Samsung QD-OLED S90D / S94D vs Hisense U7Q

In the HDR effect category, the Samsung S90D delivers remarkable performance. On the luminance graph for up to 10% of the window, the television surpasses the 1000 nits mark, which is a notable achievement. However, in the film scenes we tested, these values were slightly lower. In scenes with fullscreen sun glare the brightness drops to about 500 nits, but this is still considered a very good result. It is also worth noting that this model stands out due to its very high colour gamut coverage, thanks to the QD-OLED panel, giving it an edge over televisions with WOLED panels, which cannot achieve such a wide spectrum of colours.

Since the algorithms responsible for blacks are performing quite well, we expected a similarly good effect regarding brightness and overall HDR quality. Unfortunately – here we have to disappoint you a bit.

The U7Q is a sufficiently bright television – under the best conditions, it can achieve around 800 nits, which indeed impresses on some scenes, especially in scenes like those from the film The Meg. Bright areas can shine, and the HDR effect is noticeable. The problem arises when there are very small, bright elements on a dark background – for example, in Sicario 2 or in the second scene from the film Life of Pi. In such moments, the dimming algorithms work too aggressively. Yes, the blacks look great then, but the brightest points can almost completely disappear, causing the HDR effect to vanish and the details to be barely visible. It's just the nature of this technology in this price segment.

As a consolation, it's worth mentioning that the U7Q is marketed as QLED (in practice, a PFS layer is used, which works very similarly), and it is indeed capable of displaying a wide colour palette – a DCI-P3 coverage of around 94% is a very good result for this class.

The Samsung 65" S90D with a QD-OLED panel has been tested in Filmmaker Mode, which the manufacturer has used for years to deliver optimal picture settings. In this mode, the TV offers a very good image, but there are some shortcomings worth noting.

In terms of white balance, viewers may notice a red dominance in HD content, which can make skin tones appear unnatural and create a warm overall scene, potentially affecting immersion. This issue becomes more apparent in scenes where subtle colour differences are important. The same effect can be observed in 4K HDR content, though the red shift is less pronounced. This shift can prevent certain details and colours from being fully realised, diminishing the naturalness of the image.

As for contrast, the gamma performance is decent but still has some issues. The gamma values fall short of the reference level of 2.4, resulting in bright areas of the image appearing washed out and dark areas lacking detail. This limitation can make certain scenes feel less dynamic and impact the depth and richness of the picture. However, the EOTF curve for contrast in 4K HDR content performs well, showing the TV's ability to handle differences in brightness. That said, these values still fall slightly below the ideal range, indicating room for further optimisation.

Overall, the Samsung S90D in Filmmaker Mode offers solid colour reproduction, but some adjustments are needed to fully unlock its potential, particularly with different types of content.

We tested the U7Q in the best possible picture mode, which is Filmmaker Mode. This is the mode that is supposed to provide the most "filmic" and creator-intended experience – right out of the box. Unfortunately… even this professionally sounding name does not guarantee a perfect picture.

In our unit, the problem lay in the incorrectly set white balance. Both in HD and 4K content, the picture had too much blue and red, which caused the screen to take on a slightly rosy tint. It didn't look terrible, but it was noticeable – especially in bright scenes and white backgrounds. This alone could perhaps be forgiven, but the biggest problem is managing brightness in HDR content. The EOTF curve from measurements confirms what we saw earlier during scene tests: the television can overly darken the smallest bright elements, causing them to nearly disappear, or on the contrary – excessively brighten the brightest ones, which affects the naturalness of the picture.

The quality improves more than anticipated after calibrating the S90D television in movie mode. The white balance for HD and 4K HDR content has been fine-tuned to near perfection. While minor imperfections are still noticeable, they are subtle enough not to significantly impact the overall picture quality. Colours have become more cohesive, promoting a natural reproduction of details, particularly in scenes where precise colour representation is essential. It’s important to note that this particular model, in this size, uses a QD-OLED panel, which offers a broader colour gamut compared to other versions of this model equipped with a WOLED panel.

The contrast has also seen a marked improvement. After calibration, the gamma chart is much closer to the expected curve, resulting in a better balance between the bright and dark areas of the image. The EOTF curve, which previously indicated issues with overexposed scenes, now shows significantly better results. This improvement allows for greater preservation of details in the brighter parts of the image, particularly in HDR content.

Thanks to specialised tools, we managed to correct the colour quality in SDR content to nearly perfection. In materials with lower dynamic range, the delta E errors dropped below 0.5, which can be regarded as an almost reference result. The picture on television, YouTube, or classic Full HD looks really very good after calibration. Alright – but where did we not manage to improve the image so easily? Primarily, it concerns HDR quality content. Although we managed to somewhat 'tame' the white balance and eliminate pink tints in most scenes, unfortunately, we no longer had full control over brightness management. We set the local dimming settings according to the best observations – SDR: Medium, HDR: High – but the U7Q still did everything a bit its own way. There were still cases of excessive dimming or brightening of details that calibration simply could not eliminate. And although the overall reception of the content is significantly better, one must reckon that the U7Q will always have something to say at the end with an 'but'.

The television excels at smoothing tonal transitions, allowing colours to blend seamlessly, resulting in a natural and fluid image. The built-in noise reduction feature can further enhance these transitions, useful in certain situations. However, it is important to note that activating this option may overly smooth out the desired film grain structure, potentially compromising the authenticity and atmosphere of the image. Therefore, caution is advised when using this feature, to maintain the character and depth of the content.

The S90D model handles lower-resolution materials effectively, as demonstrated in the displayed image. The model's silhouette remains sharp and naturally reproduced, with fine details preserved. Additionally, the branches of the trees are well-defined, free from any visible jagged edges that might otherwise degrade the image quality. Thanks to efficient scaling, even lower-resolution content appears attractive on the screen, which is sure to please users who rely on a variety of content sources, such as standard cable or antenna television.

There are situations where we would like to smooth out tonal transitions a bit, especially in older materials – those with limited source quality. The U7Q is equipped with a feature called "Smooth and Gradient Image," but unfortunately... it works very poorly. In the "Low" option, the effects are practically unnoticeable, and other settings smooth details but do not improve tonal transitions. The only positive aspect is that the feature does not interfere with film grain, so it does not ruin the natural structure of the image.

Fortunately, upscaling content performs quite well. The image is not excessively sharpened, and there is no artificial clarity – and although it is known that this is not the level of high-end televisions, the U7Q handles displaying really old content in a completely acceptable manner without any issues.

The S90D TV, featuring a 120 Hz refresh rate matrix and up to 144 Hz in the appropriate PC configuration, delivers excellent motion fluidity. Samsung highlights a range of sharpness settings on a ten-point scale, allowing users to fine-tune the display to their preferences. In UFO tests, the OLED matrix showcases its strengths by eliminating any blurring. The ultra-fast pixel response ensures dynamic movements are faithfully reproduced.

Similar results can be seen in other sizes of this model with a WOLED matrix, which also offer outstanding image fluidity. Organic technology, in this case, is considered among the best on the market. The S90D image, regardless of the matrix type, is exceptionally sharp and detailed, making this television perfect for dynamic scenes, whether for gaming or sports broadcasts. Additionally, its refresh rate and sharpness capabilities guarantee that every movement is smooth and natural, satisfying even the most discerning users.

U7Q is indeed a very fast television, just like its more powerful version "PRO". At a resolution of 4K, it supports up to 144 Hz refresh rate, and if someone wants even more – in Full HD, you can achieve up to 240 Hz! This will mainly benefit PC gamers, but it is worth appreciating – it is a rarely seen feature in this price segment. Right from the start, it is clear that the U7Q has been designed with dynamic content in mind, such as games or sport. In films, we are not left "out in the cold" either – the U7Q offers an "Ultra Motion Smoothness" feature, where using two sliders you can adjust whether you prefer a smoother, theatrical image or something closer to a cinematic style with a visible film frame. It is good that, as with most manufacturers, we have a choice here as well and can adjust it to our own preferences.

The S90D television is an excellent solution for gamers, offering a range of advanced features that elevate gaming quality to a new level. Equipped with HDMI 2.1 standard, the model supports modern technologies such as VRR (Variable Refresh Rate) and ALLM (Auto Low Latency Mode). Thanks to these solutions, the image is incredibly smooth, and the response to commands is instantaneous, which is crucial in dynamic titles. Additionally, the S90D supports HLG (Hybrid Log-Gamma) as well as G-Sync and FreeSync image synchronisation. This enables a perfect connection with Xbox, PlayStation, or PC, eliminating issues with tearing and stuttering. The built-in operating system offers the Xbox Game Pass app, providing access to a vast library of games directly from the television. This solution makes gaming even more convenient and accessible. The Game Bar feature provides quick access to essential information, such as current settings, performance statistics, and the ability to adjust image options. This allows for on-the-fly display parameter modification, which is extremely useful during intense gameplay. Despite lacking support for Dolby Vision, the S90D still offers excellent HDR image quality, allowing for full utilization of the potential of games and movies. As a result, the S90D represents a unique combination of modern technologies, outstanding image quality, and intuitive features, perfect for any gaming enthusiast.

The Hisense U7Q is a television designed with gamers in mind – and this is immediately evident from its gaming capabilities. It has practically everything you could wish for: variable refresh rate (VRR) – check, automatic game mode (ALLM) – check, and on top of that, high refresh rates of up to 240 Hz in Full HD and support for various resolutions, not just 4K. This is truly a great set of features that makes the U7Q perform well both in fast-paced first-person shooters on consoles and in more demanding titles on PC. Of course – as with most Hisense models – there is a lack of proper implementation of the HGiG feature. It's a shame because HGiG allows console brightness to be matched to a specific television, which in practice makes displaying HDR games according to the creators' intent much easier. Without this, you simply have to reckon with certain limitations in the final HDR image in games.