Samsung QN900D Neo QLED 8K vs Samsung The Frame Pro

The Samsung QN900D television demonstrates its high capabilities in light production in synthetic tests without any issues – 1400 nits is truly an impressive figure. It also showcased these capabilities in the first scene from the film "Life of Pi," where we see a brilliant burst of the rising sun. However, due to problems with the dimming algorithm, some issues can be noticed here. In the test scenes from "Sicario 2" and the second scene from "Life of Pi," these values are no longer as high and amount to around 500-600 nits. While this may not be the worst result among Mini LED televisions, one could expect more given the price of the television. Nonetheless, the television deserves praise for covering a wide colour gamut of DCP P3 at 96%. Although there are technologies offering higher values, this result is still satisfactory.

Samsung The Frame Pro is one of the relatively bright televisions. In synthetic tests, we managed to achieve values around 900 nits, which is quite a respectable result for a lifestyle model. In full-screen scenes, such as the board from the film The Meg or the initial sequence in Life of Pi, brightness maintained a level of 700–800 nits. These values allow you to fully enjoy the HDR effects and convey their cinematic magic. However, the situation becomes complicated when smaller, point light sources appear on the screen. The edge lighting used here, equipped with the ability to locally dim entire strips, does not manage these well. Sometimes, small elements are overly dimmed, which weakens the effect, or conversely – they are significantly brightened, but at the cost of losing the depth of black in that part of the image. This can be compared to light beams reminiscent of a laser beam spreading in dense fog – the effect is noticeable and bright, yet at the same time, it is quite unnatural and distracting. Fortunately, the colour aspect performs better. Thanks to the use of a quantum dot filter (QLED), colours are saturated, and the reproduction of the DCI-P3 palette exceeds 92%. Generally, films or series watched in HDR on The Frame Pro showcase a rich colour palette, even if contrast and the functioning of the dimming algorithms can sometimes distract us.

The television QN900D offers a Filmmaker mode that has been created with the intention of watching films in the most natural way possible, however, this mode is not without certain flaws. For HD content, the white balance shows a dominance of red and blue colours, causing the image to take on pink hues. In contrast, for 4K HDR content, the situation is the opposite – the decrease in blue and red levels warms up scenes and shifts colours towards yellow tones. This is confirmed by Color Checker tests, which clearly show that colour samples are veering in this direction.

As for brightness and the associated contrast, the gamma is significantly impaired. The biggest issue is a noticeable jump at the beginning of the graph, which indicates that dark details are excessively brightened, resulting in a loss of depth in the darkest areas of the image – this is due to local dimming. For 4K HDR materials, the EOTF curve looks quite good, however, it remains below the reference level, impacting the overall dynamics of the image.

We achieved the best results, of course, in Filmmaker mode, which immediately showed that Samsung had put effort into the factory settings. In SDR content – the type most commonly viewed – The Frame Pro performed really well. The white balance and gamma were almost perfectly matched, giving the image a natural and cohesive appearance. Admittedly, there were some noticeable errors, particularly in skin tones and reds, which could be overly saturated, giving everything a slightly "warmed-up" character, but this didn’t significantly detract from the viewing experience in everyday use. For HDR content, the situation was similar regarding the white balance. This was at a good level; however, the biggest issue turned out to be brightness management. The EOTF curve was set in such a way that in many scenes, the image appeared blown out, with the brightest areas losing detail and turning into uniform patches of light. This severely undermined realism and caused the colours to appear overly sharpened. Fortunately, Samsung provides the option for manual adjustment of the curve in their televisions, so we opted for calibration, and its results can be seen below.

After calibration, the Filmmaker mode can indeed be called worthy of its name. The white balance for both HD and 4K HDR content has been significantly improved, making colours more natural and consistent. The image has gained in realism, and pink hues in HD content have been effectively eliminated, as has the yellowish glow in 4K HDR content. Thanks to calibration, the television now offers much better colour reproduction, positively affecting the viewing experience.

As for brightness, the situation with gamma is now quite the opposite – at the beginning of the graph, there is a noticeable drop, making the darkest details harder to discern. The EOTF curve for 4K HDR content has remained largely unchanged and is still below the reference level, meaning the television still struggles to maintain proper brightness. This is related to the aggressive dimming algorithm that affects the overall brightness of the image. You can see how the television fights to maintain high brightness or perfect black.

Despite the limitations associated with local dimming, the Samsung QN900D has improved colour reproduction quality, as confirmed by the Color Checker test results – the colour samples are now much closer to the targets, making the image more natural and pleasing to the eye.

After calibration, the SDR mode looks absolutely perfect. We managed to eliminate the overly strong red saturation, which previously gave the image a somewhat excessively warm character. Colours have become more balanced, which resulted in a natural and pleasant reception of everyday content – from television to films and series from streaming or materials on YouTube. In HDR mode, the most work was required on the EOTF curve, which factory settings caused excessive brightening of the entire image. Calibration allowed us to largely "tame" this problem – the image stopped being overexposed, and details in bright areas became more visible. Of course, the limitations are set by the design of the television itself, as edge lighting reveals its constraints, and the smallest elements of light can still be overblown or blend into the background. However, this is a matter of technology, not just calibration. After the correction, The Frame Pro is significantly more enjoyable to watch, and it is certainly worth considering if you want to maximise the television's capabilities.

The fluidity of tonal transitions in lower-quality materials is impressive – the Noise Reduction feature effectively smooths tonal transitions while eliminating film grain. Although the removal of grain is not always desirable, the overall final effect looks very aesthetically pleasing, particularly for those who prefer a cleaner image.

When it comes to upscaling, or image scaling, QN900D shows the enormous potential of the new processor with AI technology. Images and materials in lower resolution are upscaled while preserving many details – for example, a photo of a model looks fantastic, free of unnecessary jagged edges, and the branches in the background are not overly jagged.

Although the fluidity of tonal transitions in 4K HDR materials on The Frame Pro is not a problem at all, naturally, with a weaker signal - television, HD materials, or older Full HD films - imperfections may arise. Therefore, it is crucial how the television copes with these limitations thanks to its image processor. The noise reduction function works really effectively here. At the medium setting, it eliminates unwanted bands or artefacts, smoothing the image in a noticeable yet not excessive way. However, it's worth noting that Samsung tends to be aggressive in its approach - even at the lowest level of this function, it can "consume" film grain. So it's advisable to use it judiciously and adjust the settings to the material being viewed.

The upscaling itself is at a high level. The Frame Pro can effectively enhance older materials to a native 4K resolution while maintaining good sharpness and readability. Films and series in lower quality simply look better here. However, it should be mentioned that there is a minor drawback - typical for many Samsung televisions. With very old sources of poor quality, you may notice clipping of the image edges on the left side of the screen. It's not a problem that will ruin the viewing experience, but it's worth knowing that it might occur.

Samsung QN900D is currently the fastest television in the world – literally. A refresh rate of 240 Hz in 4K resolution is an incredible value that PC gamers will surely appreciate. As for cinema fans, they will not be disappointed either – Samsung offers a 10-step clarity scale in the picture settings, allowing for image adjustments. We can choose whether the television should provide a smoother, theatrical effect at the highest settings, or a more cinematic experience, with visible frames, at the lowest settings.

The smoothness of motion in The Frame Pro is not only due to the matrix, which operates with a refresh rate of up to 144 Hz, but also the image processor and the smoothing system. It is thanks to this that we can adjust the way films or sports broadcasts are displayed to our own preferences. There are sliders for reducing blurring and reducing judder – the first function improves the sharpness of fast movements, while the second helps to soften the effect of a "jumping" image during camera pans. So, everyone can choose between a cinematic motion character and a smoother, more "television" style.

Samsung QN900D is a television that offers excellent compatibility with consoles and a range of features that gamers will appreciate. It has 4 HDMI 2.1 ports, although unfortunately without the full bandwidth of 48 Gb/s. Nevertheless, for the average user, this is more than sufficient. Additionally, the television supports Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), which means a smoother image and no screen tearing during dynamic gameplay. The G-Sync and FreeSync technologies also deserve attention, as they ensure optimal cooperation with consoles and computers equipped with the appropriate graphics cards, minimizing stuttering and providing a smooth image.

One of the unique features available only in Samsung televisions is the Xbox Game Pass app, which allows for game streaming without the need for a console. This is a very convenient solution that lets you enjoy your favourite games without the need to purchase additional hardware. Furthermore, the QN900D has a Game Bar – a special panel that enables quick access to game-related settings, making the configuration of game mode fast and intuitive.

Another interesting feature is a function called Auto Motion Plus Game, which is a special motion smoothing mode that can increase the frame rate (operating at a maximum for a 4K@60Hz signal). Importantly, this does not cause a significant increase in input lag, allowing the player to enjoy both greater image smoothness. All these features make the Samsung QN900D an excellent choice for those looking for a gaming television with the highest possible specifications.

Samsung The Frame Pro does not pretend to be just a “living room” television; here, gamers will also find something for themselves. The manufacturer has ensured a full range of gaming features: we have support for variable refresh rate (VRR), automatic low latency mode (ALLM), refresh rates up to 144 Hz, and compatibility with both G-Sync and FreeSync Premium Pro. Additionally, there is the well-known Game Bar panel, which is a quick menu where key parameters can be checked on the fly—from refresh rates to enabled image processing modes. Are there any downsides? Indeed, The Frame Pro does not support Dolby Vision in game mode, but this is hard to consider a serious issue—most gamers use HDR10 anyway... which means HGIG mode. Exactly. The biggest surprise turned out to be the latest software update. Samsung… completely removed this option from The Frame PRO. In practice, this means that the television independently interprets HDR tone mapping in games, and the user has no way to enable settings developed for consoles. This is a step backwards that may disappoint more knowledgeable gamers hoping for full compliance with HGiG guidelines. We can only hope that this issue will be resolved quickly.

An interesting feature of The Frame Pro is also the unusual arrangement of HDMI 2.1 ports. There are as many as five available—four are located in the One Connect box, and the fifth, in micro HDMI version, is directly on the television. This is quite an unusual solution, but rather practical. Samsung clearly suggests that this is the port to which you should connect your console or computer. Why? Because it minimises potential delays associated with communication through the wireless One Connect, and in the case of gaming, every millisecond matters. We have written separately about input lag, but it can already be revealed here that by connecting equipment directly to the television, we achieve the absolute maximum in response speed.