Philips PML8709 vs TCL C69K / Q6C

Looking at the results of the contrast, we expected that the algorithms responsible for the operation of zones in the Philips PML8709 would be at least decent. However, what we encountered during testing is difficult to explain. The average brightness we managed to achieve was only 350 nits, which is definitely too little to fully enjoy the effects of HDR. In practice, the television barely stands out against the backdrop of an average SDR. The situation becomes even more surprising for test scenes, such as the second one from the film Life of Pi or Sicario 2. Small light elements reach only 120 nits there, making them practically imperceptible. Such a level of brightness is completely at odds with contemporary HDR standards and significantly diminishes the experience of watching high-quality content. The only bright spot in this category is the very good coverage of wide colour gamuts – DCI-P3 at 97% and BT.2020 at 83%. This means that the colours are saturated and well-reproduced, which may improve the overall experience of watching HDR materials, if only a little. However, the lack of adequate brightness means that even this cannot save the Philips PML8709 in this category.

In terms of brightness, TCL C69K / Q6C is a moderate model. In optimal film conditions, it shows its full potential, achieving a maximum of around 600 nits. In scenes with large, intense light sources, the HDR effect can be truly satisfying, providing a cinematic shimmer. However, it should be noted that when managing backlight zones, there are situations where parts of the image become dimmed, and sometimes they are barely visible. This suggests that there is still a lack of proper optimisation of the algorithms; however, considering the technical parameters in this price range, the design itself still presents very well.

Although theoretically the Filmmaker mode on the Philips PML8709 should provide natural colour reproduction, in reality it resembles store mode more closely. In the white balance, both for HD and 4K content, there is a clear dominance of the blue colour. This causes the image to appear washed out and cold, which is particularly noticeable in the comparative photo below.

The brightness characteristics also leave much to be desired. Both the gamma and EOTF curve show excessive screen brightening. As a result, there is a loss of detail in both the brighter and darker areas of the image, which further diminishes its credibility and naturalness. Bright elements appear unnaturally flat and lacking in variety.

These significant issues in white balance and brightness characteristics lead to noticeable errors in colour reproduction, which can be easily seen in films as well as in the Colour Checker test. The colours are inaccurate, impacting the overall image quality and visual experience. The factory settings require significant improvement in order to fully enjoy the potential of this television.

The Filmmaker mode, which has made its debut in this year's TCL televisions (including the C69K / Q6C), is definitely the best choice "to start with." This is the mode we recommend for daily film and series viewings. Unfortunately, as is often the case, best does not mean perfect. In SDR material, the image proved to be too warm, with a pronounced red tint in the white balance. We had the opposite impression with HDR content – here the image became cooler than it should, due to an excess of blue. Additionally, there is the characteristic of brightness, which at times resulted in overexposure. In practice, this translated into quite noticeable errors in colour tests, which is difficult to accept in a mode branded as "from the creators."

Philips offers advanced image calibration tools in its televisions, which we decided to fully utilise. The results? Although we managed to improve many aspects, it was not without difficulties. White balance was one of the biggest challenges – despite our efforts, this can be described as a fight against windmills. We managed to correct it significantly, resulting in the image now looking much better than in the factory settings, but it is still far from perfect. Particularly in some scenes, a subtle dominance of blue is visible, although not as intense as before. We achieved a substantial improvement in brightness characteristics – gamma now appears much more stable. The EOTF curve initially looks correct, however, when analysing film content, it is evident that the television struggles to maintain the appropriate characteristics. The algorithms are "battling," trying to adjust brightness, which may stem from the limited number of dimming zones that do not always cope with more complex scenes. Overall, the image after calibration looks much more pleasing to the eye – colours are more natural, and errors in colour reproduction have been minimised. Although it is still not perfect, the Philips PML8709 now performs significantly better than in the factory settings.

Through white balance correction, we were able to significantly reduce the tendency of C69K / Q6C to distort colours, which yielded a very good final result. After calibration, the issue of excessive warming of scenes in SDR and excessive cooling of the image in HDR disappeared. However, it is worth analysing the brightness characteristics more closely. While in SDR content it is hard to have major objections – the image looks really good, especially in older films, TV programmes or on YouTube – it performs significantly worse in the case of HDR content. Analysis of the EOTF curve suggests that everything is fine, yet in practice (EOTF in films) the limitations of the design itself become apparent. This model has a tendency to excessively brighten small parts of the frame, only to overly dim the entire scene in other situations. The effect of calibration is therefore undeniable, and in terms of colour reproduction, C69K / Q6C gains a lot. Unfortunately, certain limitations arising from local dimming management simply cannot be bypassed.

The distortion reduction function in the Philips PML8709 smooths tonal transitions, but its effectiveness leaves much to be desired. We recommend setting this option to "Medium" – at this level, the effect is noticeable but not excessive. Unfortunately, compared to other Philips models, the smoothing effect is less effective, which means that certain tonal transitions may still appear a bit uneven. An additional drawback is that this function also smooths out other details, such as the textures of materials like a shirt, which can affect the sharpness of the image.

When it comes to image scaling, the television performs very well. The image appears plastic and free of noticeable "jaggedness." This effect may appeal to many users, although some may prefer a more pronounced appearance. Fortunately, the television allows for sharpness adjustment, and this enables us to tailor the image to individual preferences.

In terms of image scaling, TCL C69K / Q6C performs quite well. Lower quality content appears acceptable, and thanks to the lack of overscan issues, the image is displayed in full without any cropping. However, one should not expect miracles – very low-quality materials will not gain a second life here, as the image processor has its limitations.

Thin lines and details exhibit characteristic tearing, which reveals the absence of more advanced image enhancement algorithms. It is also a pity that the C69K / Q6C lacks a tone transition smoothing feature. As a result, in older films or video materials, banding of colours can be visible and may become distracting during prolonged viewing.

The Philips PML8709 is one of the few models with mini-LED technology on the market, offering a refresh rate of 60 Hz. Although it is not a panel for the most demanding gamers, it should satisfy those who mainly watch films. The television is equipped with the "Motion Style" function, which is a motion smoother that allows you to adjust the smoothness of motion according to preferences – from a more "plastic" look to a cinematic aesthetic with clearly visible frames.

The use of a 144 Hz panel in TCL C69K / Q6C is a significant advantage in this price range. It represents an important step forward compared to its predecessor (C655 PRO), which only offered 60 Hz in 4K. The difference is particularly noticeable when watching sports or playing games – the ball, players, or dynamic action in games are displayed more clearly and without loss of detail. Another interesting feature is the panel's ability to work at 240 Hz (which the manufacturer does not officially mention) – we will return to this topic in relation to the PC gaming mode. TCL has also added a feature for movie fans: “Motion Clarity”. This allows users to adjust the picture to their preferences using two simple sliders. We can either keep the visible film frame or opt for very smooth, "

Philips PML8709 is a television aimed more at casual gamers, primarily due to its 60 Hz panel, which may not meet the expectations of the most demanding users. However, for those who appreciate gaming at a more measured pace, this model may prove sufficient.

The television offers several gamer-friendly features, such as ALLM (automatic switching to game mode) and VRR (variable refresh rate), which help deliver smoother visuals without annoying stutters. Furthermore, in terms of HDR, it includes an HGiG implementation that adjusts HDR effects to the specifics of games, providing a more natural image in properly optimised titles. Unfortunately, it lacks support for Dolby Vision mode, which may be noticeable in games that utilise this format.

A nice addition is the presence of a basic "Game Bar," which allows for quick viewing and modification of the most important gaming-related settings. This is a simple but useful feature, especially for those who often switch configurations between different types of gameplay. Despite some limitations, Philips PML8709 offers a solid set of features for less demanding gamers.

TCL C69K / Q6C is a television that can confidently be described as equipment created with gamers in mind. Here we have 4K at 144 Hz, VRR support, automatic game mode (ALLM), and Dolby Vision Gaming. Additionally, there is a practical Game Bar, which is a panel with the most important settings conveniently at hand – useful when we want to change something quickly during gameplay (e.g. screen aspect ratio: Yes, it can be done!). The wide range of VRR, reaching up to 240 Hz, is particularly noteworthy. However, this option is mainly for PC gamers who will operate below the native 4K resolution. In that case, the television can spread its wings and show additional smoothness, especially in fast-paced e-sports titles. For consoles, we stick to the classic limit of 120 Hz, but even so, the capabilities are truly extensive. The only downside is a slight ghosting that can occasionally be seen in dynamic scenes. Other than that, C69K / Q6C offers everything that gamers expect from a television.