Samsung QLED Q80D vs LG QNED93A / QNED90A

In the context of HDR, the Samsung Q80D television achieves very positive brightness results in the tested film scenes, where the frame is filled with light, reaching values from 600 to 900 nits, allowing the user to experience a great juiciness of the image. Such results allow the user to feel the difference between HDR and SDR quality. Unfortunately, problems arise in situations where small light effects occur against a dark background. In such cases (e.g. test pattern 4 from the film Sicario 2), a noticeable drop in brightness can be observed, caused by the large sizes of the dimming zones used here. This limitation, combined with the dimming algorithm, affects how the television handles small bright elements against a dark background. At that point, we may perceive an unwanted lack of brightness, and the HDR effect resembles that of SDR.

Although the number of local dimming zones in the LG QNED93A has not directly translated to noticeably better contrast, it is hard to deny one thing about this model – it is brighter than its predecessor. In synthetic tests, we recorded values around 1400-1500 nits, and more importantly, these results are reflected in real film scenes. In full-screen sequences flooded with white or bright lights, the screen could maintain high luminance, which created a truly decent amazing HDR effect. Unfortunately, where the television could showcase true class, that is in scenes requiring precision, all the magic dissipates. The dimming algorithms, which we mentioned earlier, operate so aggressively that small bright objects – such as distant lights, stars, or the moon – can almost completely disappear. A glance at the test scenes from the film Pan or Sicario 2 (screens 2 and 4) shows how subtle details are dimmed to the limits of their visibility. It's a pity, as a greater number of zones could theoretically have led to significantly better results. Fortunately, there are also strengths. The QNED93A performs well in terms of colour gamut coverage, achieving around 96% of the DCI-P3 standard. As a result, colours in films appear vivid and full, and the picture does not lose intensity even in more demanding scenes. Therefore, one could say that the HDR in this model is solid, although the underdeveloped local dimming algorithms hinder its full potential.

In "Filmmaker" mode, which is the best choice out of the box, the Samsung Q80D TV shows solid colour reproduction. For SDR content, a visible drop at the beginning of the gamma curve suggests that details in dark scenes may be less pronounced, impacting the overall viewing experience. Regarding white balance in SDR content, while it is generally accurate, significant drops in blue colour when screen coverage exceeds 70% can result in less natural hues in bright and dark scenes. Users may notice that some blue elements in the image may appear less intense, and the overall colour will have a warmer tint.

In contrast, for HDR content, the EOTF curve being above the reference line for most of the time indicates that the TV may struggle with accurately reproducing brightness and details in the brighter areas of the image, which may be disadvantageous for the viewer. It is also worth noting the substantial drop at the beginning of this graph, indicating that the TV has difficulties reproducing brightness in the darker areas of the image, as seen in the contrast and black tests, where several scenes were unable to showcase the full capabilities of the TV's brightness. In terms of its white balance, the initially good results on the graph are promising, but the sharp drop in red colour, which significantly falls down, combined with a large increase in blue colour, may lead to inaccuracies in reproducing certain skin tones and other key colours. This phenomenon may be noticeable to viewers in scenes where colour details are crucial.

In filmmaker mode, the colour reproduction on the QNED93A was relatively accurate, although there were some reservations. In SDR content, the white balance was shifted towards warmer tones, which gave the screen a slight yellowish tint overall. The gamma, in turn, led to a slight brightness increase, making the image appear somewhat less natural, especially in scenes requiring precise shading (this is clearly visible in the comparison photo). This is not a problem that immediately stands out to every viewer, but more discerning individuals may feel that the image deviates from the aesthetics intended by the filmmakers. In HDR materials, the situation was somewhat different. The white balance, in this case, was quite good, ensuring that the whites neither leaned towards pink nor unwanted green hues. However, managing brightness turned out to be an issue. An analysis of the EOTF curve revealed that at certain moments, the television could be noticeably too dark where it shouldn't be, losing some detail and lowering the realism of the scenes. This spoiled the reception of HDR effects, which were theoretically supposed to make the biggest impression. For this reason, we decided to carry out calibration.

The film mode after calibration looks significantly better than the one you can see when taken out of the box. Samsung offers an advanced range of calibration tools in its televisions. Among them are 2- and 20-point greyscale adjustment and CMS (Colour Management System). Both in HDR and SDR mode, the white balance has improved significantly, although there are minor errors at the end of the graph in the case of HDR content. The contrast has also been greatly improved, and the gamma curve responsible for SDR shows better results. However, when it comes to HDR, the EOTF curve in the television seems to be at an ideal level at first glance. Yet, when we delve deeper and enable the EOTF graph while watching films, we may notice that all the lines of the curve are above the reference line. One could even say that the television is "cheating" when playing film materials. Such a situation, where the EOTF curve is above the reference line, makes the screen – although it may seem brighter, which some users may find attractive – lose detail in the darker parts of the image. In practice, this means that in scenes with a lot of shadows or dark elements, the television is unable to accurately render the details that should be visible.

After professional calibration, the Filmmaker mode on the QNED93A has improved primarily in areas that matter most on a daily basis. We managed to correct the white balance and eliminate the yellowish tint in SDR content, which is what we watch most often – television, streaming services, or standard quality films. As a result, the colours look natural and pleasant, making the overall experience much more comfortable. We also made adjustments in HDR mode, but here the biggest issue turned out to be the EOTF curve. Although LG offers some flexibility in the settings, the television still manages brightness on its own terms. It is evident that the local dimming algorithms are not fully refined and can ruin the viewing experience by darkening parts of the image at inappropriate times. Nevertheless, it is worth opting for calibration of this model, especially the mode intended for everyday viewing.

Samsung Q80D performs very well with low-quality materials. The noise reduction works on the principle of gentle grading, making it very effective in smoothing out unwanted image disturbances. Unfortunately, this same effectiveness also causes elements that should not be smoothed, such as film grain, to become blurred. For those who value a pliable, smoothed image more, this can be seen as a significant advantage, especially for lower-quality content.

When it comes to image scaling, Samsung Q80D stands out positively in this aspect, significantly enhancing viewing comfort. The television handles the conversion of lower-resolution materials well, improving their quality and detail. For example, in the attached image with the model, there are no visible artifacts or excessive fraying of branches, which attests to the advanced image processing technology.

The LG QNED93A proves to be a very solid television for everyday use. Its image processor handles scaling extremely well, which means even older films or terrestrial television benefit from increased sharpness and detail. During the screening of "The Godfather," it is clearly visible how upscaling retrieves additional details from the image – the faces of the characters and the texture of their clothing appear much clearer than in the original material.

The digital image processing also deserves praise. The television is equipped with a function for reducing unwanted colour banding and screen irregularities. It works best in the "Medium" setting – subtly smoothing tonal transitions without excessively interfering with the image. As a result, the natural film grain is preserved, and the screen does not appear artificially smooth. It is possible that in some scenes slight colour banding can still be observed, but in practice, the effect is more beneficial than with a stronger intervention from the algorithm.

The Samsung Q80D television stands out very positively in terms of motion fluidity and motion blur reduction, primarily due to the applied 120Hz panel and above-average response time of the panel. Users have two options for adjusting fluidity: "Motion Smoothing," which allows for adjustment of smoothness on a 10-point scale, and "Blur Reduction," particularly effective at higher refresh rates, improving the sharpness of rapidly moving objects. In the UFO test, no motion blur is visible behind the moving object, and the image is not cloned forward, indicating a lack of overshoot effect.

The LG QNED93A is equipped with a 144 Hz panel. This is primarily a nod to gamers, but the fact that higher refresh rates are increasingly making their way into televisions can be viewed positively. In everyday viewing, 120 Hz remains key, and in this respect, the QNED93A performs well. The manufacturer also provides the option to adjust the picture using the TruMotion system – the De-Judder and De-Blur sliders allow you to choose between a cinematic motion character with visible frames and a complete smoothing with theatrical motion.

The Samsung Q80D television is a true gem for gamers. It is equipped with four HDMI 2.1 ports, which is a rarity, especially in this price range. This allows users to enjoy features such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and 120Hz in 4K resolution. These features ensure smoothness and responsiveness of the image, which is a key aspect during dynamic gameplay. The television also supports HGIG (HDR Gaming Interest Group), enabling optimal display of HDR content in games. Additionally, it is equipped with a Game Bar that allows quick access to gaming settings. Users of Nvidia graphics cards will also be pleased thanks to the implementation of G-Sync. This feature eliminates stuttering and screen tearing. The only downside is the lack of support for Dolby Vision mode, which may be disappointing for users looking for this HDR format. It is also worth mentioning that since 2022, thanks to a partnership with Microsoft, Samsung televisions offer the Xbox Game Pass application, allowing for cloud gaming. This is an additional advantage for gamers who want to access a wide library of games without the need for a console.

LG QNED93A is a television that has undoubtedly been prepared with gamers in mind. Right from the outset, we get a complete set – all four HDMI ports operate in standard 2.1, so regardless of whether we connect a console, PC or amplifier, we can be assured of full compatibility. This is important, as many manufacturers still limit themselves to two ports, and here nothing hinders the entire equipment from having maximum capabilities. There is also an automatic game mode (ALLM), which automatically switches the television to the appropriate settings when the console is turned on, as well as variable refresh rate (VRR). This ensures the picture doesn't stutter or jerk, even when the frame rate drops – whether in dynamic shooters or during races.

The 144 Hz panel gives an additional advantage in computer games. While 120 Hz is sufficient for consoles, in the case of PCs, the QNED93A allows for even more – every movement, every glance to the side is refreshed faster, and this makes a difference, especially in e-sports. The manufacturer also considered HDR in gaming – the television supports the HGiG mode, which are guidelines to ensure that the lighting effects are exactly as the game developers intended. To top it off, we get Game Bar – a special information bar that appears on the screen, showing parameters in real-time. You can monitor the frame rate, active VRR functions, or the level of input lag. This solution is useful not only for settings enthusiasts but for anyone who wants to quickly check what mode the television is operating in and whether everything is working as it should.