Samsung Q60D / Q67D / Q68D vs Philips PUS7000

The Samsung Q60D television, regardless of the scene being tested, achieves brightness above 500 nits, which is above average for this class of devices. Such a level of brightness allows one to experience a taste of true home cinema, with clearly visible details in bright parts of the image and well-reproduced contrast dynamics, especially when watching content from streaming platforms or movies played from Blu-ray. As a result, film screenings gain greater depth and realism, particularly in well-lit scenes. Despite the use of quantum dot technology (QLED), the television does not achieve outstanding results in colour reproduction. The coverage of the DCI-P3 colour space is only 90%, which may be noticeable in more demanding scenes, where the richness and saturation of colours play a key role in image quality.

Unfortunately, the PUS7000 is not suitable for watching HDR content. The screen is simply too dark. A brightness level of 200 nits is insufficient to properly display such a format. Even if a HDR signal message appears on the screen, the image will resemble a standard SDR recording. Therefore, it is better to stick with the latter format to avoid errors in displaying bright scenes, as discussed below. The situation is not improved by the fact that this is a classic LCD model without additional layers enhancing colours, such as QLED or PFS. As a result, colours in HDR may appear washed out. Ultimately, this gives a worse effect than in the standard SDR format, which is simply better suited to the capabilities of this panel.

Samsung has been offering a "Filmmaker" mode in its televisions for several years, aimed at providing the most faithful picture settings straight from the factory, in accordance with the vision of filmmakers. This is certainly a significant step towards cinematic quality at home; however, it is worth noting that this mode is not without its problems.

For instance, the white balance in both SDR and HDR modes exhibits an excessive amount of red hue, causing the picture to appear too warm. As a result, the skin of actors and bright scenes may seem unnaturally pinkish. The Colour Checker test further confirms this issue – colour samples often shift towards red tones, deviating from the neutral colour reproduction that would be more desirable in a professional setting.

When it comes to contrast, there is a noticeable drop at the beginning of the gamma graph, where values below 2.4 drop all the way down to 2.1. Consequently, the image in darker scenes may appear less distinct, losing depth. In terms of HDR content, the EOTF curve (responsible for brightness reproduction) shows a strong spike at the beginning of the graph, which may lead to excessive brightness in the lighter parts of the image, disrupting the natural tonal balance.

We tested the television in movie mode, which theoretically should provide the best and most natural colours. And indeed, this mode is quite correct; however, after connecting the calibration equipment, its biggest flaw came to light. The PUS7000 has significant shortcomings in displaying red. Poorly tuned white balance and overly low saturation of this colour cause the image to appear too cool. As a result, one may get the impression that the displayed content is simply lacking in vibrant colours. The situation is worsened by the fact that both SDR and HDR content are excessively brightened. This is confirmed by the gamma curve and EOTF graphs, which show that the television displays the image brighter than it should. This causes scenes to lose their depth and may appear somewhat washed out. Fortunately, in the Philips menu, we find quite a few functions to improve these aspects, so we immediately proceeded to calibration to see what could be squeezed out of this screen.

After professional calibration of the Samsung Q60D television in film mode, users can enjoy a significant improvement in image quality. Samsung televisions have always offered 2- and 20-point grey scale adjustments, as well as an advanced CMS (Color Management System), which allows for precise colour and shade adjustments. The white balance for both SDR and HDR has been free from strong spikes and tendencies for colours to shift to red hues, greatly enhancing the naturalness of the image. Although a few more significant errors can still be observed in HDR mode, the overall colour reproduction quality has been excellently improved. Regarding contrast, although drastic changes cannot be mentioned due to limitations in the television's technology, the improvement is noticeable. Thanks to calibration, details in dark scenes are more visible, and the differences between light and dark elements of the image have been enhanced. This makes the overall viewing experience more satisfying, allowing viewers to enjoy greater depth and realism in the displayed content.

After professional calibration, it is evident that the PUS7000 responds well to image adjustments. In this price range, this is not at all a given. The effects should be evaluated in two scenarios, depending on what content we plan to watch. SDR performs the best. After our adjustments, the picture looks really good. Most colour errors have fallen below level 3, which is the threshold at which distortions usually begin to be visible to the naked eye in measurements. Films, series, sports, and regular television look natural, without unpleasant deviations. If someone mainly watches classic channels or streams in HD quality, the difference after calibration will be noticeable immediately. However, it must be clearly stated that the PUS7000 is still not a television suited for reasonable HDR, and calibration changes very little in this regard. The reason lies in the hardware: the colours remain too unsaturated. The television lacks solutions to expand the colour gamut, such as PFS filters or a quantum dot layer, so the panel simply cannot display the intense colours required by HDR. This is most apparent in reds, which still look pale. This limitation cannot be bypassed with menu settings, as it stems from the design of the backlighting and the panel itself.

However, when it comes to processing and scaling lower quality materials, the television performs quite well. The image is rendered without overscan, which ensures full use of the available screen area. Additionally, the outlines of the model or the branches of the tree are not overly jagged, which translates to a satisfactory quality of the displayed content. Although noise reduction could be more effective, the overall results of processing lower quality materials are positive and meet expectations.

The PUS7000 handles digital image processing quite well. The distortion reduction feature deserves praise, as it effectively smooths out unwanted tonal transitions even at low settings. However, it has a drawback: if applied too aggressively, it can introduce undesirable artifacts on the screen. Therefore, it would be a good idea to experiment with this setting to find a happy medium between a smooth image and detail clarity.

The upscaling, or enhancing the quality of lower-resolution materials to 4K, is adequate. The image after processing is very "soft," which is typical for nearly all Philips televisions. The edges are plastic and smooth, making the image look cohesive. If it feels too soft for someone, the sharpness slider in the menu can always be adjusted to achieve a more pronounced effect.

Samsung Q60D is equipped with a 60 Hz panel and a film smoothness enhancement option known as "Motion Blur Reduction." This feature aims to minimise motion blur and enhance overall image smoothness, which will certainly appeal to users who are primarily looking for a television to watch films and series. Thanks to this technology, viewers can enjoy a more fluid visual experience, even in dynamic action scenes where details are crucial. However, it is worth noting that while "Motion Blur Reduction" improves the smoothness of images in films, for gaming, this panel may not be the best choice as it exhibits significant motion blur, which can be seen in the picture below.

In this respect, we actually have no good news. It might seem that the biggest downside is the lack of a 120 Hz panel, but in this price range, that is actually the norm, and it is hard to expect anything more. However, the worst part is that the television does not have any features to improve motion smoothness. There is a lack of any supporting systems, both in films and in sports. We must come to terms with the fact that the image on the PUS7000 is processed "raw". This means that during dynamic scenes or fast camera movements, the motion can appear choppy or unclear. We do not have the option to enable any smoothers that would reduce this effect.

Samsung Q60D is equipped with features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group) and Game Bar, which significantly enhance the gaming experience. However, the lack of HDMI 2.1 implementation limits capabilities, preventing the use of VRR (Variable Refresh Rate), which could further improve smoothness and picture quality. Overall, for casual gamers, this television should perform well in everyday use, providing satisfactory gaming experiences. However, if we are more demanding in terms of gaming, it is worth considering models with a higher refresh rate and HDMI 2.1, which will ensure full functionality and better support for the latest games. In such cases, investing in a more advanced television will yield significantly better results in terms of smoothness and picture quality, which is crucial for gaming enthusiasts.

Although the PUS7000 is not marketed as a gaming television, it does not perform as poorly in this category as one might expect. While it is true that we won’t find support for 120 Hz refresh rates, which is understandable at this price point, the manufacturer has ensured several important features that genuinely enhance the gaming experience on consoles. The most important of these are the VRR and ALLM technologies. VRR is responsible for synchronising the screen with the number of frames generated by the console. This prevents the image from tearing and keeps it consistent even during sudden drops in frame rate while gaming. In contrast, ALLM is a solution that automatically switches the television to the lowest latency mode as soon as it detects a signal from the console. All these parameters are easily accessible thanks to the Game Bar feature. This is a special control panel for gamers that can be summoned on screen at any time. It allows for a quick preview of the current settings and connection status without interrupting gameplay, which is a very convenient solution.