Compare: Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs SHARP JP7765E

Philips PUS8959, also known by other designations under the abbreviation PUS89 (depending on the sales network), is a model from the popular series The One. Its biggest distinguishing feature is the Ambilight system, which continues to make a great impression. The three-sided lighting adapts to the picture on the screen, making films, series, or games literally spill over the edges of the television. The One is also a good option for gamers. The 120 Hz matrix and low input lag ensure that games run smoothly, and motion on the screen is clear. We tested several dynamic titles on the console, and the television handled them without any issues – no stutters or delays. Additionally, support for HGiG allows for better reproduction of HDR effects in games. This is an excellent solution if we care about consistency of the image with what the creators intended. The picture quality is at a good level, especially during the day. With a brightness of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR films delivers vibrant colours and sharp details. However, the ADS matrix has its limitations – the black in dark scenes resembles a grey shade more, which can be noticeable when watching in a darkened room. When we watched films with the lights off, the lack of depth in the blacks was somewhat striking. The operating system Titan OS is something that still requires refinement. It is fast, but the limited number of applications can be frustrating for those accustomed to more robust platforms, such as GoogleTV. For daily use of Netflix or YouTube, it works flawlessly, but if we expect more advanced features, the system may not meet our expectations. Generally, Philips The One is a good choice in its price class. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It is also a solid option for gamers, thanks to the fluidity of the image and low input lag. While the black isn't perfect, and the operating system needs improvement, the television performs well in everyday use. For fans of unique solutions, such as Ambilight, it is a proposal that definitely deserves attention.

Sharp JP7765 is yet another offering in the market that attempts to prove that Mini-LED technology doesn’t have to cost a fortune. The low price comes hand in hand with an exceptionally high brightness – a peak of 1000 nits in HDR is a result that simply impresses in this price range. Although the proprietary processor doesn’t always manage the backlighting perfectly in demanding scenes, support for Dolby Vision effectively saves the situation. Thanks to dynamic metadata, the picture becomes plastic, deep, and simply attractive to the eye. Adding to this the Google TV system, extreme volume, and the now-rare jack headphone socket, we get a device that is a brilliant option for seniors or less demanding viewers transitioning from a regular, cheap LCD. In such a scenario, the Sharp JP7 presents itself as a really decent and cost-effective choice. However, it must be stated clearly: contrary to marketing slogans, this is not equipment for everyone. Gamers or sports fans will definitely not find themselves here. The biggest drawback of the JP7765 model is the slow, 60-hertz panel and significant motion blur, which essentially disqualifies this television for watching dynamic matches or playing fast-paced titles. The picture loses sharpness during rapid movements to such an extent that for a football or racing fan, it may be an unacceptable barrier.

So, for whom is the Sharp JP7765? It is a sensible choice for budget-conscious individuals who do not have high demands regarding motion fluidity but value a “kick” of brightness. By choosing the Sharp JP7, you will definitely make a better deal than purchasing basic (non-dimming) televisions from the competition. Rivals typically offer ordinary LCD panels for a similar price, which cannot compete with the capabilities of even such a basic Mini-LED model as the JP7. Ultimately, it comes down to a simple arrangement: you accept lower motion fluidity in exchange for powerful brightness, which is hard to find from other manufacturers at this price.

The Philips PUS8959 television is based on ADS technology, which offers slightly different parameters compared to popular VA matrices. In the tested images, the contrast measured around 2000:1, making the black levels far from ideal. ADS panels are known for their weaker contrast compared to VA matrices, which in practice means that instead of deep blacks, we see more navy or grey shades. However, the ADS panel is still better than a standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology, which could improve these parameters. The absence of this function exacerbates the effect of shallow blacks, particularly noticeable in dark scenes, like those in the film "Sicario 2". Instead of intense blacks, the screen produces a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this causes the visual experience to lose depth, and details in dark scenes are not as well visible as one might expect from higher-end screens. Despite the lack of local dimming, the television is equipped with something called Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the cost of details that may blend together, for example, lights in the test image from the film Oblivion. It is worth mentioning that the model we received for testing has quite significant patches resulting from uneven backlighting, although this is not a rule, one must consider that we may receive a unit like this when purchasing.

When it comes to the most important aspects of Mini-LEDs, namely contrast and black levels, the Sharp JP7 in the tested 55-inch size uses a VA panel. Combined with backlighting divided into 160 zones (in a 10x16 arrangement), this promises truly solid performance. Measurements on static film screens can be quite shocking, with the measured contrast reaching five-digit values, even hitting levels of up to 50,000:1. On paper, this is a result that would not be out of place for much more expensive models, and black levels under such conditions look very attractive.

Unfortunately, a television is purchased for watching films rather than admiring static screens, and here the magic somewhat fades. When something more begins to happen on the screen – especially in complicated, dark scenes with a lot of small bright elements – the backlighting system in the JP7 starts to literally go haywire. The zones can "dance" before the viewer's eyes, turning on and off in a way that can be simply irritating and distracting from the action. It is evident that Sharp has significant room for improvement in terms of managing local dimming. The hardware potential in the form of Mini-LEDs is large, but the controlling algorithms clearly struggle to tame them.

The luminance chart for Philips PUS8959 shows that the television is capable of achieving around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows for the effects of HDR to be experienced, particularly standing out in more demanding scenes. In the tested test patterns, the television performed quite well, even in challenging sequences such as those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the expense of the silvery blacks mentioned in the paragraph about black levels. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which amounts to approximately 94.5%. As a result, colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

So how does the brightness of the Sharp JP7 fare in the most demanding titles? Honestly, at first, we were quite surprised. The television is capable of achieving over 1000 nits of brightness, which is an outstanding and rare result for a device costing just under 2000 PLN (for 55 inches). Watching bright, full-screen scenes, one might feel they are dealing with really good equipment. Unfortunately, though, we have to return to the problem we mentioned earlier regarding local dimming management. When small bright areas appear on a dark background (as in the test scenes from the films Life of Pi or Sicario 2), it is evident how poorly the JP7 handles zones. The television dims them almost to the maximum, crushing the entire HDR effect, which in such moments resembles a flat SDR image (less than 200 nits). This instability means that in demanding, contrast-heavy films, the image on the JP7 unfortunately loses its appeal.

As a consolation, it is worth noting that the panel has the potential for good colour display. It features a PFS (phosphor) filter, which allows for a solid 94% coverage of the DCI-P3 palette. The manufacturer calls its product a “QLED,” even though it is primarily based on the aforementioned PFS filter. Given the recent market battles of manufacturers over what may or may not be called QLED, we leave the question of the correctness of this naming to your assessment. However, it remains a fact that the potential for reproducing saturated colours in this panel is simply good.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls short of perfection. The biggest problem in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of red colour and drops in green levels, resulting in unnatural colour reproduction. For example, white elements in the image have a noticeable pink hue, and the green is less vibrant, causing the overall image to lose its naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma chart resembles a true roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance lack dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce brightness levels, negatively impacting the overall picture quality.

When it comes to out-of-the-box colours, the Sharp JP7 was tested in Film mode, which traditionally offers the most consistent image compared to the yellowed “Eco” mode or the glaring blue of the “Dynamic” mode. Although this is the best choice among the available settings, the results are still far from ideal. The white balance clearly lacked red and blue components, causing many scenes to take on an unnatural greenish tint. Another issue was the gamma – during full-screen scenes, the television provides excessive brightness, which completely diminishes its cinematic character. All of this resulted in colour reproduction errors, especially in shades of grey, which exceeded a value of Delta E 10. For reference: errors above 2-3 are already visible to the human eye, so we are dealing with a significant distortion of reality here.

In HDR mode, the situation is reversed, but not any better. Here, the blue colour dominates the white balance, which gives the image an unnatural, almost “retail” sharpness, reminiscent of aggressive demonstration modes. Furthermore, measurements of the EOTF curve emphasise the retail character of the image. The graph clearly shows that the television generates an image significantly brighter than the standards predict, resulting in an artificially boosted and unrealistic final effect. The Sharp JP7 is evidently trying to appear stronger than it actually is, but it does so at the cost of fidelity to the content.

After calibration, the television Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered a remarkable result. Additionally, the gamma, responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

As for 4K HDR materials, a significant improvement is also visible. The white balance, although not as perfect as with HD content, no longer exhibits issues with excessive red exposure, resulting in a more natural and harmonious image. Unfortunately, regarding the EOTF characteristic, it is difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent any substantial enhancement in this aspect.

Nevertheless, the overall performance is significantly better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth dedicating time to precise calibration to achieve satisfactory picture quality.

We subjected the JP7 to our standard calibration procedure and really... the television gained a new lease of life thanks to it, particularly with SDR content (YouTube, classic television, series, or older films). As a result of our precise adjustment of the white balance and stabilisation of the gamma, colour errors fell to a value of below 3. This is a level at which the human eye has difficulty detecting distortions. In this scenario, the Sharp JP7 delivers an image with truly excellent colour precision, which is a significant advantage in this price class. However, content with HDR turned out to be much more problematic. Here, despite our efforts and interventions in the settings, the television simply would not cooperate. In the JP7 menu, we don't find any option that would allow for real control over brightness management (EOTF). Although a significant portion of the colour errors was reduced, the image still remained unnaturally oversaturated. It's a bit of a shame, as the potential of the mini-LED backlit panel is great, but the software presents a clear barrier here.

The conclusion is simple: when watching less demanding content (SDR) on the JP7, you can expect an image that is more than satisfactory, but in HDR, you must come to terms with a certain degree of "artificiality" that cannot be circumvented even with professional equipment.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Sometimes minor issues can be observed, especially during transitions between certain colours, where slight unevenness is noticeable. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides sufficiently good gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and a lack of glaring tonal distortions.

When it comes to image clarity, posterisation on the Sharp JP7 fortunately does not detract too much from the content being viewed. In most scenes, it's difficult to notice annoying bands or the so-called "stepping" of colours, which often spoil the viewing experience during scenes with smooth colours. Of course, one shouldn't expect miracles here as, in some extremely demanding scenes, a trained eye may spot errors in tonal transitions. However, this is not a level that would realistically distract during a film. Well, unless you have good eyesight and are looking for artefacts on the screen – then you might find something.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at its minimum setting performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in its place, which is a significant plus for users who appreciate the natural look of film materials.

As for digital processing, the image looks quite good, although it features very softened contours, giving it an almost "misty" character. This effect can evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be said that the Philips PUS8959 provides fairly subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

In the case of lower quality materials and how the Sharp JP7 handles them, the situation is ambiguous. Let's start with the upscaling itself – here we have no major objections. The process of scaling the image to a higher resolution is correct; the picture remains readable and sharp, without the overscan effect, meaning no cropped edges. Of course, it is not at the level of top models, and at times one can notice slight jaggedness on the contours, but in this price range, the effect is fully acceptable.

However, the actual digital image processing performs significantly worse, which, apart from the upscaling, effectively does not exist. In the JP7 menu, we will not find any option that would effectively smooth out unwanted tonal transitions or reduce noise in the image. As a result, the signal reaches the panel in a very raw form, which, with heavily compressed materials (e.g. from YouTube), leads to visible posterisation. Either it is a flaw in the software or a very strange design decision, because in earlier Sharp models this function was available and, crucially, worked with noticeable effect. Here, we are left to deal with whatever the source provides us, without any digital support from the image processor.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the television offers an additional motion smoother that allows adjusting the film's frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making the motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimising ghosting and improving motion clarity, which is particularly noticeable in dynamic sequences, such as action scenes or fast-paced sports shots.

The motion fluidity on the Sharp JP7 is quite mediocre, and the reason is simple: the television uses a 60Hz panel. This instantly makes it difficult to recommend for watching sports or serious gaming, where higher refresh rates are already the standard. The only real plus is the presence of a smoothness feature, which we can control in films using a slider called De-judder. Lower settings provide a more raw, "cinematic" (framey) image, while higher settings add artificial smoothness. We suggest setting it somewhere in the middle of the scale, that is in the range of 3-5 – this is the best compromise to avoid the soap opera effect while also eliminating the tiring stuttering of the image. Interestingly, in the menu, we also find a "motion blur removal" slider, which usually indicates the presence of a 120Hz panel. However, with the JP7, it does not enhance the image at all and serves rather as a dummy – it is meant to look good in the settings, but technically it has no right to operate on this panel.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better reproduction of HDR effects in games. As a result, the image is closer to what the game creators intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, which is especially important during action games and sports broadcasts. The Game Bar feature allows for quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, providing good image quality and adequate smoothness during gameplay.

As we mentioned earlier, the 60Hz panel is not a feature that will attract gamers to the Sharp JP7. Perhaps for the casual player, whose console still generates most titles at 60 frames per second, there might be something interesting? When it comes to specific additions, we find here:

ALLM Mode: Automatically switches the television to low latency game mode (input lag).
Game Menu: Which is hard to call a full-fledged “Game Bar,” as the functionality here is minimal. Aside from enabling ALLM, there’s only a game-specific motion smoother which we recommend avoiding as it introduces very noticeable artifacts and worsens responsiveness.
Dolby Vision Gaming: For Microsoft consoles.

Unfortunately, the list of shortcomings is significantly longer and more painful than the positives. The biggest disappointment is the lack of support for 120Hz, even when reducing the resolution to Full HD. The presence of 120Hz would allow for performance modes to be activated in many games on PS5 or Xbox Series X. Another shortcoming is VRR, which means that during frame drops, we are exposed to screen tearing. The lack of proper implementation of the HGiG standard is also very problematic. This results in the fact that during HDR calibration in the console menu, it is very easy to "overshoot" the brightness settings. As a result, instead of clear details in the highlights, we end up with an unnaturally over-bright image with cut-off details. Sharp JP7 is a proposition solely for very casual gamers.

Philips PUS8959 TV offers impressive results in terms of input lag, making it an excellent choice for gamers. For content at 120 Hz, the lag is less than 6 ms, which is an absolutely outstanding result and allows for instantaneous reactions in games, especially in dynamic titles. For content at 60 Hz, the input lag is 15 ms, which is also an excellent result and ensures comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While this result may be acceptable for less dynamic content, it may be insufficient for demanding gamers, affecting precision and responsiveness. Nevertheless, in standard modes, Philips PUS8959 still offers remarkable performance, making it a competitive choice in the market for gaming TVs.

The issue of input lag in the Sharp JP7 is quite intriguing. In all 60Hz modes, the television achieves a result of just 13 ms. This is truly an excellent outcome that makes the lag practically imperceptible during gameplay. In this respect, Sharp has risen to the occasion, and even in dynamic titles, the controls remain responsive.

However, during testing, we encountered a certain technical puzzle. Using our professional Murideo generator, we were able to induce and measure input lag at 120Hz refresh rate in Full HD resolution. This sounds promising, but in reality, it is merely a "paper" curiosity, as standard external devices such as consoles or computers were unable to force the Sharp to operate in such a mode. Although professional diagnostic tools see some hidden potential here, for the end user, the JP7 remains just a 60Hz screen.

Philips PUS8959 is excellent as a monitor for use with a PC. With support for chroma 4:4:4, it provides full colour clarity, which is crucial for working with text – fonts are sharp and legible, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag offered by the television ensures smooth and responsive operation, which is important both for everyday tasks and for more dynamic uses, such as gaming or media editing. Philips PUS8959 is an excellent choice for users looking for a television that will also serve as a PC monitor, offering high image quality and user comfort.

The Sharp JP7 performs moderately as a monitor. Although the readability of standard fonts on a white or black background is adequate, the sharpness clearly decreases with darker and thinner text, making it difficult to work with text for extended periods. This panel is sufficient for occasional browsing of news in a web browser; however, we strongly advise against using it as a permanent screen for PC gaming. Besides the rigid limitation to 60Hz, the television does not support any form of frame synchronization (no G-Sync or FreeSync), which, combined with the significant motion blur of the display, results in a poor user experience in dynamic scenarios.

Philips PUS8959, equipped with an ADS panel, offers quite good viewing angles, definitely better than those found in VA panels. The image maintains its quality even when viewed from a greater angle – colours are clear, and the contrast does not deteriorate as much as with televisions featuring VA panels. As a result, watching the television from different spots in the room still allows you to enjoy well-saturated colours and overall image quality, making the Philips PUS8959 perfect for larger rooms and for watching together with family or friends.

The Sharp JP7 features a VA panel, which automatically means narrow viewing angles. It's a classic compromise: we get quite good black levels and contrast, but at the expense of image degradation when viewed from the side. At an angle, colours clearly fade and lose their saturation, so the JP7 is definitely a device for watching "head-on" rather than from the corner of the sofa.

Philips PUS8959 features a satin finish on the screen that effectively reduces light reflections, which is beneficial when using the television in bright daytime conditions. However, such a finish causes blacks to take on shades of grey during the day, losing their depth and intensity, which affects the perception of image in darker scenes.

With a brightness level of 562 cd/m², it allows for comfortable viewing of the television during the day, even in well-lit rooms. The image is bright enough to cut through daylight, and the reduction of reflections provides decent visibility of content, making Philips PUS8959 a good choice for rooms where the lighting level cannot always be controlled.

The satin coating of the matrix applied in the Sharp JP7 quite effectively dampens reflections, although it is far from being fully matte. However, the real "gamechanger" in bright rooms is the brightness of the device itself in SDR content. An average result of 700 nits and peaks around 1000 nits are outstanding in the segment up to 2000 PLN. Thanks to such high luminance, the television will easily cope even in well-lit living rooms. One just has to be careful of direct reflections, for example from a window opposite, as the satin used here will not eliminate them completely, but at this brightness level, the image will remain readable.

Philips PUS8959 is equipped with a three-sided Ambilight system – the flagship patent of this brand, which has enjoyed a devoted fan base for years. Ambilight consists of dynamic backlighting of the wall behind the television, adapting to the content displayed on the screen, significantly enhancing the viewing experience, especially in a darkened room. This effect is unique and adds a certain kind of "magic" to watching, making many users choose Philips specifically for this feature.

As for the operating system, Philips PUS8959 uses Titan OS – a system that is still in its early stages of development. Here, we can see the issues of growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available applications. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the television lacks AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users seeking a flexible way to stream content.

The usability features of Philips PUS8959 are a mix of advantages and disadvantages. The remote control that comes with the television is quite annoying – it requires aiming directly at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports the English language. On the plus side, the remote is backlit, making it easier to use in the dark. The television does not have Picture-in-Picture (PiP) functionality or the ability to record programmes, which is a significant drawback. However, the television is equipped with Bluetooth, allowing for the connection of headphones or a keyboard, which can be useful – especially due to the limited number of available applications, which may encourage use of the built-in web browser.

Smart TV Features - Google TV

The main advantage of the Sharp JP7 is the Google TV system, which currently offers the widest access to applications on the market. The library is nearly limitless – from all popular streaming services to niche VOD solutions or media players. The system provides great freedom of personalisation and access to the latest versions of popular platforms. Included in the package is a Bluetooth remote, which allows the use of the built-in voice assistant without having to aim at the television. The only significant shortcoming in the multimedia sphere that we encountered is the lack of support for AirPlay. Users of Apple devices, such as iPhone or iPad, will not be able to stream content directly and wirelessly to the screen of this Sharp.

Classic Features and Connections

In terms of traditional television functions, the Sharp JP7 does not offer anything beyond the market standard. It lacks options for recording programmes to external storage (PVR) and a dual tuner, which excludes the use of picture-in-picture (PiP) functionality. The television only provides basic solutions, such as teletext and the ability to wirelessly connect accessories via Bluetooth. Gemini message content

As for the connections, the Sharp JP7 offers 4 HDMI ports, which the manufacturer proudly describes as standard 2.1. However, let's be clear: this is purely a marketing ploy because in practice, these ports only offer the full functionality of standard 2.0 due to the limitations of the television. On the plus side, the presence of a classic mini-jack headphone output allows for connecting older audio systems or speakers without the need for adapters or the HDMI eARC standard. This is a rather rare and very practical addition these days.

Despite the fact that the Titan OS system in the Philips PUS8959 television is still in its infancy, it deserves praise for supporting Polish subtitles embedded in films, which is a significant convenience for users relying on external files. If we want to play a film from a connected USB device, the television will do so without major issues, providing comfortable viewing without the need for additional subtitle configuration.

When it comes to photos, the television should have no major difficulties playing them. It supports most popular formats, although there is a lack of support for less common standards, such as HEIC used in Apple devices. This means that some photos, particularly from newer Apple devices, may require prior conversion to a more standard format for them to be played on the Philips screen.

When it comes to multimedia handling from external sources, the Sharp JP7 performs simply exceptionally. The built-in player is a true surprise, as it managed to cope with practically every file format we provided. It even handled the HEIC format (mainly used on Apple devices) without any problems, which most televisions struggle with. Here, Sharp displayed images without the slightest hesitation. Of course, a huge advantage is the presence of the Google TV system, which allows the installation of external applications, such as VLC or Kodi, in case of any issues. However, in our opinion, this would be an unnecessary step as the factory player is refined and versatile enough to satisfy even the most demanding users.

The sound in Philips PUS8959 unfortunately leaves much to be desired. Although low tones can be heard in the playback, the bass is very weak, which translates to an overall unsatisfactory sound quality. The television plays at an average level, especially when compared to more advanced sound systems available on the market.

Despite the average quality of the speakers, the television supports all essential audio codecs, which may please users using external home theatre systems. Thanks to compatibility with various audio formats, the Philips PUS8959 is able to provide good audio experiences if connected to the right external speakers or receiver, delivering a fuller, more cinematic sound.

The sound emerging from the JP7765E model can be described as unusual, and even – looking at our measurements – quite peculiar. What stands out immediately is the immense volume scale. The television can reach levels of nearly 90 decibels (89 dBC on the chart), which is an almost record-breaking achievement in this class. Such strong "shrillness" will certainly appeal to seniors or individuals who need a device with very high audibility.

However, a glance at the frequency chart explains why the sound appears so "strange". The characteristic is extremely uneven: we have a solid boost in the lower registers (around 200 Hz) and in the high tones, but the mid-range – where most information about the human voice lies (between 500 Hz and 1.5 kHz) – experiences a huge drop. This makes the sound quality unnatural and can seem "recessed" during crucial moments of dialogues.

On the positive side, support for the Dolby Atmos format is noteworthy. However, it must be honestly admitted that to truly feel the potential of this system, it will be essential to connect at least a decent soundbar. The JP7's built-in speakers, despite being very loud, cannot deliver the cinematic depth and precision that this standard demands.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs SHARP JP7765E

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Smart TV Features - Google TV

Classic Features and Connections

Apps

Playing files from USB

Sound

Acoustic Measurements