Philips PML9009 / 9019 / 9059 vs Samsung S85D

Philips PML9009 does not really operate at the highest values in HDR content. Most effects with brightness at around 550 nits will not leave us thrilled with the lighting effects, although they are quite stable, which is a plus and will make a considerable difference compared to SDR content. It is worth noting that we can only achieve a good result in one scenario, namely in the film "Gemini", where the flashlight as the only light source can shine. Why in that scene specifically? The answer is quite simple. The scene itself does not contain a large amount of black, and the flashlight is not as large an object as the sun in the first and last scenes. Overall, the brightness measurement results in HDR content do not provide a basis for recommending this television for viewing productions that utilise a wide colour spectrum. Although it is worth noting that this model can cover it to a decent extent of 93% in the case of the DCI-P3 palette.

Brightness is a key parameter in televisions, and the S85D Samsung model offers levels comparable to other OLEDs from a few years ago. Although it does not impress in this regard, its enormous advantage is the very competitive price. A peak brightness of 600 nits ensures good image quality in HDR conditions, giving users a taste of cinematic experiences in the comfort of their home. However, as with many budget OLED models, the biggest issue is very bright, full-screen scenes – in such moments, like the final scene from the film “The Meg,” the television can lose even half of its brightness, which is noticeable compared to more expensive OLED models. Despite this, the television offers impressive coverage of the DCI-P3 colour palette at 99%, allowing for vibrant and accurate colours to be displayed.

The best factory mode used during our tests was "Filmmaker". Here, we will look at both SDR and HDR content. The element that distinguishes them is primarily the EOTF curve in materials with a wide colour gamut and the gamma in those recorded "the old way". Starting with SDR films and series and the most basic thing we can observe, which is white balance, we see a significant dominance of red colour. This led to a yellow tint across the entire image, causing unnaturally looking faces and yellowed whites. This flaw is also evident on the "ColourChecker" palette, where all colours have shifted towards their warmer counterparts. Looking at a more significant graph, that of the gamma responsible for image contrast, we see considerable errors starting from the very beginning. From the left, the value we measured, marked by a connected ellipsis, clearly spiked upwards, causing complete merging of details in the darkest scenes. This state of affairs remained until 10% screen brightness, after which it dipped below the reference orange line, leading to a deterioration in contrast, which, as we know, the Philips PML9009 already lacks. In HDR materials, the white balance issues were very similar to those in SDR content. The discrepancy arises when checking the EOTF curve, which controls the rate of brightness increase and severely limited it, causing the image to appear unnaturally dark. As for the colours themselves, there were more reasons for concern here, as the television's too low luminance caused a huge discrepancy between the actual state and the correct one, which is perfectly visible on the error graph, often exceeding the scale.

The Filmmaker mode on the Samsung S85D does offer quite good factory settings, but it is not free from errors, particularly evident in colour reproduction. The white balance chart for HD and HDR content shows clear issues – both red and blue colours are significantly weakened, leading to a dominance of green. The result is an unnatural yellowish hue that can affect the perception of realistic scenes. The Color Checker test clearly shows that the colour samples deviate from expected values – for HD material, the colours can be overly saturated, with a noticeable shift towards green, which is also evident in the white balance chart. Conversely, for 4K HDR content, the colours appear too dull, lacking depth, making the image less appealing and natural. This effect is particularly noticeable in delicate scenes where colour precision plays a key role, which can be disappointing for discerning viewers who expect faithful reproduction of details and colour intensity.

As for brightness, the gamma chart for HD content looks quite good; however, there is a noticeable jump at the end, exceeding a value of 2.4. While this is not a major issue in most scenes, in more demanding sequences it may affect the clarity of bright details. For 4K content, the EOTF curve, responsible for delivering brightness, turns out to be problematic. The initial part of the chart shows a small jump. This phenomenon can result in excessive boosting of brightness in the brightest areas of the image, leading to loss of detail in very bright scenes.

Although Samsung S85D offers quite decent factory settings, especially in Filmmaker mode, it is worth considering manual adjustment of settings to improve some imperfections, particularly in colour reproduction.

Philips PML9009, like most leading manufacturers, has been offering advanced tools for the calibration process for years. Thus, we find 2- and 20-point greyscale adjustment as well as an advanced CMS (Colour Management System). The differences resulting from calibration are evident, and even someone not paying attention to picture quality (although there probably aren't many such here) will notice a positive difference. Both SDR and HDR materials have undergone a significant transformation. The former, as well as the latter, have primarily rid themselves of the unpleasant yellow tint resulting from a red colour dominance in white balance. As for the SDR materials and gamma, although it is not 'lined up' perfectly and still loses dark details, the rest of it is on a more than decent level, and minor errors will not be noticeable. The colours themselves look infinitely better, and thanks to low deltaE errors, they are nearly reference-quality. On the other hand, the HDR materials, due to the low luminance of the unit, were not blended as we would have liked. Although the white balance has been largely normalised, here and there one can notice a slight blue tint. Fortunately, the EOTF curve turned out to be much more accessible and allowed for practically ideal geometry. Unfortunately, due to the screen's insufficient brightness, colour errors are still quite high.

After calibration, the Filmmaker mode on the Samsung S85D truly impressed. The white balance, regardless of the type of content, has significantly improved, resulting in more natural colours. The Color Checker test shows that colour reproduction errors are now minimal and rarely exceed acceptable values, which indicates accurate colour rendering. The factory colour reproduction left much to be desired, but the situation has now significantly improved – the colours are natural, precise, and look as if they were rendered exactly according to the creators' intentions. This is a huge step forward compared to previous generations, where colours were often distorted or too intense.

The brightness characteristics also benefited from the calibration – it is now more vivid and precise. The gamma, although fairly good previously, has become even more stable, providing a deeper, more natural image. The EOTF curve has been aligned, allowing details in dark areas to be more visible and the contrast more balanced. With all these improvements, the television delivers an image close to reference quality, greatly enhancing the enjoyment of watching films and HDR content.

Judging by how PML9009 Philips handled tonal transitions, the image scaling test should perform equally well. This time we are examining the television's algorithms responsible for enhancing the quality of images that have been recorded in lower quality. Such images can be found in various television programmes or older films. In this regard, Philips PML9009 performs quite mediocrely and significantly blurs the image. This is particularly evident in fine branches or the model's hair.

We will take another look at the tonal transitions, which performed remarkably. Within the unit, we find several levels of smoothing. Even the lowest setting can effectively eliminate any non-fluid tonal transition and will work well with the vast majority of content. More importantly, none of the settings for this function softens the effect of film grain, which is extremely important in terms of alignment with the director's vision. However, we note that sometimes it may turn out that fine details will be blurred.

Samsung S85D performs excellently in scaling images and smoothing tonal transitions. Like in other Samsung models, the television offers three noise reduction modes: off, standard, and high. Although it effectively improves gradations, it unfortunately also removes film grain, which many viewers desire to give the image a cinematic character. This grain often adds authenticity and a certain rawness to films, which is lost after smoothing. Removing the grain can make the image look too sterile and smooth, which detracts from the charm of the original film material. When it comes to scaling images, the Samsung S85D handles lower resolution content beautifully – the model in the picture and the branches in the background were displayed correctly, with no major issues with edge aliasing. The only noticeable drawback is the presence of overscan, which can sometimes cut off parts of the image, which may not please everyone.

Philips PML9009 is equipped with a panel that has a native refresh rate of 120 Hz. This is the essential minimum for watching all kinds of sports and is recommended for comfortable gaming in favourite titles on consoles or PCs. The manufacturer has prepared an effective system for improving the sharpness of moving images for those who do not like the characteristic stuttering of footage recorded at 24 fps or require a high level of motion fluidity, for example, when watching football matches. In the dedicated tab, we find the "Fluidity" slider, which helps eliminate stuttering, and "Motion Blur Reduction," which aids in increasing the sharpness of dynamic elements. This function works very well and granularly, meaning each setting has a real impact on the perception of motion. With such a set, every user will find their sweet spot. In the picture, we present our choice, which is a slight fluidity enhancement without the soap opera effect.

A matter directly related to motion is the pixel response time of the panel itself. The best in this regard are, of course, OLED panels, followed by IPS and ADS-based units, and finally, VA. Despite the overall good quality of the systems responsible for smoothing the image, the use of a VA panel carries consequences in the form of a black halo behind fast-moving objects. While this will not occur frequently in the tested television, it will be visible here and there.

As befits an OLED television, Samsung S85D offers excellent motion fluidity. Equipped with a 120 Hz panel and fast response time, the television provides very smooth playback of dynamic scenes without visible ghosting. For movie enthusiasts, there is a feature called "Image Clarity Settings," which allows adjusting the fluidity of the image to individual preferences on a 10-point scale. Motion blur reduction enhances the sharpness of rapidly moving objects, while motion smoothing smooths out movement, eliminating the "judder" effect. This way, every user can set the appropriate level of clarity that best suits their taste, from a more cinematic effect to sharper, smoother movements.

Philips PML9009, equipped with HDMI 2.1 ports at full bandwidth, supports all features dedicated to gamers. The most basic ones, such as VRR and ALLM, are a given, but G-Sync, FreeSync, and gaming in HDR Dolby Vision with low input lag are not. These features activate without any issues and during the tests conducted, they did not present any problems. Such preparation of the television is certainly a strong point and one can say that it is a unit dedicated to gamers. For more advanced users, we also mention that the PML9009 is equipped with an HGIG mode, which will be particularly felt by gamers, as there are still relatively few games supporting Dolby Vision. This mode primarily allows for the adjustment of HDR effects to the capabilities of the television on a special board, in order to avoid dimming or burning out the image.

The television additionally features a special menu - GameBar. This allows for editing the unit's settings "on the fly", without the need to exit the game. We will also find features such as enabling a crosshair or adjusting black levels for better visibility of opponents in shadows.

In a brief summary of this paragraph, the Philips PML9009 is a unit that will certainly capture the attention of gamers. Thanks to its versatility, it will allow playing any title in the highest quality without compromises. Especially since features such as VRR, ALLM, G-Sync, FreeSync, or gameplay in HDR Dolby Vision will enhance the immersion in the favourite title.

Samsung S85D OLED is an excellent choice for gamers, thanks to its many modern features that facilitate and enhance gameplay. The television has four full-bandwidth HDMI 2.1 ports, allowing you to connect the latest consoles without worrying about image quality or frame rate limitations. This means support for 4K resolution at 120 Hz, which is ideal for modern titles. Additionally, the Samsung S85D has an ALLM (Auto Low Latency Mode) feature that automatically activates low latency mode when it detects a gaming device. This means you don’t have to manually switch settings – the television takes care of ensuring a fast response time, which is crucial in games where every second counts.

The VRR (Variable Refresh Rate) feature and G-Sync support are additional elements that make gameplay smoother. VRR adjusts the refresh rate to the number of frames generated by the console or computer, eliminating screen tearing and stuttering. This is particularly useful in dynamic games where the frame rate can fluctuate. Auto Motion Plus Game is a feature that Samsung has introduced with gamers in mind, and it is worth appreciating. With it, the image in games becomes smoother – 30 frames per second look like 45, and 60 Hz gains in fluidity, creating an effect close to 90 Hz. At the same time, there is no significant increase in input lag, which remains below 25 ms, making this feature stand out among others available on the market. Gamers can enjoy a smoother image without worrying about a decline in responsiveness.

Samsung has also ensured something extra – the television has a built-in Xbox Game Pass app, which means you can play in the cloud without needing to own a console. This is a great solution for those who want to enjoy gaming without investing in additional hardware. All you need is internet access, and you have a huge library of games at your fingertips. This makes Samsung S85D a fantastic choice for both casual gamers and those who are more advanced.