LG QNED87T6B vs Hisense E7Q PRO / E79Q PRO

LG QNED87T6B delivers truly decent visual experiences when it comes to HDR. During our tests on test patterns, the television achieved brightness close to 500 nits, which is a satisfactory result and allows for good visibility of details in high dynamic scenes. Support for basic HDR formats, such as HDR10 and HLG, ensures appropriate image quality. Unfortunately, the television does not support more advanced standards, such as Dolby Vision or HDR10+, which are particularly important at this screen brightness. The lack of support for dynamic metadata means that in certain scenes, the television may struggle to fully reproduce details, especially in very bright areas – precisely when dynamic metadata could significantly improve image quality. Nevertheless, it is worth noting the excellent coverage of the wide DCI-P3 colour gamut, reaching as high as 96.4%. This ensures that the colours displayed by the QNED87T6B model are more vibrant and natural, enhancing the quality of 4K content with a wide colour palette.

When it comes to the quality of the HDR effect, the E7Q PRO is unfortunately not a television that can impress with brightness alone. In real film materials, we measured around 250–300 nits, which is simply too little for HDR to look spectacular. There is a lack of that "spark" in bright details, highlights, and light effects, and in many HDR scenes, it can resemble good SDR more than true cinematic HDR. The consolation in all this is the colours. We managed to confirm that the E7Q PRO is a PFS-type television, meaning it has an additional filter that improves colour gamut coverage. As a result, even if the brightness does not deliver, the colours in HDR content can be appropriately saturated and pleasing to the eye, without the feeling of a "washed-out" image.

The colour reproduction in the LG QNED, even in Filmmaker Mode, which is the best factory setting, is not without flaws. The main issue is the white balance – we noticed that the level of blue on the graph tends to decrease. This results in a shift towards yellow tones, making the image appear warmer than it should. This deviation affects the naturalness of colour reproduction, especially in scenes with a white or neutral background. The Color Checker test confirmed that some colours are distorted and deviate from reality. Such distortion can make cinematic scenes seem less realistic, and details are represented in incorrect colours, which negatively impacts the overall picture quality.

In terms of contrast, the analysis of the gamma graph revealed significant drops, while the optimal value should be 2.4. This means that the television may display darker parts of the image brighter in certain scenes, which reduces their depth and dynamism. Additionally, on the EOTF curve, which is responsible for brightness reproduction, an unnatural drop was noted at the beginning. This phenomenon may result in less accuracy in reproducing dark scenes, which in turn affects the overall picture quality. The television may not convey the full depth of black, causing more demanding scenes to lose realism and detail. As a result, viewers may notice that details in the darker areas of the image become less distinct.

In terms of colour reproduction, we tested the Hisense E7Q Pro in Movie mode, which turned out to be the best built-in preset without a doubt. This mode, unlike the Eco, Standard or Dynamic settings, offers the most natural colours straight out of the box. Although no factory mode is completely free of flaws, the E7Q Pro deserves high praise for its colour rendering in standard SDR content. The colour palette is very well tuned here, and the errors in the Color Checker tests often did not exceed a value of 3, which is an outstanding result rarely seen in such affordable televisions. The only drawback we noted in SDR is the tendency to darken some elements of the image, as indicated by the slightly raised gamma graph. The television performs slightly worse with colours in HDR mode. Here, colour errors become noticeable to the naked eye, mainly due to a lack of blue in the white balance. This causes the colours on the screen to be too warm, and for some viewers, they may even seem “too cinematic.” Of course, to improve these parameters, we proceeded with professional calibration.

After calibration, the colours in SDR content look very good. The improved white balance translates to natural and harmonious shades in various scenes. Thanks to the precise adjustment of the gamma, details in shadows and bright areas of the image are accurately reproduced. The television performs excellently in everyday use, offering vivid, well-balanced images and solid colour quality in HD quality. The greatest beneficiary here is also the contrast. The gamma chart has been freed from very large errors, so here the television has gained a second face.

As for the white balance in 4K HDR, it has also been significantly improved. However, certain errors still appear at the end of the chart. This could be due to the overly aggressive operation of the television's local dimming, which affects the accurate reproduction of colour in certain scenes. It is difficult to speak here of an improvement in brightness represented by the EOTF curve. Due to its construction limitations, the television has certain disadvantages and we are not able to overcome them. The Color Checker test confirms the issue with colour saturation – despite the television offering a wide colour palette, it is not able to fully convey what the director intended.

Despite these shortcomings, the overall picture quality after calibration is significantly better than before. Improvements in white balance and gamma adjustment make images more vivid, and colours closer to reality.

In the case of materials with a standard dynamic range (SDR), our actions in Filmmaker mode turned out to be largely cosmetic 😉. We mainly focused on a subtle adjustment of the white balance and equalising the gamma curve, which allowed us to recover details in the darker areas of the image that previously tended to get lost. However, it is worth noting that the E7Q Pro unit we tested was exceptionally well-made at the factory. We remind you that these parameters depend on the specific unit – with mass production, factory calibration can be random, so your unit may require slightly different intervention. The biggest beneficiary of professional calibration was undoubtedly HDR mode. This is where we did the most work, which brought spectacular results. We managed to effectively tame the excessive warmth of the image, caused by a factory deficiency in blue colour. After calibration, the colour errors were reduced to a significantly lower level, which will certainly please those who watch a lot of streaming content in HDR format, expecting faithful reproduction.

When it comes to lower quality materials, the gradation looks really good. A feature called "Smooth Gradation" effectively smooths out the most problematic areas of the image without negatively affecting the film grain. For the best effect, it’s worth setting it to a low level. This solution significantly improves the quality of the displayed content and makes watching lower resolution materials more enjoyable and smoother.

In terms of digital processing, the image is displayed without cropping, known as overscanning. Although slight fringing of the branches against the model’s background can be noticed, the overall presentation is very good. Users should be satisfied with the image quality when watching low-quality materials, such as standard television. The television handles this task exceptionally well, providing a satisfying visual experience even with lower quality content.

When it comes to upscaling and digital image processing, the E7Q PRO deserves praise. The scaling performs really well and does not dramatically fall behind much more expensive, advanced televisions. Lower-quality materials can look clean and sensible, without the impression that the image is artificially "enhanced." However, the smoothing function presents a bit worse. Indeed, it can be effective and improve tonal transitions in poor quality materials, but at the same time, it can introduce undesirable effects. It sometimes removes grain or adds unwanted artefacts, giving the image a more "digital" character. Therefore, we mainly recommend it to those who prefer a smoother, less cinematic style of image.

The television provides decent smoothness when watching films, thanks to the "Tru Motion" feature that allows for adjustment of the motion smoothing level on a scale from 0 to 10. De-Judder adjusts motion smoothness, while De-Blur regulates motion sharpness. The user has the option to choose between a traditional, cinematic effect with slight judder (lower settings) and a smoother, theatrical image. Although the latter slightly deviates from the cinematic standard, it may be appealing to many viewers.

As for gamers and sports fans, the LG QNED87 television with a 120Hz panel will certainly not disappoint them. And with the use of an IPS panel, the response time is generally better than that of VA panels available at a similar price. This guarantees smoother gameplay and dynamic experiences when watching sports events.

In the category of smearing and motion fluidity, the E7Q PRO has one very strong argument. At this price, Hisense has included a 120 Hz panel, and in PC mode, it can even operate at 144 Hz. This immediately provides greater possibilities in motion settings, as the menu offers more options for smoothing the image. Among other things, we have frame interpolation options, which allow us to adjust the fluidity for sports or films, depending on whether we prefer a more cinematic character or a "theatrical" smoothness.

LG QNED offers a range of features that make it an excellent choice for gamers looking for a high-performance television. The television is equipped with four HDMI 2.1 ports, allowing for connection to the latest consoles, such as PlayStation 5 and Xbox Series X, and taking full advantage of features including Variable Refresh Rate (VRR) and Auto Low Latency Mode (ALLM). With the Game Bar feature, gamers can quickly and easily manage all their game settings without having to navigate through complicated menus. It is possible to adjust parameters such as VRR, ALLM, Multi View, and monitor frame rates. The television also supports G-Sync and FreeSync technologies, which is particularly important for owners of Nvidia and AMD graphics cards. G-Sync and FreeSync synchronise the television's refresh rate with the graphics card. The 120Hz panel ensures incredible motion smoothness and image clarity. Combined with the Black Frame Insertion (BFI) feature, available at 60Hz and 120Hz, gamers can enjoy an even clearer and smoother picture. LG QNED87 is a television that will meet the expectations of even the most demanding gamers, offering modern technologies and features that significantly enhance comfort and satisfaction in gaming.

The E7Q PRO is a phenomenal screen for gamers. Aside from the typical "ache" of Hisense, which is the lack of support for the HGiG format due to permanently active tone mapping, we get practically everything one can expect from a television that is to have a gaming label. There are two HDMI 2.1 ports, along with a full set of key features. We have variable refresh rates, automatic switching to game mode, and support for 4K at 120 Hz. Additionally, all the most important settings are at hand in a clear Game Bar. This tool not only looks modern but also has a typically "gaming" edge and truly makes life easier while gaming.