LG QNED86A / QNED85A / QNED87A vs Sony Bravia 3 50' (VA)

Against a backdrop of contrast and black, the brightness of the QNED86A and the overall HDR effect perform much better. This is a television that can achieve around 700 nits under the best conditions, so in terms of luminance alone, there is nothing to be ashamed of. As a result, scenes with strong lights, explosions, flashes, or bright parts of the landscape look clear and can make an impression. Interestingly, even in more challenging moments with small, contrasting elements on the screen, the television manages well with their backlighting, and the details are quite visible. The problem arises when there are many dark tones. The lack of effective local dimming causes the black to practically disappear, and instead, we get a grey haze spreading across the entire screen. This kills the sense of depth and makes the image look flat, as if it lacks a cinematic character. In bright animations or colourful family films, this will not be a problem, as vibrant colours and bright light dominate. But in horrors or productions set in darkness, these limitations are very strongly felt. As a comfort, it is worth adding that the QNED86A is actually a QLED television with a PFS LED filter, which gives it very good coverage of a wide colour gamut. Both the DCI-P3 palette and the broader BT.2020 perform really well here. This makes the colours in HDR films saturated, juicy, and with the appropriate depth – even if the black itself disappoints, the colours can save the viewing experience and make the image look attractive.

Interestingly, the 50-inch version of the Bravia 3 performs slightly better in terms of brightness than its larger variants. In measurements, it achieved around 370 nits, which still does not compete with top-tier televisions, but is sufficient to suggest a semblance of HDR effect. For some users, this level will be acceptable, while others will view it as typical for SDR content, where striking highlights or strong contrasts are not expected. It must be clearly stated that the Bravia 3 is not a television for those looking to extract the maximum quality from the most challenging film materials.

This does not mean, however, that everything performs averagely. Sony has equipped this model with an additional PFS filter, which works similarly to solutions used in QLED televisions. As a result, the coverage of the DCI-P3 colour gamut has increased to over 91 percent. In everyday use, this means more vivid, saturated colours and also a more pleasing image texture. Even though it lacks strong lighting effects, films and series can look significantly more appealing than with its predecessor, the X75WL.

We primarily tested the QNED86A in Filmmaker mode, which is designed to provide the most faithful picture. Unfortunately, right out of the box, there were quite a few shortcomings. The most noticeable was the poorly tuned white balance – there was a lack of blue, causing the overall image to take on a slightly yellowish, and at times even orange hue. An even bigger problem turned out to be the way the television manages brightness. Due to its technical limitations – specifically, local dimming that only works along the edges of the screen – the QNED86A tends to oversaturate entire scenes. This is where the flattening effect we mentioned earlier comes from. Instead of clear depth and contrast, we get something akin to “boosted brightness,” which can strain the eyes over time.

Sony Bravia 3 was primarily tested in film mode, which immediately proved to be the best choice among the factory settings. It is not an ideal picture, but compared to the eco mode that the television offers right out of the box, the difference is clear and it is a positive one. In film mode, one can notice a certain issue: the image appears too warm, which results from the lack of blue in the white balance. Nevertheless, in SDR content, the final effect can still be regarded as quite decent and satisfying for everyday viewing. Much more serious errors occur in HDR materials. The Color Checker analysis showed significant deviations, and poor brightness management, combined with limited colour gamut coverage, further exposes the shortcomings of the image in this mode. All of this means that HDR in the Bravia 3 edition is unconvincing and can spoil the impression left by a quite decent SDR content setup. Fortunately, this is not a hopeless situation. Various errors can be mitigated to some extent, and some can even be completely corrected through professional calibration. Therefore, we decided to check how the television would perform after such adjustments.

What has been saved in the QNED86A6A is undoubtedly the colours. After calibration, the white balance was set with great precision, ensuring that deviations on the Colour Checker palette mostly did not exceed the visibility threshold for the human eye. In other words – the hues finally looked natural, without the strange yellow or orange tones that previously spoiled the perception. Unfortunately, even the best calibration cannot circumvent the structural limitations. The already very modest number of local dimming zones and their unfortunate placement mean that the analysis of the EOTF curve in films still showed clear over-brightening of scenes. The picture tended to flatten, lacking cinematic depth. Fortunately, this effect is not so noticeable in older productions or in SDR content. There, the calibration truly makes a difference and allows one to harness the QNED so that the image can be appealing. However, the specifics of this construction – especially the issues with contrast – cannot be completely bypassed.

Calibration allowed us to extract significantly more from the ChooseTV 3 than we could have expected at first. Firstly, it was possible to address the lack of blue, which had previously caused a noticeable warming of the image. After a slight adjustment to the white balance, most of the errors in the Color Checker measurements for SDR content practically disappeared. The shades of white became more natural, and the brightness management in gamma stabilised to a nearly perfect level, not exceeding the threshold of human eye perception. Therefore, it can confidently be said that in SDR content, after a few adjustments in settings, the ChooseTV 3 performs really brilliantly. Much worse, although still definitely better than before calibration, are the HDR contents. The white balance was brought into order, but the limitations of the IPS panel are insurmountable. The lack of local dimming means that even the smallest elements can be overexposed, which is immediately noticeable. Colour-wise, the effect is also improved, although far from ideal – many errors still exceed the threshold of four, or even five delta E units, meaning they remain visible to the human eye. It was already clear earlier that the ChooseTV 3 is not a television designed to impress with HDR quality. Nonetheless, it is pleasing to note that in SDR content, after calibration, the image can look truly excellent, and in this category, the television positively surprised us.

If someone is worried about potential "steps" when blending colours, there is a simple way in the QNED86A to address this. Just activate the feature called Smooth Gradation and set it to a medium level. Then the television really smooths out all those unwanted transitions quite well – especially in older productions – and it does so in a way that film grain doesn't disappear, nor do strange artefacts appear. In other words, it can be used without concern.

The upscaling itself also performs quite well. Of course, there are no miracles here – with lower quality sources, you can notice characteristic ringing. Fortunately, there is a sharpness slider in the menu, and if someone prefers a more "soft" image, it can be quickly adjusted to personal taste.

Bravia 3 brings something more than just a shared name to the Sony television family. It stands out primarily for its ability to enhance the quality of inferior materials thanks to the processor used. Of course, we won't find the advanced XR chip known from more expensive models here, but nevertheless, it's worth noting that the image at lower resolutions looked surprisingly good. The upscaling worked effectively, and most parts of the screen were free from the typical excessive edge tearing characteristic of budget constructions. The feature enhancing the smoothness of tonal transitions is also noteworthy. In the high setting, it performs really well, effectively masking gradation imperfections without significant loss of detail. It does happen, however, that the algorithm overly smooths elements that should remain sharp – for example, faces – but overall, the effect is beneficial. The best results were achieved precisely at the highest setting, and this option could be recommended to those watching lower-quality content.

The QNED86A is equipped with a panel boasting a refresh rate of 120 Hz, so it can be said from the outset that it is suitable for both sports and gaming. And indeed, it is – the image appears smooth, and motion blur is not particularly intrusive. IPS panels have always had some issues with this, and here too, slight blurring can sometimes be noticed, especially in very dynamic scenes, but it is not something that ruins the viewing of a match or a fast-paced game. For cinema and sports fans, LG has included the traditional TruMotion smoothness enhancer. In the menu, we have two sliders – one for movies (De-Judder) and the other for sports (De-Blur). The first adds missing frames and can be adjusted to modify the character of motion – from raw, cinematic to a smoother, more ‘theatrical’ look. The second improves sharpness during dynamic actions, so it's worth turning it up a bit if you watch a lot of sports.

The fluidity of motion has never been a strong point of televisions equipped with 60 Hz panels, and the Bravia 3 is no exception. Nevertheless, Sony has added something that may appeal to those more sensitive to the way images are displayed. This refers to the proprietary motion smoother, Motion Flow, which offers users a considerable amount of adjustment options. With it, one can make the image smoother, even theatrical, or stick to a more cinematic style with the characteristic judder that many associate with a filmic atmosphere. These functions work with content shot at lower frame rates, such as films and series recorded at 24 or 30 frames per second, which is the kind of material we encounter daily. It is precisely at this point that the motion smoother turns out to be one of the most important features in everyday use of the television, and here the Bravia 3 performs quite well.

In terms of gaming, the LG QNED86A6A is a complete tool. It features four HDMI 2.1 ports with full bandwidth of 48 Gb/s, which means that whether you connect a PlayStation 5, Xbox Series X, or a powerful PC, everything will run in full 4K at 120 Hz with support for all functions. This is a significant advantage, as some competitors still only offer two such ports, which can be troublesome with multiple devices. It also includes VRR, or variable refresh rate, which eliminates screen tearing, as well as ALLM, which automatically activates game mode when the console is turned on. Dolby Vision Gaming is also included, along with proper implementation of the HGiG format, so titles that support these formats look more vivid and detailed. On top of all this, there is the Game Optimizer – a sort of control centre for gamers. From this interface, you can view picture parameters in real-time, quickly change modes, activate additional features, or adjust image settings to your personal preferences. The LG QNED86A6A essentially has everything one could expect from a modern gaming television.

Bravia 3 is not a device for e-sports enthusiasts or fans of late-night marathons with a controller in hand. The lack of 120 Hz refresh rate and HDMI 2.1 ports puts an end to that discussion before it can even begin. This is a television for casual gamers who, after work, will fire up FIFA or racing games, not for someone who measures every frame in a spreadsheet. Nevertheless, Sony has included a few nice extras so that it isn't all so bare. ALLM works as it should, automatically switching the television to game mode (low latency). There's even a simple Game Bar, which is clear and straightforward. However, the biggest curiosity here is the PlayStation Portal app. Thanks to it, you can launch games from the PS5 wirelessly and see them immediately on the television screen. It sounds great, but it only takes a few minutes to feel significant delays. In our opinion, it is more of a showcase of capabilities than something you can use on a daily basis. If someone really wants to play, it is better to connect the console with an HDMI cable and forget about wireless issues.