Samsung S90D / S94D 48" (WRGB OLED) vs LG OLED C6 (WOLED)

In the tested film scenes, the television Samsung OLED 48 S90D achieves impressive brightness results, surpassing 800 nits in the first four shots, which can be considered a very good result. In the case of the final shot, where a fullscreen flash of sunlight is visible, the brightness drops to around 400 nits, but still remains at an acceptable level. However, it's worth noting that this model in larger sizes offers higher values, exceeding the "barrier" of 1000 nits. Additionally, speaking of the DCI-P3 colour space coverage at 97% is an excellent result, which guarantees extremely rich and realistic colour reproduction, further enhancing image quality. However, once again it should be remembered that the panel in the 65' variant equipped with a QD-OLED panel will be even better in this aspect. For those hesitating in choosing the size of the S90D model, it is worth mentioning that the larger versions of this television offer better HDR effects, and consequently, higher scores in our tests.

The HDR performance of the LG C6 is really very good. LG Display's new WOLED panel has primarily brought a considerable increase in brightness. In our unit we measured around 1,500 nits and, importantly, the TV can deliver similar values in many typical film scenes. That gives the HDR the necessary impact. Bright highlights, lamps and sunlight can be really intense, and most HDR films simply look very impressive. Of course it's still an OLED, so brightness falls in scenes with a lot of white. This is well illustrated by the fifth scene in the film The Meg, where the C6 reached around 600 to 700 nits. That's still a very good result, but it also shows that the new panel hasn't shed all the limitations typical of OLEDs.

Colours

When it comes to colours, there is also little to complain about. The C6 covers about 99% of the DCI-P3 gamut and roughly 75% of BT.2020. In practice the colours are very saturated and, importantly, stable across different scenes. This is worth emphasising, because not every TV behaves the same in this respect. In some RGB Mini LED models colour saturation can depend more strongly on image brightness. A wider colour palette is nowadays offered mainly by QD-OLED TVs and new SQD models with a new generation of quantum dots. However, the C6 still performs very strongly here and is able to produce suitably saturated colours in most film scenes.

The S90D Samsung television has been tested in Filmmaker mode, which offers good colour reproduction, although with some imperfections that may be noticeable to more demanding users. This mode can seem overly warm, and users switching from Standard mode may experience a slight shock. It's worth noting that this state of affairs is caused by poor settings, such as in the white balance, rather than the Filmmaker mode itself. In both SDR and HDR content, the device shows drops in blue, causing colours to become warmer than they should be. In practice, this means that some shades, such as sky blue or skin tones, may appear less natural and more tinged with pink or yellow. The Colour Checker test confirms these deviations, showing shifts towards warmer tones. In SDR content, the gamma graph indicates slight fluctuations, causing the image to be minimally darker, especially in shadows. This may affect less distinct details in darker scenes. Conversely, in 4K HDR materials, the EOTF curve is situated above the recommended line, leading to some parts of the image being displayed too brightly, which can cause clipping in the brightest areas. Overall, the Samsung S90D presents a solid image right out of the box, but for the best results, especially with more demanding content, additional calibration is recommended.

Right out of the box the LG C6 is pretty well set up, especially if you choose Filmmaker mode. In SDR material the white balance is decent, although as brightness increases it starts to lack a bit of red. The picture becomes a little cooler as a result, but it’s not such a big difference that it stands out during normal viewing. More happens in the brightness response itself. Gamma is a bit low and instead of holding at 2.4 it sits closer to 2.1–2.2 over much of the range. In practice the C6 slightly brightens midtones. Shadows are therefore more readable, but the image loses some depth compared with how it should look in a dark room. In HDR the situation is a bit more interesting. The start of the grayscale looks very good, but from about 20–30% brightness the white balance starts to drift more and more. As brightness rises there’s more red and a noticeable lack of blue. In the brightest highlights the difference is already significant and also affects reproduction of some colors. The EOTF curve itself is handled fairly well over most of the range. The C6 only has a tendency to slightly brighten the image, which we also saw during our film comparisons. The largest deviation appears around the brightest highlights, where the TV begins to adapt the signal to the panel’s capabilities. So the out-of-the-box Filmmaker mode in HDR isn’t perfect, but overall it performs well. The biggest room for improvement is the white balance, especially at high brightness.

After calibration, the television Samsung OLED 48 S90D in film mode looks even better than one could have presumed. The white balance, for both HD and 4K HDR content, has been improved to nearly perfection. Although minor errors can still be noticed, they are so minimal that they do not significantly affect the quality of the image. The colours are more balanced, which translates to a natural representation of details, particularly in scenes requiring a precise colour palette. It is worth adding that this model in the 48' size is equipped with a WOLED panel that has a different characteristic compared to larger sizes and has a smaller coverage of a wide colour gamut, not offering such rich colours as, for example, the 65-inch version, which is fitted with a QD-OLED panel.

The contrast has also undergone significant improvement. The gamma graph after calibration is much closer to the expected line, providing a better balance between the bright and dark parts of the image. The EOTF curve, which before calibration showed issues with overexposed scenes, now displays better results. This effect allows for greater detail preservation in the bright parts of the image, especially in HDR material.

LG TVs have been very receptive to calibration for years and the C6 is no exception. After adjustment the white balance was set almost perfectly, and most colour errors dropped to values below 3, often even around 2. In practice this means very accurate colour reproduction, both in SDR and HDR. An interesting quirk only appeared with the luminance response in HDR. On a standard EOTF chart everything looks almost ideal and at first glance it would be hard to criticise. Only when we measured the TV's behaviour with filters based on actual film scenes did it become clear that the C6 has a slight tendency to artificially boost image brightness.

This is not a huge difference and many people may even view it positively, because HDR consequently looks a little more striking. From the perspective of fidelity to the source material this is not ideal, however, as some scenes are simply a touch brighter than the filmmaker intended. Interestingly, this is rather unusual for LG. In previous generations the brand's TVs typically stuck very closely to the reference picture characteristic after calibration. With the C6 we are still very close to the standard, but this subtle brightness boost is indeed noticeable in films and TV series.

The Samsung OLED 48 S90D television performs very well in smoothing tonal transitions. Thanks to the applied technology, the transitions between colours are more fluid and natural. There is also the option to use the noise reduction function, which further smooths tonal transitions, which can be useful in certain situations. However, it is worth remembering that enabling noise reduction can also lead to the smoothing of desired film grain, which in turn can reduce the cinematic atmosphere of the image. For this reason, caution is advised when using this function, as it is better to leave the natural grain that adds character and authenticity to the content being viewed.

Samsung, as always, does not disappoint and excels at scaling images from lower resolutions. The S90D OLED 48 Samsung television effectively processes lower resolutions, as seen in the visible image. The outline of the model is clear and correct, looking natural and detailed as a result. Moreover, the branches of trees are well replicated, showing no strong jaggedness that could detract from the quality of the image. Thanks to effective scaling, even lower resolution materials look attractive on the screen, satisfying users who prefer a variety of content sources such as regular aerial/cable television.

Here the LG C6 has taken a real step forward. The TV uses the same processor found in the flagship G6, and in terms of image processing the two models are very similar. That's a considerable plus, because in this area LG's processor this year performs excellently. The "Smooth Gradation" function in particular works very well. With heavily compressed material it can effectively hide ugly banding and artefacts that often appear, for example, in lower-quality streaming. It's best to leave it set to "Low". That way the improvement is clear and the TV does not yet start blurring fine details. Higher settings smooth the image more aggressively but can already remove some of the natural texture of objects on the screen. Upscaling itself also performs very well. Lower-resolution content is sharpened correctly, edges look clean, and the processor quite effectively reconstructs fine details. In this respect the C6 is already very close to LG's best TVs and the differences compared with the G6 are small.

The S90D television is equipped with a 120 Hz panel, with the possibility of "overclocking" to 144 Hz with the appropriate PC configuration, ensuring exceptional motion fluidity. For years, Samsung has offered a variety of image sharpness settings on a ten-point scale, allowing users to customise the display to their preferences. In the UFO test, thanks to the use of an OLED panel, there is no sign of any blurring. The pixel response is instantaneous and perfectly captures dynamic movements. In this aspect, OLED technology is considered one of the best on the market. The image is incredibly sharp and detailed, even during fast action, making the S90D OLED 48 Samsung television an ideal choice for gamers and sports enthusiasts.

LG C6 received a panel with a maximum refresh rate of 165 Hz, which is great news above all for gamers using a powerful PC. In films, sport or on consoles we will of course make use of up to 120 Hz, but even then it is hard to fault the motion clarity. As befits an OLED, the panel's response time is almost instantaneous. Moving objects therefore do not leave the characteristic smearing or trails that we can still see on LCD televisions. This is especially noticeable in sport and fast-paced games, where the picture remains very clean even during dynamic movement.

For films and television LG has also prepared the TruMotion motion smoothing system. In the user settings you will find two separate sliders. De-Judder primarily addresses low frame-rate content, that is mainly films and TV series at 24 fps. You can use it to slightly reduce the characteristic judder or set a higher value if you want a very smooth image. De-Blur is useful for higher frame-rate material, chiefly sports broadcasts and 50/60 fps television.

The Samsung OLED 48 S90D television is excellently tailored to the needs of gamers, offering four HDMI 2.1 ports that support features such as Auto Low Latency Mode (ALLM), Variable Refresh Rate (VRR), and HGIG (HDR Gaming Interest Group). With these technologies, gamers can enjoy smoother gameplay and faster screen responsiveness, significantly enhancing comfort during long gaming sessions. Additionally, the Game Bar feature allows for easy adjustments of settings such as screen ratios, which can be particularly useful in various types of games. For PC users, the television offers an impressive refresh rate of 144Hz, and Nvidia and AMD graphics cards support G-Sync and FreeSync, further improving image fluidity. Although the lack of Dolby Vision support may be a downside, it is worth noting that this technology is not as widely used in games as it is in films. Nevertheless, the S90D still offers excellent features for gamers, making it an outstanding choice for those seeking high-quality visuals and advanced gaming technologies.

LG has long focused heavily on gamers, and the C6 really lacks nothing important. The TV supports 4K at 120 Hz from consoles, and when connected to a PC it can run at up to 165 Hz. There is also VRR from 40 to 165 Hz, ALLM and a properly working HGiG. A big plus is support for Dolby Vision in games, so the Xbox Series X can use that format without giving up Game Mode. It's rounded off by a Game Bar, from which you can quickly check key signal parameters and change settings without leaving the game. In terms of features, the C6 is therefore one of those TVs that is really hard to fault. Whether you're gaming on a PlayStation, an Xbox or a PC, practically everything you could expect from a modern gaming TV is available here.