Philips OLED769 vs LG OLED C5

Philips OLED769 performs quite well, particularly in film scenes with small points of light. The television surprises with its brightness, reaching around 800 nits, which is an impressive result. As a result, fine sources of light, such as street lamps at night or stars in the sky, are sharp and full of detail. However, the biggest challenge for this model is the scene with a full-screen burst of sunlight. In such moments, the brightness drops to about 250 nits, which is not very impressive. This is a typical problem for cheaper OLED displays, which struggle to maintain high brightness across the entire screen surface.

LG C5 finally does what we have been waiting for years in the C series – it exceeds 1000 nits of brightness! This is a significant change compared to previous models in the series, and it is very important – because most HDR content on streaming platforms is now created around such luminance. The image finally has the proper "shine," and the details in the highlights look as they should even without the use of dynamic metadata. However, there are scenes where the C5, like most OLED televisions, has certain issues. Especially when the screen needs to light up completely. In our test sequences, such as the bright shot from the film The Meg, the brightness clearly drops. Don't get us wrong, this result is not bad; it's more a reminder that OLED technology still has its limitations. Year by year they are becoming smaller, but still.

As for the colours? They are very good. Although the C5 does not match OLEDs with QD-OLED or Tandem RGB panels, the DCI-P3 coverage of 97% and 73% BT.2020 will satisfy even the more demanding viewers. The colours are saturated, natural, and very consistent in HDR material.

The "Film" mode proved to be the best factory setting in terms of fidelity to the source material, and it is on this that we based our tests. However, like other factory modes, it was not without flaws. Let us examine, therefore, what exactly went wrong in SDR and HDR materials.

In both cases, the white balance was disrupted by the excessive dominance of green and red hues. This phenomenon created a yellowish tint that spread across the entire image, leading to issues such as yellowed whites and unnatural skin tones. These problems were clearly highlighted on the "ColourChecker" palette, where each of the samples was shifted towards warmer tones.

As for contrast and brightness, in the Philips OLED769, we can look at two key graphs: Gamma for HD content and the EOTF curve for 4K HDR content. In the case of the first graph, the gamma value falls below the optimal level of 2.4, resulting in an increase in brightness of light areas of the image. This means that bright elements may be slightly overexposed, losing detail and depth. In contrast, the EOTF curve for 4K HDR content performs really well. The graph shows that the television effectively conveys details in both the brightest and darkest areas of the image, resulting in a realistic and dynamic representation of scenes.

LG C5, like other televisions we have tested, has been checked in the best possible factory mode – which remains the Filmmaker Mode. And here we have good news: in SDR materials, LG has once again done a solid job. The white balance and colour reproduction right out of the box are at a very high level. Most errors – both in balance and in the colour test (Colour Checker) – did not exceed a ΔE value of 3, which is the threshold above which differences become visible to the naked eye. Such factory settings would be desirable in a significantly larger number of televisions!

However, the situation looks different for HDR content, which is precisely what the C series was created for. Here, the C5 performs somewhat worse. The excessive presence of blue in the white balance causes the image to appear distinctly cooler – which affects, for instance, unnaturally pale skin tones or a slightly shifted tone of the entire scene. Fortunately, LG provides very precise calibration tools, and we – as always – made use of them.

After professional calibration, Philips OLED769 truly shines in terms of colour accuracy. The television has been completely stripped of any yellow tint in both HD and 4K content. The Colour Checker test confirms that deltaE errors are minimal, occasionally exceeding a value of 2, which means we can speak of almost perfect director's representation.

When it comes to contrast, the situation is equally impressive. With 4K materials, there wasn't much to improve initially, while the gamma chart has been significantly enhanced. This allows dark and light areas of the image to be represented with greater accuracy, resulting in a realistic and dynamic portrayal of scenes.

The calibration has allowed the full potential of this television to be unleashed, both in terms of colours and contrast. Philips OLED769 now offers vivid, natural images of high quality that will delight any user, whether they are watching films or using other multimedia.

We must honestly admit – in the case of the LG C5, very little was needed to achieve nearly perfect picture quality. After calibrating, we managed to reach compatibility with reference screens at a level that impresses even when compared to significantly more expensive models. The image after our adjustment looks exactly as filmmakers and series creators would want it – without colour distortions, with natural depth and subtle texture. LG has done a great job this year regarding factory settings and calibration potential. Chapeau bas!

When it comes to lower quality materials, the distortion reduction in the Philips OLED769 handles tonal transitions well, especially at the minimum setting. It is worth noting that at this setting, film grain is not blurred, which is a pleasant surprise, as such negative phenomena often occur with other manufacturers. Overall, it is quite a decent solution. However, it should be pointed out that this setting does not work in HDR mode, where gradation issues are much more pronounced. In HDR mode, the television struggles with smoothing tonal transitions and may present more noticeable distortions and noise, reducing picture quality in dynamic scenes.

Regarding digital processing, the Philips OLED769 performs well. The model in the photo is not overly jagged, and the branches in the background lack the characteristic jagged edges. The television achieves this effect thanks to the absence of artificial sharpness, which may be an advantage for some users. Others, however, may find this less attractive, as they prefer a more vibrant, sharper image instead of a subtle effect. This effect can be mitigated by using a higher setting for the "Sharpness" parameter.

LG C5 handles lower quality materials really very well. One of the main problems older WOLEDs faced was posterisation – that is, unwanted “stair stepping” in colour transitions. The C5 utilises a system feature that smoothens these transitions, which works surprisingly effectively. The banding effect is nearly completely eliminated, and the picture gains in coherence. Compared to last year's model, we have the impression that this feature works slightly less effectively – but the good news is that it does not undermine the structure of the image. Film grain, textures, and details remain on the screen – nothing is unnaturally smoothed out.

The C5 also excels at enhancing the quality of older recordings. Thanks to the α9 Gen6 processor (8th gen), the "scaling to 4K" performs really solidly. The image is clear, the details are sharp, and the only minor downside might be slightly noticeable edge sharpening on some borders. However, there is no issue with overscan here – the image is neither artificially cropped nor shifted, which is a significant plus and still not a given.

Philips OLED769 features a multi-stage motion smoother called "Motion Style", which will satisfy users who appreciate the ability to customise the fluidity of motion in films. With this function, you can set the image to be more frame-like or smooth, resembling a theatrical effect. This is a great solution for those who want to adapt the displayed content to their visual preferences. Gamers will also not be disappointed, as the television, like most OLEDs, is equipped with a 120Hz panel. This provides exceptional fluidity and dynamism of the image. Unfortunately, Philips OLED769 does not have the BFI (Black Frame Insertion) feature, which could further improve motion fluidity and sharpness. Despite this limitation, the television still offers excellent visual experiences for both cinema lovers and gamers. This is definitely one of its strong points.

The LG C5 is equipped with a 144 Hz display, and this, combined with the virtually zero response time of the OLED pixels, makes it one of the best screens for watching dynamic content. It doesn't matter whether it's sports, fast-paced games, or just action – the image is razor-sharp.

And what about movies at 24 frames? LG thought of that too. The built-in "TruMotion" smoother allows you to adjust the picture to your own preferences. The "de-judder" slider increases fluidity in films, while "de-blur" gently reduces motion blur – though to be fair, it is nearly invisible here anyway.

Philips OLED769 has been designed with gamers in mind, offering full compatibility with consoles and the highest quality of gameplay. The television received the maximum rating in this category, providing everything that the heart desires. With HDMI 2.1 ports fully supporting ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate), the television ensures smooth and hassle-free gaming. ALLM automatically switches the television to low latency mode, while VRR eliminates stuttering and screen tearing, resulting in fluidity and stability in gaming. The Dolby Vision gaming feature is another advantage, although it only works at a frequency of 60 Hz. Most casual gamers will likely not feel the lack of a higher frequency; however, more demanding users may have some reservations. This allows for enjoyment of a dynamic range of tones and realistic images, enhancing the gaming experience. PC gamers will also not be disappointed, as Philips OLED769 offers full compatibility with Nvidia graphics cards, thanks to support for G-Sync. This technology synchronises the refresh rate of the television with the graphics card, eliminating tearing and stuttering, resulting in excellent image fluidity.

Philips OLED769 is a television that perfectly meets the needs of gamers, offering a wide range of advanced features and technologies that significantly enhance gameplay quality and user comfort.

LG C5 is a television designed with gamers in mind – and there isn't a hint of exaggeration in that. It's hard to find anything to criticise here. We have a refresh rate of 144 Hz, full support for VRR, ALLM, and as many as four HDMI 2.1 ports with a full bandwidth of 48 Gb/s. For those who have an Xbox, PS5, Nintendo, and a gaming PC all in one room – there are no limitations, everything can be connected without any hassle.

The HDR configuration for games also poses no problems. The television correctly handles the HGiG mode, which allows for an image that matches the creators' intentions. For those interested, there is also Dolby Vision in Gaming mode, although we still recommend HGiG as the most predictable and "pure" version of HDR in games.

It also features Game Bar, which serves as a "command centre" for gamers. Everything important, from VRR settings, to picture modes, to frame rate information – is at our fingertips. The interface is simple and clear. It may look like it’s from a spaceship simulator, but it serves its purpose and just works; as it should.

C5 is truly a complete set for any gamer.