Samsung S85D vs Sony BRAVIA 5 (XR5)

Brightness is a key parameter in televisions, and the S85D Samsung model offers levels comparable to other OLEDs from a few years ago. Although it does not impress in this regard, its enormous advantage is the very competitive price. A peak brightness of 600 nits ensures good image quality in HDR conditions, giving users a taste of cinematic experiences in the comfort of their home. However, as with many budget OLED models, the biggest issue is very bright, full-screen scenes – in such moments, like the final scene from the film “The Meg,” the television can lose even half of its brightness, which is noticeable compared to more expensive OLED models. Despite this, the television offers impressive coverage of the DCI-P3 colour palette at 99%, allowing for vibrant and accurate colours to be displayed.

Looking at similar results in terms of blackness and contrast, we expected equally stable performance as last year's model when it came to HDR content. Unfortunately – and this needs to be said outright – there has been a regression here that is hard to overlook. The paradox is that the peak brightness of the Bravia 5 is impressive: in our synthetic tests, the television achieved around 1000 nits in HDR. Sounds great, right? The problem is that this power does not always translate effectively to all film scenes. When small, point-like elements appear on the screen, something that had usually been polished with surgical precision in Sony's case is this time noticeably lacking. The algorithms attempt to maintain deep black around small objects, but the side effect is that details can be dimmed to such an extent that they become barely visible. Just consider the example of the film Sicario 2 – in some scenes there, small light sources practically disappeared, as if someone had covered them with dark film.

Of course, not everything looks so dramatic. In simpler, brighter scenes, where the image is filled with more light, the Bravia 5 shows that it can shine: literally and figuratively. Then the television achieves values in the range of 600–800 nits, which we saw both in synthetic tests and during film screenings. The impression is really positive; the brightness adds dynamism, and the colours appear vibrant and fresh. However, there remains a certain dissonance. We feel a slight confusion because evidently something has gone in a direction it shouldn’t have. Technological progress – more zones, greater backlighting power – has not been supported by the well-crafted image management that we usually associate with Sony. Fortunately, there are elements that have not been worsened and are, in fact, at a very high level. We are talking about colour reproduction. Thanks to the application of the PFS filter, the colour palette coverage is excellent – around 97% DCI-P3 and 75% BT.2020. These are values that allow for truly broad colour reproduction, giving films a sense of naturalness and cinematic quality.

The Filmmaker mode on the Samsung S85D does offer quite good factory settings, but it is not free from errors, particularly evident in colour reproduction. The white balance chart for HD and HDR content shows clear issues – both red and blue colours are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish hue that can affect the perception of realistic scenes. The Color Checker test clearly shows that the colour samples deviate from expected values – for HD material, the colours can be overly saturated, with a noticeable shift towards green, which is also evident in the white balance chart. Conversely, for 4K HDR content, the colours appear too dull, lacking depth, making the image less appealing and natural. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

As for brightness, the gamma chart for HD content looks quite good; however, there is a noticeable jump at the end, exceeding a value of 2.4. While this is not a major issue in most scenes, in more demanding sequences it may affect the clarity of bright details. For 4K content, the EOTF curve, responsible for delivering brightness, turns out to be problematic. The initial part of the chart shows a small jump. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to loss of detail in very bright scenes.

Although Samsung S85D offers quite decent factory settings, especially in Filmmaker mode, it is worth considering manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

Sony Bravia 5 was of course tested in the best possible mode, which is the Cinema mode. Right out of the box, it provides the most natural colours, definitely better than anything offered by the "eco" or "dynamic" modes, which are more suited for a showroom display than for a living room. However, the Cinema mode alone does not mean we can always expect cinematic picture quality. With SDR content, we had virtually no major complaints – the slightly warmed white balance gave the scenes a somewhat golden tone, but it was nothing that was visually jarring. However, the problem arose with HDR material. Here, the colour reproduction simply looked poor. The white balance was heavily skewed – with an excess of blue and a clear lack of red. At times, it resembled the store's "super vibrant image" mode, where everything is overexposed and artificially boosted.

This situation also made brightness management seem overly aggressive. The EOTF graph clearly showed that the television had problems with overexposing many scenes right out of the box. And while we know what Sony televisions are usually capable of, it was difficult to remain indifferent here – thus we quickly decided to go for calibration.

After calibration, the Filmmaker mode on the Samsung S85D truly impressed. The white balance, regardless of the type of content, has significantly improved, resulting in more natural colours. The Color Checker test shows that colour reproduction errors are now minimal and rarely exceed acceptable values, which indicates accurate colour rendering. The factory colour reproduction left much to be desired, but the situation has now significantly improved – the colours are natural, precise, and look as if they were rendered exactly according to the creators' intentions. This is a huge step forward compared to previous generations, where colours were often distorted or too intense.

The brightness characteristics also benefited from the calibration – it is now more vivid and precise. The gamma, although fairly good previously, has become even more stable, providing a deeper, more natural image. The EOTF curve has been aligned, allowing details in dark areas to be more visible and the contrast more balanced. With all these improvements, the television delivers an image close to reference quality, greatly enhancing the enjoyment of watching films and HDR content.

After calibration, the situation changed dramatically. We managed to adjust the white balance so that entire scenes began to look more natural, and the image gained cohesion and elegance. In HDR, we finally got rid of that unwanted clipping effect that had previously marred some shots. Suddenly, it turned out that the Bravia 5 can extract significantly more from films than the “out of the box” impression suggested. Indeed, if we look at the graphs and compare them with the patterns, we can see that the beginning of the EOTF curve slightly deviates from the reference line. However, this is not so much a calibration error as it is a natural limitation of Mini-LED technology, which cannot be bypassed. Sony, instead of clinging to perfect black, prefers to prioritise the visibility of details – and in practice, it's hard to disagree with that. We would rather see the texture of the material on the screen than a pitch-black blob where all nuances are lost.

The calibration itself was truly beneficial. After about an hour spent on the settings, we felt that the image resembled that from the best cinema halls – of course on a home scale, but with the same sense of quality and refinement. And in such moments, we remember why we like Sony televisions: because when we fine-tune them, they can reward us with an image that captivates for long hours.

Samsung S85D performs excellently in scaling images and smoothing tonal transitions. Like in other Samsung models, the television offers three noise reduction modes: off, standard, and high. Although it effectively improves gradations, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. This grain often adds authenticity and a certain rawness to films, which is lost after smoothing. Removing the grain can make the image look too sterile and smooth, which detracts from the charm of the original film material. When it comes to scaling images, the Samsung S85D handles lower resolution content beautifully – the model in the picture and the branches in the background were displayed correctly, with no major issues with edge aliasing. The only noticeable drawback is the presence of overscan, which can sometimes cut off parts of the image, which may not please everyone.

Bravia 5 carries within it the genes of Sony, which have remained untouched – and thank goodness for that, because we are talking about absolutely remarkable digital image processing. It is no coincidence that for years it has been believed that it is televisions of this brand that set the standard for how a screen should handle lower quality materials. If someone still watches classic television, old films or YouTube in lower resolutions, here they get equipment that can transform such content into an unexpectedly pleasant experience. On board, we find several tools worth activating. The first of these is "digital noise reduction". Set to a medium level, it works perfectly – smoothing tonal transitions, which usually cause the most trouble in low-quality materials, while not introducing any artificial artifacts. Importantly, it also does not remove the filmic character, meaning the natural grain that is intentionally present in many productions. Another advantage of the Bravia 5 is the upscaling capabilities of the XR processor. The image displayed after scaling is soft, yet at the same time sharp and clear. The contours of characters are clearly visible, while backgrounds retain their structure without excessive artificial sharpening. It’s hard to find a better television for watching lower quality materials – Bravia 5 only confirms why Sony is regarded as a benchmark in this field.

As befits an OLED television, Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and fast response time, the television provides very smooth playback of dynamic scenes without visible ghosting. For movie enthusiasts, there is a feature called "Image Clarity Settings," which allows adjusting the fluidity of the image to individual preferences on a 10-point scale. Motion blur reduction enhances the sharpness of rapidly moving objects, while motion smoothing smooths out movement, eliminating the "judder" effect. This way, every user can set the appropriate level of clarity that best suits their taste, from a more cinematic effect to sharper, smoother movements.

Bravia 5 received a 120 Hz panel, which in itself sounds like an invitation to watch sports, fast matches, or spectacular action films. However, the real magic begins when MotionFlow – Sony's proprietary smoothness technology – comes into play. Thanks to it, we can adjust the character of the image to our own preferences. The "smoothness" slider allows you to transition from a cinematic feel with a slight "jitter" of the film frame to a nearly theatrical fluidity, where every ball in the match glides across the screen as if on a string. The higher the value, the smoother and more fluid it is; the lower it is, the more cinematic and natural it feels. In the options, we will also find an additional setting that Sony has called "clarity". This is nothing more than the BFI function (i.e., inserting black frames), which is meant to improve motion sharpness. It sounds great in theory, but in practice, one must use it with great caution. Why? Because all higher settings cause brightness drops of up to half, and in some cases, contour doubling also appears. Therefore, if we wish to use it, we recommend the lowest possible level – "1" out of the available ten. This way, we gain a bit better motion clarity without risking a loss of half the image brightness.

Samsung S85D OLED is an excellent choice for gamers, thanks to its many modern features that facilitate and enhance gameplay. The television has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about image quality or frame rate limitations. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) feature that automatically activates low latency mode when it detects a gaming device. This means you don’t have to manually switch settings – the television takes care of ensuring a fast response time, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are additional elements that make gameplay smoother. VRR adjusts the refresh rate to the number of frames generated by the console or computer, eliminating screen tearing and stuttering. This is particularly useful in dynamic games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung has introduced with gamers in mind, and it is worth appreciating. With it, the image in games becomes smoother – 30 frames per second look like 45, and 60 Hz gains in fluidity, creating an effect close to 90 Hz. At the same time, there is no significant increase in input lag, which remains below 25 ms, making this feature stand out among others available on the market. Gamers can enjoy a smoother image without worrying about a decline in responsiveness.

Samsung has also ensured something extra – the television has a built-in Xbox Game Pass app, which means you can play in the cloud without needing to own a console. This is a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is internet access, and you have a huge library of games at your fingertips. This makes Samsung S85D a fantastic choice for both casual gamers and those who are more advanced.

In the Bravia 5, there is a significant improvement compared to the X90L model from two years ago. The television offers literally everything its predecessor had, but this time the issues that could frustrate gamers have been fixed. The problems with setting variable refresh rate (VRR) have disappeared, and there are no longer any issues with configuring HDR content in HGiG mode. In short: we get hardware that simply works as it should, without any fuss. Therefore, the Bravia 5 has everything you could expect from a modern gaming television – and it can be reasonably advertised with the slogan “ready for PS5.” This is a statement we couldn't make about the X90L model. Well done, Sony!

It’s just a shame that this relatively high-priced model lacks a full set of four HDMI 2.1 ports. In everyday use, this won’t be a problem for most people, but if someone has a console, soundbar, and additional equipment hooked up via HDMI, at some point there will be a need to choose or juggle the cables.