Compare: Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Panasonic Z85A

Philips PUS8959, also known by other designations under the abbreviation PUS89 (depending on the sales network), is a model from the popular series The One. Its biggest distinguishing feature is the Ambilight system, which continues to make a great impression. The three-sided lighting adapts to the picture on the screen, making films, series, or games literally spill over the edges of the television. The One is also a good option for gamers. The 120 Hz matrix and low input lag ensure that games run smoothly, and motion on the screen is clear. We tested several dynamic titles on the console, and the television handled them without any issues – no stutters or delays. Additionally, support for HGiG allows for better reproduction of HDR effects in games. This is an excellent solution if we care about consistency of the image with what the creators intended. The picture quality is at a good level, especially during the day. With a brightness of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR films delivers vibrant colours and sharp details. However, the ADS matrix has its limitations – the black in dark scenes resembles a grey shade more, which can be noticeable when watching in a darkened room. When we watched films with the lights off, the lack of depth in the blacks was somewhat striking. The operating system Titan OS is something that still requires refinement. It is fast, but the limited number of applications can be frustrating for those accustomed to more robust platforms, such as GoogleTV. For daily use of Netflix or YouTube, it works flawlessly, but if we expect more advanced features, the system may not meet our expectations. Generally, Philips The One is a good choice in its price class. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It is also a solid option for gamers, thanks to the fluidity of the image and low input lag. While the black isn't perfect, and the operating system needs improvement, the television performs well in everyday use. For fans of unique solutions, such as Ambilight, it is a proposal that definitely deserves attention.

The Panasonic Z85A is the entry-level OLED model from the Japanese manufacturer, which fully utilises the potential of its panel. Thanks to OLED technology, we can expect phenomenal picture quality at the highest resolution – perfect blacks, excellent contrast, and superb HDR effects, especially after professional calibration. Additionally, it supports a full range of HDR formats, so we can easily choose a film in the best possible quality. Although Panasonic is usually associated with home cinema equipment, the Z85A performs just as well with sports and games. A 120 Hz panel, support for VRR, ALLM, and even functioning Dolby Vision in games guarantee smooth gameplay without any motion blur. The sound also deserves praise – although we won't find an impressive soundbar like in the model Z95A, it is still quite pleasant and has noticeable bass. Downsides? Primarily the Amazon Fire TV – an operating system that still has growing pains. Many popular applications are missing, and some functions are unavailable or poorly translated (e.g. lack of support for external subtitles). Another issue is the not very high brightness, typical of older WOLED panels – this may be a problem in a brightly lit room. Despite these shortcomings, the Panasonic Z85A is a great option for cinema enthusiasts and gamers looking for a versatile television with exceptional picture quality and solid sound. If we can overlook certain limitations of the system and the not-so-high brightness, the Z85A still has a lot to offer. However, if complete user comfort and a richer application ecosystem are crucial for us, then it is worth considering other OLED televisions from competitors as well.

The Philips PUS8959 television is based on ADS technology, which offers slightly different parameters compared to popular VA matrices. In the tested images, the contrast measured around 2000:1, making the black levels far from ideal. ADS panels are known for their weaker contrast compared to VA matrices, which in practice means that instead of deep blacks, we see more navy or grey shades. However, the ADS panel is still better than a standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology, which could improve these parameters. The absence of this function exacerbates the effect of shallow blacks, particularly noticeable in dark scenes, like those in the film "Sicario 2". Instead of intense blacks, the screen produces a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this causes the visual experience to lose depth, and details in dark scenes are not as well visible as one might expect from higher-end screens. Despite the lack of local dimming, the television is equipped with something called Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the cost of details that may blend together, for example, lights in the test image from the film Oblivion. It is worth mentioning that the model we received for testing has quite significant patches resulting from uneven backlighting, although this is not a rule, one must consider that we may receive a unit like this when purchasing.

The Panasonic Z85A uses a WOLED panel, which means one thing – perfect black and infinite contrast. Each pixel lights up and dims independently, so there is no question of any streaks or glow around bright objects on the screen. Even in the most demanding scenes, the image looks simply exemplary. There is no room for compromise in this regard, which is still present even in the most expensive LCD televisions. Here, Panasonic shines, utilising organic technology provided by LG Displays, and does so in truly impressive style.

The luminance chart for Philips PUS8959 shows that the television is capable of achieving around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows for the effects of HDR to be experienced, particularly standing out in more demanding scenes. In the tested test patterns, the television performed quite well, even in challenging sequences such as those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the expense of the silvery blacks mentioned in the paragraph about black levels. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which amounts to approximately 94.5%. As a result, colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

The Panasonic Z85A is an OLED television, so one can immediately expect great effects in films. And indeed – our tests have shown that the WOLED panel can achieve around 800 nits of peak brightness in optimal conditions. This is a solid result that performs well in most demanding HDR scenes, allowing viewers to enjoy a dynamic and detail-rich image. However, like any OLED, the Z85A has its limits. In very bright scenes covering the entire screen – such as the final sequence from the film The Meg – the television reduces brightness to around 400 nits. This is standard behaviour for this technology, so if someone plans to watch films in a brightly sunlit living room, it is worth keeping this in mind. The coverage of the DCI-P3 colour gamut at 98% also deserves high praise. Thanks to this, the television reproduces a wide range of colours that stand out with vibrancy and depth, and details in HDR scenes are sharp and precise. In short – the Panasonic Z85A delivers a solid HDR effect that will satisfy any film enthusiast.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls short of perfection. The biggest problem in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of red colour and drops in green levels, resulting in unnatural colour reproduction. For example, white elements in the image have a noticeable pink hue, and the green is less vibrant, causing the overall image to lose its naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma chart resembles a true roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance lack dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce brightness levels, negatively impacting the overall picture quality.

The Panasonic Z85A offers many picture modes, but the Filmmaker mode definitely stands out from the rest. It is rare for a television to be so well tuned straight out of the box, and the unit we had the opportunity to test really surprised us positively.

However, there were a few minor shortcomings. In the SDR signal, we noticed a slight deficit of red and blue, which resulted in the image having a cooler hue than it should have. This is especially noticeable in the comparative photo. Conversely, in 4K HDR content, the situation was the opposite – an excess of red made the image appear warmer than the creators intended. In terms of brightness characteristics (gamma) and the maintenance of the appropriate EOTF curve, it's hard to find fault. There are slight deviations, but they are so minimal that the average viewer is unlikely to notice them.

It is also worth emphasising that our observations pertain to a specific unit of the television. Two identical models may differ from each other due to natural production variances. Nevertheless, the unit we had in our hands looks really solid and deserves praise. Now it's time for our calibration – we'll see if we can extract even more from this screen!

After calibration, the television Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered a remarkable result. Additionally, the gamma, responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

As for 4K HDR materials, a significant improvement is also visible. The white balance, although not as perfect as with HD content, no longer exhibits issues with excessive red exposure, resulting in a more natural and harmonious image. Unfortunately, regarding the EOTF characteristic, it is difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent any substantial enhancement in this aspect.

Nevertheless, the overall performance is significantly better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth dedicating time to precise calibration to achieve satisfactory picture quality.

The Panasonic Z85A offers truly wide possibilities when it comes to image settings, so we enthusiastically set about calibration. Although we mainly focused on correcting the white balance, the final result exceeded our expectations. Both HD and 4K HDR content now display nearly perfect colour reproduction, with minimal errors that are hard to catch with the naked eye. Well-calibrated televisions are a rarity, and we must admit – it is truly gratifying. Although the gamma and EOTF curve did not require drastic adjustments, it was possible to further stabilise their characteristics across the entire brightness range. After calibration, the Panasonic Z85A is a true gem for home cinema enthusiasts. The image is precise, the colours are natural, and every scene looks exactly as the director intended.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Sometimes minor issues can be observed, especially during transitions between certain colours, where slight unevenness is noticeable. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides sufficiently good gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and a lack of glaring tonal distortions.

The Panasonic Z85A handles the smoothness of tonal transitions really well. Colours blend together naturally, without noticeable artefacts or visible banding. However, in brighter scenes, such as the opening sequence in the film Kingsman, minor imperfections can be discerned. This is typical of WOLED panels, which have their limitations compared to Samsung Display's QD-OLED designs due to the use of white sub-pixels. The differences are not colossal, but a trained eye will pick them up, especially in more demanding scenes with subtle colour gradients. Despite these minor reservations, the Z85A offers a level that will satisfy the overwhelming majority of users. Tonal transitions are smooth, and the image maintains consistency even in complex scenes. This is a solid result, which in practice will rarely be a hindrance during everyday viewing of films or series.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at its minimum setting performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in its place, which is a significant plus for users who appreciate the natural look of film materials.

As for digital processing, the image looks quite good, although it features very softened contours, giving it an almost "misty" character. This effect can evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be said that the Philips PUS8959 provides fairly subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

Now that we know how the Panasonic Z85A performs with tonal transitions in 4K content, it’s time to take a look at its "Gradation Smoothing" feature. It works, but unfortunately not entirely effectively. Regardless of the chosen value – whether it’s low, medium, or high – we were unable to achieve perfectly smooth tonal transitions in our test sequence. We recommend setting this feature to an intermediate level. Although it may slightly blur fine details, at least the issue of film grain loss does not occur, which for many viewers can be crucial when watching classic productions.

As for image scaling, the television performs quite well. It’s noticeable that the image is slightly sharpened, and slim lines may at times appear a bit jagged. However, this is standard in most TVs, and fortunately, it can be adjusted using the sharpness slider. This gives us complete control – we can achieve a more plastic, blurred image or a clearer one, although it may be more “harsh” and artificially sharp. It all depends on user preference and the type of content we are watching. Overall, the scaling is at a solid level and should satisfy most users who are using lower resolution materials.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the television offers an additional motion smoother that allows adjusting the film's frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making the motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimising ghosting and improving motion clarity, which is particularly noticeable in dynamic sequences, such as action scenes or fast-paced sports shots.

The Panasonic Z85A features a 120 Hz panel, which will certainly please both gamers and sports fans. Admittedly, it is not 144 Hz like some gaming TVs, but in practice, the difference is really hard to notice. In games, the image is stable and clear, and during fast action, there is no sign of any blurring. The same applies to sports – a fast-running footballer or a dynamic car manoeuvre looks smooth and natural. The TV also has the “Intelligent Frame Creation” function, which is a motion smoother. There are two sliders here – one is for reducing blur, and the other is for motion smoothness. With these, you can adjust the image to your own preferences – whether it be more of a cinematic effect with gentle transitions between frames, or a maximally smooth image ideal for watching sports.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better reproduction of HDR effects in games. As a result, the image is closer to what the game creators intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, which is especially important during action games and sports broadcasts. The Game Bar feature allows for quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, providing good image quality and adequate smoothness during gameplay.

Panasonic is mainly associated with home cinema televisions, but the Z85A demonstrates that it can also step into the gaming world with a really strong impact. This hardware can easily be called a gaming beast – it has everything needed for comfortable gameplay.

Although there are only two HDMI 2.1 ports, both operate at full bandwidth, so we can easily connect both a next-gen console and a gaming PC. All key features are supported: ALLM automatically switches the television to game mode, VRR ensures smooth images without stuttering or tearing, and with correctly implemented HGIG and Dolby Vision, HDR games look really good – colours are vivid, details are sharp, and dark scenes are clear. We also find a Game Bar in the form of a clear, circular menu. It may not look as impressive as the competition's, but it is intuitive and contains all the important settings we would like to have at hand during gameplay.

In summary – the Panasonic Z85A is equipment that truly surprises with its gaming capabilities. It is a television on which both console gamers and PC players will feel at home. It is smooth, dynamic, and simply good.

Philips PUS8959 TV offers impressive results in terms of input lag, making it an excellent choice for gamers. For content at 120 Hz, the lag is less than 6 ms, which is an absolutely outstanding result and allows for instantaneous reactions in games, especially in dynamic titles. For content at 60 Hz, the input lag is 15 ms, which is also an excellent result and ensures comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While this result may be acceptable for less dynamic content, it may be insufficient for demanding gamers, affecting precision and responsiveness. Nevertheless, in standard modes, Philips PUS8959 still offers remarkable performance, making it a competitive choice in the market for gaming TVs.

Since the Panasonic Z85A has also been designed with gamers in mind, the input lag had to be refined here. And indeed – the results are truly excellent. At 120 Hz, the lag is only 5 ms, and at 60 Hz, it is 13 ms. These are values that will satisfy even the most demanding gamers, whether we are talking about fast-paced shooters or precise fighting games. The responses to our movements with the controller are practically instantaneous, and the gameplay is smooth and responsive. Importantly, the Dolby Vision mode also works flawlessly here. Just a few years ago, using Dolby Vision in games often resulted in high input lag, but in the Z85A, this problem has been effectively eliminated.

Philips PUS8959 is excellent as a monitor for use with a PC. With support for chroma 4:4:4, it provides full colour clarity, which is crucial for working with text – fonts are sharp and legible, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag offered by the television ensures smooth and responsive operation, which is important both for everyday tasks and for more dynamic uses, such as gaming or media editing. Philips PUS8959 is an excellent choice for users looking for a television that will also serve as a PC monitor, offering high image quality and user comfort.

Using the Panasonic Z85A as a computer monitor performs really well. The text is readable and clear, making it easy to browse websites or work with documents. However, one must keep in mind certain limitations of the WOLED panel – the distinctive way it displays fonts may hinder more demanding users, especially those who spend long hours working with text. In terms of gaming on PC, the television performs just as well as with a console. Low input lag, a 120 Hz refresh rate, and proper implementation of G-Sync and FreeSync ensure a smooth and responsive image without annoying stutters or frame tearing.

Philips PUS8959, equipped with an ADS panel, offers quite good viewing angles, definitely better than those found in VA panels. The image maintains its quality even when viewed from a greater angle – colours are clear, and the contrast does not deteriorate as much as with televisions featuring VA panels. As a result, watching the television from different spots in the room still allows you to enjoy well-saturated colours and overall image quality, making the Philips PUS8959 perfect for larger rooms and for watching together with family or friends.

The viewing angles on the Panasonic Z85A are really good – after all, it's OLED. Whether we're looking at the screen straight on or at a steep angle, the colours remain vibrant, and the contrast hardly loses quality. Of course, the Z85A is somewhat outperformed by televisions with MLA micro-lenses or Samsung's QD-OLED panels, which currently set the highest standard in this regard. However, the differences are subtle enough that most users won't notice them during everyday viewing.

Philips PUS8959 features a satin finish on the screen that effectively reduces light reflections, which is beneficial when using the television in bright daytime conditions. However, such a finish causes blacks to take on shades of grey during the day, losing their depth and intensity, which affects the perception of image in darker scenes.

With a brightness level of 562 cd/m², it allows for comfortable viewing of the television during the day, even in well-lit rooms. The image is bright enough to cut through daylight, and the reduction of reflections provides decent visibility of content, making Philips PUS8959 a good choice for rooms where the lighting level cannot always be controlled.

The Panasonic Z85A leaves something to be desired during the day. The panel, despite being matte, moderately suppresses reflections, which can be noticeable in bright rooms. The reflections are not excessively visible, but there is one catch – they take on a bluish tint. In certain situations, especially in strong daylight, this can be slightly annoying and distract from the content on the screen. Additionally, the maximum brightness is just under 280 cd/m². That simply isn't enough to comfortably watch television in a brightly lit room. If we are planning a viewing in the middle of a sunny day, it will be necessary to cover the windows to ensure the image looks good.

Philips PUS8959 is equipped with a three-sided Ambilight system – the flagship patent of this brand, which has enjoyed a devoted fan base for years. Ambilight consists of dynamic backlighting of the wall behind the television, adapting to the content displayed on the screen, significantly enhancing the viewing experience, especially in a darkened room. This effect is unique and adds a certain kind of "magic" to watching, making many users choose Philips specifically for this feature.

As for the operating system, Philips PUS8959 uses Titan OS – a system that is still in its early stages of development. Here, we can see the issues of growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available applications. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the television lacks AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users seeking a flexible way to stream content.

The usability features of Philips PUS8959 are a mix of advantages and disadvantages. The remote control that comes with the television is quite annoying – it requires aiming directly at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports the English language. On the plus side, the remote is backlit, making it easier to use in the dark. The television does not have Picture-in-Picture (PiP) functionality or the ability to record programmes, which is a significant drawback. However, the television is equipped with Bluetooth, allowing for the connection of headphones or a keyboard, which can be useful – especially due to the limited number of available applications, which may encourage use of the built-in web browser.

The operating system in the Panasonic Z85A is Amazon Fire TV, which is still a relatively new solution in the Polish market. Until now, we mainly associated it with portable smart devices, and now it is also making its way into televisions – similar to the flagship model Z95A.

On the plus side, it must be noted that the system operates smoothly and responsively. It is also quite intuitive, so navigation does not pose major problems. Unfortunately, when it comes to the availability of applications, it is somewhat lacking. In the Amazon store, we do find icons for popular services such as SkyShowtime, Rakuten, or Viaplay, but… they cannot be downloaded. This is a significant drawback for those who use these platforms daily. Additionally, some functions are poorly translated, which means in certain areas one has to guess what is meant. However, we believe that these are just growing pains, and over time they will be improved – both in terms of translations and application availability.

As for user functions, the situation is much better. The television supports recording to USB and the PiP (picture-in-picture) feature. There is also support for AirPlay, which will surely please users of Apple devices. We also have Bluetooth here, but unfortunately, we cannot connect headphones to it – it only works with keyboards and other control devices. Fortunately, it is possible to connect headphones or a home cinema system via cable, which resolves this issue.

In summary – the Panasonic Z85A offers a solid set of user functions that work well for everyday use. The Amazon Fire TV system is a step in the right direction, especially when compared to Panasonic's old system. However, at this moment, it is difficult to praise it unequivocally. There is potential, but the manufacturer still has a lot of work ahead to ensure everything functions as it should.

Despite the fact that the Titan OS system in the Philips PUS8959 television is still in its infancy, it deserves praise for supporting Polish subtitles embedded in films, which is a significant convenience for users relying on external files. If we want to play a film from a connected USB device, the television will do so without major issues, providing comfortable viewing without the need for additional subtitle configuration.

When it comes to photos, the television should have no major difficulties playing them. It supports most popular formats, although there is a lack of support for less common standards, such as HEIC used in Apple devices. This means that some photos, particularly from newer Apple devices, may require prior conversion to a more standard format for them to be played on the Philips screen.

In terms of playback of files from USB, the Panasonic Z85A performs rather mediocrely. The built-in media player does handle most popular video formats, but it has one rather significant drawback – it does not support external subtitles. So, if we have older films on the drive or USB stick with separate subtitle files, we must reckon with the fact that the television simply will not display them. This is a considerable disadvantage, especially for those who use their own media libraries instead of streaming services. Of course, this problem can be circumvented by using an external media player (e.g. via a console or Smart TV box), but this is an additional step that could be avoided if the built-in application were better developed.

The sound in Philips PUS8959 unfortunately leaves much to be desired. Although low tones can be heard in the playback, the bass is very weak, which translates to an overall unsatisfactory sound quality. The television plays at an average level, especially when compared to more advanced sound systems available on the market.

Despite the average quality of the speakers, the television supports all essential audio codecs, which may please users using external home theatre systems. Thanks to compatibility with various audio formats, the Philips PUS8959 is able to provide good audio experiences if connected to the right external speakers or receiver, delivering a fuller, more cinematic sound.

In terms of sound, the Panasonic Z85A is pleasantly surprising. The television delivers a pleasant and clear sound, and it can also generate a noticeable bass, which adds depth to both films and music. The surround effect is also quite well reproduced, making watching films or playing games more immersive. Unfortunately, there is one "but". The television does not support the DTS:X format, which is quite popular among more advanced home cinema systems. Therefore, if we plan to use this sound standard, it will be necessary to connect the audio equipment first to the amplifier or soundbar, and only then to the television.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Panasonic Z85A

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound