Samsung Q60D / Q67D / Q68D vs Xiaomi S Pro 2026

The Samsung Q60D television, regardless of the scene being tested, achieves brightness above 500 nits, which is above average for this class of devices. Such a level of brightness allows one to experience a taste of true home cinema, with clearly visible details in bright parts of the image and well-reproduced contrast dynamics, especially when watching content from streaming platforms or movies played from Blu-ray. As a result, film screenings gain greater depth and realism, particularly in well-lit scenes. Despite the use of quantum dot technology (QLED), the television does not achieve outstanding results in colour reproduction. The coverage of the DCI-P3 colour space is only 90%, which may be noticeable in more demanding scenes, where the richness and saturation of colours play a key role in image quality.

When it comes to HDR quality, the Xiaomi S Pro 2026 is undoubtedly a very bright television. On our synthetic measurement patterns, we were able to generate peak brightness of around 1400 nits. This result is not only very good but truly spectacular, considering the price of this model. However, as we always emphasise, for our editorial team, measurements and the experiences from the content viewed on a daily basis - from films and series - are more important. So let's analyse how the Xiaomi performs with film material. The result is, unfortunately, quite mixed. When very bright scenes appear on screen, the S Pro 2026 really shows its full potential and can achieve a real 800-1000 nits in bright elements. Moreover, even smaller objects can "burn" the eyes - in scenes from the film Sicario 2, small metal elements of the helicopter were truly vivid. The problem is that - and here the story comes full circle back to our contrast assessment - in such scenes we cannot count on absolutely cinematic black. In our opinion, this compromise is too great; high visibility of details in bright areas should not come at the cost of such a significant boost to black levels. And although the HDR effect itself can make a stunning impression here, it is essential to remember that when very challenging, mixed scenes appear on screen, we might feel a slight disappointment. Exactly the one we mentioned in the previous paragraph regarding issues with dimming in HDR mode. As a consolation, it is worth adding that the S Pro 2026 has been equipped with an additional PFS filter (similar in function to a QLED layer), which effectively broadens the colour gamut coverage. As a result, measurements showed DCI-P3 coverage reaching up to 94%. This gives us confidence that in most colourful scenes, the image will appear rich and appropriately saturated.

Samsung has been offering a "Filmmaker" mode in its televisions for several years, aimed at providing the most faithful picture settings straight from the factory, in accordance with the vision of filmmakers. This is certainly a significant step towards cinematic quality at home; however, it is worth noting that this mode is not without its problems.

For instance, the white balance in both SDR and HDR modes exhibits an excessive amount of red hue, causing the picture to appear too warm. As a result, the skin of actors and bright scenes may seem unnaturally pinkish. The Colour Checker test further confirms this issue – colour samples often shift towards red tones, deviating from the neutral colour reproduction that would be more desirable in a professional setting.

When it comes to contrast, there is a noticeable drop at the beginning of the gamma graph, where values below 2.4 drop all the way down to 2.1. Consequently, the image in darker scenes may appear less distinct, losing depth. In terms of HDR content, the EOTF curve (responsible for brightness reproduction) shows a strong spike at the beginning of the graph, which may lead to excessive brightness in the lighter parts of the image, disrupting the natural tonal balance.

Of course, all our measurements were carried out in "Film" mode, which is typically the best and most accurate choice we get straight out of the box. It needs to be said plainly: although it is the best mode, it is still very far from ideal. Firstly, the television has a clear tendency to impart a cool, bluish tint to the image – this is due to a poorly set white balance. Additionally, there is the issue of how the S Pro 2026 manages its brightness straight out of the box, which results in an overly vivid image. These two flaws contribute to truly significant colourimetric errors (Delta E). In HDR content, they were able to exceed our anticipated error scale of "10" by twofold (meaning values close to 20). As a reminder – the threshold for perceivable error by the human eye is a Delta E value of around 3. Results at the level of 20 indicate that the image significantly deviates from what the director intended.

After professional calibration of the Samsung Q60D television in film mode, users can enjoy a significant improvement in image quality. Samsung televisions have always offered 2- and 20-point grey scale adjustments, as well as an advanced CMS (Color Management System), which allows for precise colour and shade adjustments. The white balance for both SDR and HDR has been free from strong spikes and tendencies for colours to shift to red hues, greatly enhancing the naturalness of the image. Although a few more significant errors can still be observed in HDR mode, the overall colour reproduction quality has been excellently improved. Regarding contrast, although drastic changes cannot be mentioned due to limitations in the television's technology, the improvement is noticeable. Thanks to calibration, details in dark scenes are more visible, and the differences between light and dark elements of the image have been enhanced. This makes the overall viewing experience more satisfying, allowing viewers to enjoy greater depth and realism in the displayed content.

So how does the S Pro 2026 perform after our calibration procedure? We have to admit that after calibration, the television becomes a really very pleasant device for watching everyday content. As you can see in the graphs, in HD (SDR) materials, both white balance and gamma values have been brought to nearly perfection. Most importantly, colourimetric errors have become practically unnoticeable to the human eye. In this scenario, the S Pro 2026 is simply an excellent television that, after professional calibration, can provide a lot of enjoyment from watching. However, it is worth clearly noting – our efforts have not helped much in 4K HDR mode. Despite the calibration, the television still interprets the image quite strongly "in its own way," which is clearly visible in the measurement of the EOTF curve (brightness tracking). It’s a bit of a shame, as it shows that the problem lies not in the panel itself, but in the software. Underdeveloped image management algorithms in HDR content can, unfortunately, rule out this television for many more discerning users.

However, when it comes to processing and scaling lower quality materials, the television performs quite well. The image is rendered without overscan, which ensures full use of the available screen area. Additionally, the outlines of the model or the branches of the tree are not overly jagged, which translates to a satisfactory quality of the displayed content. Although noise reduction could be more effective, the overall results of processing lower quality materials are positive and meet expectations.

Let's start with the issue we raised in the previous paragraph: can the television actually fix the problem of dreadful tonal transitions in dark scenes? Theoretically, yes – in the menu, we find a feature with the promising name "Colour Contour Removal." Well, "theoretically." Unfortunately, in practice, this setting – regardless of which of the three power levels is chosen – yielded absolutely no real results. So we are dealing with a feature that, in practice, only exists in the menu. Moving on to the quality of upscaling (scaling the image from a lower resolution to 4K), unfortunately, we have more bad news for you. The S Pro 2026 performs very poorly at this task. Interestingly, the phenomenon of "overscan" (slight cropping of the image) is not a major issue here. The fact is that the television simply displays a very raw, unprocessed image. Its attempt to upscale the signal to a higher resolution looks simply lacklustre and lacks any form of "intelligent" improvement. There is no denying it – the entire digital image processing is the real Achilles' heel of this model.

Samsung Q60D is equipped with a 60 Hz panel and a film smoothness enhancement option known as "Motion Blur Reduction." This feature aims to minimise motion blur and enhance overall image smoothness, which will certainly appeal to users who are primarily looking for a television to watch films and series. Thanks to this technology, viewers can enjoy a more fluid visual experience, even in dynamic action scenes where details are crucial. However, it is worth noting that while "Motion Blur Reduction" improves the smoothness of images in films, for gaming, this panel may not be the best choice as it exhibits significant motion blur, which can be seen in the picture below.

On paper, the S Pro 2026 specification looks impressive. The television is equipped with a native 144 Hz panel, with the ability to display images at up to 288 Hz in a dedicated gaming mode. These are amazing results, but what interested us most, in the context of everyday use, was how the television handles motion blur and how the image looks at 120 Hz. After all, this is the frequency used by consoles like the PlayStation 5 and Xbox Series X/S, and it is desired by sports fans. Generally, the panel "holds up". The matrix is sufficiently fast to meet these challenges, and objects displayed at native 120Hz fluidity are shown correctly. As for the software, the television is equipped with motion smoothing technology; however, with a key caveat – it works only for input signals up to 60 Hz. This means it is primarily suitable for traditional television, films, and series. Thanks to this, we can adjust the fluidity of the image to our own preferences – from a very smooth, "theatrical" approach to setting the slider to "zero" and maintaining a fully cinematic character.

Samsung Q60D is equipped with features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group) and Game Bar, which significantly enhance the gaming experience. However, the lack of HDMI 2.1 implementation limits capabilities, preventing the use of VRR (Variable Refresh Rate), which could further improve smoothness and picture quality. Overall, for casual gamers, this television should perform well in everyday use, providing satisfactory gaming experiences. However, if we are more demanding in terms of gaming, it is worth considering models with a higher refresh rate and HDMI 2.1, which will ensure full functionality and better support for the latest games. In such cases, investing in a more advanced television will yield significantly better results in terms of smoothness and picture quality, which is crucial for gaming enthusiasts.

For gamers, the Xiaomi S Pro 2026 is almost an ideal proposition on paper. It is equipped with two HDMI 2.1 ports, which allow us to unlock (although these options are somewhat hidden in the menu) the full package of features: ALLM, VRR and, crucially, the ability to work in 4K at 144 Hz. This last feature should particularly please the owners of powerful PCs. The television also has something resembling a gamer panel – and although it's hard to call it a fully-fledged "Gamebar", it serves its purpose by displaying key information. It’s just a shame that in its default form, it obscures a relatively large portion of the screen.

The biggest issue we have with this model, however, concerns how the S Pro 2026 handles games in HDR mode. To put it bluntly: it doesn’t handle it well at all. Due to the television having a poorly implemented HGiG feature (the HDR tone mapping standard for games), it is very easy to "overexpose" the image during initial HDR calibration on the console. If someone is unaware of this software flaw and follows the on-screen instructions, they will simply set the image incorrectly, resulting in burnt-out details in the bright areas. Another major problem is the Dolby Vision mode for games. While it does work, it generates such a high input lag that it becomes noticeable in dynamic titles. (You can check all our lag measurements in the paragraph below). In summary: Generally speaking, this is a really very good screen for gamers, but with one small caveat. We would rather avoid using HDR mode on it – unless we decide to manually set the brightness bar on the console "by eye", completely ignoring the instructions from the console’s pictogram.