Compare: Samsung QN80F 100" vs TCL P89K / TCL P8K

QN80F is the first "eighty" from Samsung available in a 100-inch version (previously "only" 98 inches 😉) and is also the model that entered the series with Mini LED backlighting. It must be admitted that it performs really well at this scale. Although the number of dimming zones is not impressive for such a massive screen, the contrast and black levels are solid, and combined with high brightness, the television can deliver excellent experiences in HDR movies and series. The 144 Hz panel ensures smooth motion, and a full set of gaming features – VRR, ALLM, and Game Motion Plus – makes it difficult to label the QN80F as anything other than a screen designed for both consoles and PC. Additionally, there is the fast and stable Tizen, which provides access to all key applications and can serve as a smart home hub through the proprietary SmartThings app. Naturally, there are some shortcomings – there is no Dolby Vision, no USB recording, and the viewing angles at 100 inches can be quite problematic. Mini LED still has its limitations, so those expecting absolutely perfect blacks need to keep that in mind. On the other hand, given the current prices of OLEDs in such sizes, it's hard to speak of real competition.

QN80F is a versatile television, well-crafted and providing a lot of satisfaction on a daily basis. Looking at the history of this series, one can be sure that as soon as it appears at reasonable promotions, it will be one of the most interesting offerings in its class. And if Samsung addresses the minor shortcomings with updates, this 100-inch beast may turn out to be really hard to beat, just like its smaller versions.

The TCL P8K is a television that immediately endears itself. It may seem cheap and from a lower range, yet it can surprise. This device demonstrates that you can also get equipment with character at this price – and it's specifically targeted towards a particular group of users. Because let's not kid ourselves, the P8K is a television designed with gamers in mind. With two HDMI 2.1 ports, VRR support, 4K at 120 Hz, HGiG, and even Dolby Vision in games – it sounds like something that was only recently found in much more expensive models. Additionally, it has a 144 Hz panel and the capability to achieve even 240 Hz on PC. At this price? It’s really hard not to smile. Moreover, it comes with Google TV, which has breathed life into this screen. Everything operates intuitively, with access to a vast library of applications and an efficient Google Assistant that actually understands what you say – even when you phrase it in your own way. Of course, this is not a perfect television. A brightness of 250–300 nits isn't overwhelming and probably won't impress in a sunny living room. But just an evening, a film, and a slightly darker environment reveal that this screen can do quite a lot. Thanks to dynamic tone mapping, the P8K performs surprisingly well in HDR, and the colours can look natural. In cinematic scenes, there's no question of a plastic, overexposed image – it's simply pleasant. Let’s not pretend that it competes with Mini LEDs or OLEDs – that’s not the point here. The P8K/P89K is meant to be a television that is simply enjoyable to use. And that is where its strength lies. For someone who wants to play games, watch Netflix, launch YouTube, and have it all in one simple device – it’s a home run. The TCL P8K shows that "cheap" does not have to mean "poor quality". It is a television with character that doesn’t pretend to be premium equipment, yet delivers a lot. And perhaps that's why it’s so easy to like.

The QN80F is part of the NeoQLED family, which are Samsung televisions based on mini-LED technology. In practice, this means local dimming zones that are intended to improve contrast and light separation. In the case of the 100-inch version, we are dealing with a VA panel combined with about 120 zones – a rather modest result for such a large surface, although it must be admitted that it still translates into noticeably better results than in smaller screen sizes. In the best scenes for it in films, the contrast can be truly strong – five-digit values are not an exaggeration, and the lights separate from the black in a way that is impressive at first glance. However, physics cannot be deceived. Since such a huge screen must "work" with a relatively small number of zones, there are moments when the television struggles with image control. For example, when a multitude of bright, small elements appears against a black background in the final scene of a film, there are visible halos and glowing around them. This shows that even with a finely-tuned algorithm, mini-LED still has its limitations. Generally, however, the contrast can be considered very good, and in everyday viewing, most users will be fully satisfied. It is just important to remember that this model does not provide absolute black, as known from OLEDs, just as no LCD television does.

TCL P8K is an example of a television that shows that even in the lower tier, one can still encounter solid contrast. The VA panel does a really good job here – a measurement around 6000:1 may not sound spectacular, but in actual scenes it produces an effect that simply delights the eye. In the darkness of the forest in "The Revenant" or in the futuristic shots of "Oblivion", depth and light separation are visible, which is difficult to expect from equipment at this price. The P8K can render darkness without the feeling that everything is drowning in grey. The Direct LED backlighting also works in its favour. Of course, we do not have any local dimming here, but the system can dim the entire screen when the scene requires it or slightly brighten it to bring out details in bright areas. This is somewhat of an analogue approach to contrast – simple but effective. On the test pattern from the legendary Pioneer Kuro, it was well evident: the television prioritised bright points while the background lost some depth; however, it still maintained a decent appearance. Of course, there is no perfectly inky black here. In a dark room, it is noticeable that the black leans towards blue, but despite this, the overall presentation is simply good. Under normal home conditions, the contrast is entirely sufficient to feel the cinematic atmosphere.

When it comes to HDR in Filmmaker mode, the QN80F can make a great first impression. Our laboratory tests have shown that under the best conditions, the television is capable of achieving brightness exceeding 1200–1300 nits. These are truly excellent results, making HDR effects in many films look incredible. The television is simply bright enough not to need to artificially adapt the image – the bright parts of scenes have the right 'power' and actually look like a light source. Of course, the laboratory is one thing, and everyday viewing is another. In practice, in film scenes, brightness generally oscillates in the range of 700–1100 nits. These are still great values that, in most cases, provide a strong sense of realism and make the lights on the screen truly capable of blinding. The problem arises in exceptionally challenging sequences, where, like almost every mini-LED, it reveals its limitations. A good example is Sicario 2: the scenes with the helicopter in the night sky look much weaker, and the lights lose intensity, dropping to around 370 nits, making it hard to speak of serious admiration. To this, we must add the issue of colours. Although we are dealing with a QLED, the coverage of the DCI-P3 colour palette is around 90%. This is a rather average result for a quantum dot television. In practice, this means that some colours may appear less saturated than we would expect, especially in demanding HDR productions.

The maximum brightness of the TCL P8K is around 300 nits, although in real film scenes, the television maintains more of a level of about 250 nits. These values cannot be considered sufficient to achieve a full HDR effect – they are closer to a solid base for SDR content. Therefore, we will not see spectacular flashes, bursts of light, or moments in which the screen actually "blinds," as is the case with more expensive models. This makes the image somewhat flat, and the differences between light and shadow are more symbolic than realistic. Fortunately, TCL has a few aces up its sleeve that save the overall reception. One of these is the coverage of the DCI-P3 colour palette at around 93–94%. Thanks to an additional QLED layer (PFS LED), the colours gain depth and intensity, clearly surpassing standard LCD panels. As a result, although there is a lack of the typical "wow effect" associated with HDR brightness, the image itself can impress with its saturation and vibrant tones, making film scenes pulse with colours and not appear strongly washed out.

The Samsung QN80F performs best in Filmmaker mode, which is designed to replicate the creators' intentions as accurately as possible. And indeed – this is the mode in which the television showcases its potential. But let’s not kid ourselves, it is far from perfect. In SDR content, the issue of white balance came to the forefront. Slightly lacking greens and a noticeable excess of reds caused the screen to take on a pinkish hue. You don't even need meters to notice this – in everyday viewing, the subtly shifted colour palette could be quite noticeable, and in colour checker tests, the colours would literally "pop" out of their reference fields. With HDR content, the situation looked a bit better, as the white balance was closer to ideal, but another problem arose – brightness management. The EOTF curve often caused the image to become too bright, which spoiled the sense of contrast, and in dynamic scenes, it led to a slight "flicker" in perception. We had already mentioned this when discussing black levels and HDR. The good news, however, is that Samsung provides a lot of tools for improvement. The QN80F allows for truly detailed calibration, including a 20-point white balance. And since the manufacturer has left us so many options, we decided to check how the television would perform after a thorough adjustment.

In Filmmaker mode, the TCL P8K revealed certain imperfections in image reproduction from the outset. We noticed that the television had a tendency to slightly brighten scenes – its gamma was somewhat low, causing the image to appear slightly "washed out", lacking depth, as if the contrast had slipped out of control. This was most evident in HDR content, where the EOTF brightness graph clearly deviated from reference values. As a result, darker areas of the image appeared too gloomy, while brighter areas did not always reach the correct level of luminance. Another noticeable issue was a slight overemphasis on blue – the television stubbornly boosted this colour, causing certain parts of the image, especially skin tones and reds, to have a subtle purple tint. This is not a major flaw, but it is noticeable to a trained eye. Fortunately, most of these errors could be corrected during calibration. You can see the results of this adjustment in the graphs and photos below.

After calibrating the QN80F, it immediately showed that it was capable of much more. The previous pinkish tint disappeared, and the white balance finally looks like it should – natural and without excessive deviations. The colours gained depth, and the image became more saturated and cohesive, making watching films simply more enjoyable. It's a bit like removing a light haze from the screen – suddenly everything appears sharper and clearer. The management of brightness has also improved. The television no longer gets easily lost in dynamic shifts, and the EOTF graph shows that the curve tracking is significantly more stable. Of course, there are no miracles – the limited number of zones still means that small bright elements can be slightly washed out, but that's a result of the design itself, not the settings. After this correction, the QN80F feels like a more mature piece of equipment, and watching films finally provides the satisfaction expected from a television even in a higher class.

After calibration, the TCL P8K showed a completely different face. It managed to achieve nearly perfect, even reference-level color reproduction in both SDR and HDR content. The screen no longer had a tendency towards a cool tint, and the white balance was perfectly balanced. The gamma values for SDR material also finally look as they should – the image has the proper depth and no longer appears washed out. The only remark that can still be made about the P8K concerns its "Chinese" traits, known from most TCL models. The TV still likes to manipulate saturation in HDR content in its own way – sometimes slightly boosting it, sometimes smoothing it out, which means the effect is not always fully predictable. Nevertheless, after calibration, the colors look stunning, and their accuracy is truly surprising. In most cases, measurement errors dropped below values of 1-2, which is a result that significantly more expensive models would not be ashamed of.

In terms of the fluidity of tonal transitions, that is, blending colours into one another, the QN80F performs really well. The colour gradients are smooth, the image does not break up into artificial bands, and the sky or extensive surfaces in shadow look as they should – without odd blotches or disturbances. It performs particularly well in scenes with dark tones, where many televisions can struggle and generate unpleasant artefacts. Here, everything remains consistent and clear. Yes, in the brightest sections, one can sometimes notice slight banding, but that is a detail that only very discerning viewers examining the image frame by frame will pick up on. In everyday use, there is practically nothing to speak of. The QN80F gives a sense of assurance that tonal transitions will not be a distracting element.

The television performs excellently in colour blending – the gradients are smooth, free from visible bands or unpleasant jumps. This is best seen in classic test scenes, such as shots from the film Kingsman or The Martian, where most televisions reveal their weaknesses. The P8K maintains the consistency and subtlety of colours, creating an image that is pleasing and natural to observe.

Minor imperfections only appear with extremely dark shades or on grey palettes – this is the moment when even significantly more expensive models start to struggle. However, this does not matter in everyday viewing. Overall, the TCL P8K excels in colour blending, offering a smooth, harmonious image free from artifacts.

With lower quality materials, such as films from YouTube or older television recordings, the QN80F can display its strengths and weaknesses. If strange colour transitions or artefacts start to appear on the screen, it is worth using the noise reduction function. The best setting is at "medium" – it smooths out problematic sections while not blurring the entire image. However, one compromise must be remembered: this function always removes film grain. If someone enjoys its presence in older productions, it is better to keep the reduction turned off, as the grain simply disappears regardless of the setting.

Resolution scaling, or upscaling, is another strong point of Samsung. The QN80F may not be the best television on the market in this regard, but it performs very well in its price range, which is very important for such a large size as a 100-inch screen. Even lower quality materials can gain a second life – the image becomes sharper, more readable, and overall much more pleasant to perceive. A weak point remains overscan, which is the slight cropping of edges in very low resolutions (e.g., 576p), something that has been a longstanding issue for Samsung. Fortunately, this is practically of no consequence when watching HD and 4K content on a daily basis.

The TCL P8K performs somewhat worse when it comes to the fluidity of tonal transitions in lower-quality materials. The television does offer a function to smooth out unwanted bands; however, its effectiveness leaves much to be desired. Even at the highest setting, it's hard to talk about any real improvement – at times the effect is almost the opposite of what is intended, as the function can introduce small artifacts and unnatural blurring on the screen.

On the other hand, upscaling – that is, scaling the image to 4K resolution – looks significantly better. The P8K handles this task surprisingly well – HD content, and even SD, is enhanced in an aesthetically pleasing manner without excessive loss of sharpness. While there are slight "hard" edges typical of this class of equipment, this can be easily adjusted with the sharpness slider to suit personal preferences. The final effect is more than satisfactory, especially considering the price range in which this model is situated.

The QN80F features a 144 Hz panel, and this is evident in practice – with full refresh, the image is remarkably smooth, and motion blur remains at an acceptable, barely noticeable level. However, this mode is primarily aimed at PC gamers. The most important reference point in everyday use remains the 120 Hz refresh rate, and this is where a certain discrepancy arises. During the UFO test, we noticed a splitting of the contours of rapidly moving objects – it looked as if the television had the BFI (Black Frame Insertion) feature permanently activated, which in practice led to an unpleasant effect of double edges. We do not yet know whether this is a software issue or a characteristic of this model, but in its current form, such behaviour is hard to commend.

TCL P8K is one of the cheapest televisions offering a refresh rate of 144 Hz, which in itself is quite an advantage in this price segment. Thanks to the fast panel, this model can confidently be recommended to both sports fans and video gamers – the image is smooth, and the movement of the ball or dynamic actions look natural. However, this does not mean that the P8K is suitable solely for sports. On the contrary – it can also maintain appropriate dynamics in films without introducing the artificial effect of "theatricality", as long as we set the parameters wisely. The television is equipped with a motion smoother called "Motion Clarity", which features two sliders: blur reduction and judder reduction. The first is responsible for smoothing the image by generating additional frames, which increases fluidity, but may cause a slight soap opera effect. The latter, on the other hand, reduces judder and improves sharpness during movement, although it can slightly darken the screen. Properly adjusting these two parameters allows for a really good balance between natural motion and fluidity. It has a 60 Hz refresh rate, but it is hard to say that it is a top-tier panel in terms of response speed. It will perform well for dynamic content, although more demanding users will notice that it is not a screen from the highest class in terms of motion clarity.

The Samsung QN80F gives the impression of a television designed with gamers in mind. On the list of advantages, we have a 144 Hz panel, four full-featured HDMI 2.1 ports, complete support for VRR and ALLM, as well as one of the best-designed gamebars on the market. Added to this is the Game Motion Plus motion smoother, which also works in games without actually increasing input lag, making the QN80F an absolute standout in this category. In practice, this means you can enjoy smoother images without losing responsiveness, which is a dream for many console gamers!

As is usual with Samsung, there is a lack of Dolby Vision in games, and this is no longer surprising. However, we were much more surprised that in the models from 2025… the HGIG feature has disappeared. This feature allowed consoles such as the PlayStation 5 and Xbox Series X to perfectly adjust HDR tone mapping to the capabilities of the television. In the current firmware of the QN80F, this option is simply missing – it seems more like a mistake than a conscious decision by the manufacturer, but on the day of testing, we must acknowledge that HGIG is not available. Due to this one absence, the QN80F, instead of being an almost ideal television for gamers, becomes a device that is only "almost" ideal. This is quite a shame because, aside from this, Samsung has created a model that truly sets a high standard in the gaming hardware segment.

[UPDATE] We have updated our Samsung television tests for the 2025 model year due to the release of software version 1131, which has restored the crucial gaming feature HGiG.

Although the TCL P8K is a budget television, it cannot be said that it is unsuitable for gaming. On the contrary – it is a screen that can pleasantly surprise any gamer. It features two HDMI 2.1 ports, allowing for 4K output at 120 Hz without any issues. For those gaming on a PC, they will also be pleased to know that the television can operate with a refresh rate of up to 240 Hz at a lower resolution – a small thing, but it delights. Additionally, it comes with a full set of gaming features: automatic game mode, Game Bar with quick parameter previews, VRR, HGiG, and support for Dolby Vision in games. All of this makes gaming on the P8K a truly enjoyable experience – the picture is smooth, the response is quick, and the television communicates well with next-generation consoles. The TCL P8K shows that a cheap screen doesn't have to mean giving up on fun. Certainly not in terms of gaming.

Input lag is something that can ruin all the fun, but fortunately, there is nothing to worry about with the QN80F. At 120 Hz, the lag drops below 10 ms, making it feel as if the television doesn’t exist at all between the controller and the image. The response is instant, everything happens exactly when we want it to. At 60 Hz, the lag is around 17 ms – that's more, but still within full comfort. In practice, console games look and run smoothly, with no annoying lags to speak of. This is the moment when you can really see that Samsung has put effort into the gaming mode – the QN80F provides a sense of control and speed that one would expect rather from a monitor than from a 100-inch behemoth in the living room.

In terms of latency, the TCL P8K performs really well. In game mode at 4K and 60 Hz, the input lag is around 22 ms, and at 4K and 120 Hz it drops to 13 ms. These figures ensure that the television responds quickly and there is no noticeable 'lag' between the controller and the screen.

The collaboration with PC on the QN80F is a bit odd. When it comes to gaming, there are no reasons to worry: we have full support for 144 Hz, both G-Sync and FreeSync work, and the smoothness is truly impressive. The problem only arises when using the computer for everyday tasks – especially when we are looking at fonts instead of games. In 120 Hz mode, the image looks near perfect. The letters are readable, sharp, and the only minor detail that can be noticed is a slight dimming of thin lines. However, this is a detail that shouldn't interfere with normal usage. Greater issues arise in 144 Hz mode, which is intended to be created for PC gamers. Instead of crystal-clear fonts, a strange anomaly appears. The television adds shadows with small dots to them, making the text look simply odd. Fortunately, this is more of a curiosity than a real problem. After all, it’s hard to imagine someone placing a 100-inch colossus on their desk and staring at Excel or Word sheets from half a metre away. For gaming, the QN80F is excellent, and for normal collaboration with a PC, it's better to simply stick to 120 Hz mode.

The TCL P8K also works excellently as a computer monitor. The readability of fonts is at a very good level, making work with documents and browsing the web simply comfortable. The only slight downside occurs when refreshing at 144 Hz in 4K – dark text on a light background can slightly lose sharpness. The problem disappears when switching to 120 Hz, so it's worth keeping this in mind for everyday use. Besides, it is not only a screen for work but also a great monitor for gamers. The 144 Hz refresh rate (and even 280 Hz at a lower resolution) combined with G-Sync synchronisation guarantees very smooth gameplay. Of course, we will fully appreciate its capabilities only with a suitably powerful computer, but the potential of the P8K in this role is truly significant.

The viewing angles are unfortunately a weak point of the QN80F. With smaller televisions, it's still bearable, but in the case of 100 inches, the flaw becomes much more noticeable. It's enough to sit slightly to the side for the edges of the screen to appear washed out compared to its centre. And when we try to watch something at a greater angle, the picture simply loses its charm – colours become faded, contrast drops, and the depth visible straight on is no longer present. It's a shame that with such a large screen, Samsung did not attempt to apply coatings to widen the angles. This is where it would make the most sense, as it's hard to expect everyone in the living room to sit perfectly straight in front of the screen. If someone primarily cares about wide angles, they should look for mini-LEDs on an IPS matrix – these may not have such black levels, but they perform significantly better in side viewing.

The Achilles' heel of the TCL P8K is undoubtedly its viewing angles. The VA panel used has its advantages in terms of solid contrast, but unfortunately, it suffers significantly when viewed from the side. Colours noticeably fade, saturation drops, and the overall image takes on a cooler, washed-out hue. In practice, this means that the best picture is achieved when sitting directly in front – any significant deviation results in a noticeable loss of quality.

The performance of the QN80F during the day is an interesting topic, as the 100-inch version differs from the smaller sizes not only in scale but also in the coating used. Samsung opted for a different type of anti-reflective layer here, and it must be said that the effect is not as good as in the smaller models – reflections are somewhat more noticeable, especially with strong light coming in from the window. On the other hand, the manufacturer found a solution to this, as the 100-inch QN80F compensates with sheer brightness. The average luminance in SDR content exceeds 620 nits, which in practice provides a really strong reserve for viewing even in a heavily sunlit room. In everyday use, the difference between weaker reflection handling and higher brightness is practically neutralised – the television maintains readability and does not lose clarity even in the middle of the day. The end result is that although the coating in this version is not among the best, thanks to its high brightness, the QN80F performs better in bright conditions than one might expect.

TCL P8K does not cope well with strong sunlight. With brightness at around 300 cd/m², it is hard to expect it to perform well in a living room with large windows and no blinds. In such conditions, the image loses some sharpness, and darker scenes can disappear in light reflections. Fortunately, the screen has a satin coating that handles reflections well and saves the situation in typical home conditions. In the evening or in a slightly dimmed room, the television looks very good. It is simply not a device that prefers to be placed opposite a south-facing window.

SmartTV Features: Tizen

When it comes to smart capabilities, the QN80F has much to boast about. Samsung relies on Tizen, and it is evident that this system has been refined over the years. All the major streaming apps are available, voice search works well, and there is AirPlay and Miracast, so there are no issues with streaming content from a phone or laptop. What is particularly interesting is that the television can integrate other devices in the home into its ecosystem – through SmartThings and support for the Matter standard, you can connect light bulbs, robotic vacuum cleaners, or even devices from other brands. In practice, the QN80F becomes not just a screen for movies, but also a convenient control centre for the entire flat. Of course, it is still a closed system, so a few less popular apps may not be found here, but let's agree – for 99% of users, it still provides everything necessary and even more.

Classic Features

The traditional features of the QN80F perform quite well, although some things are missing. It is worth mentioning the PiP, or picture-in-picture – a rarely seen feature that can still be very practical. Additionally, we have EPG, working teletext, and Bluetooth support, which makes it easy to pair headphones or a soundbar. On the downside, there is no USB recording from the built-in tuners, and the remote control lacks a traditional numeric keypad. Instead, we get Samsung's characteristic small remote, which may initially seem too minimalist. However, it must be acknowledged that this unassuming gadget conceals many possibilities and can control other devices such as satellite receivers, consoles, or Blu-ray players, so in practice, one remote is sufficient to manage the entire setup in the living room.

SmartTV: Google TV

TCL P8K operates based on the Google TV system, which is the heart of the entire device. This is where the biggest advantage of this model over many competitors in a similar price range is visible. The system is clear and easy to use, and very well optimised. We can easily make use of the screen mirroring feature or the built-in Chromecast, which allows us to quickly transfer images from our phone to the large screen. The greatest asset, however, is the Google Assistant, which responds promptly and really understands commands well – even those expressed imprecisely. Moreover, the application library in Google TV is a real treasure – you can install practically anything, from major VOD platforms to lesser-known music or sports applications.

Classic features

As for classic television functions, the P8K doesn't have much to boast about. The remote is simple and convenient, with a large number of buttons, and the presence of Bluetooth allows you to connect wireless headphones or a speaker. And really, that’s where the list of conveniences ends. You won’t find USB recording, PiP functionality, or even working teletext here. TCL has clearly focused on modern content and internet features, rather than classic solutions known from older receivers. This television is meant to shine in the world of applications and streaming – and that’s exactly what it does.

The built-in media player in the QN80F performs fairly well, but it's hard to talk about complete indulgence. It handles movies quite adequately – easily playing popular video formats, from simple MP4s to heavier containers. This is not on the level of powerhouses like the VLC app, but it’s sufficient for everyday viewing. Especially since the latest update fixed the issue with supporting various subtitle formats in films. The situation is a bit worse when it comes to photos. Support is largely limited to JPG and BMP, so if someone keeps their photo archive in a different format, they must rely on an additional app or be forced to convert their photos.

Playing files from USB on the TCL P8K is quite decent. The television handles most popular video formats, as well as subtitles and audio files, without any issues. Problems may only arise with less common codecs or unusual file containers that the built-in player simply does not recognise. Fortunately, with Google TV, this is not a problem at all - in just a few moments, you can download an external player, such as VLC, MX Player or Kodi, and the issue disappears.

The QN80F performs well on its own – with a light bass, a bit of space thanks to Dolby Atmos, and clear enough that daily viewing of films or series is not tiring. But with a 100-inch screen, it's hard not to add a soundbar. Only then will the scale of the image and sound start to match, because although the television manages, it's difficult to expect the built-in speakers to fill such a large living room with sound.

For a television in this price range, the TCL P8K really manages to surprise with its sound. The 2.1 system used here, branded by Onkyo, along with the subwoofer placed at the back of the casing, offers surprisingly enjoyable, full bass and quite a wide soundstage. The sound is warm, and with the right material, one can even get the impression that the audio gains depth and character – something you rarely expect from a television at this price. It performs quite well for music. However, it is not perfect. The P8K is not one of the particularly loud televisions – during tests, we noticed a strange tendency to automatically lower the volume, even with the volume slider set to maximum. It seems to be the effect of some internal limiter designed to protect the speakers (or our ears). It’s a shame, as the potential in this setup is considerable, and without this limitation, the sound could have been even fuller.

Samsung QN80F 100" vs TCL P89K / TCL P8K

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

SmartTV Features: Tizen

Classic Features

SmartTV: Google TV

Classic features

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements