Compare: LG QNED80A6A (IPS) vs LG OLED C6 (WOLED)

The QNED80A variant based on an IPS panel is aimed at a completely different audience. If you are looking for a television for a place where life buzzes all day and family members watch TV from various spots, this will be a good choice. Wide viewing angles and saturated colours ensure that the picture looks good whether we are sitting directly in front of it or at the dining table. Of course, this is not perfect equipment, as there simply aren't any in this price segment. The IPS panel will not offer you pitch-black blacks, so evening horror screenings may appear slightly grey, and edge dimming in dark scenes can create noticeable light strips. Despite these shortcomings, the QNED80A makes up for them with its overall picture quality. The performance of the processor deserves great recognition – both scaling regular television to 4K and presenting details in HDR content are outstanding here. The picture is clear, sharp, and rich in details, even if the screen itself does not break brightness records. Combined with the fantastic WebOS system, which operates quickly and stably, this is a very safe, solid choice for everyday family entertainment at a relatively low price.

LG C6 is a very successful evolution of one of the most popular OLEDs on the market. The TV itself hasn't changed radically compared with last year's C5, the look is very similar, webOS offers comparable features, and gamers once again get pretty much everything you can expect from a modern television. You can't really complain, since the C5 was already a very complete piece of kit in that regard. The most important change came where there was still room for improvement, namely the panel itself. The new WOLED panel is noticeably brighter and about 1500 nits in HDR makes the C6 increasingly hard to dismiss as just a 'mid-range OLED'. HDR movies look very impressive, black remains perfect, colours are very good, and the new processor, the same one found in the flagship G6, handles upscaling and lower-quality material very well. On top of that there's a really strong set of features for gamers. 165 Hz on PC, VRR, G-Sync and very low input lag mean you can just as well hook up a console as a powerful PC. During the day the C6 also performs better than previous generations, although of course in a very bright living room you'll still find brighter TVs on the market. And that's probably exactly why we like the C series most: its versatility. The C6 doesn't try to be the best TV in every possible category, but it hardly performs poorly in any. It's suitable for cinema, sport, gaming, regular TV and everyday streaming. If its price falls after launch as it has with previous generations, it could be one of the most interesting OLEDs to buy in 2026.

If you come across a model equipped with an IPS panel, the situation changes dramatically, and let’s not beat around the bush – the contrast is simply weak. This is a natural characteristic of this technology, which pales in comparison to VA panels. Black, especially during evening viewings with the lights off, is rarely pitch black – it often leans towards shades of dark grey or navy blue. The real problem with this variant, however, is the way the local dimming system operates. Since we are dealing with edge lighting on a panel that inherently "lets through" more light, this system often does more harm than good. When a bright object appears on a dark background, the television tries to brighten it by activating the corresponding zone. The effect? Instead of a focused light, we see illuminated vertical bands stretching across the entire screen. Unfortunately, it looks worse than in the VA version. Due to the lower native contrast of the panel, these “light bands” (so-called blooming) are much more visible and stand out more sharply from the background. In many cases, these brightness jumps are so aggressive that instead of enjoying the viewing experience, we focus on the performance of the backlighting.

When it comes to black, there really isn't much to say. The LG C6 uses an OLED panel, so each pixel can be completely switched off. The result is exactly what you'd expect: perfect blacks, very high contrast and no halo around bright elements. This is particularly apparent in night scenes, where single lamps, captions or other bright points appear against a very dark background. The C6 handles them without issue and doesn't suffer from the limitations typical of Mini LED TVs with local dimming. Interestingly, in this respect it makes no difference whether we're talking about this C6 or the more expensive Tandem OLED variant. In terms of black levels both TVs perform practically identically. The differences between them are primarily to be found in brightness and colour.

NOTE: In the helicopter scene from the film Sicario 2 we noticed graininess and flickering in the darkest parts of the image. This looks like a software bug that LG should fix with an update. The effect is even more noticeable on the Tandem OLED version, and we observed similar behaviour on the flagship LG G6.

When it comes to image dynamics and brightness, the QNED80A firmly stands its ground. It is not a “bright beast” – during our measurements, peak luminance oscillated between 350-400 nits. To put it plainly: these values won't allow HDR formats to fully spread their wings. So, do not expect that the glare of the sun or car headlights in films will blind you. However, this television has a powerful ace up its sleeve that salvages the overall picture impression – and that is the colours. LG's engineers have employed an advanced filtration system (technically most likely based on PFS phosphor, marketed as QNED/NanoCell), which does a fantastic job. Thanks to this, despite average brightness, the screen is capable of generating exceptionally saturated and pure hues. Our instruments showed coverage of the wide DCI-P3 cinema colour palette at a level of 93-94%. This is a result that outclasses most standard LCD televisions. In practice, this means that when watching 4K HDR content, the picture – although not very bright – is very plastic, vivid, and delights the eye with its depth of colours.

The HDR performance of the LG C6 is really very good. LG Display's new WOLED panel has primarily brought a considerable increase in brightness. In our unit we measured around 1,500 nits and, importantly, the TV can deliver similar values in many typical film scenes. That gives the HDR the necessary impact. Bright highlights, lamps and sunlight can be really intense, and most HDR films simply look very impressive. Of course it's still an OLED, so brightness falls in scenes with a lot of white. This is well illustrated by the fifth scene in the film The Meg, where the C6 reached around 600 to 700 nits. That's still a very good result, but it also shows that the new panel hasn't shed all the limitations typical of OLEDs.

Colours

When it comes to colours, there is also little to complain about. The C6 covers about 99% of the DCI-P3 gamut and roughly 75% of BT.2020. In practice the colours are very saturated and, importantly, stable across different scenes. This is worth emphasising, because not every TV behaves the same in this respect. In some RGB Mini LED models colour saturation can depend more strongly on image brightness. A wider colour palette is nowadays offered mainly by QD-OLED TVs and new SQD models with a new generation of quantum dots. However, the C6 still performs very strongly here and is able to produce suitably saturated colours in most film scenes.

Here, regardless of whether you encounter the VA or IPS version, the situation is identical. LG engineers once again served us their vision of a "gaming look," which unfortunately has little to do with accuracy. When switched to console mode, the white balance automatically drifts towards very cold regions. The image is dominated by the colour blue, which makes it seem artificially sharpened, and the white is so aggressive that it appears burnt out. This creates an effect we associate with vibrant shop modes – everything is meant to shine and scream "I am digital." While some may appreciate this, we must say plainly: the image is not accurate. If you care about naturalness, we suggest you immediately check the settings and change the colour temperature to a warmer one.

Right out of the box the LG C6 is pretty well set up, especially if you choose Filmmaker mode. In SDR material the white balance is decent, although as brightness increases it starts to lack a bit of red. The picture becomes a little cooler as a result, but it’s not such a big difference that it stands out during normal viewing. More happens in the brightness response itself. Gamma is a bit low and instead of holding at 2.4 it sits closer to 2.1–2.2 over much of the range. In practice the C6 slightly brightens midtones. Shadows are therefore more readable, but the image loses some depth compared with how it should look in a dark room. In HDR the situation is a bit more interesting. The start of the grayscale looks very good, but from about 20–30% brightness the white balance starts to drift more and more. As brightness rises there’s more red and a noticeable lack of blue. In the brightest highlights the difference is already significant and also affects reproduction of some colors. The EOTF curve itself is handled fairly well over most of the range. The C6 only has a tendency to slightly brighten the image, which we also saw during our film comparisons. The largest deviation appears around the brightest highlights, where the TV begins to adapt the signal to the panel’s capabilities. So the out-of-the-box Filmmaker mode in HDR isn’t perfect, but overall it performs well. The biggest room for improvement is the white balance, especially at high brightness.

After professional calibration, the QNED80A in the IPS version has changed unrecognisably, especially with "ordinary" content (SDR). We managed to eliminate the greenish tint and calm down the overly bright gamma. In classic television or older games, colour errors (DeltaE) have dropped below the threshold of perception (value < 2). The picture is now coherent, natural, and truly pleasing to the eye. The situation is somewhat more complicated in HDR mode. Although the colours are now in place, the television has a problem with perfectly controlling the brightness (EOTF curve). Due to the limitations of edge lighting and the rather meagre adjustment options provided by LG in this respect, the television's software at times "does what it wants," just to mask the imperfections of black and contrast. However, this is not a cause for concern – despite these technical limitations, the picture after calibration is a class better than what you saw out of the box.

LG TVs have been very receptive to calibration for years and the C6 is no exception. After adjustment the white balance was set almost perfectly, and most colour errors dropped to values below 3, often even around 2. In practice this means very accurate colour reproduction, both in SDR and HDR. An interesting quirk only appeared with the luminance response in HDR. On a standard EOTF chart everything looks almost ideal and at first glance it would be hard to criticise. Only when we measured the TV's behaviour with filters based on actual film scenes did it become clear that the C6 has a slight tendency to artificially boost image brightness.

This is not a huge difference and many people may even view it positively, because HDR consequently looks a little more striking. From the perspective of fidelity to the source material this is not ideal, however, as some scenes are simply a touch brighter than the filmmaker intended. Interestingly, this is rather unusual for LG. In previous generations the brand's TVs typically stuck very closely to the reference picture characteristic after calibration. With the C6 we are still very close to the standard, but this subtle brightness boost is indeed noticeable in films and TV series.

The next very strong point of this model is the way it handles tonal transitions. Often in cheaper LCD constructions, we see what's known as banding – that is, a situation where the television cannot smoothly display a gradient, creating visible "steps" between shades. In the case of the QNED80A, the engineers did their homework. Regardless of whether we are watching a blue sky, fog, or dark scenes full of grey, the transitions between colours are extremely smooth and soft. There are no artificial cuts or jagged edges of colours. As a result, the image is very coherent and natural, which is by no means standard in this price segment.

The LG C6 handles tonal transitions very well. In most film scenes it was hard to spot any obvious posterisation issues. Both in the dark parts of the image and in bright transitions the colours remain relatively smooth and do not break up into visible banding. That’s good news, because WOLED panels have not always been perfect in this respect. On the C6 it is noticeably better, and during normal viewing this aspect of the picture should not draw attention.

Note: One drawback is the dithering visible around blacks. At close viewing distances you can notice slight flickering and graininess in the darkest parts of the image. It is not as pronounced as in the version with a Tandem OLED panel, but it still occurs, so in this category we decided to take a few points off the C6.

It often happens that cheap 4K TVs mercilessly expose the flaws of low-resolution materials. Here, it is different. The QNED80A is great equipment for watching content that is not perfect. The processor does a good job of upscaling the image, making even older recordings look quite decent on a 4K screen – they are consistent and free of digital noise. Interestingly, there is a gradation reduction feature available in the settings. It is very effective in combating the so-called banding in low bitrate materials. Of course, it should be approached with some caution. Due to the lower processing power of the chip (compared to the premium series), turning on this option can sometimes result in unwanted artifacts or blurriness. Despite this risk, we encourage experimentation, as in many cases this feature can save a poor-quality viewing experience.

Here the LG C6 has taken a real step forward. The TV uses the same processor found in the flagship G6, and in terms of image processing the two models are very similar. That's a considerable plus, because in this area LG's processor this year performs excellently. The "Smooth Gradation" function in particular works very well. With heavily compressed material it can effectively hide ugly banding and artefacts that often appear, for example, in lower-quality streaming. It's best to leave it set to "Low". That way the improvement is clear and the TV does not yet start blurring fine details. Higher settings smooth the image more aggressively but can already remove some of the natural texture of objects on the screen. Upscaling itself also performs very well. Lower-resolution content is sharpened correctly, edges look clean, and the processor quite effectively reconstructs fine details. In this respect the C6 is already very close to LG's best TVs and the differences compared with the G6 are small.

In terms of motion reproduction, the QNED80A unfortunately has a tough time. The television is based on a display with a refresh rate of 60Hz, which is quite a disappointment for the QNED series in 2025. If you are looking for perfect sharpness during dynamic football matches, you may feel somewhat unsatisfied. A solution in this situation is the TruMotion system. It allows for artificial frame generation, which smooths out the image in films and series. In the menu, you will find a De-Judder slider – we recommend setting it to a value of 2, 3, or 4. This is the "golden mean" that improves fluidity without turning the film into a soap opera.

LG C6 received a panel with a maximum refresh rate of 165 Hz, which is great news above all for gamers using a powerful PC. In films, sport or on consoles we will of course make use of up to 120 Hz, but even then it is hard to fault the motion clarity. As befits an OLED, the panel's response time is almost instantaneous. Moving objects therefore do not leave the characteristic smearing or trails that we can still see on LCD televisions. This is especially noticeable in sport and fast-paced games, where the picture remains very clean even during dynamic movement.

For films and television LG has also prepared the TruMotion motion smoothing system. In the user settings you will find two separate sliders. De-Judder primarily addresses low frame-rate content, that is mainly films and TV series at 24 fps. You can use it to slightly reduce the characteristic judder or set a higher value if you want a very smooth image. De-Blur is useful for higher frame-rate material, chiefly sports broadcasts and 50/60 fps television.

In the gaming section, we won't be pulling the wool over your eyes – the QNED80A is not e-sports equipment. The lack of 120Hz signal support is a fact that must be accepted. However, LG's engineers have done everything possible to maximise the potential of this 60Hz panel, providing gamers with a set of desirable features. First and foremost, the television supports VRR (in the range of 48-60Hz) and ALLM. This means that the image is smooth, not choppy, and the television automatically switches to low-latency mode as soon as we pick up the controller. Accessing these options is incredibly simple thanks to the dedicated system overlay – Game Dashboard. It’s also worth appreciating the support for the HGiG format. This is a nod to owners of modern consoles. Although the screen does not support gaming Dolby Vision, HGiG ensures that the television 'understands' how to display games in HDR. As a result, we avoid the problem of blown-out clouds, which is unfortunately a plague on cheaper LCD televisions.

LG has long focused heavily on gamers, and the C6 really lacks nothing important. The TV supports 4K at 120 Hz from consoles, and when connected to a PC it can run at up to 165 Hz. There is also VRR from 40 to 165 Hz, ALLM and a properly working HGiG. A big plus is support for Dolby Vision in games, so the Xbox Series X can use that format without giving up Game Mode. It's rounded off by a Game Bar, from which you can quickly check key signal parameters and change settings without leaving the game. In terms of features, the C6 is therefore one of those TVs that is really hard to fault. Whether you're gaming on a PlayStation, an Xbox or a PC, practically everything you could expect from a modern gaming TV is available here.

And what about responsiveness? Our measurements showed an input lag of around 15 ms. In the gaming world, where top monitors go down to 1 ms, this may seem like an average result, but in the category of living room televisions, it is a very good outcome. In practice, this means that when playing on a console, you will not feel any discomfort. There is no situation here where the character reacts with a noticeable delay after pressing a button on the controller. The television responds to the controller without delay, allowing you to enjoy gaming without unnecessary irritation. For casual gaming after work – a perfectly acceptable result.

When it comes to input lag, the C6 performs as a good gaming TV should. At 120 Hz we measured around 5 ms, so controller response is virtually instantaneous. At 60 Hz it increases to about 14 ms, but that's still a good result. Latency is slightly higher with Dolby Vision. At 120 Hz it's around 14 ms, and at 60 Hz about 22 ms. In practice, if you're playing normally on an Xbox, this is unlikely to be something that will actually bother you.

In terms of cooperation with a PC, we have another surprise waiting. Theoretically, it is IPS matrices that should dominate in displaying static office content due to their pixel structure. However, the QNED80A once again breaks the mould. During tests, we noticed strange behaviour when displaying text. While classic, bold fonts are readable and look correct, the issues begin with small, thin letters. They tend to "split" on the contours and cast a strange shadow. This causes the small text to become less clear and, with prolonged use, can be tiring for the eyes. Therefore, if you are looking for a television that will primarily serve to display tables in Excel or Word documents, this particular variant may disappoint you a bit.

The C6 also performs very well when connected to a PC. The TV correctly supports 4:4:4 chroma subsampling, so text, icons and other small UI elements are displayed sharply. That means it can be used without any major issues not only for gaming but also for regular work on Windows. A limitation remains the panel's four-subpixel layout. If you sit very close to the screen, you may notice slight coloured fringes on the edges of some fonts. This is not especially bothersome and from a normal viewing distance it practically disappears. The C6 also has a lot to offer PC gamers. With a PC you can use the full 165 Hz, and there is G-Sync, VRR and very low input lag, which at the maximum refresh rate is around 5 ms. Combined with the OLED’s lightning-fast response time, this delivers a very smooth, clean image with no visible smearing. So if someone plans to connect a powerful PC to the C6, the TV can comfortably serve as a large gaming monitor, and it also performs quite well for everyday work.

Do you remember how we complained about the weaker contrast? Well, now it's time for a comeback. It is precisely in terms of viewing angles that the IPS matrix shows its superiority and purpose. If you have a spacious living room, and family members watch television from different places – for instance, from an armchair in the corner or from over the table in the dining room – this variant will be spot on. Unlike VA matrices, here the image retains its properties even at a large angle. Colours remain vivid and do not change shades when viewed from the side. This makes the QNED80A in this version a fantastic choice for watching matches with friends or cartoons with children, where not everyone has the luxury of sitting directly in front of the screen.

Viewing angles on the LG C6 are excellent and effectively among the best you can currently find in TVs. This is largely thanks to the OLED panel itself. Even when you sit noticeably to the side, the image still maintains good contrast and the colours do not lose much of their saturation. That makes the C6 very well suited to a larger living room where not everyone sits directly in front of the screen. Only at very wide angles can you notice slight colour shifts, but during normal viewing it is hard to regard this as any real problem. In this respect, only Samsung Display's QD-OLED panels actually perform better.

QNED80A is not a "light monster", so in full, direct sunlight, the image may appear a bit washed out. This is not equipment designed to battle sharp sunlight hitting directly on the screen. However, it does have an ace up its sleeve that significantly improves user comfort: a matte screen coating. Instead of cheap, glossy finishing, LG has applied a satin structure here. It works very effectively by "softening" reflections from the surroundings. Therefore, we do not see our perfect reflection in the screen like in a mirror, which can be extremely annoying in darker scenes. So it may be insufficient for extremely bright rooms, but in standard, moderate home conditions, QNED80A will perform perfectly.

The LG C6 has a glossy panel that handles direct reflections quite well, but it does not eliminate them completely. If there is a large window or a strong lamp opposite the television, their reflections will still be visible. On the other hand, the screen preserves blacks well in a lit room and even during the day the picture does not become grey or washed out. In addition, the C6 is fairly bright in SDR. With typical content we measured around 470 nits, so in most living rooms it should cope during the day without much trouble. Brightness only begins to fall more noticeably when a large portion of the screen is occupied by white. This is still one of the typical characteristics of OLEDs and it can already be noticed with very bright content, such as winter sports. Overall the C6 will perform well in a normally lit living room. However, if the television is going to sit opposite huge windows and fight strong sunlight for most of the day, a bright Mini LED will still be the better choice.

WebOS Platform and Support

One of the greatest advantages of the QNED80A model is its "brain", namely the operating system. LG has implemented a fully-fledged WebOS version for 2025, which, in terms of smoothness and usability, is on par with more expensive models. Applications launch smoothly, and navigating the menu is a sheer pleasure. All thanks to the unique remote control with a pointer (cursor) function, which has undergone a visual revamp this year. The manufacturer has opted for minimalism – the new "Magic" is significantly smaller and more ergonomic. It fits perfectly in the hand, but this change has a downside. The physical numeric section has been removed from the casing. For the younger generation, accustomed to streaming, this is not a problem, but older household members who are used to entering channel numbers from memory will need to change their habits.

Everyday Use and Extras

In terms of functions we would call "classic", the QNED80A adheres to a tested standard. It is not a multimedia powerhouse that will surprise you with exotic features, but it performs excellently in everyday television use. The handling of traditional television, including Teletext, is correct and hassle-free. The wireless communication is also commendable – the Bluetooth module works reliably, allowing for quick connection to a console controller or wireless speakers. This is a television that simply "works" – stably, predictably, and without unnecessary complications.

Smart TV – webOS

Regardless of which C6 variant you come across, the set of features remains the same. The heart of the television is, of course, webOS, the system LG has been developing for many years. It runs quickly, is well optimised and, above all, provides access to practically all popular apps. Netflix, Disney+, Prime Video, YouTube, Max and other streaming services — in this respect it is hard to find major gaps. The system itself also offers a lot of extra options. There is AirPlay, easy screen casting from a smartphone, control of smart home devices and the ability to personalise the home screen. LG has been significantly expanding webOS for several generations and at times the number of available tabs or recommendations can be a little overwhelming (especially with ads in the background), but once you get used to it the system is convenient and, most importantly, works smoothly.

Classic television features

The C6 also handles being used as a normal television very well, not just as a screen for Netflix. Terrestrial TV support, the programme guide and channel switching all work smoothly and there is little to complain about. LG still offers the ability to record programmes to USB, so in terms of traditional features the equipment is really comprehensive. In fact we only miss two things here. The first is PiP, the ability to display two video sources at the same time. The second is a backlight for the remote, which would be particularly useful for evening viewing. Apart from that, the C6 has pretty much everything you can expect from a modern television.

Magic Remote: DIFFERENT VERSIONS

When buying the C6 it is worth paying attention to the remote, because LG has caused a bit of confusion here. During our tests we had, among others, the C64 variant, commonly found in large retail chains. The set included the new, much smaller Magic Remote Slim. It has fewer buttons and looks decidedly more modern, but still retains two of LG remotes' most distinctive features: the scroll wheel and cursor control by moving the remote. The C6E we tested, on the other hand, was equipped with the older, larger version of the Magic Remote. It works essentially the same, but has a classic numeric keypad and many more physical buttons. It looks less modern, but some people — especially those used to traditional remotes — may find it more convenient. So there is no single answer as to which remote is better. The new one is smaller, simpler and decidedly more contemporary; the older one offers faster access to a larger number of functions without having to navigate through menus. It's worth knowing that depending on the C6 marking, you may find one or the other variant in the box.

Many of us still enjoy watching films or photos from our own USB drives. Here, the QNED80A performs quite decently, supporting a wide range of video and audio codecs. Most film libraries will start "right away." However, it is important to remember the specifics of the WebOS system. Since this is a closed environment, we are reliant on what the manufacturer has prepared for us – there is no option to install alternative players (e.g., the popular VLC) if we encounter a read error. What kind of errors might we encounter? Primarily, the lack of support for HEIC files. So if you take pictures with an iPhone and want to display them on a large screen straight from a USB stick – the television won't recognise them. It's worth changing the photo format to JPG on your phone right away. We also noticed that the player struggles to process very large graphic files. Photos with resolutions of 20-28 Mpix may not load or cause errors. Aside from these exceptions – the operation is seamless.

During our tests the television handled virtually all the most popular video formats we copied onto a USB stick with no problems. There were no issues with high bitrates, subtitles or more demanding files, so in that respect there is little to complain about. The only exception was material with a DTS audio track. That is no surprise, however, because the television simply does not support that codec. Aside from that, the player is good enough that most users can get by without installing external apps or connecting an additional player.

When it comes to sound, the QNED80A fits the market standard for mid-range televisions. We are dealing with a classic 2.0 setup with a power of 20 watts here. We won’t hide it – you cannot cheat physics. The sound lacks low tones (bass) and that specific depth which creates an atmosphere in action films or when listening to music. However, the television has one significant advantage that users of traditional television, such as for series and news programmes, will appreciate. That is the reproduction of speech. The dialogue is surprisingly clear and natural. The sound is not "bass-heavy" or artificially boosted, which makes it easy on the ears and allows one to understand every word of the commentator without the need to increase the volume.

In terms of sound, the C6 has hardly changed compared with last year’s C5. It still uses a 2.2-channel system with a total output of 40 W, so a somewhat more solid foundation than many TVs that rely on simple 2.0-channel setups with 20 W. In practice the sound is quite good. Dialogue is clear, the tonality is not overly flat, and the extra speakers deliver a bit more bass than many basic TVs. Of course it still won’t replace a good soundbar, let alone a home cinema, but it is perfectly adequate for everyday TV viewing. There is a small step back in the settings. LG removed some of the preset sound modes this year, which makes it a little harder to tailor the sound to your preferences than with the previous generation. For that reason our score is slightly lower, although the speakers’ actual capabilities remain virtually unchanged. A plus is support for Dolby Atmos, currently the most popular surround-sound format for films and streaming. Support for DTS is still missing, which may matter mainly to people using their own film libraries on discs or as digital files.

LG QNED80A6A (IPS) vs LG OLED C6 (WOLED)

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Colours

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

Daytime performance

Panel details

TV features

Classic features:

Smart features:

Sound connection options

Supported audio formats (external HDMI eARC audio):

Senior accessibility

WebOS Platform and Support

Everyday Use and Extras

Smart TV – webOS

Classic television features

Magic Remote: DIFFERENT VERSIONS

Apps

Playing files from USB

Sound

Sound Quality Test

Acoustic Measurements