Compare: Samsung QN80F vs Blaupunkt UGC5500S

The QN80F is the first "eighty" from Samsung to enter the series of televisions with Mini LED backlighting. And it does this very well. Although the number of dimming zones isn't particularly impressive, the quality of black levels is solid, and combined with high brightness, it allows for a very decent picture in HDR content. Additionally, there's a 144Hz panel that ensures excellent motion fluidity, and the set of gaming features – VRR, ALLM, Game Motion Plus – makes the QN80F a model practically designed for those gaming on consoles or PC. The television operates quickly and responsively, and the Tizen system runs like lightning – whether you're searching for apps or switching sources. Is there anything to criticise? Of course, as always – there are shortcomings in the system (like USB recording), there's no DTS support, and Mini LED isn't without its limitations. But the QN80F is a fantastic television for everyday use – versatile, refined, and... with great pricing potential. Because looking at the history of this series, we can expect that this "eighty" will mix things up significantly once it hits the first sensible promotions. At that point, it could be virtually unmatched in its price range – especially if Samsung resolves the minor teething issues.

Blaupunkt UGC5500S is a textbook example of a very cheap television that has primarily two huge advantages: the Google TV system and an extremely low price. It is these two elements that make it an appealing option for many people. During testing, we also found a great alternative use for it, which is working with a computer. Thanks to the exemplary legibility of fonts and good viewing angles of the IPS matrix, Blaupunkt surprisingly performs well as an inexpensive monitor. However, one must be aware that this device is typically budget-friendly, and this cost-saving is evident in the image quality. The matrix is simply dim, making it difficult to excel in challenging lighting conditions, not to mention creating any real HDR effect. Additionally, despite good viewing angles, the black level on this model leaves much to be desired – in the evenings, it will be rather dark grey, which is a typical characteristic of the IPS technology used here. Viewed through the lens of price, this is a device that aims to compete in the market not based on image quality, but rather on the amount on the receipt. Blaupunkt UGC5500S will fit perfectly as an additional television in the home, equipment for the holiday home, or in a less important room where the image simply needs to be present, and we want to enjoy all the benefits and applications that Google TV offers.

QN80F is a representative of the Neo QLED series, meaning it is a television with Mini LED backlighting. Unlike its cheaper cousin, the QN70F model, the diodes here are placed directly behind the panel (rather than at the edges), which gives it a solid advantage right from the start when it comes to contrast control. In the 65-inch variant we tested, we counted 88 dimming zones – a result that may not be particularly impressive, but as it turned out, sufficient to achieve quite decent results.

In tests based on scenes from films such as Oblivion and The Meg, the QN80F performed well – blacks were deep, and the overall image consistency was visually appealing. However, in more demanding moments (e.g., scenes with a large number of bright details on a dark background), a halo effect appeared. This is where the limitation of the number of zones becomes evident – bright elements could bleed into one another, and some details in the dark areas lost visibility. In one scene featuring a helicopter (The Meg), we even noticed slight brightness flickering, as if the television was trying its best to maintain detail visibility at the expense of black depth.

However, these issues are not exclusive to this model – halo effects or drops in contrast during very complex scenes are challenges faced by most Mini LED televisions, even the more expensive ones. In its class, the QN80F performs positively and offers significantly better contrast than the QN70F model with edge backlighting. For most users, this will be a level more than sufficient – although not perfect.

To put it bluntly: when it comes to blacks, it is simply very poor. Our measurements on test screens have only confirmed what we saw with the naked eye – a result around 1000:1 is disappointing nowadays, even in this price range. In cinematic conditions, this "black" simply does not exist. To be more specific, we fired up one of our favourite test scenes – a helicopter flyover in “Sicario 2” (you can see this in the video we’ve included below). Instead of a pitch-black, deep night, we got an image that is... navy blue. Everything that should be dark and mysterious on screen actually shines a dark blue. This is the price we pay for using an IPS panel. On one hand, we get fairly decent viewing angles, so if you’re watching television with the whole family from different angles, the picture doesn’t lose much saturation. On the other hand, if you plan to have evening screenings with the lights turned off, this lack of contrast will hit your eyes from the first minute.

QN80F is quite a bright screen – in synthetic tests, it achieved nearly 1000 nits, which allows for justified expectations regarding HDR content. And indeed, in many scenes, the television can truly shine. Sequences with a lot of light – like shots from the film Life of Pi or wide, bright surfaces in The Meg – look impressive. Brightness remains around 700 nits, which provides a solid effect, sufficient to feel the true "HDR magic." Unfortunately, not every scene looks that good. In materials with small, bright details on a dark background, such as in Sicario 2, the television has issues – it can significantly dim certain elements, sometimes to the point where they disappear from the image. This is the result of a limited number of dimming zones, which forces the device to make compromises: either maintain inky blacks or sacrifice some detail. QN80F usually chooses the former. As a consolation, there is quite decent coverage of a wide colour gamut – DCI-P3 at 93%. This is not the highest score on the market, but it is more than adequate for most content on streaming platforms.

Here, too, we will not mince words – if you are looking for a television strictly for cinematic experiences in HDR, you have come to the wrong place. The Blaupunkt UGC5500S is unfortunately not a machine designed for such challenges. This is primarily due to its very low brightness, which we measured during our tests. A result of around 250 nits on film scenes speaks for itself. It is simply too little to even talk about any real HDR effect. Quite frankly, everything displayed here in this format can be confidently regarded as a somewhat “enhanced” SDR mode. We expected this, as virtually every device in this price range falters in this area, but we feel obliged to warn you about it. Manufacturers love to boast about HDR compatibility with stickers on their boxes, but in reality, this format simply does not exist here – it lacks the “fuel” of brightness.

The situation is particularly difficult for Blaupunkt, as we are dealing with a panel that has a very basic coverage of the DCI-P3 colour palette, reaching only about 80%. You will not find any advanced coatings to extend these capabilities (such as quantum dots), which means that scenes that should ideally burst with richly saturated colours appear simply under-saturated on this screen. Therefore, we have a specific piece of advice for you: do not force the HDR mode on this model. If you have the option in the streaming app settings – simply turn it off. By sticking to the classic SDR mode, you can be sure that the television will not attempt to “enhance” something that it cannot handle hardware-wise.

We test televisions always in the best available factory mode – in the case of the Samsung QN80F, this is the Filmmaker mode, and indeed, it is this mode that offers settings closest to the creators' intentions. However, this does not mean that everything looks perfect. In SDR content, the biggest problem turned out to be an unbalanced white balance – slight deficiencies in green and a noticeable excess of red led to discernible colour errors, one could even say a pinkish tint on the screen. This was well demonstrated in the colour checker test, where the colours 'escaped' beyond their target fields – to the extent that even a sensitive viewer's eye could catch this without the aid of a meter.

In HDR content, the white balance was much better, but another issue arose – brightness management. The EOTF curve resulted in an overly bright image for most of the time, which could affect the perception of contrast and caused the screen to subtly 'flicker' during dynamic light changes. We have already written more about this in the paragraphs on black levels and HDR. Fortunately, Samsung leaves the user with plenty of options. The QN80F offers a rich set of calibration options, including a 20-point white balance – therefore, we decided to check what this television is really capable of after proper calibration.

We also took a close look at how Blaupunkt handles colours in movie mode, and here the matter is, in short, twofold. Once again, we need to clearly separate what we see in standard SDR format from what happens when HDR is turned on, as these are two entirely different worlds. Let’s start with the better side of the coin. If you plan to watch classic television, YouTube, or older films on this television, you can count on really reasonably well-tuned colours. In our test unit, the white balance in movie mode performed exceptionally well, which honestly surprised us. Of course, to avoid being overly optimistic, we did notice some shortcomings. Looking at the gamma charts, we observed that the processor struggles with appropriately dimming the image in its brightest areas. Additionally, there is quite a strong, at times excessively aggressive red saturation, which resulted in visible errors in reproducing certain shades. Nevertheless, in general terms, the image in SDR is simply solid and can be watched without a grimace on one’s face. Unfortunately, the charm disappears the moment we again enter the HDR world. Here, Blaupunkt behaves as if we suddenly switched it to shop mode, and in its worst version. The excess blue in the white balance is so significant that it is almost blinding, ruining any realism of the scene. Moreover, the television interprets brightness very loosely, which, when analysing the EOTF curve, clearly showed that for most of the time, the colours appear simply washed out and lacking in depth. This is, by the way, perfectly visible through the colour errors that become evident in this mode. Once again, we are left with the same conclusion: Blaupunkt in SDR mode looks significantly better and more natural than in HDR, which feels forced and lacking appropriate refinement.

After conducting a thorough calibration, it was possible to bring most of the image parameters to a really good level. The white balance in both SDR and HDR is nearly perfect – the picture is natural, neutral and devoid of the previously noticeable redness. The colours have gained depth, and the overall visual reception has become more pleasant and cohesive. It was also possible to partially master the brightness management, which in the factory version could be problematic. The EOTF chart shows that the television performs significantly better with brightness after calibration – there is no longer excessive dimming of certain elements. In films, it can still be noticed that the QN80F has a tendency to slightly brighten the smallest, light details – however, this is the effect of the device's design and the limited number of dimming zones. In short: not everything can be overcome, but what could be has been improved. After calibration, the QN80F makes a really good impression; it simply looks more mature and professional.

It may sound like a joke – pulling out professional measuring equipment for a television costing around a thousand złotys / 250 dollars, but we wouldn’t be ourselves if we didn’t check it out. The question is: does such cheap equipment give us any room for manoeuvre when it comes to calibration? To your surprise, the answer is: yes, and very much so. In the Blaupunkt UGC5500S menu, we found surprisingly many options that allowed us to really work on the picture. These are not just empty sliders; they are specific tools that we could utilise using our measuring sensors and software. In SDR mode, the effects were visible to the naked eye. We successfully eliminated the problem we mentioned earlier – that excessive, almost artificial red saturation. We also fixed the issue of improper dimming in the brightest parts of the image. After calibration, the standard format image became significantly more balanced and simply correct. When it came to HDR, the situation was again more complicated. While we managed to 'tame' that aggressive blue tint in the white balance, it was clear that we were fighting somewhat in vain. Even after adjusting the settings, the television still tried to interfere with the image in its own way, as if the electronics knew better than us how the scene should look. Additionally, there is a hardware barrier that no slider can overcome – colours in HDR still remain under-saturated. This is simply due to the quality of the panel itself; it physically cannot produce the most vibrant colours. To sum up this topic: if any of you ask whether it is possible to calibrate a television for a 'thousand', we answer with full conviction: it is possible.

In this respect, the QN80F truly impresses. The transitions between colours are smooth, nothing is torn, and there are no annoying stripes in the sky or strange blotches in the shadows. Film scenes in darker tones performed particularly well – and this is where most televisions tend to struggle. If one is very determined, they may notice slight banding in the brightest sections, but that is really stretching for an issue. In everyday viewing, no one should have a problem with this. To put it plainly: the tonal transitions are so good that one can forget about them – and simply enjoy the film.

Looking at our test photographs, it's really hard to criticise anything. Most of the colours in the attached images blend together almost perfectly, creating smooth gradients without noticeable "steps". And indeed, in most scenes where we captured these shots, it looked surprisingly good. However, the problem arises when we stop analysing still frames and simply start watching the films. In motion, the situation changes dramatically. During dynamic scenes on screen, artefacts begin to appear, which are a direct result of simply using a poor image processor here. Unfortunately, a static photo cannot convey this "jarring" of colours, but you must take our word for it: what looks clean and smooth in the picture can stand out harshly during the screening and is simply annoying. This is precisely why we have a rather low rating in this category.

If, while watching lower quality materials – for example from YouTube – we notice strange colour transitions or unwanted artefacts, it's worth checking the settings and turning on the noise reduction feature. In our opinion, the best setting is at “medium” – it effectively smooths out problematic colour transitions while not blurring the entire image too much. However, one must know this: this option tends to remove film grain. If someone cares about preserving this effect (e.g. in older films), it’s better to simply turn it off – regardless of the level, the grain always disappears.

When it comes to resolution scaling (or so-called upscaling), Samsung – as usual – performs very well in this area. The QN80F may not compete with top models costing tens of thousands, but for its price class, it really does impress. Materials of very low quality (e.g. from SD television or older video files) are noticeably improved and look surprisingly decent. The only noticeable drawback is the typical Samsung issue with overscan – that is, slight cropping of the image edges in very low resolutions, e.g. 576p.

If you expect the processor in this model to magically "fix" the poor-quality signal from cable TV or old films from YouTube, we must disappoint you. The capabilities of this television end at absolutely basic upscaling, which is simply stretching the image to a higher resolution. It does this adequately in that the image is not blurry, but there's no mention of any intelligent sharpening or adding details here. Worse still, Blaupunkt is completely devoid of any features for reducing unwanted tonal transitions. If the material being watched has what is known as banding (that is, ugly "steps" instead of a smooth transition of colours, e.g., in the sky), this television will display it in all its glory. Additionally, the television has a tendency to slightly crop the edges of the image. Instead of displaying 100% of what the source sends, Blaupunkt slightly enlarges the frame, causing us to lose details at the very edges of the screen. In summary: in the category of digital "enhancing" of images, Blaupunkt simply performs poorly. We receive a raw, unprocessed signal, with all its flaws.

QN80F is truly a "fast" television. The applied panel offers a refresh rate of up to 144 Hz, which in practice means that the screen keeps up with the action – whether we're watching a film, playing games, or browsing dynamic content online. The image doesn’t stutter, isn’t excessively smeared, and overall looks simply smooth and pleasing to the eye. Of course, the manufacturer hasn’t forgotten about cinema fans – in the settings, we’ll find an option to adjust motion smoothness, allowing us to tailor the effect to our personal preferences. We can maintain a more "framey" appearance (for those who enjoy the classic cinematic vibe) or ramp up the smoothness to a higher level for a theatrical smoothing effect. Importantly, the choice is ours. Watching films and playing on the QN80F is simply a delight.

When it comes to motion fluidity, Blaupunkt has nothing to defend itself with. A 60 Hz panel at this price is standard, so none of us were expecting an impeccably sharp image in fast action scenes or during a match. However, the biggest drawback of this model is that you won't find any digital motion smoothers in the menu. The manufacturer has not given us any room for manoeuvre – nothing can be smoothed out or adjusted to our personal preferences. The image is always "raw," and we receive it exactly as the source transmits it. For fans of cinematic "jumping" of the image, this might be good, but the rest of us simply have to get used to the lack of any motion enhancement.

Samsung QN80F is a television that delivers on almost every front when it comes to gaming. We have a 144 Hz panel, four fully-fledged HDMI 2.1 ports, support for gamers in the form of Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM), and even one of the best-designed game bars on the market. The cherry on top is the motion smoother, which – uniquely in the world – works in games without significantly increasing input lag. Sounds like an almost perfect television for gamers? And indeed, it is almost that.

[UPDATE] We have updated our reviews of Samsung televisions from the 2025 model year due to the release of firmware version 1131, which restored the critical gaming feature HGiG.

As usual, Samsung does not support Dolby Vision in games, but that no longer surprises anyone. However, it is much more surprising that... ~~the HGIG function has disappeared~~ – the system that allows the console (e.g. PlayStation 5 or Xbox Series X) to precisely adapt HDR tone mapping to the capabilities of the television. In the latest firmware update for the 2025 models, this option simply vanished. It looks more like a mistake than a deliberate move, but it must be honestly noted that ~~at the time of writing the review, the HGIG function is simply not available~~.

And it is precisely because of this one absence that the QN80F shifts from being nearly perfect for gamers to being 'almost' perfect. It's a shame – because everything else suggested that Samsung could raise the bar very high again in this generation.

When it comes to gaming on the Blaupunkt, we weren't expecting miracles, and indeed – the list of features is not very long. However, there are two interesting points worth mentioning, as they might be significant for some of you at this price. The first plus is that the TV quickly detects the connected console. Thanks to the ALLM (Auto Low Latency Mode) feature, the device knows when you start gaming and automatically switches to low-latency mode. This is convenient because you don't have to fiddle with settings each time to prevent input lag from ruining the fun. The second point is a genuine surprise that caught us off guard. Although it has a 60 Hz panel, the Blaupunkt can display images at 120 Hz at Full HD resolution. Sure, you lose the details of 4K, but for those playing more dynamic, online shooters where smoothness is more important than resolution, this is a really nice and unexpected addition in such an inexpensive device. Besides these two points, you won't find anything more here. There are no advanced smoothness enhancement systems for gamers or extensive gaming menu bars. This is a simple screen for occasional gaming.

The QN80F does not disappoint when it comes to response time. The input lag for 120 Hz content drops below 10 ms, which can be considered an almost perfect result – it is hard to expect more in this class of TVs. Gaming is smooth, responsive, and without delays that could annoy even the most sensitive players. For 60 Hz materials, the lag is higher, around 19 ms, but this is a completely natural phenomenon and still falls within comfortable limits.

An important point for every gamer is, of course, input lag, which refers to how quickly the television responds to our movements on the controller. Here, Blaupunkt has something to brag about, although the results are quite specific. At 4K resolution, the lag is just 12 ms. That's an excellent result. With such low lag, gaming feels simply phenomenal, and the response is almost instantaneous. It is a pity, however, that the situation changes when switching to 1080p mode. Here, the input lag increases to about 30 ms. To be clear: this is still not a terrible result. For most people, it will be "more than acceptable," and during casual gaming, you probably won't even notice it. Nonetheless, it is a shame that such good parameters could not be maintained as we saw with full 4K. Nevertheless, in the overall assessment, as a budget screen for consoles, Blaupunkt performs quite admirably in this regard.

Playing on the QN80F with a connected computer is pure pleasure. The television effortlessly works with NVIDIA graphics cards (thanks to G-Sync support) and AMD (thanks to FreeSync Premium), and the 144 Hz refresh rate only enhances comfort during dynamic gameplay. Everything works immediately, without unnecessary fiddling with settings – exactly as it should.

When it comes to work, it is also very good. The readability of fonts is at a high level, and texts appear sharp and clear. With very thin horizontal lines, some minor imperfections in shading can be noticed, but honestly – you really have to look closely. Unless, like us, you sometimes enjoy looking at the screen with a magnifying glass… then you might spot something 😉.

If you plan to connect a computer to this television, it is absolutely crucial that you find and enable the PC compatibility option in the menu. Once you do that, magic happens – the implementation of Chroma 4:4:4 and font readability jumps to an exemplary level. The readability of text is simply excellent here. Of course, our editorial meticulousness would not allow us to pass by this equipment without taking a look "under the hood." During very specific tests with thin, dark text, we noticed that the horizontal and vertical matrix masks differ slightly in brightness levels. However, we want to reassure you: this phenomenon is so subtle that during normal use, such as writing emails or browsing the web, you would not be able to notice it with the naked eye. We maintain our opinion that as a monitor strictly for dynamic PC gaming, it is not the ideal choice (as we mentioned in the context of the 60 Hz refresh rate), but if any of you are wondering whether you can comfortably work on such a Blaupunkt – we answer: yes, it is absolutely possible.

QN80F, like most TVs with a VA panel, does not impress in terms of viewing angles. All it takes is a slight lean to the side to notice a significant drop in brightness and lost colour saturation. The picture loses its "depth" and "vibrancy", and darker scenes may appear slightly washed out. However, this is a typical characteristic of VA panels, which provide significantly better native contrast than IPS panels in return. In short: something for something. If you are sitting directly in front of the screen, there will be no problem. But when watching together in a larger group, it is worth keeping this in mind.

It’s really very good here. Whether we were sitting directly in front or on the edge of the sofa, the colours did not lose their saturation. This is a big plus if you plan to watch matches or films with a larger group – no one will complain that the picture looks worse for them. Although IPS panels are known for their good angles, in this particular model, when viewed from a sharp angle, the picture noticeably loses brightness. Interestingly, the colour saturation remains intact, but the screen simply becomes darker. This is not something that disqualifies this television, but it’s worth knowing.

The QN80F is truly a bright television. The average brightness in SDR content is around 550 nits, regardless of the scene, which in practice means that you can comfortably watch content even in a well-lit room – and you don’t have to close the blinds every time you turn on a film. The new satin coating on the panel also deserves praise, as it performs significantly better at reducing reflections compared to last year’s QN80D. Glare is less bothersome, and the screen maintains readability in various lighting conditions. It’s hard to find fault here – the QN80F performs simply excellently during the day.

In terms of daytime performance, Blaupunkt is simply average. It all comes down to the low brightness of the panel, which – as we have mentioned, hovers around 250 nits. This is definitely too little for the screen to "break through" the strong light coming into the living room. As a result, under strong sunlight, the image loses clarity and appears somewhat washed-out. However, there is one bright spot in this category, the satin finish of the panel. Thanks to this, we do not have to deal with the mirror effect, which often means that instead of watching a film, we are seeing a reflection of our own sofa. The satin nicely diffuses reflections, which somewhat saves the situation. Nevertheless, we cannot cheat physics: while the coating bravely fights against reflections, the low brightness ultimately surrenders in the battle with sunlight. If you are planning a screening in the middle of the day in a very bright room, be prepared for the necessity of drawing the curtains.

SmartTV QN80F: Tizen

In terms of smart features, the QN80F has nothing to be ashamed of. On the contrary – Tizen is one of the richest operating systems when it comes to functionality. We have voice search, support for AirPlay, Miracast, and all the major streaming platforms at our fingertips. But Samsung's true advantage reveals itself in the smart home – SmartThings. Here you can not only synchronise light bulbs and vacuum robots but also integrate devices from other manufacturers, thanks to support for the Matter standard. And suddenly it turns out that the QN80F can serve as a home command centre. There is just one "but" – Tizen is a closed system, so we may not find a few lesser-known applications. Although in practice it has everything that 99% of users need.

Classic TV features:

When it comes to classic features, it is just as good – well, almost. The QN80F supports picture-in-picture, which is a rarely seen but still useful PiP function. We can easily find the EPG, good old teletext (yes, it works!), and the ability to connect external devices via Bluetooth – whether it's headphones or a soundbar. Unfortunately, there is a lack of the option to record to USB from the built-in tuners. This is a minor setback, especially since the competition at a similar price increasingly offers this feature. It may not be a must-have function, but since everything else works so well, it's a pity that this feature is missing a dot over the i.

In terms of Smart TV functionality, the Blaupunkt UGC5500S is a classic example of a device where the system is both its greatest asset and its biggest flaw. On one hand, we have full Google TV here, which is a huge plus at this price point. We get access to a massive library of applications and basically all the functionality we know from brands that use this software. Nothing has been cut out forcibly, which is truly refreshing in such an inexpensive television. Unfortunately, we must honestly admit that in Blaupunkt's execution, this system simply works clumsily. This is a typical ailment of budget televisions with Google TV – the processor barely keeps up with the software. Navigation through the menu is not as smooth as we would like, and the remote can respond with a noticeable delay, giving the impression of being "dull." Of course, once you launch a specific application and start playing a movie, everything works stably, but just sifting through the interface requires a bit of patience.

As for traditional television features, Blaupunkt doesn't offer anything extraordinary. It is a simple device for basic tasks. The remote control deserves a plus, as it features a classic numeric keypad, which is simply convenient for flipping through cable channels. We also have Bluetooth, so you can easily connect wireless headphones or a speaker. The television also has a physical mini-jack headphone output. At a time when manufacturers are mass removing this connection, the presence of a "jack" is a nod towards those with older audio equipment or simply those who prefer classic wired headphones. It's a little thing, but it’s appreciated.

The built-in media player in the QN80F handles most popular video formats – from classic MP4 to slightly more demanding containers. It may not be a powerhouse like VLC, but it's perfectly adequate for home use. The situation is less impressive with photographs – here, unfortunately, it's rather modest. Support is mainly limited to the JPG format, but hey, at least that's the most important one 👌. During our tests, there was also a slight issue with subtitles. The QN80F could only handle the simple text format .txt – other, more advanced formats (like .srt or .sub) were unfortunately not recognised.

In terms of playing files from USB, Blaupunkt performs quite well. We checked several of the most popular formats, and basically everything important worked fine on the factory player. Therefore, you're not forced to immediately download additional software right after taking the television out of the box, as the equipment is simply self-sufficient from the start. Nevertheless, taking advantage of the charms of Google TV, we still recommend that you install something external, like VLC or Kodi. The factory player is adequate, but it is in these external applications that you will find the most configuration options, better subtitle support, or simply a more convenient interface. Since the system gives you such freedom, it is worth taking advantage of it to get as much as possible from your multimedia.

For a television of this class, the QN80F sounds surprisingly good. It supports the Dolby Atmos format, which is worth noting, as this is still not a given in many models in this range. Unlike the thinner QN70F, here you can even feel a slight bass – all thanks to the thicker casing, which simply provides more space for the sound to "breathe." It's perfectly adequate for everyday viewing and series, and with the right settings, one can even be tempted to listen to music without the need for external equipment. However – as is often the case with Samsung, there is unfortunately a lack of support for the DTS:X format, so if we are using audio devices that support this format, we will first need to connect them to the amplifier and only then to the television.

In terms of audio, Blaupunkt performs really well, especially considering that this is a typical budget television. It’s evident, or rather audible, that the brand has not forgotten its roots, and for such an inexpensive model, the sound is exceptionally good. Of course, there is a noticeable lack of bass, but the overall output is loud, and surprisingly clear. Most importantly for us – even at higher volumes, the sound is not heavily distorted, which is a rarity and a pleasant surprise at this price point.

Samsung QN80F vs Blaupunkt UGC5500S

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

SmartTV QN80F: Tizen

Classic TV features:

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements