other disturbances that could be distracting while watching films. If we were to nitpick, in the most demanding scenes – with subtle transitions and delicate gradients – minor imperfections can be detected. But only if one approaches the screen very closely and begins to analyse the image from a distance not intended by the manufacturer.

Tonal transitions on the LG B6 are quite good, although some limitations typical of WOLED panels are still evident. In most scenes colours move between shades smoothly, without noticeable banding or unwanted digital artefacts. However, it is not always perfect. Most issues appear in the dark parts of the image, where WOLED panels have struggled for years. This is partly due to the greater difficulty of controlling the panel at very low brightness and the specific design that uses a white subpixel. Compared with last year’s model there is a slight improvement, but it still does not match the level of the best QD-OLED TVs or more advanced LCD models.

LS03F has been equipped with the NQ4 processor, which is responsible for improving image quality – particularly in lower quality materials. In practice, this works surprisingly well, especially when it comes to older content and recordings with lower resolution. Activating the "noise reduction" function yields noticeable effects. The TV effectively smooths tonal transitions and removes digital noise that can appear in darker areas of the image. Compared to previous generations, there is a clear advancement – previously, this function often smoothed everything too much, including details that it shouldn't remove. In this year's model, smoothing still occurs, but in a much more acceptable manner. Textures of materials, skin, and fabric details are no longer subdued as strongly as before – the image retains more naturalness. However, this does not change the fact that film grain is still removed by the TV, which may not appeal to everyone. On the other hand, it is no longer as aggressive an intervention as in previous models. It is also worth mentioning that the LS03F may struggle with very weak signals – for example, from VHS tape recordings or low-resolution video. In such cases, we noticed slight clipping of the image at the edges – so-called overscan. This can lead to a situation where a small part of the image (e.g., subtitles at the bottom edge) gets cut off.

The LG B6 handles lower-quality material very well. This is largely thanks to effective digital image processing, which can mask some of the source’s imperfections without overly smoothing the whole scene. The "Smooth Gradation" function proves particularly useful. It noticeably reduces posterisation, especially in dark parts of the image. The safest choice remains the Low or Medium setting. The function still effectively smooths out unsightly tonal banding, but does not yet interfere too much with fine details. Purists can of course leave it switched off. Upscaling to 4K also performs very well. Full HD and 720p material retain a good amount of detail, and the image is neither overly sharpened nor heavily blurred. Some limitations only become apparent with very poor sources below 720p, where the smallest text and fine elements are not always perfectly sharp, but this applies to almost every other TV on the market.

The new feature in The Frame for 2025 is a display with a refresh rate of 144 Hz. Yes – in a television that is mainly associated with displaying works of art, you can now not only watch Van Gogh but also comfortably play on a console or follow dynamic sports events. This is a definite step towards greater versatility. In the case of Samsung films, as usual in models with a display rate of 120 Hz and above, it allows you to adjust motion smoothness according to your preferences. You can set a more cinematic reproduction while maintaining frame rate or opt for full motion smoothing. The range of options is broad, allowing you to tailor the effect to your own taste – whether the viewing experience is meant to resemble classic cinema or a show on a modern theatre screen.

*this part of the test refers to the LS03FAU model in sizes 55 and 65 inches, which is equipped with a 144Hz panel, while sizes 43 and 50 inches have 60Hz displays, and thus perform much worse in terms of motion smoothness.

One of the biggest advantages of OLED panels is the very fast pixel response time. This keeps the picture sharp and free of the visible smearing often seen on LCD TVs. However, there is a downside. During slow camera pans motion can look choppier than on LCD screens, where some of that effect is naturally masked by the slower panel. Fortunately, on the LG B6 this can be easily mitigated using the TruMotion system. With the motion smoothing set correctly you can achieve smoother motion without giving the picture an exaggerated soap opera effect.

As we mentioned earlier – although The Frame likely displays images and artworks most of the time, Samsung has recognised that a Van Gogh enthusiast could just as easily be a passionate gamer. And it must be admitted that The Frame 2025 has almost everything to become a fully-fledged gaming television.

On board, we find support for ALLM (automatic game mode) and variable refresh rate (VRR) thanks to the implementation of one HDMI 2.1 port. The television handles lower resolutions at higher refresh rates without any issues and features an extensive Game Bar – already known from other Samsung models – which allows for quick preview and change of the most important gaming-related settings. For this, it earns extra points from us. It is also worth highlighting the custom motion smoothening technology, Auto Motion Plus Game, which – and it is worth emphasising – works without increasing input lag. Samsung remains the only manufacturer that has managed to implement this feature in a practically unnoticeable manner regarding delays. The result? Much better fluidity in games, especially those that struggle to maintain a stable 60 frames. This solution can genuinely improve the gaming experience in more demanding titles – particularly on consoles that do not always manage full fluidity, especially in AAA games.

As for the downsides – the lack of Dolby Vision is already regarded as standard in Samsung televisions, so there's nothing to specifically complain about here. However, the issue is something entirely different. In the latest version of the Tizen system, the HGiG option has disappeared. Literally – it is gone. This is a significant hindrance when configuring consoles for proper HDR content display in games. It is hard to understand why such a decision was made, but one thing is certain – ~~this should be fixed as soon as possible.~~ ~~We are talking about a brand that has set standards for years when it comes to gaming on televisions. If HGiG returns – and we hope it will –~~ The Frame LS03F can confidently aspire to the title of a genuine gaming television. Not just as a wall decoration, but as equipment that truly provides enjoyment in gaming.

[UPDATE] We have updated our tests of Samsung televisions from the 2025 model year due to the release of software version 1131, which restored the HGiG function crucial for gamers.

LG OLED B6 has plenty to offer gamers; it’s simply a complete base for PS5, Xbox Series X/S or a capable PC. It has four full-size HDMI 2.1 ports with 48 Gbps bandwidth, so you can avoid irritating cable swapping when connecting several newer devices at once. It offers a full suite of synchronization technologies, from standard VRR to G-Sync and FreeSync. The screen synchronises the refresh rate seamlessly with the frame output from the console or graphics card. Of course it includes ALLM: the B6 automatically recognises when a game is running and immediately reduces latency to a minimum. HDR support is also excellent. The TV supports Dolby Vision, and a correctly implemented HGiG standard means that, after initial calibration in the console settings, the image won’t suffer from blown-out highlights or lost detail in bright areas. The cherry on the cake is the Game Bar. Instead of digging through the full menu during gameplay, a single click is enough to adjust shadow visibility, tweak selected parameters or simply check the current display mode. All of this makes the LG B6 an excellent choice for gamers.

In terms of input lag, Samsung maintains a high level – and a very high one at that. The LS03F, like most of this year's models from the brand, achieves a score of 8 ms for 4K content, which is practically a reference value. This result allows for gaming even in the most dynamic titles without delays and with full responsiveness. Well done!

Input lag in the LG B6 is very low. At 120 Hz it is about 5 ms, and at 60 Hz it rises to roughly 15 ms. Both results are good enough that most gamers won't notice any delay between their inputs and what happens on screen. Dolby Vision performs slightly worse, with input lag rising to around 25 ms. That's still not a bad result, but the most demanding Xbox gamers may already notice a difference compared with standard HDR.

The collaboration of The Frame 2025 with a computer is not a significant problem. Let's start with gaming, as this is where this model demonstrates its strengths – support for 144 Hz signal, low input lag, and compatibility with G-Sync technology (for NVIDIA cards) make it hard not to regard it as a fully-fledged gaming monitor. It is one of the more interesting "PC gaming" televisions available on the market in this category.

When it comes to everyday work, the situation looks equally good. The Frame handles chroma 4:4:4 without any issues, resulting in good font readability and overall user comfort. We only noticed minor problems with dimming very thin lines and dark details on a light background – this effect may occur especially when working with small interface elements. However, in practice, with a 55-inch diagonal screen and standard office working distance, it will be difficult to realistically notice this problem. Nonetheless, it is worth keeping this in mind if the television is to serve as a monitor not only for entertainment but also for precise work with graphics or text.

The LG B6 also works very well as a computer monitor. Low input lag, support for VRR, G-Sync and FreeSync, and a high refresh rate mean there's little to criticise about it for gaming. Compared with more expensive models it only lacks additional modes with even higher refresh rates. In the best OLEDs and some LCD TVs you can now find even 240 or 330 Hz at lower resolutions. The B6 doesn't have that, but for most people it won't be a big loss.

The subpixel structure of the WOLED panel may be more significant. Because it uses four subpixels, small fonts in Windows are not perfectly sharp and you can sometimes see subtle coloured fringes around them. For occasional web browsing or general computer work this is unlikely to be a problem. However, anyone planning to buy a smaller variant, for example a 48-inch model, and use it as their primary monitor at their desk should bear that in mind.

As could be expected from a VA panel, the viewing angles on The Frame 2025 are at best mediocre. The image loses saturation and contrast when moved off-axis. It's a pity because we are talking about a model that displays digital artworks in standby mode – and it is precisely in such moments that wide viewing angles would make the most sense, enhancing the experience of engaging with a real image rather than just its screen imitation.

Perhaps in the future, manufacturers will decide to introduce special coatings or modified versions of VA panels that improve this aspect – because for lifestyle televisions, it would have real significance not only in terms of functionality but also aesthetics.

Viewing angles on the LG B6 are very good, which is typical for almost all OLED TVs. Even when viewed from a wide angle the image retains high colour saturation and does not noticeably lose brightness. In this respect, only models with QD-OLED panels really perform better. However, there is one thing worth mentioning. Some WOLED panels may show a slight greenish tint at very wide angles. This is not a rule. Some units exhibit this effect more, others hardly at all. It depends on the individual unit.

One of the most characteristic elements of The Frame is its matte display – and it must be said that Samsung has really refined this aspect. From our experience, it is one of the best solutions for suppressing light reflections, especially direct ones. If screen reflections can be irritating, it will be difficult to find a better display in this budget than the matte panel used in Samsung TVs. Of course, this comes with a certain compromise. In very bright sunlight, colours may appear slightly washed out, and the image loses a bit of depth. However, it is something we consciously accept when choosing a matte screen – something for something. In practice, the colours and contrast on Samsung's matte screen are still better than on Chinese designs such as the TCL NXT Vision or Hisense Canvas TV. If effective suppression of reflections and the desire to use the television also as a "digital picture" in bright rooms is a priority, then there is hardly a better choice.

The Frame achieves around 600 nits of brightness, which combined with the matte finish allows the television to perform well in brightly lit daytime conditions. It may not be at the level of flagship models, but in everyday use – in a living room with plenty of light – it handles it without any problems.

In the case of the LG B6, one of the biggest changes comes from the new OLED SE panel. The TV is slightly brighter than its predecessor, but at the same time it is worse at dealing with direct reflections. The reason is a less effective polariser, so reflections from windows or lamps are less well suppressed and blacks in a bright room can look slightly lifted. LG tried to partially mask this effect with a satin screen coating. It does help to gently diffuse reflections, but it does not eliminate them as effectively as the solutions used previously. And in this respect the B series falls furthest behind the previous generation. By day the screen no longer looks as clean, and strong light sources can be clearly reflected on the panel. That does not, of course, mean the B6 is unsuitable for a bright living room. The higher screen brightness helps to cut through ambient light and during normal viewing the picture remains readable. The problem starts when there is a large window or a bright lamp opposite the TV. In those conditions the B6 does not perform at its best. It is therefore best suited to a room where you can at least partially control the light falling directly on the screen.

Classic Television Features

In terms of classic features, The Frame does not stand out particularly from the competition. There are no options for recording to USB or PiP (picture-in-picture) functionality, which may be disappointing for some users. On the other hand, the television allows for simultaneous use of speakers and headphones, which can be useful – especially for older users. The EPG, or electronic programme guide, is quite readable, and despite the lack of conventional buttons on the remote, we were able to access teletext. In everyday use, the basic functions operate smoothly and without significant complaints.

Smart System – Tizen and Applications

The Frame 2025 runs on the Tizen system, which has long been regarded as one of the most refined Smart TV solutions on the market. This system is designed with the idea that devices are more than just a television – and it has been constructed with that spirit in mind. Tizen offers full integration with external devices – supporting both Apple AirPlay and Miracast. With the SmartThings app, it is possible to control not only the television but also other devices within the smart home framework. Since last year, Samsung has also been developing its own voice assistant with support for the Polish language, which significantly facilitates operation. However, the greatest strength of the Smart system in The Frame remains the Art Gallery application. Although access to it is paid (in the form of a subscription), it offers the best scans of works of art available on the market – referring to scans, not ordinary photographs. As a result, the effect of a digital painting hanging on the wall is markedly better than in any other lifestyle television.

Smart TV: webOS

LG B6 uses webOS, LG’s proprietary platform. Its biggest advantage remains the way you control it. The supplied Magic Remote works much like a mouse; simply move your wrist to shift the cursor across the screen and point at the items you want. At first it may feel unusual, but it quickly proves very convenient, especially when typing text, selecting apps or navigating a complex menu. The remote itself is fairly minimalist and does not offer many traditional buttons, but cursor control largely makes up for that. On the other hand, if you do not want to wave your hand to enter letters, you can always speak the desired phrase into the remote and the AI voice assistant will suggest appropriate recommendations.

In terms of available apps it is hard to fault webOS. You will find virtually all the major streaming services here, as well as additional features such as AirPlay, screen mirroring and Chromecast. The TV therefore works well with both iPhones and Android devices. It is a shame, however, that the system does not run on the B6 as smoothly as on higher-end models. At times it can respond with a slight delay, and the home screen is heavily cluttered with recommendations, tiles and ads. That does not make webOS unusable, but it could certainly be more organised.

Classic features

By contrast, the traditional TV features perform very well, features many manufacturers seem to be gradually forgetting. The LG B6 allows, among other things, recording programmes to a connected drive or USB storage. The PVR function also works with a scheduler, so a recording can be planned in advance from the TV guide. This comes in handy when you want to save an episode, a match or another event broadcast during your absence. There is also a clear channel guide and efficient handling of terrestrial, cable and satellite TV. For people who still regularly use traditional television, the B6 is therefore a relatively complete device, provided the lack of teletext does not bother you.

During testing, we did not notice any major issues with playing files from a USB memory stick. The television handled both video materials and photos well. Of course, there are some exceptions – for example, a lack of support for the HEIC format (used by Apple devices) – but it is difficult to consider this surprising. One positive aspect is the full support for high-resolution photos – the television displays files with a high number of megapixels without any problems, which may be particularly significant for those looking to treat The Frame as a digital frame as well. However, during testing, we noticed a limitation regarding subtitles – the television only correctly handled files in .txt format. It is worth keeping this in mind and ensuring that the downloaded subtitles for films are saved in this format; otherwise, they may simply not display.

The LG B6's built-in player handles most common video files played from USB without much trouble. The TV also correctly supports subtitles and the most common audio formats, although it lacks DTS support. The situation is slightly worse for photos. The list of supported formats is rather limited and does not include, among others, HEIC, the format in which photos taken with an iPhone are saved by default. Such files therefore need to be converted to JPG beforehand, or you can simply use the AirPlay function.

For such a slim television, the sound is quite good. It is full, sufficient for everyday viewing, but without much excitement – typical for flat constructions. There is little bass, although at times it can be heard. The speakers in a 2.0.2 arrangement have a total power of 40 W (in the 55+ inch version). Unfortunately, the television does not support the DTS format, so for films with that sound, one has to rely on external equipment, such as a home cinema. A soundbar can be connected, and thanks to the Q-Symphony feature, the television plays along with it. Samsung also offers visually matched models for The Frame like S700D or S800D, but they are sold separately. (This shouldn’t surprise anyone😉).

In terms of sound, the LG B6 performs very similarly to last year's model. It still uses a 2.0 speaker setup delivering 20 W, which is perfectly adequate for everyday viewing. Dialogue is clear and the sound isn't bad, but there is no soundstage, dynamics or bass you'd expect from higher-end models. The TV supports the Dolby Atmos spatial audio format, but lacks DTS:X. The main problem, however, isn't the speakers themselves but the settings. Compared with its predecessor, many of the options for tailoring the sound to your own preferences have disappeared. A few presets remain, including AI and Standard, but the ability to fine-tune the sound is much reduced compared with a year ago.

Samsung The Frame 2025 (LS03F) vs LG OLED B6

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Classic Television Features

Smart System – Tizen and Applications

Smart TV: webOS

Classic features

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements