Compare: Philips PUS8500 vs TCL C7L

Ambilight, as this is what we need to start with, is the biggest reason why it's worth buying the PUS8500. The three-sided backlighting of the television looks fantastic, especially in the evening. It creates an atmosphere, masks contrast shortcomings, and makes watching a film simply more enjoyable. Even if the black levels aren't perfect, the native VA panel offers decent performance at high contrast. Additionally, there’s quite a good input lag and several features for gamers such as ALLM and VRR. Although HDMI 2.1 and a 120Hz panel are absent, playing casually should be a pleasure. Especially since it feels responsive and without delays. Let’s also mention the full support for audio formats – both Dolby Atmos and DTS are included, so soundbar owners can also rejoice.

However, we won't sugarcoat it – this is still a budget television, and at times it’s clearly evident. The brightness is average – not weak enough to prevent viewing, but on an exceptionally sunny day, watching without curtains can be problematic. Nevertheless, in our opinion, the biggest disappointment of the PUS8560 is the Titan OS operating system. Despite the fact that the system debuted some time ago, certain functions simply refused to work – for instance, screen mirroring from a phone despite the manufacturer claiming that such a feature is present. There are fewer apps than in the competition, and the system itself operates rather clumsily. Generally, while it does have some features, it evidently lacks refinement.

Of course, this isn’t a television meant to compete with top models. But if someone is looking for something simple, with a great atmosphere provided by the Ambilight system, it is quite a fair proposition. You just have to know what to expect and accept the numerous compromises present here.

The TCL C7L is an incredibly successful Mini-LED television and a fully deserved successor to the hit model C7K. The list of advantages of this device is truly extensive. At the top is the extremely high brightness of the panel. Thanks to this, the television handles brightly lit living rooms without any problems, offering a fantastic and dynamic image in HDR format. Huge applause is also due for the use of the new Super QLED coating – after professional calibration, the colours can be not only natural but also incredibly saturated. The best part is that the screen achieves this regardless of the scene displayed, which is often not the case with all TVs featuring RGB backlighting. The C7L is also a brilliant piece of equipment for gamers; it could even be said that it is a true "multimedia powerhouse." We get full support for consoles and PCs, refresh rates of up to 288 Hz, G-Sync, and low input lag, which doesn’t increase even when activating the demanding Dolby Vision Gaming mode. Everything is tied together by a well-optimised Google TV system, which in this generation of TCL devices operates noticeably smoother and more efficiently (at least that's the impression we got during our testing). Of course, the C7L is not a perfect device, and the manufacturer had to make certain compromises in this model. The biggest drawback of the C7L is the use of a less powerful image processor. Unfortunately, this translates to rather average digital processing and other design limitations, such as only two HDMI 2.1 ports. A more powerful chip has been reserved this year for the higher series, such as the C8L. From a business point of view, this is entirely understandable. Why? Because if TCL had included a better processor here, most people would probably not see any point in paying extra for a higher model. So even if certain compromises exist, the C7L series is once again shaping up to be one of the most cost-effective Mini-LED televisions this year. If you are looking for a versatile, extremely bright screen for movies, series, television, or gaming – literally for everything – and at the same time do not want to overpay for top series, then yes... the C7L is a brilliant choice that we can definitely recommend to you.

The Philips PUS8560 in the size we tested is equipped with a VA panel. As a result, black levels – as far as LCD televisions go – can be deemed decent. And that is exactly the case with this model. Both black levels and the overall impression of contrast in the film scenes we tested were really quite good – the image does not bleed, and details are visible even in challenging sections.

But the panel alone is not everything. Unfortunately, the PUS8500 does not come with local dimming (which is a given considering the television segment), so one must be aware that in completely dark conditions, the black can resemble shades of navy more than true black. On the other hand – and here’s a plus for Philips – the Ambilight system does an excellent job. The backlighting genuinely affects the perception of contrast. Therefore, even if technically the black is not perfect, subjectively the viewing experience becomes much more pleasurable. For many people, this is enough to make an evening screening truly impressive.

TCL C7L is a Mini LED television, which in the 65-inch variant we tested, is equipped with over 1000 local dimming zones. This, combined with the proprietary VA panel (referred to by TCL CSOT as HVA 2.0), yields truly decent results in terms of blacks and contrast. In most of the scenes we measured, the black levels and contrast looked really good, and in the easiest shots, the black was deep enough to almost resemble that seen on OLED screens. Of course, we are talking about the least demanding shots with a lot of black on the screen. However, when a greater number of bright elements appear on the screen and black no longer dominates as strongly, it is apparent that the TCL C7L – like most Mini LED televisions – has its issues with managing local dimming zones.

This is particularly evident in the black bars in films recorded in the 2.35:1 widescreen format. At that point, a distinct halo effect, or bright light glow, can appear on the black bars or around small, bright objects. The contrast then drastically dropped – from laboratory values of around 200,000:1 to about 10,000:1, which is quite noticeable in a completely dark room. It is worth remembering that this should not be treated as a flaw of the television, but rather as a characteristic of mini-LED technology. Of course, this effect becomes significantly less bothersome when we turn on at least some soft, diffused light in the room... which I definitely recommend doing during screenings on any LCD television.

When it comes to the HDR effect on the PUS8560, it can fairly confidently be stated that it is very average. The panel brightness is around 350 nits, which we consider to be the absolute minimum for watching content in this format. However, this is not a result that will astonish a viewer searching for the best possible picture.

On the plus side, it is worth noting that the PUS8500 series – including the PUS8560/12 we tested – is advertised as a QLED television. And indeed, we can expect a wider colour spectrum here. This model is equipped with an additional filter (PFS), and a DCI-P3 colour coverage of around 90% should suffice for the majority of users. This filter works very similarly to quantum dots. As a result, the colours are quite well saturated. It is not an outstanding result, but it is entirely sufficient for watching films and series from streaming platforms.

TCL C7L is undoubtedly an extremely bright television. In synthetic tests on static images, it can achieve peak brightness of around 2800 nits. This is an exceptionally phenomenal result, considering the price range it occupies. Unfortunately, tests of real film scenes are not quite as spectacular as measurements of white squares. Brightness in actual HDR shots drops to around 1200 nits in the C7L model. This is still a very good result, as this is the value to which the vast majority of contemporary films are mastered. However, when small, point-like elements appear on the screen, the brightness of these details drastically decreases – even down to around 400 nits – which diminishes the HDR effect somewhat. The television does this deliberately to maintain a better level of black and to avoid a giant light bloom. This is somewhat explainable, but it also shows that Mini LED technology is not entirely uncompromising in this regard. As for the HDR effect itself – alongside brightness, colours are of course key here. And those, thanks to the use of new "super" quantum dots, are simply outstanding and among the best on the market. The television can achieve about 90% coverage of the ultra-wide BT.2020 colour gamut and 99% of the DCI-P3 gamut, easily matching the best RGB MINI-LED screens. Best of all, the C7L can maintain such a high saturation of colours regardless of the scene being displayed, which often poses a challenge for competing RGB Mini-LED televisions.

We tested the television with the best available factory settings, namely in Film/Filmmaker mode – this is the mode we recommend for everyday viewing. Unfortunately, it is not without its flaws. Both in HD and HDR content, the image had a noticeable tendency to a pink tint, caused by an excessive amount of red and blue in the white balance. Another issue turned out to be excessive brightness in the image, which was confirmed by both the gamma chart and the EOTF curve. This feature was responsible for loss of detail and washed-out colours in more challenging HDR scenes that we mentioned earlier. The overall result led to significant colour reproduction errors – in extreme cases, the delta E value exceeded 7, while the threshold for visible errors for the human eye is around 3. This situation can be improved with calibration, and you can read about its effects below.

When it comes to colours straight out of the box, a new feature in TCL televisions – including the C7L model – is the presence of a new picture mode called Filmmaker Mode. This is significant news, as such a mode was not available from this manufacturer before. By design, as indicated by the name itself, the image in this setting is meant to be presented with the full intention of the film's creator. After our tests, we can confirm that it is undoubtedly the best built-in mode on this television if you care about faithful colour reproduction straight out of the box. However, we certainly wouldn't say it is perfect. Like most devices on the market, this C7L also had its factory flaws. The white balance in Filmmaker Mode tended to shift towards a slightly greenish-yellow hue, primarily caused by an excess of green and a clear deficiency of blue. Of course, for the average viewer, this won't be a drastic flaw, but if you care about perfect whites, natural skin tones, and unlocking the full potential of those new "super" quantum dots, then the television is crying out for professional calibration.

The Dutch manufacturer offers quite a sizable amount of settings in its products, so as usual, we decided to tinker with them a bit. The effects are immediately noticeable – we managed to correct the white balance, which made the image stop appearing excessively pink. The brightness characteristic has also been partially evened out, of course, within the limits set by the television itself. The image is no longer overly exaggerated, and the overall reception after calibration is definitely better than in the factory settings of the Filmmaker mode.

One could only critique the EOTF curve characteristic, which still indicates that the image has a tendency to brighten HDR materials. Despite our efforts, the darkest parts of scenes are still sometimes too bright, and the brightest ones do not always achieve their full contrast potential. However, it must be clearly stated that we are dealing with a typically budget construction – one cannot expect reference-level reproduction of HDR content from it.

Calibration has definitely helped this model – it improved the balance, toned down the aggressive colour palette, and brought the image closer to what one might expect from a well-configured movie mode. However, there are certain limitations that cannot be overcome.

After conducting a professional calibration, we were able to significantly improve the situation in the factory mode Filmmaker Mode. Following our adjustments, errors in the ColorChecker test and across the entire wide colour gamut fell below the threshold of human perception – that is, below a value of 3, which is truly an excellent result. The TCL C7L definitely benefits from such an operation in terms of colour fidelity, and this is difficult to dispute. However, the management of brightness in HDR content post-calibration does not look as good. As I described earlier – even though we set up this model appropriately, when we turn on real film scenes on the television, it manages its brightness in quite a peculiar way. It often highlights certain elements on the screen contrary to the creator's intention, which can be clearly seen in the EOTF graphs measured in specific films. Despite this defect – or rather the specific trait of this television – one cannot deny that after calibration, the C7L was able to reproduce colours completely accurately.

The PUS8560 handles colour transitions into smooth gradients very well. During tests, the image appeared coherent and natural, and serious issues with tonal transitions occurred only in very dark scenes – for example, in a shot with red water, where subtle cuts between colours could be noticed. However, these are rather exceptions that do not spoil the reception of most content. It is worth mentioning another phenomenon that more significantly affects the quality of the image – the so-called dithering, which refers to a slight "tingling" visible on uniform backgrounds. This effect can be particularly noticeable in high-quality materials and can somewhat spoil the impression of image clarity. It is for this flaw that we deducted some points in our evaluation.

Another element worth discussing is the fluidity of tonal transitions. Here, one must honestly admit that the TCL C7L simply looks good. In most scenes – especially in the brighter shots – absolutely no problems with gradients can be seen. In native 4K HDR content, the picture is clear, and the transitions between shades are very smooth. It looks equally good in Dolby Vision mode, where during testing, we did not notice any digital defects or unsightly colour banding. One could nitpick about very dark shots, where a heavily compressed signal is displayed on the screen. In such conditions, the C7L can occasionally reveal minor imperfections; however, in this model, it is not something that stands out significantly, especially during everyday film screenings.

Philips PUS8560 offers a function for reducing posterization, hidden under the name "distortion reduction". And although it indeed fulfills its role by smoothing out problematic tonal transitions, it works a bit too broadly. In practice, it affects not only colourful gradients but also softens faces, the textures of clothing, and the surfaces of furniture. This compromises the authenticity of the image – especially in films where natural texture is very important. However, if someone is looking for smoothing at all costs, it's best to set this option to "Low". For cinema image enthusiasts – we definitely do not recommend it.

On the positive side, the quality of upscaling older materials is noteworthy – the PUS8560 model handles them surprisingly well. The image retains its natural softness, without artificially boosted sharpness. It is also worth mentioning that the television correctly displays content with very low resolution, avoiding issues with image edge cutting (so-called overscan).

This point could be called, in a sense, the Achilles' heel of the C7L model. Unfortunately, this television uses an older chipset from MediaTek – the Pentonic 700 – which has never been known for outstanding digital picture processing. This is clearly visible in the performance of the smoothing function, which is responsible for reducing jagged edges and removing digital noise. It simply works very poorly – when set to a low level, its effectiveness is practically nonexistent. A small credit should perhaps be given here for the fact that the algorithm does not additionally ruin the picture or blur details forcibly. The upscaling, which is the scaling of the image from lower resolutions to 4K, fares a bit better. It is simply adequate and does not stand out in any particular way against the competition. However, it cannot be denied that the C7L would greatly benefit in this aspect if the manufacturer decided to use the newer Pentonic 800 processor, which is now found in an increasing number of competing models.

The Philips PUS8560 is a television equipped with a panel featuring a refresh rate of 60 Hz, which immediately limits its capabilities in terms of displaying dynamic content. Watching sports or playing on a console is not particularly enjoyable. The situation is further worsened by the lack of any option to improve the smoothness of films. In the menu, we won't find settings that would allow us to enable a motion smoother or even a slight motion smoothing for films recorded at 24 frames per second. You can imagine the effect. The image can appear jerky, especially in shots with panoramic camera movements.

TCL C7L features a native 4K panel with a refresh rate of 144 Hz, which at lower resolutions – when using a PC – can even ramp up to 288 Hz. These are, of course, very high values and commendable on paper, but in everyday life, it is worth remembering that almost all dynamic content you display on this television will still rotate around a maximum of 120 Hz. To tame this dynamism, the television's menu includes a motion smoothing system called "Motion Clarity." It offers several predefined modes, including a user mode, which we definitely recommend setting manually using our tried-and-tested guides on our YouTube channel. There, we have two key sliders at our disposal. The first one, "Motion Blur Reduction," is responsible for reducing blurring and improving sharpness in dynamic 60-frame materials, such as sports broadcasts. Meanwhile, the second slider, "Flicker Reduction," allows for the addition of artificial frames in films and series recorded at cinematic 24 or 30 frames per second. This certainly eliminates the irritating stutter in images during camera movement shots.

Although the Philips PUS8560 is not designed with gamers in mind, the manufacturer has decided to equip it with a few features that may prove useful when connecting a console. On board, we find automatic switching to game mode (ALLM), as well as a simple connection status information bar – the so-called Game Bar. It does not make a particularly strong visual impression, but it serves its purpose. The presence of variable refresh rate (VRR), operating in the range of 48 to 60 Hz, may come as a surprise. While this is not a wide range, in the case of less demanding games or titles with unstable frame rates, VRR can help reduce screen tearing. However, this is the only element that could be considered beyond the minimum.

It must be made clear that the PUS8560 is not equipment for gamers looking for a responsive screen and full support for modern console features. It lacks HDMI 2.1 ports, the refresh rate is limited to 60 Hz, and the response time of the panel is not among the fastest. This model may be suitable at most for casual gamers who want to enjoy the Ambilight system.

When it comes to gaming, the TCL C7L is simply an outstanding television for gamers. With the presence of two full-bandwidth HDMI 2.1 ports at 48 Gbps, it provides access to all the key features that console and high-end PC owners require. It has a well-functioning ALLM mode with very low input lag and VRR frame synchronization that operates in an impressive range from 48 up to 288 Hz. Importantly, unlike some competitors, TCL has ensured a proper implementation of the console HDR10 HGIG profile and support for Dolby Vision in games. This is complemented by a very well-designed player panel, known as the Game Bar, which even allows you to customise its appearance and change the theme to perfectly match the style of your console.

The only thing that can – and indeed should – be critiqued here is the fact that the television offers only two full HDMI 2.1 ports, while the other two are older HDMI 2.0. This creates quite a significant logistical problem. Why? Because one of those fast ports also supports the eARC audio return channel. In practice, this means that if you connect a soundbar or home cinema system to the television, you will only have one free HDMI 2.1 port left. If you have two consoles or a console and a powerful computer at home, unfortunately, you'll have to give something up or frequently juggle cables at the back of the unit while maintaining convenient control over your audio system.

The input lag on the PUS8560 is very good. When we previously mentioned that this screen is rather for the "casual gamer," there is nothing to be ashamed of in this regard – even when compared to screens aimed at gamers. Results around 12 ms are truly outstanding, allowing for an enjoyable responsive gameplay experience. It doesn't matter whether we are playing in Full HD or 4K – the lag remains equally low, so if you value a quick response time, the PUS8560 will definitely not disappoint in this aspect.

It is worth taking a look at the dry numbers here, as in terms of input lag, the TCL C7L is absolute market leader. Our measurements showed that the input lag is extremely low, and for a 60 Hz signal, it is just around 10 ms. When we step up a level and launch a game at 120 Hz, the lag drops to an imperceptible 6 to 7 ms. However, even more importantly, these values are maintained by the television even after activating the Dolby Vision format in games.

When it comes to working with a PC on the PUS8560, it looks... quite strange. Chroma 4:4:4 is present in "Monitor" mode, but there is a problem with grey fonts – not all subpixels are lit, which results in the text appearing jagged. On the other hand, in "Game" mode – chroma 4:4:4 disappears, but the grey fonts look correct. In practice, we are therefore forced to juggle settings if we want to have perfectly readable text at all times. And what about gaming on the computer? Our opinion remains the same as for consoles – it is doable, but without fireworks. There is no variable refresh rate for G-SYNC graphics cards, and the refresh rate itself remains relatively low. However, we can once again highlight the very low input lag, which saves the situation in dynamic games.

When it comes to gaming on PC, as I mentioned earlier, it is truly seamless. The television effortlessly supports high refresh rates: full 4K at 144 Hz, and in Full HD resolution, it can even ramp up to 288 Hz. Additionally, both G-Sync and FreeSync synchronization systems work here without any issues. For PC gamers, the C7L can thus serve as an excellent, massive monitor.

On the other hand, typical office work with text is somewhat less impressive, largely due to the rather oddly behaving panel in these conditions. When the highest refresh modes, 144 Hz and 288 Hz, are enabled, the readability and sharpness of dark text on a light background are fairly average – the fonts become slightly blurred and jagged. Fortunately, this can be easily fixed by changing the screen refresh rate in the graphics card settings to a stable 120 Hz. Then the text becomes perfectly sharp again, which is definitely worth remembering if you plan to use the C7L as a work screen.

The viewing angles on the PUS8560 are precisely what one would expect from a VA panel - it's not the best. The image loses quality even with a slight shift off-axis – colours become washed out and black begins to resemble a dark navy. This is, of course, the price paid for the better contrast that VA offers when viewed directly. In the case of our 55-inch model, this is still acceptable, especially if the television is positioned perfectly opposite the sofa. However, with larger screen sizes or a less central placement in the living room – it could become a problem for comfortable viewing.

Unfortunately, the powerful native contrast of the HVA 2.0 panel comes at a price. It concerns the viewing angles, which in the C7L model are simply poor. This is obviously due to the use of the aforementioned VA-type panel. It is a completely natural characteristic of this technology and something to consider when making a purchase. If you sit directly in front of the screen, the image will impress you with its depth, but it only takes a slight shift of several degrees sideways on the sofa for the colours to start fading immediately. By choosing this model, you are opting for a classic market compromise: you get brilliant black and fantastic contrast, but you lose out on viewing angles.

The PUS8560 performs moderately during the day. The satin matrix coating quite effectively dampens reflections, which means that light from windows or lamps does not interfere too much. The blacks also look decent for a VA panel – even in daylight, there are no significant losses in contrast. However, all the charm fades when it gets really bright. The panel's brightness is around 300 nits, which is definitely too little to speak of full comfort in a heavily lit room. In such conditions, the PUS8560 simply needs to be aided by blinds – otherwise, the image begins to look rather pale.

It's also worth mentioning how the TCL C7L performs during everyday viewing in a sunlit living room. As we've established, it is an extremely bright television, and it is precisely due to such a powerful supply of luminance (up to 2400 nits in SDR!) that it excels in very bright rooms – the picture easily gets through the incoming light. The only thing to watch out for is direct reflections on the screen. The coating used this year on the panel is definitely glossier than the one we saw in last year's C7K model. The screen significantly worse at suppressing point light reflections, which in unfavourable conditions – for example, when the window is positioned directly opposite the television – can be quite annoying for some users. Nevertheless, in terms of sheer brightness, the C7L is simply a demon for bright living rooms.

Classic TV Features:

If you are looking for a television that "works" in the most basic sense – the PUS8560 will fulfil that role. In terms of classic features, we have a rather minimalist set. On the plus side, there is an electronic programme guide (EPG), teletext, a backlit remote control with a classic numeric keypad, and a headphone jack input. It sounds a bit like a dream set for seniors – and there is some truth to that. However, it must be stated clearly: this is a television with very limited capabilities. We will not find recording functions from DVB tuners to USB here, nor is there a PiP mode or other conveniences known from more expensive models.

Smart TV:

How does the SmartTV perform on the PUS8560? Well, this is where it gets a bit more complicated. The PUS8560 runs on the Titan OS, which in this particular implementation posed significant problems. Some features, although present "on paper," simply did not work. For example: Wireless screen mirroring functions, such as Chromecast or Miracast – we tried to activate them from several different phones and laptops… without success. Perhaps this will be fixed in the future, but at the time of testing – it did not work. Additionally, the system's speed left much to be desired – switching between applications or home screens was simply slow. A considerable portion of the menu functions seems to be well hidden in the depths of a poorly organised system. To make matters worse, the library of available applications is quite limited. Even though the situation with applications is better than last year, it is still far from ideal. The situation tries to be salvaged by a modern remote – slim, elegant, backlit, and really well made. Unfortunately, it operates on classic infrared, so you have to aim it at the screen. The only exception is voice control, which works via Bluetooth… it’s just a pity that it doesn’t support Polish.

Google TV and Smart TV

The multimedia heart of the TCL C7L is of course the Google TV operating system, which provides access to a gigantic library of applications and all the most popular streaming platforms on the market. The Smart TV in this model works seamlessly, offering full support for useful network features such as Apple AirPlay or Chromecast. However, a huge and very pleasant surprise is the very performance of the software. We noticed that Google's system on the new C7L operates significantly more efficiently, smoothly, and quickly than on last year's TCL models. Much of this is due to better optimisation for the launch. Unnecessary pauses and minor interface stutters, known from older models, seem to have become a thing of the past.

Television Features

In terms of traditional aerial or cable television, the TCL C7L does not offer many additional advanced features. It is simply a straightforward receiver. The manufacturer did not strive for any revolutionary solutions here, so aside from the traditional programme guide, you won't find anything particularly special. A large nod towards traditional viewers is the classic remote control, which, contrary to the prevailing trend for minimalism, still features a full numeric keypad, making it much easier to switch channels quickly.

The PUS8560 handles the playback of most popular video and audio formats from a USB memory stick without any major issues, so there’s no point in detailing the compatibilities one by one. In everyday use, it should simply work – and it does. The only thing worth noting is the handling of images. Although the television easily recognises popular file extensions, there are instances when some images simply do not display when the graphic files have very high resolutions. This may not be a huge problem, but it’s good to keep it in mind, especially if we want to view photographs straight from the camera. Apart from that, the PUS8560 shouldn’t pose any significant issues with playing files from USB.

At the very end of the multimedia section, it is worth mentioning the playback of files from external USB drives. During our tests, we did not notice any unpleasant surprises here – the factory player handles all popular video and audio formats exactly as it should. Interestingly, the TCL C7L also played photos saved in Apple's native format, namely HEIC, without any problems. This is an extremely rare feature in the factory applications of TV manufacturers. And although the Google TV system obviously gives you unlimited possibilities to install external media playback programs, in the case of the C7L, the built-in tool is refined enough that installing additional software will probably not be necessary for anyone.

The television sounds quite pleasant and can confidently be regarded as having sufficient sound levels for most users – both for watching everyday programmes and for an evening viewing of a series. Moreover, a pleasant surprise is that even in this budget-friendly series, Philips has chosen to acquire licenses for full audio formats such as Dolby Atmos and DTS. This is great news for owners of home cinemas and soundbars, as it means full compatibility and no need to "fiddle around" with connecting external devices.

The TCL C7L performs quite well and correctly. When it comes to sound quality, there has been practically no change compared to last year's model, the C7K. The manufacturer continues to use a speaker system branded Bang & Olufsen in a 2.2 configuration. The only thing that can be quite irritating during viewing sessions is the fact that after increasing the volume to higher levels – around above 50% on the scale – the volume no longer corresponds with the scale visible on the screen. The B&O audio system works great for daily viewing of current affairs or series at moderate volume, but if you are looking for good sound quality, it is worth purchasing at least a basic soundbar for the C7L.

Philips PUS8500 vs TCL C7L

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

Classic TV Features:

Smart TV:

Google TV and Smart TV

Television Features

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements